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Leanne Crabtree (480 KP) rated The Kiss Thief in Books
Jan 8, 2021
This review and more can be found at my blog https://aromancereadersreviews.blogspot.com
A Romance Reader's Reviews
This has been borrowed from the Kindle Unlimited library.
The Kiss Thief starts with a party - one almost from the 1800's, as Francesca points out - with waltzes and masquerade masks. She wants to kiss her childhood sweetheart Angelo that night but after spilling that secret during a dance with Senator Wolfe Keaton when he goads her, he steals her first kiss by wearing Angelo's mask.
What follows is a lot of political posturing and violence as Wolfe threatens to bring down Francesca's mob father unless he can marry Francesca. It's not a romantic gesture, it's a power play.
Of course, things start to change as they begin to know each other. Feelings start to change. Francesca gets a freedom she never thought she'd get while being a part of The Outfit - the mob. Wolfe is going to allow her to go to college and get a job.
I cried like a baby near the middle of this. Wolfe was a little rough with Francesca and though he instantly regretted it, I had tears pouring down my face at the scene that was playing out in front of me.
This is definitely a bit of a tit-for-tat type story both in regards to the romance, and in the political power plays going on between Wolfe and The Unit. One does something, the other retaliates.
They do finally work things out - and thank God for that! - but not without a lot of ups and downs. I do feel the story finished quite quickly, not the epilogue parts but the last chapter before.
I'm going to keep an eye out for more of the authors books.
A Romance Reader's Reviews
This has been borrowed from the Kindle Unlimited library.
The Kiss Thief starts with a party - one almost from the 1800's, as Francesca points out - with waltzes and masquerade masks. She wants to kiss her childhood sweetheart Angelo that night but after spilling that secret during a dance with Senator Wolfe Keaton when he goads her, he steals her first kiss by wearing Angelo's mask.
What follows is a lot of political posturing and violence as Wolfe threatens to bring down Francesca's mob father unless he can marry Francesca. It's not a romantic gesture, it's a power play.
Of course, things start to change as they begin to know each other. Feelings start to change. Francesca gets a freedom she never thought she'd get while being a part of The Outfit - the mob. Wolfe is going to allow her to go to college and get a job.
I cried like a baby near the middle of this. Wolfe was a little rough with Francesca and though he instantly regretted it, I had tears pouring down my face at the scene that was playing out in front of me.
This is definitely a bit of a tit-for-tat type story both in regards to the romance, and in the political power plays going on between Wolfe and The Unit. One does something, the other retaliates.
They do finally work things out - and thank God for that! - but not without a lot of ups and downs. I do feel the story finished quite quickly, not the epilogue parts but the last chapter before.
I'm going to keep an eye out for more of the authors books.
Remy Tankel Carroll (36 KP) rated Gangsterland in Books
Dec 19, 2018
(I received a free copy of this book in exchange for my honest opinion). I enjoyed reading this book. The depth of the author's research is evident from the beginning. The gangster-speak, the religious references, the anatomical knowledge and more all add up to a thoroughly entertaining reading experience. The story starts as a typical mob tale...gangster kills good guys, gets shipped to another "family", gets new identity, etc. Where it gets interesting for me is when said gangster, Sal, is introduced to his new life. You can slowly see the battle between "good & evil" grow, like his old life and new life are fighting for control. The other characters are just as genuine, each playing a specific role in Sal's transformation. I'm looking forward to catching up with Sal and the gang in the next installment of the series.
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LeftSideCut (3776 KP) rated Frankenstein (1931) in Movies
Mar 25, 2021
Frankenstein represents some of the best material from the original Universal Monsters run.
Considering it came out just a few years after feature length talkies were even a thing, the plot moves at a swift pace, and never gets boring. We know all that we need to about the characters involved with no unnecessary padding out, and boasts wonderful dialogue that is engaging throughout
What's more, it's runtime is brimming with incredible shots, from Frankenstein and the monster on top of the mountain, to the monster accepting a flower from a little girl, to the mob of townspeople marching towards the windmill (a shot that has always stuck with me since being a child).
Frankenstein is a fantastic realisation of the misunderstood beast narrative, and an incredibly important stepping stone in the history of horror. Iconic in every way.
Considering it came out just a few years after feature length talkies were even a thing, the plot moves at a swift pace, and never gets boring. We know all that we need to about the characters involved with no unnecessary padding out, and boasts wonderful dialogue that is engaging throughout
What's more, it's runtime is brimming with incredible shots, from Frankenstein and the monster on top of the mountain, to the monster accepting a flower from a little girl, to the mob of townspeople marching towards the windmill (a shot that has always stuck with me since being a child).
Frankenstein is a fantastic realisation of the misunderstood beast narrative, and an incredibly important stepping stone in the history of horror. Iconic in every way.
