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BankofMarquis (1832 KP) rated The Outfit (2022) in Movies
Jul 1, 2022
Smart, Intelligent and Understated
So much of the success or failure of a film at the Cineplex Box Office depends on the marketing of the film and the timing of it’s release. In the case of the wonderful crime drama THE OUTFIT (who’s release was buried in late January/early February 2022), the marketing did it no favors.
And that’s too bad, for this Mark Rylance film - which could easily be a stage play - is an intriguing SMART cat and mouse drama between some mob types and their tailor.
Yes, their tailor.
Rylance stars as Leonard, a tailor (he prefers to be called a “cutter”), who has a shop in Chicago in the 1950’s, THE OUTFIT tells the tale of said cutter who’s business is booming thanks to patronage of local gangsters (the titular OUTFIT) who not only frequent his shop for suits, but also to use it as a place to make “drops”. The intrigue of this film comes when “things get real” for THE OUTFIT and they use Leonard’s shop as a hideout. Leonard must outsmart the outfit - and their foes - if he hopes to survive the night.
It’s a smart premise made all the more interesting by the understated performance by Rylance who, once again, shows that his genial demeanor is disguising a very intelligent and fast-working brain. It is another in a long string of strong performances by Rylance (who won a Best Supporting Actor Oscar for his work in 2015’s BRIDGE OF SPIES).
Rylance is joined on screen by some very good performances by Zoey Deutch (ZOMBIELAND DOUBLETAP), Johnny Flynn (EMMA), Stage Actor Simon Russell Beale (THE DEATH OF STALIN) and, most surprisingly, Dylan O’Brien (THE MAZE RUNNER). They bring a Broadway stage performance sense of style to this work - and it is absolutely the right approach to this material, for the entire film takes place inside Leonard’s tailor shop.
Credit for this must go to Director Graham Moore (THE IMITATION GAME) who wrote this film with Johnathan McClain. He has a firm grip on what he is attempting to do - and he does it well. He sets up the premise and the players well and then pays off the circumstances - sometimes surprisingly - in satisfying ways. It is a strong showing by Moore and I’ll be looking to see what he does next.
Intelligent, understated, stage-like, smart…no wonder the suits at Universal had no idea how to market it.
So, I’ll market/champion this film that perfectly casts Rylance. He is in almost every scene and it is his intense and interesting performance that will pull you into his shop - and into the world of the OUTFIT.
Check it out - you’ll be glad you did.
THE OUTFIT is streaming for free for those of you subscribed to PEACOCK and can be rented (or bought) on most of the major outlets for those types of things.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
And that’s too bad, for this Mark Rylance film - which could easily be a stage play - is an intriguing SMART cat and mouse drama between some mob types and their tailor.
Yes, their tailor.
Rylance stars as Leonard, a tailor (he prefers to be called a “cutter”), who has a shop in Chicago in the 1950’s, THE OUTFIT tells the tale of said cutter who’s business is booming thanks to patronage of local gangsters (the titular OUTFIT) who not only frequent his shop for suits, but also to use it as a place to make “drops”. The intrigue of this film comes when “things get real” for THE OUTFIT and they use Leonard’s shop as a hideout. Leonard must outsmart the outfit - and their foes - if he hopes to survive the night.
It’s a smart premise made all the more interesting by the understated performance by Rylance who, once again, shows that his genial demeanor is disguising a very intelligent and fast-working brain. It is another in a long string of strong performances by Rylance (who won a Best Supporting Actor Oscar for his work in 2015’s BRIDGE OF SPIES).
Rylance is joined on screen by some very good performances by Zoey Deutch (ZOMBIELAND DOUBLETAP), Johnny Flynn (EMMA), Stage Actor Simon Russell Beale (THE DEATH OF STALIN) and, most surprisingly, Dylan O’Brien (THE MAZE RUNNER). They bring a Broadway stage performance sense of style to this work - and it is absolutely the right approach to this material, for the entire film takes place inside Leonard’s tailor shop.
Credit for this must go to Director Graham Moore (THE IMITATION GAME) who wrote this film with Johnathan McClain. He has a firm grip on what he is attempting to do - and he does it well. He sets up the premise and the players well and then pays off the circumstances - sometimes surprisingly - in satisfying ways. It is a strong showing by Moore and I’ll be looking to see what he does next.
