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Gareth von Kallenbach (980 KP) rated Valerian and the City of a Thousand Planets (2017) in Movies
Jul 11, 2019
Alpha, the inter-universal coalition of a thousand planets that has evolved to support millions of life forms, is under attack. Valerian and his partner, Laureline are assigned to find the culprits and destroy them. Based on the main characters in the 1967 French comic book series Valerian and Laureline. Luc Besson sends us out into the vastness of the universe and shows us how wondrous it can be.
The director of The Fifth Element has been working on this film for about ten years. Besson has mentioned he had wanted to work on this project for years and it would not have been made before the technology used in James Cameron’s Avatar. The film is a eye-gasming smorgasbord of star systems, planets and five hundred different alien species. The story itself does not hold many surprises. Heroes looking for villains, lasers pew-pewing across time and space. Goal to save the world as they know.
Valerian (Dane DeHann) and Laureline (Cara Delevingne) have a cool/electric repartee of partners who know each other well and are working to combat the underlying…tensions. We learn that Valerian, quite confident in his abilities does not work as well without Laureline by him. Not as the sidekick, but equal. Throughout the film, we see the humor in their relationship with the push and push of their personalities trying to gain the upper hand. The film has some visual and physical comedic moments that tip the hat to screwball, buddy comedies.
The movie is such an incredible visually dazzling event throughout, there’s so much going on that at times I wondered what I could have been missing . The characters are striking: Rhianna’s performance as Bubble was an ocular delight. The costuming and makeup were fanciful, artistic and offbeat. All the CG work in this movie truly makes me wonder what it is like to live in Luc Besson’s mind. I can see the inspiration taken from the comic books which give us the characters and storyline, but the imagination that illustrates Valerian and Laureline’s universe on the big screen is absolutely mind-blowing.
If you are a fan of the Fifth Element, you will enjoy this film. However, you don’t need to be a fan to enjoy this adventure. I highly recommend that you view this in 3D, it enhances the vision created by Besson.
The director of The Fifth Element has been working on this film for about ten years. Besson has mentioned he had wanted to work on this project for years and it would not have been made before the technology used in James Cameron’s Avatar. The film is a eye-gasming smorgasbord of star systems, planets and five hundred different alien species. The story itself does not hold many surprises. Heroes looking for villains, lasers pew-pewing across time and space. Goal to save the world as they know.
Valerian (Dane DeHann) and Laureline (Cara Delevingne) have a cool/electric repartee of partners who know each other well and are working to combat the underlying…tensions. We learn that Valerian, quite confident in his abilities does not work as well without Laureline by him. Not as the sidekick, but equal. Throughout the film, we see the humor in their relationship with the push and push of their personalities trying to gain the upper hand. The film has some visual and physical comedic moments that tip the hat to screwball, buddy comedies.
The movie is such an incredible visually dazzling event throughout, there’s so much going on that at times I wondered what I could have been missing . The characters are striking: Rhianna’s performance as Bubble was an ocular delight. The costuming and makeup were fanciful, artistic and offbeat. All the CG work in this movie truly makes me wonder what it is like to live in Luc Besson’s mind. I can see the inspiration taken from the comic books which give us the characters and storyline, but the imagination that illustrates Valerian and Laureline’s universe on the big screen is absolutely mind-blowing.
If you are a fan of the Fifth Element, you will enjoy this film. However, you don’t need to be a fan to enjoy this adventure. I highly recommend that you view this in 3D, it enhances the vision created by Besson.
Phillip McSween (751 KP) rated Citizen Kane (1941) in Movies
Sep 30, 2019
Beautiful Cinematic Treat
Citizen Kane follows the life of a newspaper tycoon. I saw this movie months ago, but have been dreading the review due to my scoring. Granted, I LOVED this movie, I just know there will be those that say I should have scored the movie higher and I’m ok with that. Here goes nothing…
Acting: 10
Orson Welles delivers a powerful performance as Charles Foster Kane. In my eyes, I see him as the original Tony Stark: Powerful, suave, and undeniably lovable. His presence takes over making it hard for me to remember the impact of other performances. There is no doubt that this is a classic, iconic role.
