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Andy K (10823 KP) rated The Irishman (2019) in Movies
Nov 28, 2019
Great but disappointing
Frank Sheeran starts in humble beginnings driving a meat truck while trying to make a living to support his family. He takes the favor of the right connect mobsters and quickly rises through the ranks to become one of its elite. He perpetrates countless villainous activities including murder, bribery, extortion and general unpleasantness toward his fellow man to the point where it almost becomes routine.
Enter Jimmy Hoffa.
Sheeran befriends the mighty Teamsters union boss and popular, yet controversial figure and the two form a lasting friendship. Sheeran sometimes operates as middle man between the hot-headed Hoffa and his mob contacts, always trying to unruffle feathers and keep the peace. Over many years, there are ups and downs even when Hoffa goes to prison, but their friendship endures.
Sheeran's life of excess has fractures his own family life; however, as his daughter becomes estranged after seeing just what her father is capable of. Their relationship is strained and may never recover. Sheeran's mob connections become more of a family for him as they are where his true loyalties lie.
Sheeran's role n the death of Hoffa has to be considered speculation as, to my knowledge, the perpetrator(s) have never been fully identified. This could be due to the source book by Charles Brandt "I Heard You Paint Houses" where Sheeran confesses. There is forensic evidence to back this up, so I guess it could be more definitive than I first suspected.
If you are comparing The Irishman to Goodfellas and/or Casino, you will be disappointed. Easily in 3rd place of the 3, I enjoyed while watching, but no sequence in particular really stood out. I can remember entire sections of both Goodfellas and Casino and here it seems like Scorsese has lost some of his creativity as far as cool camera shots, long pans or long takes in favor o just letting his fantastic cast have the spotlight. Not a bad idea if you have De Niro, Pacino and Pesci, but I still feel like the film lacked that extra "spark" making it truly great. The screenplay was adequate which is also surprising since Academy Award winning screenwriter Steven Zaillian is no stranger to an epic story, but, again, seems more by the numbers and not very standout.
The run time of almost 3 1/2 hours doesn't help as the film gets bogged down somewhat in the union infighting politics and I can see where that would bore much of the audience. There is a lot to enjoy about the film led by the stellar cast of course. De Niro, while always fantastic, doesn't really have the flashy part this time. Even Joe Pesci is understated compared to his characters in other Scorsese films. Pacino as the stubborn, bullish Hoffa is the standout in my opinion, but every time he gets angry and starts shouting I always think of his role as Big Boy Caprice in Dick Tracy (ok I'm a little weird).
I won't be surprised if the film gets lots of Oscars nods for acting, directing and technicals; however, I feel this is a case where it might be a hot property for a little while and then fade away quickly. We also still don't know if history might repeat itself and Oscar voters turn a cheek away from a Netflix film in favor of one with a more "traditional" distribution. Many believe the same happened in 2018 when critic favorite Roma lost to Green Book for the same reason.
We shall see...
Enter Jimmy Hoffa.
Sheeran befriends the mighty Teamsters union boss and popular, yet controversial figure and the two form a lasting friendship. Sheeran sometimes operates as middle man between the hot-headed Hoffa and his mob contacts, always trying to unruffle feathers and keep the peace. Over many years, there are ups and downs even when Hoffa goes to prison, but their friendship endures.
Sheeran's life of excess has fractures his own family life; however, as his daughter becomes estranged after seeing just what her father is capable of. Their relationship is strained and may never recover. Sheeran's mob connections become more of a family for him as they are where his true loyalties lie.
Sheeran's role n the death of Hoffa has to be considered speculation as, to my knowledge, the perpetrator(s) have never been fully identified. This could be due to the source book by Charles Brandt "I Heard You Paint Houses" where Sheeran confesses. There is forensic evidence to back this up, so I guess it could be more definitive than I first suspected.
If you are comparing The Irishman to Goodfellas and/or Casino, you will be disappointed. Easily in 3rd place of the 3, I enjoyed while watching, but no sequence in particular really stood out. I can remember entire sections of both Goodfellas and Casino and here it seems like Scorsese has lost some of his creativity as far as cool camera shots, long pans or long takes in favor o just letting his fantastic cast have the spotlight. Not a bad idea if you have De Niro, Pacino and Pesci, but I still feel like the film lacked that extra "spark" making it truly great. The screenplay was adequate which is also surprising since Academy Award winning screenwriter Steven Zaillian is no stranger to an epic story, but, again, seems more by the numbers and not very standout.
The run time of almost 3 1/2 hours doesn't help as the film gets bogged down somewhat in the union infighting politics and I can see where that would bore much of the audience. There is a lot to enjoy about the film led by the stellar cast of course. De Niro, while always fantastic, doesn't really have the flashy part this time. Even Joe Pesci is understated compared to his characters in other Scorsese films. Pacino as the stubborn, bullish Hoffa is the standout in my opinion, but every time he gets angry and starts shouting I always think of his role as Big Boy Caprice in Dick Tracy (ok I'm a little weird).