Gareth von Kallenbach (980 KP) rated Triple 9 (2016) in Movies
Aug 6, 2019
A crew of bank robbers is strong-armed by the Russian mob to pull off a near impossible heist due the response time of the police. In order to create a larger window, the dirty cops of this crew suggest creating a 999 (police code for “officer down.”) on the other side of town. That is the basic plot of Triple 9. Yet, the tagline for this film is, “The Code on the street is never black and white.” Seems like a different movie which is part of the letdown of Triple 9. It doesn’t know what it wants to be. Is it a heist movie like Heat or The Town? Or is it trying to be a movie about the cops and the rules of the streets like Training Day?
In the beginning, the film sets its self-up to be a smart and stylistic heist film. However shortly after it begins to feel disjointed as it attempts to develop everyone in its ensemble cast to the point where it hurts the story and some excellent performances become forgettable. It’s a shame because somewhere in this film is potentially two excellent separate films. One film about a crew having to complete a heist for the mob to save their lives and loved ones, and another about dirty cops, their partners and the moral ambiguity of the code on the streets. In Triple 9, these two premises never really get developed on one side or the other and thus everything is just left there.
On the heist side, Chiwetel Ejiofor plays ex-mercenary Michael Atwood. Michael is the careful and calculating leader of the crew, but is tied to the Russian mafia through the mother of his son. Michael is constantly being coerced by the Russian Mob Boss, played by Kate Winslet. The two give stellar performances, most notably Winslet who is cold and ruthless in wielding her power, speaking her mind and not caring how the job gets done as long as it gets done.
On the cop side, Anthony Mackie plays dirty police detective Marcus Belmont who becomes partnered with the ex-marine turned rookie detective Chris Allen (Casey Affleck). Belmont feels that the rookie doesn’t respect the streets and his “Do-gooder” “make a difference” attitude is going to get him killed. When Belmont’s heist crewmate Jorge Rodriguez (Clifton Collins Jr.) learns Chris is also the nephew of the Sergeant Detective (Woody Harrelson) investigating the heist crew, Chris becomes the clear candidate to be set up for the Triple 9. (Convenient huh)
Ultimately, as the story plays out it feels we are always arriving at the end of the meeting to plan the coming events. From the planning of the heist, to the set up murder, and to the exit plan, we are just carried through the motions without much motivation of how or why things have to play out the way they do. As a result, I didn’t really care for any of the characters good or bad, unlike other films of this nature. Even Ejiofor’s character Michael, who has his child involved, doesn’t get the opportunity to really show why the rest of the crew respects him and follows him, or why he needs to stay alive for his son, who basically seems better off being taken care of by the Russian mob.
In the end Triple 9 is not a bad movie, it just isn’t really a great one either. It has strong performances by the entire cast and has the makings of something great, but fails to deliver on that opportunity with a disjointed story trying to focus on too many characters. This makes it ultimately forgettable compared to other heist films of similar nature.
In the beginning, the film sets its self-up to be a smart and stylistic heist film. However shortly after it begins to feel disjointed as it attempts to develop everyone in its ensemble cast to the point where it hurts the story and some excellent performances become forgettable. It’s a shame because somewhere in this film is potentially two excellent separate films. One film about a crew having to complete a heist for the mob to save their lives and loved ones, and another about dirty cops, their partners and the moral ambiguity of the code on the streets. In Triple 9, these two premises never really get developed on one side or the other and thus everything is just left there.
On the heist side, Chiwetel Ejiofor plays ex-mercenary Michael Atwood. Michael is the careful and calculating leader of the crew, but is tied to the Russian mafia through the mother of his son. Michael is constantly being coerced by the Russian Mob Boss, played by Kate Winslet. The two give stellar performances, most notably Winslet who is cold and ruthless in wielding her power, speaking her mind and not caring how the job gets done as long as it gets done.
On the cop side, Anthony Mackie plays dirty police detective Marcus Belmont who becomes partnered with the ex-marine turned rookie detective Chris Allen (Casey Affleck). Belmont feels that the rookie doesn’t respect the streets and his “Do-gooder” “make a difference” attitude is going to get him killed. When Belmont’s heist crewmate Jorge Rodriguez (Clifton Collins Jr.) learns Chris is also the nephew of the Sergeant Detective (Woody Harrelson) investigating the heist crew, Chris becomes the clear candidate to be set up for the Triple 9. (Convenient huh)
Ultimately, as the story plays out it feels we are always arriving at the end of the meeting to plan the coming events. From the planning of the heist, to the set up murder, and to the exit plan, we are just carried through the motions without much motivation of how or why things have to play out the way they do. As a result, I didn’t really care for any of the characters good or bad, unlike other films of this nature. Even Ejiofor’s character Michael, who has his child involved, doesn’t get the opportunity to really show why the rest of the crew respects him and follows him, or why he needs to stay alive for his son, who basically seems better off being taken care of by the Russian mob.
In the end Triple 9 is not a bad movie, it just isn’t really a great one either. It has strong performances by the entire cast and has the makings of something great, but fails to deliver on that opportunity with a disjointed story trying to focus on too many characters. This makes it ultimately forgettable compared to other heist films of similar nature.