Intelligent, understated, stage-like, smart…no wonder the suits at Universal had no idea how to market it.
So, I’ll market/champion this film that perfectly casts Rylance. He is in almost every scene and it is his intense and interesting performance that will pull you into his shop - and into the world of the OUTFIT.
Check it out - you’ll be glad you did.
THE OUTFIT is streaming for free for those of you subscribed to PEACOCK and can be rented (or bought) on most of the major outlets for those types of things.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
BankofMarquis (1832 KP) rated Widows (2018) in Movies
Nov 17, 2018
Well crafted, well acted, well directed heist flick
If you are looking for a smart, intelligent, well-made, well-crafted, well-acted action-heist flick to see with the family over the Thanksgiving weekend, then look no further than WIDOWS.
Yes, it's that good.
Based on a 1983 British TV mini-series, Directed by Steve McQueen (12 YEARS A SLAVE) and with a Screenplay by McQueen and Gillian Flynn (GONE GIRL), WIDOWS tells the story of 4...yes...Widows who's husbands were mobsters that were killed while stealing money from other mobsters. When the rival mob comes to the Widows to get their money back, these women must band together to complete a job to get the money to save their lives.
Leading this disparate group of women is Oscar winner (for FENCES) Viola Davis. She brings a strength and vulnerability to her role and makes a surprisingly complex and charismatic center to this film. Joining her is the always tough and gritty Michelle Rodriguez and the eminently watchable Carrie Coon. The surprise performance of this group of widows is Elizabeth Debicki (the golden Ayesha in GUARDIANS OF THE GALAXY 2). Her widow, Alice, is more than just the "good-looking" trophy wife and has a depth and gravitas that upon first glance is not something that seems to be there. These 4 are joined by Cynthia Erivo and their group could probably kick the crap out of the Ocean's 8 crew.
McQueen has assembled a diverse and interesting cast to support these 5 - each "smaller" role filled with someone who brings something to the table that makes their character interesting. Liam Neeson, Robert Duvall, Collin Farrell, the always watchable Garrett Dillahunt and Jackie Weaver fill the film with "screen presence", power and strong characterizations that service the story. Special notice should be made for Daniel Kaluuya (Oscar nominated for GET OUT). His menacing "bad guy" ranks right up there on the list of "dudes you don't want to mess with". He was fascinating to watch - especially when he was doing "nothing" - you could see the animal swimming within him in the most still of moments.
All of these actors are directed with the Orchestral efficiency of McQueen - a director who knows what he's doing. He keeps the focus of his cameras where he needs to, sometimes eschewing the most obvious action to focus our attention elsewhere. The downside to McQueen is that he sometimes gets enamored with his beautiful pictures and atmosphere, so the film gets bogged down at times - especially in the first half - but all of this is in service to the larger story - a story that demands our attention.
The screenplay by McQueen and Flynn is full of plot twists and turns, of course, keeping you guessing throughout and concludes in a most satisfactory manner.
All in all a very fine time at the Cineplex. In this week of a myriad of items competing for your movie-going dollars, I would strongly recommend that you pick WIDOWS out of the pile and settle in for a good time..
Letter Grade: A-
8 (out of 10) stars and you can take that to the Bank(ofMarquis)
Yes, it's that good.
Based on a 1983 British TV mini-series, Directed by Steve McQueen (12 YEARS A SLAVE) and with a Screenplay by McQueen and Gillian Flynn (GONE GIRL), WIDOWS tells the story of 4...yes...Widows who's husbands were mobsters that were killed while stealing money from other mobsters. When the rival mob comes to the Widows to get their money back, these women must band together to complete a job to get the money to save their lives.
Leading this disparate group of women is Oscar winner (for FENCES) Viola Davis. She brings a strength and vulnerability to her role and makes a surprisingly complex and charismatic center to this film. Joining her is the always tough and gritty Michelle Rodriguez and the eminently watchable Carrie Coon. The surprise performance of this group of widows is Elizabeth Debicki (the golden Ayesha in GUARDIANS OF THE GALAXY 2). Her widow, Alice, is more than just the "good-looking" trophy wife and has a depth and gravitas that upon first glance is not something that seems to be there. These 4 are joined by Cynthia Erivo and their group could probably kick the crap out of the Ocean's 8 crew.