I won't be surprised if the film gets lots of Oscars nods for acting, directing and technicals; however, I feel this is a case where it might be a hot property for a little while and then fade away quickly. We also still don't know if history might repeat itself and Oscar voters turn a cheek away from a Netflix film in favor of one with a more "traditional" distribution. Many believe the same happened in 2018 when critic favorite Roma lost to Green Book for the same reason.
We shall see...
Whatchareadin (174 KP) rated Judge & Jury in Books
May 10, 2018
When Andie gets called up for jury duty, she is dreading it. She doesn't want to be a part of this trial at all. During jury selection, she tries her best to not get called, but unfortunately for her, she gets a seat in the jury box. The trial is for a mob boss who has killed numerous people and gotten away with it every time. Nick Pellisante is the FBI agent who has been hunting down Dominic Covello for years now. Finally he has him in jail and awaiting trial and he can't wait to see him put away for life. When the jury gets sequestered, it doesn't stop Covello from having his people get to them. Will he get away with murder again or will he finally face his fate?
I have enjoyed James Patterson books for a long time. His books aren't always the best, but they are great for a quick read and lots of entertainment. Having Joe Mantegna read this story made it even better. Criminal Minds is one of my favorite shows so I could relate to the reader on this book. I plan on catching up on all of my James Patterson reading in the new year. I'm already caught up on the Women's Murder Club series.
In this book, I like the way that Andie handles the situations that are put to her. She is a mother and very strong willed. The relationship she develops with Pellisante along the way helps them both in their lives. A quick book to enjoy on my way to and from work.
I have enjoyed James Patterson books for a long time. His books aren't always the best, but they are great for a quick read and lots of entertainment. Having Joe Mantegna read this story made it even better. Criminal Minds is one of my favorite shows so I could relate to the reader on this book. I plan on catching up on all of my James Patterson reading in the new year. I'm already caught up on the Women's Murder Club series.
In this book, I like the way that Andie handles the situations that are put to her. She is a mother and very strong willed. The relationship she develops with Pellisante along the way helps them both in their lives. A quick book to enjoy on my way to and from work.
Awix (3310 KP) rated Gods Of Egypt (2016) in Movies
Feb 10, 2018 (Updated Feb 10, 2018)
Set Piece Defence
Not-quite-as-bad-as-its-reputation knockabout fantasy that does a serious number on the wonders of Egyptian mythology. Evil god Set (Gerard Butler in shouty mode) takes over the kingdom and sets about harvesting the signature body-parts of his fellow immortals; hapless mortal Brenton Thwaites must persuade wronged heir-to-the-throne Horus (Nicolaj Coster-Waldau) to help get rid of him.
Well, the plot is nothing special and the film often seems to be on the verge of sending itself up, but on the other hand it's visually interesting and the choice to treat the weirder bits of Egyptian mythology as being literally true (boss-god Ra is obliged to drag the sun around the Earth every day, on a length of chain attached to the back of his flying boat) means the story is at least a bit different.
You can, I suppose, complain that none of the people playing Egyptians in this film are actually Egyptian; many did, and I suppose I must have missed them complaining in a similar vein when Japanese and coloured actors were cast as inhabitants of Scandinavian fantasyland in the Thor movies. But c'mon, guys, it's a film about Gerard Butler in a flying space chariot pulled by giant beetles - it is possible to take this sort of thing a bit too seriously. (I look forward to retiring to my bunker and listening to the flaming-torch-wielding mob as they mill around outside.)
Anyway, not a great movie by any stretch of the imagination, but hardly terrible, either, and at least it is pleasing to the eye and has a certain novelty.
Well, the plot is nothing special and the film often seems to be on the verge of sending itself up, but on the other hand it's visually interesting and the choice to treat the weirder bits of Egyptian mythology as being literally true (boss-god Ra is obliged to drag the sun around the Earth every day, on a length of chain attached to the back of his flying boat) means the story is at least a bit different.
You can, I suppose, complain that none of the people playing Egyptians in this film are actually Egyptian; many did, and I suppose I must have missed them complaining in a similar vein when Japanese and coloured actors were cast as inhabitants of Scandinavian fantasyland in the Thor movies. But c'mon, guys, it's a film about Gerard Butler in a flying space chariot pulled by giant beetles - it is possible to take this sort of thing a bit too seriously. (I look forward to retiring to my bunker and listening to the flaming-torch-wielding mob as they mill around outside.)
Anyway, not a great movie by any stretch of the imagination, but hardly terrible, either, and at least it is pleasing to the eye and has a certain novelty.
