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Yoshi (40 KP) rated Thor: Ragnarok (2017) in Movies
Oct 29, 2018
A certain actor in skin tight leather (1 more)
Pretty funny, in the vein of GotG
Probably not one for the kiddos (1 more)
Marvel totally screws up the mythology here - Hel (Hela) and Fenrir are two of Loki's monster children.
This one was so good I saw it in theaters 3 times. Sorry not sorry.
Rosario+Vampire: Season II, Vol. 3: v. 3: Season 2
Book
TEST 3 SNOW ORACLE When magical warming strikes Yokai Academy, you had better...a. reduce your...
Joe Frankenstein
Book
* An action/horror/adventure tale by Graham Nolan and Chuck Dixon! Young Joe Pratt discovers, upon...
Dork_knight74 (881 KP) rated Come Play (2020) in Movies
Dec 10, 2020
This movie was more entertaining than I expected. Decent acting all around. Really good cinematography and some pretty cool effects. The monster was definitely creepy. Some predictable parts and a few jump scares but that's pretty much true of most "horror" movies anymore. Overall a very good creature feature. Worth a watch.
The Host (2006)
7.0
Rate It
Movie Watch
A monster emerges in Seoul's Han River, one victim's family races to rescue her.
You are what it eats
Godzilla (1954)
8.1
Rate It
Movie
A giant reptilian monster is awakened by nuclear testing, leading the creature to wreak havoc on...
Kaiju Gojira Daikaiju
Call to Adventure
9.3
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Tabletop Game
Create your ultimate fantasy hero and tell their story by facing challenges and crafting your...
Movie Metropolis (309 KP) rated A Monster Calls (2016) in Movies
Jun 10, 2019
A Masterpiece
J.A. Bayona is one of the most exciting rising stars behind the camera lens. His knack for creating superbly shot, engaging films like The Orphanage and The Impossible has meant many in Hollywood have been keeping an intrigued eye on him.
His hard work paid off last year when it was announced he would be taking over directorial duties on the as yet unnamed Jurassic World sequel. In the meantime, Bayona has been busy working on A Monster Calls, based on the book of the same name by Patrick Ness, but does it continue the director’s brilliant work?
12-year-old Conor (Lewis MacDougall), dealing with his mother’s (Felicity Jones) illness, a less-than-sympathetic grandmother (Sigourney Weaver), and bullying classmates, finds a most unlikely ally when a Monster (Liam Neeson) appears at his bedroom window. Ancient, wild, and relentless, the Monster guides Conor on a journey of courage, faith, and truth through three dramatic tales.
The first thing to say is that the film is visually stunning with detail seeping from every frame. Every shot is breath-taking in its own way and the tall tales in which Liam Neeson’s booming voice narrate are beautiful. Bayona yet again demonstrates his flair for cinematography, but this time his creativeness is set free in Conor’s imagination, where he literally paints pictures with superb animations.
Acting wise, A Monster Calls is sublime. With talent like Liam Neeson, Sigourney Weaver and Felicity Jones making up the bulk of the cast, you’d be forgiven for thinking it’d be easy for newcomer Lewis MacDougall to get lost in the fray, but he doesn’t. His performance throughout the film is exceptional and the chemistry he shares with on-screen mum Felicity is entirely believable, making his plight all the more heart-breaking.
But the real winners here are the special effects. Liam Neeson’s gravelly tone lends itself perfectly to creating ‘the Monster’ in all its woody glory. The incredible CGI used to bring him to life is some of the best I’ve ever seen, all the more remarkable given the film’s relatively modest $43million budget. The effects are better than those in some blockbusters costing three times this.
Then there’s the plot. Essentially a coming of age story as one young man tries desperately to hang on to his youth and escape the tragedies of life; A Monster Calls is one of the most heartfelt and emotionally resonant films in the genre. It is a testament to author and screenwriter Patrick Ness that his novel’s gut-wrenching themes are carried across perfectly to the silver screen; that is by no means an easy thing to accomplish.
Overall, A Monster Calls is a mesmerising 115 minutes that stays with you long after the end credits roll. Everything from the acting to the direction is spot on, with the story being relatable to every single one of us. This time last year I was sat in the cinema watching Daddy’s Home; what a difference 12 months makes.
https://moviemetropolis.net/2017/01/07/a-masterpiece-a-monster-calls-review/
His hard work paid off last year when it was announced he would be taking over directorial duties on the as yet unnamed Jurassic World sequel. In the meantime, Bayona has been busy working on A Monster Calls, based on the book of the same name by Patrick Ness, but does it continue the director’s brilliant work?
