"I include this quirky novel in my list, because it is a satiric gem and one of the guiltiest of guilty pleasures. Terry Southern was a comic genius (Dr. Strangelove, Candy) who has never quite been given his due. The argument of The Magic Christian is a simple one, namely: There is no limit to what you can make people do, if you give them enough money. Everyone has his price. In this slim volume, Southern illustrates this point in a story that becomes increasingly outrageous and culminates in one of the most absurdly comic scenes in the American literary canon."

"I first saw this movie on a third-generation bootleg without subtitles while I was making my first real movie, Modern Love Is Automatic. It changed the way I made that movie (there were pickup shots in Modern Love that were slated “Jeanne Dielman, take 1”) and the way I thought about movies, art, and time in general. This movie never gets enough credit for how funny and tense it is—it’s equal parts scathing satire and deconstruction/reinvention of the Hitchcockian thriller. Film financiers of the world, give all your money to twentysomething Belgian women."

"That’s a cheat. I’ll cheat because my Dad directed it and I love cowboy movies and that was sort of a reboot of the cowboy genre because at the time, when he was going to make it, they (the studios) were like no, Westerns will never make money. And it comes out and it’s the number one movie out there. He’s a cowboy — my dad IS a cowboy — so he was the right guy to do that and he did it with a bunch of the kids I grew up with: Emilio Estevez, Charlie Sheen — those kids are just… It was amazing."