Mapping the Pitch Football Formations Through the Ages
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This book takes an informal and entertaining look at some of the most influential football coaches...
Kirk Bage (1775 KP) rated M (Movie) (1931) in Movies
Jan 28, 2021
The maestro of dark shadows, Fritz Lang already had 14 feature films under his belt by 1931, including the much loved and much borrowed from Metropolis in 1927. It is said that he was such a slave driver with cast and crew alike that he had very few friends and was detested as a man. His work spoke for itself, however, and was always miles ahead of anything happening at the same time in Hollywood. Take the dark, sinister and serious M as an example. It tackles the subject of child abduction and murder, homelessness, crime in general and the punishment of a mob – subjects American cinema would never have touched in 1931, let alone done with such an exquisite non- melodramatic feel.
Peter Lorre as the killer compelled by his own weakness and madness gives an unfeasably nuanced performance for the era also. He is mesmerically creepy and unforgettable. Images and motifs (such as the whistle that indicates the murderer is lurking) abound, creating a landscape of pure mood and disease. As a morality tale it touches on issues of vigilantism and true justice that still has some relevance today. It also works as an entertaining thriller, and there wasn’t a minute I felt bored or distracted. The only jarring element are the scenes where Lang cuts the sound entirely to create tension and focus – they feel like technical mistakes, not deliberate choices. Otherwise, I could not have been more impressed and pleasantly surprised by this Euro classic for all time. If I were making a list of the best films ever made that disregarded the limitations of the age, then M would definitely make the cut.
Peter Lorre as the killer compelled by his own weakness and madness gives an unfeasably nuanced performance for the era also. He is mesmerically creepy and unforgettable. Images and motifs (such as the whistle that indicates the murderer is lurking) abound, creating a landscape of pure mood and disease. As a morality tale it touches on issues of vigilantism and true justice that still has some relevance today. It also works as an entertaining thriller, and there wasn’t a minute I felt bored or distracted. The only jarring element are the scenes where Lang cuts the sound entirely to create tension and focus – they feel like technical mistakes, not deliberate choices. Otherwise, I could not have been more impressed and pleasantly surprised by this Euro classic for all time. If I were making a list of the best films ever made that disregarded the limitations of the age, then M would definitely make the cut.
Emma @ The Movies (1786 KP) rated Detroit (2017) in Movies
Sep 25, 2019
On July 23, 1967, the Detroit police stage a raid on an unlicensed club during a celebration for returning black veterans. Unable to lead their suspects out quietly through the back, officers are forced to bring them out the front and line them up against the wall while they wait for transport. A mob quickly forms and the police leave the area as they are pelted with rocks. With anger rising, looting begins and fires are started, this is the beginning of the 12th Street Riot.
Full disclosure, I only saw half of this film. It wouldn't have been one that I'd have chosen to see. I'd much rather have read about the incident that watch someone's interpretation of it.
After I had to leave I did consider whether I'd go back and see the film another day. Ultimately though I didn't find the first half interesting enough. It feels wrong to say that about something that hasn't been brought about by something entirely fiction.
Having said that, I saw the second trailer after watching the first half of the film and was confronted with a different side of the film. It intrigued me enough to want to read up about it, but still didn't make me want to watch the rest of the film.
I can't really put my finger on the thing that put me off (I know it didn't help that I wasn't well), but I wasn't entirely convinced about all the acting, and I didn't really feel invested in the characters, which meant I wasn't fussed about finding out what happened to them.
Full disclosure, I only saw half of this film. It wouldn't have been one that I'd have chosen to see. I'd much rather have read about the incident that watch someone's interpretation of it.
After I had to leave I did consider whether I'd go back and see the film another day. Ultimately though I didn't find the first half interesting enough. It feels wrong to say that about something that hasn't been brought about by something entirely fiction.
Having said that, I saw the second trailer after watching the first half of the film and was confronted with a different side of the film. It intrigued me enough to want to read up about it, but still didn't make me want to watch the rest of the film.
I can't really put my finger on the thing that put me off (I know it didn't help that I wasn't well), but I wasn't entirely convinced about all the acting, and I didn't really feel invested in the characters, which meant I wasn't fussed about finding out what happened to them.
Minecraft Explorer Pro HD
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Escape You (Cole Brothers #3)
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One night changes everything… ATF agent Tyler Cole finally gets the break he’s been waiting...
Adult Contemporary Romance Mafia
Phillip McSween (751 KP) rated The Big Heat (1953) in Movies
Jan 16, 2018
Fun Classic
I can imagine that some of the cool scenes that happened in The Big Heat were well ahead of their time. One scene in particular was a car explosion created with strong sound, camera rumblings, and a bright flash of light outside of a window. Seems simple and subtle, but its impact was jarring at that point in the movie.
