Sign up
Search
Advanced search settings

Search only in certain items:

Search results
All (3061)
Content
People
Apps
Books
Orbs
Movies
Music
Podcasts
Shows
Tabletop Games
Tech
TV
Video Games
YouTube Channels
Videos
40x40

Awix (3310 KP) rated The Mummy (2017) in Movies

Feb 11, 2018 (Updated Feb 11, 2018)  
The Mummy (2017)
The Mummy (2017)
2017 | Action, Adventure
4
5.1 (122 Ratings)
Movie Rating Watch
Oh, Mummy.
Laborious attempt by Universal to grab a slice of Marvel's meta-franchise pie by launching a series of fantasy blockbusters based on their stable of famous monster characters. Tom Cruise plays an annoying mercenary who catches the eye of an ancient and evil supernatural creature unearthed in Iraq.

There's a good reason why sensible studios don't try to make horror blockbusters, and especially horror blockbusters starring Tom Cruise - every time the film starts to be effectively creepy or atmospheric, along comes a CGI-enhanced chase sequence, or Tom Cruise doing that smirk, or some other manifestation of corporate blandness. Isn't Tom Cruise too old for this sort of thing? Watching him flirting with a considerably younger actress is by far the creepiest thing in the movie, and he seems quite incapable of the moral ambiguity the part probably requires - Russell Crowe, in the Samuel L Jackson plot-device-character role, acts him off the screen.

You scratch your head wondering how this thing is supposed to work - are all the monsters going to team up together? And do what, exactly? No-one seems to have thought this through. It's much more of a zombie movie than one about an actual mummy, anyway. The depiction of the one-way system in Oxford City Centre is also very misleading; I nearly knocked off a point because of it.
  
40x40

David McK (3194 KP) rated The Ultimates, Volume 1: Super-Human in Books

Jan 28, 2019  
TU
The Ultimates, Volume 1: Super-Human
Mark Millar | 2006
4
6.0 (2 Ratings)
Book Rating
I only picked this up recently out of curiosity when Marvel started doing a hard-backed comic-book collection, to see what it would be like.

Now I've read it, I have to say: I wasn't really that impressed by this. Written pre Joss-Whedon's Avengers movie (and even pre the Marvel Cinematic Universe), I found pretty much all of the characters within to be unlikeable and uninteresting: while you can get away with the former, the latter, however, is a major flaw (IMO) in any story.

I don't know whether that's because I associate the characters more with their big-screen counter-parts than with how they are presented here (both of which, incidentally, are designed to show how the team comes together), with Hank Pym, in particular, coming across as a bit of a jerk while Betty Ross (Bruce Banner's girlfriend) also comes across as, well, just not that pleasant at all.

On the plus side, I did like the (somewhat meta) panels where they were all discussing who would play themselves in the Hollywood adaptation ...

I also noticed that, unlike their movie counterparts, they are able to use the term 'mutants': a term which, I believe, Marvel are unable to use on the big (or small) screen as it is licensed to Fox instead .
  
40x40

LoganCrews (2861 KP) rated We Summon the Darkness (2019) in Movies

Jan 5, 2021  
We Summon the Darkness (2019)
We Summon the Darkness (2019)
2019 | Horror, Thriller
6
4.7 (7 Ratings)
Movie Rating Watch
This is fun but there's no reason it shouldn't be gorier, crazier, more inventive, and/or more insightful given the film's insanely clever choice to frame a horror/slasher flick through the lens of religious sects vs. metal culture in the 80s - but I digress, perfectly serviceable fluff trash as it stands. Daddario is awesome in it, and I just can't get enough of Knoxville as a deliciously fire-and-brimstone pastor. I at least appreciate the formality - I'm glad this wasn't an obnoxiously meta "hey, remember this?" nostalgia soundboard like droves of films or shows detrimentally feel the need to become whenever they're set in the 80s now. But at the same time, there's so much potential for super bombastic kills and nuanced commentary that never was, and in their place it just tends to lumber for no real reason. Otherwise entertaining solely on principle, with another dependably cool score from Timothy Williams keeping things entertaining. And yes the twist is as righteous as everyone says. Not going to shake a stick at the amount of blood, enjoyment, and amped-up performances this does end up delivering - it's a decent little throwback slasher on its own - but God could you imagine if like Adam Wingard had made this? Holy hell what a picture that would have been.