McQueen has assembled a diverse and interesting cast to support these 5 - each "smaller" role filled with someone who brings something to the table that makes their character interesting. Liam Neeson, Robert Duvall, Collin Farrell, the always watchable Garrett Dillahunt and Jackie Weaver fill the film with "screen presence", power and strong characterizations that service the story. Special notice should be made for Daniel Kaluuya (Oscar nominated for GET OUT). His menacing "bad guy" ranks right up there on the list of "dudes you don't want to mess with". He was fascinating to watch - especially when he was doing "nothing" - you could see the animal swimming within him in the most still of moments.
All of these actors are directed with the Orchestral efficiency of McQueen - a director who knows what he's doing. He keeps the focus of his cameras where he needs to, sometimes eschewing the most obvious action to focus our attention elsewhere. The downside to McQueen is that he sometimes gets enamored with his beautiful pictures and atmosphere, so the film gets bogged down at times - especially in the first half - but all of this is in service to the larger story - a story that demands our attention.
The screenplay by McQueen and Flynn is full of plot twists and turns, of course, keeping you guessing throughout and concludes in a most satisfactory manner.
All in all a very fine time at the Cineplex. In this week of a myriad of items competing for your movie-going dollars, I would strongly recommend that you pick WIDOWS out of the pile and settle in for a good time..
Letter Grade: A-
8 (out of 10) stars and you can take that to the Bank(ofMarquis)
BankofMarquis (1832 KP) rated Green Book (2018) in Movies
Dec 14, 2018
One of the best of 2018
When the dust is settled on 2018, you can be rest assured that GREEN BOOK will be listed as one of my top films of the year.
Yes, it's that good.
"Based on a true story", GREEN BOOK stars Viggo Mortenson (Aragon in the LOTR films) as "Tony Lip" a bouncer at the Copacabana in the early 1960's who is tapped by African American concert pianist Dr. Don Shirley (Academy Award winner Mahershala Ali) to be his driver/escort/security on a tour of a very prejudicial Southern part of the United States in the early 1960's. Both Tony and Dr. Don look down their noses at the other one, but during the course of this film, the two develop mutual respect and a friendship that lasted until the both passed away in 2013.
That is, in essence, the entire plot of this film. But it is not the destination, but rather, the journey that is the core of this film - and what a journey it is.
We, the audience, probably spend 70% of the film in a car with the 2 stars of this film, so they better be interesting to look at and listen to (for nothing much else happens) and both characters - and both actors- are up to the task.
Ali won a Best Supporting Actor Oscar for his brief turn in Barry Jenkins MOONLIGHT - and he is even better here as Dr. Don Shirley, an elitist virtuoso piano player, with strong pride and hidden secrets of his own. Ali brings a humanity and vulnerability to this character that acts as a softening of the hard shell of this character that allows us, the audience, a glimpse into this character's heart. This person could easily have been a one-note caricature, but in Ali's hands, it is much, much more.
The biggest surprise to me is two-time Oscar Nominee Mortenson as "Tony Lip". While the character starts as a typical early 1960's Italian-mob type, Mortenson brings humor, humanity and (yes) heart to a matter-of-fact character and continues to evolve the rough edges of Tony as Tony, himself, develops throughout the course of the film. I have always "liked but not loved" Mortenson, but, I LOVE HIM in this film and will be rooting for him come Oscars time.
The other big surprise of this film is the strong, subtle and human way that Director Peter Farrelly brings events to the screen. Prior to this, Farrelly (along with his brother Bobby) Directed such over-the-top comedies as THERE'S SOMETHING ABOUT MARY and KINGPIN, so I was a bit concerned that the Direction would be over-the-top. But...it wasn't...and I wouldn't be surprised if Farelly's name is called when Oscar nominations are announced.
I was charmed and moved by these characters - and this story - and was glad to spend 2 hours with them.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank (ofMarquis)
Yes, it's that good.