Beginning: 10
Characters: 10
Again, I could watch a movie made up of just Charles Foster Kane and no one else and still enjoy it. Yes, there were other characters that contributed to the film’s overall impactfulness, but the character of Kane is one you remember for a long time. He is a well-layered powerful man that has a lot brewing beneath the surface. He is compensating for something missing in his life and it doesn’t take us long to see this. His journey is definitely one worth watching.
Cinematography/Visuals: 10
Conflict: 8
Entertainment Value: 10
The entire movie revolves around a mystery: What exactly is rosebud? It takes us all the way to the end to truly find out what that means. I don’t know about you, but I spent much of my time while watching the film trying to find hints to what the mystery could mean. This made the movie all the more interesting and it was a clever way to keep me engaged. This movie doesn’t need a full two hours to pack a powerful punch.
Memorability: 10
Pace: 8
Plot: 10
Resolution: 6
Here’s where i get crucified: I think the ending to Citizen Kane is a bit overrated. When I found out what it all meant, I kind of rolled my eyes a bit. I didn’t hate it, but also didn’t see what the big deal was.
Overall: 92
Citizen Kane definitely deserves its classic status and I agree that, even to this day, it is still one of the best movies ever made. I won’t go as far as to say the greatest movie of all time (as of today it sits at 87 on my list), but it is truly a movie to remember.
Acting: 10
Orson Welles delivers a powerful performance as Charles Foster Kane. In my eyes, I see him as the original Tony Stark: Powerful, suave, and undeniably lovable. His presence takes over making it hard for me to remember the impact of other performances. There is no doubt that this is a classic, iconic role.
Beginning: 10
Characters: 10
Again, I could watch a movie made up of just Charles Foster Kane and no one else and still enjoy it. Yes, there were other characters that contributed to the film’s overall impactfulness, but the character of Kane is one you remember for a long time. He is a well-layered powerful man that has a lot brewing beneath the surface. He is compensating for something missing in his life and it doesn’t take us long to see this. His journey is definitely one worth watching.
Cinematography/Visuals: 10
Conflict: 8
Entertainment Value: 10
The entire movie revolves around a mystery: What exactly is rosebud? It takes us all the way to the end to truly find out what that means. I don’t know about you, but I spent much of my time while watching the film trying to find hints to what the mystery could mean. This made the movie all the more interesting and it was a clever way to keep me engaged. This movie doesn’t need a full two hours to pack a powerful punch.
Memorability: 10
Pace: 8
Plot: 10
Resolution: 6
Here’s where i get crucified: I think the ending to Citizen Kane is a bit overrated. When I found out what it all meant, I kind of rolled my eyes a bit. I didn’t hate it, but also didn’t see what the big deal was.
Overall: 92
Citizen Kane definitely deserves its classic status and I agree that, even to this day, it is still one of the best movies ever made. I won’t go as far as to say the greatest movie of all time (as of today it sits at 87 on my list), but it is truly a movie to remember.
TacoDave (3862 KP) rated Lost and Found in Books
Oct 3, 2019
Plot (4 more)
World-Building
Characters
Dialogue
Concept
Small focus (1 more)
Plot coincidences
A smaller-scale story by the master of epic sci-fi
"Lost and Found" is a story about micropowers - small, seemingly useless powers that are almost the opposite of superpowers.
The main character, Ezekiel, can touch something that is lost and sense who and where the owner is. A lost toy on the ground might call out to him, asking to be returned to its five-year-old owner. Or a lost shoe might give him the impulse to track down a businessman. The power sounds useful, but since everyone assumes he is a thief (how else would he know where these items belong?), it is more of a burden than a blessing.
Everything changes when a police officer asks Ezekiel to help find a missing child. Could his "power" actually be useful? Or is it impossible to find a person who is "lost?" That's the main story of the book, and it is an intriguing concept, especially when Ezekiel meets other people with odd micropowers.
After saying all of that, how is the book? It's good! It isn't quite as engaging as some of Card's other books, but only because it is smaller in scale and scope. The Ender saga (which is up to approximately 12 books by now) feels important. The themes, moral dilemmas, and human interactions all have weight to them because of how epic the story is.