The film missed a few steps, wasn't perfect by any means. In fact, one can argue that there was one glaring plothole throughout just staring at you the entire time. I didn't realize it until there was about half an hour left, but it made me stop and say, "Wait...what? But why didn't they just...ok. Whatevs." Call me old, but I'm learning to let things go. Good doesn't mean perfect. The Big Heat falls well of perfection but it gets the job done.
There is a lot to digest throughout the film so make sure to keep up. This isn't a film you watch while browsing Google or folding clothes. I had to rely on protagonist Dave Bannion (Glenn Ford) to keep me on track. His screen time has a way of captivating you as you quickly come to love this character. In a town full of "yellow-bellied ninnies", Bannion wasn't afraid to stand up to the mob and what he knew to be true. Dude was so tough he gave others the courage to stand up as well. Props.
The film did lose me in spots and lost a few points as a result. At its core, though, is a movie that ultimately gets it right. In Bannion's efforts to get to the bottom of a cop committing suicide, the audience is taken on a thrilling journey that I hope to revisit at some point down the road. I give The Big Heat an 81.
The film missed a few steps, wasn't perfect by any means. In fact, one can argue that there was one glaring plothole throughout just staring at you the entire time. I didn't realize it until there was about half an hour left, but it made me stop and say, "Wait...what? But why didn't they just...ok. Whatevs." Call me old, but I'm learning to let things go. Good doesn't mean perfect. The Big Heat falls well of perfection but it gets the job done.
There is a lot to digest throughout the film so make sure to keep up. This isn't a film you watch while browsing Google or folding clothes. I had to rely on protagonist Dave Bannion (Glenn Ford) to keep me on track. His screen time has a way of captivating you as you quickly come to love this character. In a town full of "yellow-bellied ninnies", Bannion wasn't afraid to stand up to the mob and what he knew to be true. Dude was so tough he gave others the courage to stand up as well. Props.
The film did lose me in spots and lost a few points as a result. At its core, though, is a movie that ultimately gets it right. In Bannion's efforts to get to the bottom of a cop committing suicide, the audience is taken on a thrilling journey that I hope to revisit at some point down the road. I give The Big Heat an 81.
JT (287 KP) rated Safe (2012) in Movies
Mar 10, 2020
There doesn’t seem to be a lot that Jason Statham cannot do, if he’s not leaping from building to building he’s punching bad guys through walls, as someone told me once “it’s all chewing gum for the mind.”
Safe is pretty much that, Statham plays Luke Wright an ex-cage fighter among other things whose family are murdered after he fails to throw a fight for a Russian mob boss. Instead of sending him to the grave the Russians’ warn Statham that anyone he gets close to they’ll kill. So he becomes a drifter, a homeless loner. That is until he comes across Mei, a young girl with a mathematical mind who has memorized some numbers for the Triads.
The numbers are the combination to a safe containing a $3om haul. However, it seems that the Russian Mafia have taken an interest in Mei as well as a group of corrupt NYPD cops. The film plays out as you would expect it to, with Statham taking the girl under his wing and gets given the chance to kick some ass once again. “You, the garbage collector?” wails one poor Russian, ” I never collected the garbage, I disposed of it” quips Statham.
Safe carries on at cat and mouse pace with everyone after Statham and the girl. There are some great action set pieces as you would expect, and they are performed with ferocious ferocity and cool like choreography. There isn’t anything unusual here really, the supporting cast amble along but stand back far enough to let The Stath do his thing.
The relationship with Mei is formed well and has a believable level of trust between the pair as Wright attempts to play the three chasing parties off against each other. It’s what you’d expect and there is no question of being short changed here.
Safe is pretty much that, Statham plays Luke Wright an ex-cage fighter among other things whose family are murdered after he fails to throw a fight for a Russian mob boss. Instead of sending him to the grave the Russians’ warn Statham that anyone he gets close to they’ll kill. So he becomes a drifter, a homeless loner. That is until he comes across Mei, a young girl with a mathematical mind who has memorized some numbers for the Triads.
The numbers are the combination to a safe containing a $3om haul. However, it seems that the Russian Mafia have taken an interest in Mei as well as a group of corrupt NYPD cops. The film plays out as you would expect it to, with Statham taking the girl under his wing and gets given the chance to kick some ass once again. “You, the garbage collector?” wails one poor Russian, ” I never collected the garbage, I disposed of it” quips Statham.
Safe carries on at cat and mouse pace with everyone after Statham and the girl. There are some great action set pieces as you would expect, and they are performed with ferocious ferocity and cool like choreography. There isn’t anything unusual here really, the supporting cast amble along but stand back far enough to let The Stath do his thing.
The relationship with Mei is formed well and has a believable level of trust between the pair as Wright attempts to play the three chasing parties off against each other. It’s what you’d expect and there is no question of being short changed here.