"Based on a true story", GREEN BOOK stars Viggo Mortenson (Aragon in the LOTR films) as "Tony Lip" a bouncer at the Copacabana in the early 1960's who is tapped by African American concert pianist Dr. Don Shirley (Academy Award winner Mahershala Ali) to be his driver/escort/security on a tour of a very prejudicial Southern part of the United States in the early 1960's. Both Tony and Dr. Don look down their noses at the other one, but during the course of this film, the two develop mutual respect and a friendship that lasted until the both passed away in 2013.
That is, in essence, the entire plot of this film. But it is not the destination, but rather, the journey that is the core of this film - and what a journey it is.
We, the audience, probably spend 70% of the film in a car with the 2 stars of this film, so they better be interesting to look at and listen to (for nothing much else happens) and both characters - and both actors- are up to the task.
Ali won a Best Supporting Actor Oscar for his brief turn in Barry Jenkins MOONLIGHT - and he is even better here as Dr. Don Shirley, an elitist virtuoso piano player, with strong pride and hidden secrets of his own. Ali brings a humanity and vulnerability to this character that acts as a softening of the hard shell of this character that allows us, the audience, a glimpse into this character's heart. This person could easily have been a one-note caricature, but in Ali's hands, it is much, much more.
The biggest surprise to me is two-time Oscar Nominee Mortenson as "Tony Lip". While the character starts as a typical early 1960's Italian-mob type, Mortenson brings humor, humanity and (yes) heart to a matter-of-fact character and continues to evolve the rough edges of Tony as Tony, himself, develops throughout the course of the film. I have always "liked but not loved" Mortenson, but, I LOVE HIM in this film and will be rooting for him come Oscars time.
The other big surprise of this film is the strong, subtle and human way that Director Peter Farrelly brings events to the screen. Prior to this, Farrelly (along with his brother Bobby) Directed such over-the-top comedies as THERE'S SOMETHING ABOUT MARY and KINGPIN, so I was a bit concerned that the Direction would be over-the-top. But...it wasn't...and I wouldn't be surprised if Farelly's name is called when Oscar nominations are announced.
I was charmed and moved by these characters - and this story - and was glad to spend 2 hours with them.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank (ofMarquis)
Gareth von Kallenbach (980 KP) rated Legend (2015) in Movies
Aug 6, 2019
Have you heard of Legend? Not the movie from the mid-eighties, but the story of Ronnie and Reggie Kray (Tom Hardy, playing both brothers). Don’t know who they are, that’s okay, neither did I. But if you are across the pond and are reading this, you probably do. They Kray brothers are twins, and perhaps the most notorious gangsters in London history. Think John Dillinger, or Al Capone, of the UK.
Legend is a story of Reggie and Ronnie Kray’s rise to power as the top gangsters of the East End of London, and beyond. However, it is told from the point of view of Reggie’s wife, Francis Kray (Emily Browning). Though, the movie starts with her meeting Reggie for the first time, and it is really a love story of how she fell in love with a gangster that would not change his ways. There is nothing solely remarkable about the plot of the movie, but it is definitely captivating. I went into the film not knowing much about the Krays, but glad that I didn’t as it might have marred my experience.
Hardy, however, is remarkable in his portrayal of the Kray brothers. Each brother having his own distinctive personality, and even distinctive looks despite being identical twin brothers. Ronnie, as Francis describes him, is a one man mob trying to take control of London. The only catch is that he is paranoid schizophrenic and has trouble in social situations. This leads to a high distrust of people, and some intriguing scenes during the course of the film, especially interacting with Francis and his brother. Reggie is the intelligent, methodical brother who has bigger goals and aspirations than his brother, but his loyalty to his family holds him back. He has a deep loyalty, and even in the height of conflict would not take his anger, or disappointment, out on Ronnie. This did not sit well with Francis, who desperately wanted Reggie to go straight, but still agreed to marry him, even against the wishes of her mother.
There is no rise without a fall, but I won’t give too much insight into that as it will help the movie win you over if you know less. But Hardy and Browning were backed by a wonderful supporting cast including the likes of David Thewlis, Christopher Eccleston, Taron Egerton, and Chazz Palminteri. Hardy himself brought some levity to the more serious scenes, though there were times where I was taken out of the movie as Ronnie Kray had a slight tendency to sound like Bane, Hardy’s previous role in the Dark Knight franchise.
