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Awaken Online: Dominion
Awaken Online: Dominion
Travis Bagwell | 2019 | Science Fiction/Fantasy
9
9.0 (1 Ratings)
Book Rating
Another excellent tale in the world of AO
This the 4th "full-length" (though the side quests aren't exactly novellas!) story in the LitRPG series starts of with Jason in his new incarnation as a "Keeper". He has a new set of tools, necromancy spells and abilities to get to grips with, and a new threat to overcome.
For once, the in-game story is split between characters, as we see Jason and Riley take on new training regimes (Jason has finally realised he can't always cower in the background letting his zombies and skeletons do all the work and he has to become better at combat himself), Frank goes on tour to secure the outlying towns of their growing empire, and the baddie Alex plots to get some revenge on Jason for publicly besting him. We also spend time in the real world as a senatorial hearing is opened to look into allegations that Awaken Online may not be safe for its users.
All of the characters develop notably in this book, none more than Jason who has to do some soul-searching, change his in-game role, and also make peace with what the game technology may be doing to his mind and body.
The story is strong, though with a smaller scale in its problem solving than before - the focus is more on Jason and Riley's personal challenges rather than larger quests. It is a little heavy on the admin at times but given how complicated games like this would be that adds to the immersive feel of the book.
The only main gripe for me is the use of the word "tendril" on almost every page, and the occasional use of "overtop" which very much jars when read.
Otherwise, another superb, gripping tome in this online fantasy world.
Next up is Frank's side-quest, hopefully before Christmas (I can't seem to keep up with Bagwell's output and am always at least 2 books behind!).
  
Enter the Void (Soudain le vide) (2010)
Enter the Void (Soudain le vide) (2010)
2010 | Drama, International, Mystery
10
10.0 (1 Ratings)
WOW!
Not many modern filmmakers garner such a reputation for being controversial and are well deserved. Lars von Trier and Ari Aster come to mind, but I am sure there are others. They pull no punches with their work, so most provoke extreme reactions either love or hate. Maybe also appreciate the art form or what they are trying to say, but do not enjoy the extreme sex or violence or shock value from many of their scenes.

From the psychedelic opening credits (which are the complete film credits by the way, meaning no end credits at all) this film grabs your attention and should immediately realize what you are about to watch is going to be different, exciting, revolting and most of all unique in every way from most movies you have seen in your life until now.

The film focuses on the relationship between Oscar and Linda, a brother and sister living in Japan when tragedy strikes. Oscar goes to meet a friend for a drug deal only to have something go very wrong. For some reason, the police are present and pursue Oscar to the bathroom where he tries to dispense the drugs eliminating the evidence down the facilities. Shortly after, Oscar is shot in the chest and dies on the bathroom floor.

It seems as if Oscar's "soul" leaves his body and begins a hallucinatory journey interacting with his former friends, acquaintances and sister in a spiritual and mind blowing way to help make him and the audience understand the events which led to his death.

The siblings have had a rough life including the horrible death of their parents in an automobile accident when they were young. They were in the back seat as well, so not only witnessed the physical and emotional trauma, but also had to endure the subsequent separation from each other through foster care having to grow up without each other. Before they were separated, they made a blood pact and said they would always be there for each other no matter what.

Linda works at a dance/strip club and the forlorn about the death of her brother, but continues her job duties including dancing and having sex. She gets pregnant, then deals with the repercussions of the act. She becomes increasingly despondent with her life and wishes her brother was still with her.

Oscar's spirit meanders through the lives of his former life watching and understanding the emotions of those left on Earth.



The film is hard to explain and therefore maybe hard to understand as well. This seems to be one of those movies that is not only the words that are spoken, but the emotions that are portrayed and not said aloud. Whatever you believe spiritually about the soul and reincarnation, this film is not here to change your religious beliefs. It is shown in "first person" most of the time, so you interact with the characters of Oscar's life just as he is.

The use of neon colors both on the exterior cityscape of Japan and interior shots o the dance club are gorgeous and reminded me of what the world would appear as if life used a blacklight. The sequences of drug use could not be described as anything else other than living artwork. The rainbow kaleidoscope of the "trip" were reminiscent of "2001: A Space Odyssey" and I read afterwards which is where Noe drew some of his inspiration.

Undoubtedly, the multitude of graphic sex scenes and shocking imagery will turn many off as some of it is pretty extreme, but I feel suits this film symbiotically and perfectly. In fact, the second half of the film is more style than substance (which you could probably say for a lot of Noe's films), but somehow you don't mind since you are along for the ride and enjoy the spectacle anyways.

After reading about the film after my viewing, I discovered there is a "director's cut" including around 20 minutes of additional scenes bring the running time to over 2 1/2 hours.

It looks like I'll be getting the Blu-Ray and watching again in a few weeks!

  
    Linelight

    Linelight

    Games and Entertainment

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The Sea of Lost Girls
The Sea of Lost Girls
Carol Goodman | 2020 | Thriller
8
8.0 (1 Ratings)
Book Rating
Tessa has started her life over at Haywood, an elite boarding school in coastal Maine. She teaches English there and is married to a well-respected fellow professor, Harmon. Her seventeen-year-old son, Rudy, while troubled in the past, seems to be doing well. This is much in part to his girlfriend, Lila Zeller, a smart and focused teen. But then Tessa gets an early morning text from Rudy, asking her to pick him up. He and Lila had a fight, and Tessa finds him wet and shivering. Later that morning they receive the devastating news that Lila's dead body was found on the beach, not far from where Tessa picked Rudy up. Soon there are whispers of murder surrounding Lila's death, and both Tessa's husband and son find themselves under investigation. And the more she delves into Haywood's past, the more she realizes she isn't the only one keeping secrets.


"When we landed here in this pretty harbor town with its sailboats and white clapboard houses I'd thought we'd come to a place where we'd always be safe. But Rudy has always had a nose for darkness."


I love Carol Goodman's books, and I'm always into a good boarding school book, so picking up this one was a no-brainer. She doesn't disappoint. This is a quick, captivating story that keeps you guessing the entire time. While Tessa isn't always the most likeable character, I was certainly invested in her story.

Goodman deftly weaves two storylines together--the present, featuring Tessa's family and Lila's death and the past, which revolves around the titular lost girls, whom tie back to Haywood in its earlier days. We also learn more about Tessa's past and her long-hidden secrets, many of which also link into Haywood itself. Somehow all of this works together. It's a mysterious, sometimes dark story, and one that keeps you wondering. I changed my mind several times about who could have harmed Lila. I love a book that keeps me on my toes. I also enjoyed the story of the lost girls and the school's eerie stories.

Goodman is a master storyteller, and this book flies by. She brings in links such as "The Crucible," which the Haywood students are performing, and ties to the #metoo movement. They all augment this strong story about the power of lies and hidden secrets. The parallels between the past and present are expertly woven together. 4 stars.