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LoganCrews (2861 KP) rated Jarhead (2005) in Movies

Sep 20, 2020

Jarhead (2005)

2005 | Drama

5.0

(5 Ratings)

Movie Rating

𝘉𝘰𝘯𝘦𝘩𝘦𝘢𝘥. At least 90% surface-level and even more largely reductive - of course it is - but it's also totally incompetent. A 2+ hour torture session slog through a barren wasteland visually (Deakins of course shoots the living hell out of it, so there's some damn fine imagery every now and again but Jesus Christ could we do more than two fucking [mawkish and over-obviously symbolized] colors for this whole thing?) but moreso narratively, where this has absolutely nothing to say. You'd think this intentionally dances right around any sort of gift-wrapped commentary about the Gulf War, toxic masculinity, the late 1980s, the American military for young men, or literally anything at all with how dead and non-thematic this awkward crawl is. It can't even be bothered in exploring its own characters lives, I kept forgetting who these people even were - the movie clearly didn't care about them so why should I? Also has the same problem most of these one-dimensional, pandering, tedious war flicks have where it rushes right through the supposed pivotal moment all of this arduous buildup was clearly meant for when they all return home and it's only like 5 minutes of soap opera-level crap and a cheesy 'mic drop' finisher. At its best when it gets weird and Sam Mendes-y, and I can't say it's without solid moments of haunt - plus Gyllenhaal, Sarsgaard, and Foxx keep it marginally more tolerable - but even if it *could* handle its tone (spoiler alert, it can't) this still plays like it was made by complete idiots who only cared about this being would-be Oscar bait.

Kudos

Gareth von Kallenbach (980 KP) rated American Assassin (2017) in Movies

Jul 11, 2019

American Assassin (2017)

2017 | Action, Thriller

6.4

(35 Ratings)

Movie Rating

Traumatic events affect people differently. Some avoid anything that resembles that moment or triggers memories of it. Others are impacted so deeply that they must take action. American Assassin, based on the Vince Flynn books, features Dylan O’Brien (Maze Runner) as Mitch Rapp who wants to avenge the killing of his girlfriend in a terrorist attack. Upon his attempt to track down the men responsible, he is recruited by the CIA to help them track down the perpetrator of several attacks on civilian and military targets.

The film is ambitious in its approach to entering the realm of spy thrillers. There is no real depth to the film or moments that make the audience truly invested in the characters onscreen. At times, the story feels rushed, repetitive, and confusing. The actions scenes, however, are engrossing and give the audience the sense of chaos that would be felt if they were a part of it. The most interesting aspect of the film is not the story, but Michael Keaton’s portrayal of Stan Hurley, who leads Rapp on their international quest to find a rogue agent and prevent a nuclear detonation. Keaton’s character seems to be a combination of some of his more iconic roles allowing for much more depth, connection to be made between him and the other characters, despite the lack of chemistry between them collectively.

American Assassin is a good action film for those looking for an escape in the theaters, but for those looking for something that will rival any of the Bourne films, or the James Bond series, they are going to be sorely disappointed.