If you enjoy British films such as Rock’n’Rolla, Lock, Stock and Two Smoking Barrels, or Trainspotting, you will definitely enjoy Legend. In fact, Legend is the first movie rated 18+ in the UK to break the box office record set by Trainspotting in 1996. That says a lot about the movie. Will I add it to my collection upon home release? The jury is still out on that, but it definitely was a great film and worth seeing.
Legend is a story of Reggie and Ronnie Kray’s rise to power as the top gangsters of the East End of London, and beyond. However, it is told from the point of view of Reggie’s wife, Francis Kray (Emily Browning). Though, the movie starts with her meeting Reggie for the first time, and it is really a love story of how she fell in love with a gangster that would not change his ways. There is nothing solely remarkable about the plot of the movie, but it is definitely captivating. I went into the film not knowing much about the Krays, but glad that I didn’t as it might have marred my experience.
Hardy, however, is remarkable in his portrayal of the Kray brothers. Each brother having his own distinctive personality, and even distinctive looks despite being identical twin brothers. Ronnie, as Francis describes him, is a one man mob trying to take control of London. The only catch is that he is paranoid schizophrenic and has trouble in social situations. This leads to a high distrust of people, and some intriguing scenes during the course of the film, especially interacting with Francis and his brother. Reggie is the intelligent, methodical brother who has bigger goals and aspirations than his brother, but his loyalty to his family holds him back. He has a deep loyalty, and even in the height of conflict would not take his anger, or disappointment, out on Ronnie. This did not sit well with Francis, who desperately wanted Reggie to go straight, but still agreed to marry him, even against the wishes of her mother.
There is no rise without a fall, but I won’t give too much insight into that as it will help the movie win you over if you know less. But Hardy and Browning were backed by a wonderful supporting cast including the likes of David Thewlis, Christopher Eccleston, Taron Egerton, and Chazz Palminteri. Hardy himself brought some levity to the more serious scenes, though there were times where I was taken out of the movie as Ronnie Kray had a slight tendency to sound like Bane, Hardy’s previous role in the Dark Knight franchise.
If you enjoy British films such as Rock’n’Rolla, Lock, Stock and Two Smoking Barrels, or Trainspotting, you will definitely enjoy Legend. In fact, Legend is the first movie rated 18+ in the UK to break the box office record set by Trainspotting in 1996. That says a lot about the movie. Will I add it to my collection upon home release? The jury is still out on that, but it definitely was a great film and worth seeing.
BankofMarquis (1832 KP) rated GoodFellas (1990) in Movies
Jun 26, 2020
LIKE A FINE WINE - gets better with age
I have to admit, when I first watched GOODFELLAS 30 years ago, I thought it was "good" but not "great".
The years and subsequent viewings of this epic masterpiece has slowly changed my mind.
Directed by one of the finest Directors of all-time, GOODFELLAS is based on the real-life experience of former "Wiseguy" Nicholas Pileggi (from his book) and depicts mob life in New York City in the 1960's and the 1970's.
Scorcese knows this world and it's looks & feels and you can sense that world while watching this movie. Whether it's the clothing, the set decorations, the vocal inflections or the music choices, Scorcese meticulously blends all of the minutiae of these eras and these people extremely effectively to draw a vivid picture of people - and gangsters - of another era.
It helps tremendously that he has an "A" cast to inherit the characters. Robert DeNiro shows his ferocious personae as a "force to be reckoned with" as legendary (their word) mobster Jimmy Conway. He has a danger to him that could erupt at any time, but he also has something else - probably even more dangerous - he's smart and wily and will meticulously plan his crimes out. This makes him stand out in a world where most are acting out of impulse. Joe Pesci, rightfully, won the Oscar for Best Supporting Actor for his take on psychopathic gangster Tommy DeVito. What struck me on this viewing of the film was how small a role in this film that Tommy is. Pesci is not on-screen all that much, but for the scenes that he is in, he is incredibly powerful. You can see that Tommy is dangerous and needs to be handled with "kit gloves".
