"“I get what Bryan Ferry is trying to do – experimenting in a bizarre world and then couching what he finds in the style and language of the hunting set. It’s an exotic, intriguing concept and he’s the only one doing it. “This song [about a love affair with a blow-up doll] reveals a corner of your psyche that not many people would like to admit exists: that the mind wanders into dark places and the body follows. It’s a romantic delusion and it’s fascinating material for a song."

"I get what Bryan Ferry is trying to do – experimenting in a bizarre world and then couching what he finds in the style and language of the hunting set. It's an exotic, intriguing concept and he's the only one doing it. This song [about a love affair with a blow-up doll] reveals a corner of your psyche that not many people would like to admit exists: that the mind wanders into dark places and the body follows. It's a romantic delusion and it's fascinating material for a song."

"I loved it. I thought it was such a sensual movie. I’ve always been a very curious person when it comes to sensuality and sexuality. I was raised by a mother that always taught my sisters and I that the body is not what’s tainted, it’s the mind. Therefore there was a lot flexibility; she gave us a lot of responsibility. She trusted us with things that kids aren’t supposed to be watching. My mom has a version of what censorship is, and it’s quite different to what censorship means to a lot of societies and cultures. I was very grateful for that because it taught me so much passion, and it taught me to feel okay with the human body and wanting passion and love. And The Hunger was an amazing love story. I loved the performances by Catherine Deneuve and Susan Sarandon and David Bowie."

"My favorite of Ingmar Bergman’s many great films. Funny, romantic, and profound, it is the most perfect period costume dramedy. “Love is the perpetual juggling of three balls: heart, mind, and body,” says Eva Dahlbeck as the aptly named actress Desirée Armfeldt. Tell me about it! Gunnar Björnstrand is great as the unbearable lawyer Egerman, playing against the delightful trio of Swedish actresses Harriet Andersson (beyond cute), the aforementioned Dahlberg, and Ulla Jacobsson. A good entry into the world of Bergman for anyone who is expecting dark meditations on mortality."

"A beautiful film about Charlie Parker, played brilliantly by Forest Whitaker, and directed by an actor who’s obviously a big jazz fan. Bird really shows you how ludicrously gifted Parker was, how his mind worked on a completely different level, but also how much he got lost in self-loathing, and how addiction made everything fall apart. Parker was 34 when he died, but the coroner thought he was 60, looking at his body. By getting into the New York club scene and looking at aspects of racism, this film also shows just how much Parker achieved, given everything he was fighting against."