12-year-old Conor (Lewis MacDougall), dealing with his mother’s (Felicity Jones) illness, a less-than-sympathetic grandmother (Sigourney Weaver), and bullying classmates, finds a most unlikely ally when a Monster (Liam Neeson) appears at his bedroom window. Ancient, wild, and relentless, the Monster guides Conor on a journey of courage, faith, and truth through three dramatic tales.
The first thing to say is that the film is visually stunning with detail seeping from every frame. Every shot is breath-taking in its own way and the tall tales in which Liam Neeson’s booming voice narrate are beautiful. Bayona yet again demonstrates his flair for cinematography, but this time his creativeness is set free in Conor’s imagination, where he literally paints pictures with superb animations.
Acting wise, A Monster Calls is sublime. With talent like Liam Neeson, Sigourney Weaver and Felicity Jones making up the bulk of the cast, you’d be forgiven for thinking it’d be easy for newcomer Lewis MacDougall to get lost in the fray, but he doesn’t. His performance throughout the film is exceptional and the chemistry he shares with on-screen mum Felicity is entirely believable, making his plight all the more heart-breaking.
But the real winners here are the special effects. Liam Neeson’s gravelly tone lends itself perfectly to creating ‘the Monster’ in all its woody glory. The incredible CGI used to bring him to life is some of the best I’ve ever seen, all the more remarkable given the film’s relatively modest $43million budget. The effects are better than those in some blockbusters costing three times this.
Then there’s the plot. Essentially a coming of age story as one young man tries desperately to hang on to his youth and escape the tragedies of life; A Monster Calls is one of the most heartfelt and emotionally resonant films in the genre. It is a testament to author and screenwriter Patrick Ness that his novel’s gut-wrenching themes are carried across perfectly to the silver screen; that is by no means an easy thing to accomplish.
Overall, A Monster Calls is a mesmerising 115 minutes that stays with you long after the end credits roll. Everything from the acting to the direction is spot on, with the story being relatable to every single one of us. This time last year I was sat in the cinema watching Daddy’s Home; what a difference 12 months makes.
https://moviemetropolis.net/2017/01/07/a-masterpiece-a-monster-calls-review/
KatieLouCreate (162 KP) rated Frankenstein in Books
Mar 5, 2018
Contains spoilers, click to show
It's been a while since I read this book but I remember why I did and did not enjoy this book. Firstly, the book it worth the read. It may seem slow to start with but you do get rewarded in the end. It is just that, unfortunately, Victor Frankenstein is a very boring character. He is just so boring and, lets face it, a little bit fickle. He spent his life working towards this goal, leaving his family and loved ones behind, practically, all to be able to resurrect the dead back to life. He accomplishes it only to realise what an abomination he has created. So what does he do? He runs away.
The most interesting part about the book actually comes from the perspective of the monster himself. It is here where we see true voice, character, and emotion. We see the monsters side of things and realise he is not in fact a monster. He is a product of his surroundings. He was treated like a monster and so he became one.
To me, it spreads an important message about love and acceptance. The monster would not have become evil is Victor had remained with his creation and helped him instead of fleeing and leaving the monster, new to the big wide world, by himself.
Although I believe Mart was trying to give us a different, more religious message, about the dangers of man performing a woman's role of giving birth and how that is an abomination to mankind, I think the message I stated beforehand is better and stronger.
If you can get through Victor's boring and annoying personality then the book is worth the read. If not, then maybe just read the middle of the book-- from the monsters perspective, although it would probably seem a little weird and out of context without the rest of the story.
The most interesting part about the book actually comes from the perspective of the monster himself. It is here where we see true voice, character, and emotion. We see the monsters side of things and realise he is not in fact a monster. He is a product of his surroundings. He was treated like a monster and so he became one.
To me, it spreads an important message about love and acceptance. The monster would not have become evil is Victor had remained with his creation and helped him instead of fleeing and leaving the monster, new to the big wide world, by himself.
Although I believe Mart was trying to give us a different, more religious message, about the dangers of man performing a woman's role of giving birth and how that is an abomination to mankind, I think the message I stated beforehand is better and stronger.
If you can get through Victor's boring and annoying personality then the book is worth the read. If not, then maybe just read the middle of the book-- from the monsters perspective, although it would probably seem a little weird and out of context without the rest of the story.