Scorcese took a chance by centering this film on an unknown actor on who's shoulders that this film will stand or fall - and he chose wisely - for Ray Liotta's performance as Henry Hill is fascinating to watch. He has a charisma and charm to him that draws you in, but there is also an air about him that repels you away at the same time. Scorcese cast another unknown, Lorraine Bracco as Henry's wife, Karen Hill, who is drawn towards the power and danger of Henry (and his world). Bracco was nominated for an Oscar and Liotta never came close to this level of performance for the rest of his career.
Credit, therefore, must be given to the Directorial job that Scorcese put in on this film. This is his masterpiece (despite what the Oscars say). Years from now when scholars look back on his career, this (along with Raging Bull) will be the films that are shown (not THE DEPARTED - the film that he, finally, won his Oscar for).
I find more and more nuance and richness to this film upon subsequent re-watches, and I drank those in on this viewing. GOODFELLAS is like a fine wine, it gets better with age.
Letter Grade: A
9 stars out of 10 (and you can take that to the Bank(OfMarquis)
The years and subsequent viewings of this epic masterpiece has slowly changed my mind.
Directed by one of the finest Directors of all-time, GOODFELLAS is based on the real-life experience of former "Wiseguy" Nicholas Pileggi (from his book) and depicts mob life in New York City in the 1960's and the 1970's.
Scorcese knows this world and it's looks & feels and you can sense that world while watching this movie. Whether it's the clothing, the set decorations, the vocal inflections or the music choices, Scorcese meticulously blends all of the minutiae of these eras and these people extremely effectively to draw a vivid picture of people - and gangsters - of another era.
It helps tremendously that he has an "A" cast to inherit the characters. Robert DeNiro shows his ferocious personae as a "force to be reckoned with" as legendary (their word) mobster Jimmy Conway. He has a danger to him that could erupt at any time, but he also has something else - probably even more dangerous - he's smart and wily and will meticulously plan his crimes out. This makes him stand out in a world where most are acting out of impulse. Joe Pesci, rightfully, won the Oscar for Best Supporting Actor for his take on psychopathic gangster Tommy DeVito. What struck me on this viewing of the film was how small a role in this film that Tommy is. Pesci is not on-screen all that much, but for the scenes that he is in, he is incredibly powerful. You can see that Tommy is dangerous and needs to be handled with "kit gloves".
Scorcese took a chance by centering this film on an unknown actor on who's shoulders that this film will stand or fall - and he chose wisely - for Ray Liotta's performance as Henry Hill is fascinating to watch. He has a charisma and charm to him that draws you in, but there is also an air about him that repels you away at the same time. Scorcese cast another unknown, Lorraine Bracco as Henry's wife, Karen Hill, who is drawn towards the power and danger of Henry (and his world). Bracco was nominated for an Oscar and Liotta never came close to this level of performance for the rest of his career.
Credit, therefore, must be given to the Directorial job that Scorcese put in on this film. This is his masterpiece (despite what the Oscars say). Years from now when scholars look back on his career, this (along with Raging Bull) will be the films that are shown (not THE DEPARTED - the film that he, finally, won his Oscar for).
I find more and more nuance and richness to this film upon subsequent re-watches, and I drank those in on this viewing. GOODFELLAS is like a fine wine, it gets better with age.
Letter Grade: A
9 stars out of 10 (and you can take that to the Bank(OfMarquis)
Grazing Calculator
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A quick and simple way to calculate a number of common grazing related equations used by dairy and...
Lee (2222 KP) rated Molly's Game (2017) in Movies
Nov 30, 2017
My local cinema held a secret screening last night, and Molly's Game was the surprise movie they showed. Beforehand, I'd probably only seen the name of the movie along with the accompanying poster and I had literally no idea what it was about. If I'd seen the trailer, and knew a bit more about the plot movie, I don't think I'd have gone to watch it, but it actually turned out to be a pretty enjoyable movie. Despite the fact that there were about 10 other movies I was secretly hoping they'd screen instead, I wasn't disappointed by this. That's the gamble you take with a secret screening I guess.