"Lost and Found" has a bit of adventure and danger, but it is much more grounded. It is focused on (almost) regular humans living their lives in contemporary times. So it is a touch lighter, a touch simpler than some of Card's other books.
Having said that, I thoroughly enjoyed the book from beginning to end and would love to find out more about micropowers and just how inane they might be. The world-building is good enough to make me crave more.
One last note: the micropowers discussed actually *do* relate to the Ender saga, because they seem to be based (intentionally or not) on philotic rays. The main character can "feel" a connection between lost items and their owners. Another character can "feel" where spiders are. And one can "feel" other peoples' navels. It instantly reminded me of the ansible, the hive queen, and philotic webs. So that's something.
The main character, Ezekiel, can touch something that is lost and sense who and where the owner is. A lost toy on the ground might call out to him, asking to be returned to its five-year-old owner. Or a lost shoe might give him the impulse to track down a businessman. The power sounds useful, but since everyone assumes he is a thief (how else would he know where these items belong?), it is more of a burden than a blessing.
Everything changes when a police officer asks Ezekiel to help find a missing child. Could his "power" actually be useful? Or is it impossible to find a person who is "lost?" That's the main story of the book, and it is an intriguing concept, especially when Ezekiel meets other people with odd micropowers.
After saying all of that, how is the book? It's good! It isn't quite as engaging as some of Card's other books, but only because it is smaller in scale and scope. The Ender saga (which is up to approximately 12 books by now) feels important. The themes, moral dilemmas, and human interactions all have weight to them because of how epic the story is.
"Lost and Found" has a bit of adventure and danger, but it is much more grounded. It is focused on (almost) regular humans living their lives in contemporary times. So it is a touch lighter, a touch simpler than some of Card's other books.
Having said that, I thoroughly enjoyed the book from beginning to end and would love to find out more about micropowers and just how inane they might be. The world-building is good enough to make me crave more.
One last note: the micropowers discussed actually *do* relate to the Ender saga, because they seem to be based (intentionally or not) on philotic rays. The main character can "feel" a connection between lost items and their owners. Another character can "feel" where spiders are. And one can "feel" other peoples' navels. It instantly reminded me of the ansible, the hive queen, and philotic webs. So that's something.
Neon's Nerd Nexus (360 KP) rated Hustlers (2019) in Movies
Sep 16, 2019
Diva is the female version of a Hustler
Hustlers is such an extremely glamorous and electrifying film that once you are pulled in and comfortable under its spell it rips the rug right from under you bringing you crashing down into the harsh realities of the real world. From its trailer you may dismiss Hustlers for being a seedy throw away cash grab movie but to do this you would be missing out on one of this years best films. Playing out somewhere between Widows and the Wolf Of Wall Street Hustlers is smart, hard hitting and classy with a perfect dash of comedy too. Shot exceptionally with fantastic cinematography Hustlers drips style and glam making it almost seem like a dizzying fantasy film at times. We are shown the harsh realities of the stripper industry and just how much hard work has to be put in constantly to get any kind kind of pay off back. These girls literally put their heart, sweat and tears into this job sacrificing their wellbeing and health just to pull the wool over the customers eyes making them believe its the place of their dreams so in turn they earn more money. Everything is a lie and the constant comparison of stripping and wall street is explored greatly with the line between whats wrong and right always being contested. Theres no doubt that what both sides do is wrong but the film brilliantly makes you care for both of them equally depicting both as victims just trying to get by in a harsh world but also as heartless animals doing anything to become top dog. Its all really is thought provoking stuff and some of its themes of how selfish, obsessive, disturbing, desensitized, cold & heartless we have all become are so relevant at the moment too. There's also a very heavy theme of rape and how no matter what the circumstances exploiting anyone in a vulnerable state is still taking advantage wrong and unacceptable on every level. Acting is superb too with Jennifer Lopez and Constance Wu putting in next level performances. Hustlers really impressed me, theres not one ounce of exposition here as all the film and its characters demand is that your paying attention assuming that you are smart enough to think for yourself instead which I truly admire.
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