Molly's Game is based on a true story, and the accompanying book written by Molly Bloom. It's written and directed by Aaron Sorkin, writer of, among other things, The West Wing and The Newsroom, so you get a pretty good idea of the quick-witted snappy dialogue that you're in for. Jessica Chastain plays Molly, and she is just absolutely incredible in this movie. Not knowing the basic story it was based on, the opening scenes changed direction so many times that I was left wondering what the movie was actually going to be about and which direction it was headed. Narrated by Molly, we're initially introduced to her life as an Olympic class skier. She describes her younger life training with her stern father (Kevin Costner), the spinal surgery which put her out of action for a while, her fight back to the top and the tragic accident which then put her out of action once more. Then we jump forward 12 years, where Molly is suddenly woken one morning by a phone call. It's the FBI, and they want her to come out of her room within the next few minutes or they're going to break down the door. When she does come out, she is cuffed and arrested for running high-stakes poker games. We then see her in the office of Charlie Jaffey (Idris Elba), a top (and expensive) lawyer who Molly would like to represent her. The remainder of the movie then switches between Molly narrating and filling us in on the events of the last decade or so leading up to now, and Molly and Charlie as they bicker and work together in piecing together her defence.
The first half of the movie is enjoyable as we follow Molly, working her way up from bored secretary to running hugely expensive poker games for the rich, famous and weird in Los Angeles and then New York. As mentioned earlier, Jessica Chastain is simply amazing, given a superb performance as we follow Molly from troubled child to shrewd, intelligent business woman and 'poker princess'. At the height of her game she was legally raking in thousands of dollars each night, and even getting on the wrong side of the Russian mob. However, after a while it all starts to drag a little and I feel the movie could have benefited from a much tighter run time (it's 160 minutes long). Things pick up again towards the end though, and Costner and Elba get their chance to shine. Well worth watching.
Molly's Game is based on a true story, and the accompanying book written by Molly Bloom. It's written and directed by Aaron Sorkin, writer of, among other things, The West Wing and The Newsroom, so you get a pretty good idea of the quick-witted snappy dialogue that you're in for. Jessica Chastain plays Molly, and she is just absolutely incredible in this movie. Not knowing the basic story it was based on, the opening scenes changed direction so many times that I was left wondering what the movie was actually going to be about and which direction it was headed. Narrated by Molly, we're initially introduced to her life as an Olympic class skier. She describes her younger life training with her stern father (Kevin Costner), the spinal surgery which put her out of action for a while, her fight back to the top and the tragic accident which then put her out of action once more. Then we jump forward 12 years, where Molly is suddenly woken one morning by a phone call. It's the FBI, and they want her to come out of her room within the next few minutes or they're going to break down the door. When she does come out, she is cuffed and arrested for running high-stakes poker games. We then see her in the office of Charlie Jaffey (Idris Elba), a top (and expensive) lawyer who Molly would like to represent her. The remainder of the movie then switches between Molly narrating and filling us in on the events of the last decade or so leading up to now, and Molly and Charlie as they bicker and work together in piecing together her defence.
The first half of the movie is enjoyable as we follow Molly, working her way up from bored secretary to running hugely expensive poker games for the rich, famous and weird in Los Angeles and then New York. As mentioned earlier, Jessica Chastain is simply amazing, given a superb performance as we follow Molly from troubled child to shrewd, intelligent business woman and 'poker princess'. At the height of her game she was legally raking in thousands of dollars each night, and even getting on the wrong side of the Russian mob. However, after a while it all starts to drag a little and I feel the movie could have benefited from a much tighter run time (it's 160 minutes long). Things pick up again towards the end though, and Costner and Elba get their chance to shine. Well worth watching.
Gareth von Kallenbach (980 KP) rated the PlayStation 4 version of Red Dead Redemption 2 in Video Games
Jun 19, 2019
With a canvas as large as the Old West and a reputation for building massive interactive worlds; to say that expectations were high for Red Dead Redemption 2 would be an understatement.
Thankfully Rockstar was more than up to the task and have crafted the ultimate Wild West adventure simulator which gives gamers so many choices along the way.
Playing as a member of the gang forced to take refuge from bitter cold and hostile enemies, players get a tutorial in combat, hunting, riding, and various other skills they will need to survive. In time, players will forge their own path which can involve any number of options from collecting bounties, robbing trains, helping people, and more.
There are countless side quests to go with the main story and each frame of the game is stunning and epic with its sweeping vistas and scenic locales. You truly get a sense of how big the map is by just seeing the time it can take to travel from one locale to another.
Along the way players will upgrade their gear and can find new horses including some rare ones indeed which will take some effort to obtain.
The horses themselves are impressive as they simply are not there to provide transportation, but are vital characters that players need to bond with and develop a solid relationship in order to survive. Bandits and Lawmen are not the only dangers facing players, as there are numerous dangerous animals from Wolves to Bears which players will encounter.
The game does require a solid investment of time as it is not something you can sit down and play an hour at a time. Players will have to pay attention to cut scenes and travel often to get to needed areas and to collect vital resources. While some may find it a bit slow starting out; once you get a couple of chapters in; things really get rolling.
The graphics and sound are highly detailed and very immersive and I remember my wife thinking one segment of gameplay was animation until she saw my weaving style of horsemanship on display.
As I write this, Rockstar has started Beta access for the Online portion of the game which gives players even more options to enjoy. Playing with and against other players is a big draw but naturally some balancing and adjustments will need to be made. I found myself on a mission recently that once I completed the first part, I was unable to locate where to go and what to do next. This was further complicated by restrictions on leaving the mission area. I also attempted to go Lone Wolf and shoot up a town to see what happens as players often do in Rockstar’s Grand Theft Auto Series.
Instead of fleeing from the expected mob of Lawmen, I was told that my mission had failed due to the Law being alerted.
It would be nice to be able to customize the controls as I at times found the combat mechanics a bit tricky as I play most of my shooters on a PC and having to be precise or score multiple hits on a moving target with the weapons of the era and a Dual Shock 4 was a bit challenging.
That being said; Red Dead Redemption 2 is a stunning achievement and one that has to be experienced.
http://sknr.net/2018/12/04/red-dead-redemption-2/
Thankfully Rockstar was more than up to the task and have crafted the ultimate Wild West adventure simulator which gives gamers so many choices along the way.
Playing as a member of the gang forced to take refuge from bitter cold and hostile enemies, players get a tutorial in combat, hunting, riding, and various other skills they will need to survive. In time, players will forge their own path which can involve any number of options from collecting bounties, robbing trains, helping people, and more.
There are countless side quests to go with the main story and each frame of the game is stunning and epic with its sweeping vistas and scenic locales. You truly get a sense of how big the map is by just seeing the time it can take to travel from one locale to another.
Along the way players will upgrade their gear and can find new horses including some rare ones indeed which will take some effort to obtain.
The horses themselves are impressive as they simply are not there to provide transportation, but are vital characters that players need to bond with and develop a solid relationship in order to survive. Bandits and Lawmen are not the only dangers facing players, as there are numerous dangerous animals from Wolves to Bears which players will encounter.
The game does require a solid investment of time as it is not something you can sit down and play an hour at a time. Players will have to pay attention to cut scenes and travel often to get to needed areas and to collect vital resources. While some may find it a bit slow starting out; once you get a couple of chapters in; things really get rolling.
The graphics and sound are highly detailed and very immersive and I remember my wife thinking one segment of gameplay was animation until she saw my weaving style of horsemanship on display.
As I write this, Rockstar has started Beta access for the Online portion of the game which gives players even more options to enjoy. Playing with and against other players is a big draw but naturally some balancing and adjustments will need to be made. I found myself on a mission recently that once I completed the first part, I was unable to locate where to go and what to do next. This was further complicated by restrictions on leaving the mission area. I also attempted to go Lone Wolf and shoot up a town to see what happens as players often do in Rockstar’s Grand Theft Auto Series.
Instead of fleeing from the expected mob of Lawmen, I was told that my mission had failed due to the Law being alerted.
It would be nice to be able to customize the controls as I at times found the combat mechanics a bit tricky as I play most of my shooters on a PC and having to be precise or score multiple hits on a moving target with the weapons of the era and a Dual Shock 4 was a bit challenging.
That being said; Red Dead Redemption 2 is a stunning achievement and one that has to be experienced.
http://sknr.net/2018/12/04/red-dead-redemption-2/