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Smart Materials in Structural Health Monitoring, Control and Biomechanics
Chee-Kiong Soh, Yaowen Yang and Suresh Bhalla
Book
"Smart Materials in Structural Health Monitoring, Control and Biomechanics" presents the latest...
The Tyranny of Uncertainty: A New Framework to Predict, Remediate and Monitor Risk: 2016
Nabil Abu El Ata and Rudolf Schmandt
Book
The authors offer a revolutionary solution to risk management. It's the unknown risks that keep...
Steven Sklansky (231 KP) rated A Monster Calls (2016) in Movies
Sep 17, 2017
The acting (2 more)
The CGI
The tree was like a giant Groot
Imaginative, fun and emotional
This was a fantastic film. I did not know much going into this movie other then there being a giant tree monster. This movie took my breath away. From the acting to the CGI. The animation sequences made to look like water colors was just brilliant.
You just never new what to expect out of the movie which is always a good thing. You don't know if the tree is good or if it is evil. Something you think the tree is just a big jerk trying to pull one over on Conner. I like how they made it seem that the monster was growing inside of Conner, showing that Conner was the monster, even though I never thought that during the movie. I thought he was just a kid in trouble. Bully's at school, dad not there, mom sick and a Grandma that treated him like a baby. Eventually you new he was just going to act out. When he did there was no punishment. They just told him why bother. I thought this was either because he could learn from his mistakes or that everyone felt sorry that his mom was dying. I think he just wanted to be punished for acting out. But no punishment did seem like his punishment.
The water color stories in the movie were done really well, it felt like you were falling into the story. It showed there is many ways to take life or how to interpret life experiences. What you do is what matters most. In the end Conner just had to learn the truth.
There is a monster tree lurking in all of us, we just have to listen for it. See the movie and you will know why.
You just never new what to expect out of the movie which is always a good thing. You don't know if the tree is good or if it is evil. Something you think the tree is just a big jerk trying to pull one over on Conner. I like how they made it seem that the monster was growing inside of Conner, showing that Conner was the monster, even though I never thought that during the movie. I thought he was just a kid in trouble. Bully's at school, dad not there, mom sick and a Grandma that treated him like a baby. Eventually you new he was just going to act out. When he did there was no punishment. They just told him why bother. I thought this was either because he could learn from his mistakes or that everyone felt sorry that his mom was dying. I think he just wanted to be punished for acting out. But no punishment did seem like his punishment.
The water color stories in the movie were done really well, it felt like you were falling into the story. It showed there is many ways to take life or how to interpret life experiences. What you do is what matters most. In the end Conner just had to learn the truth.
There is a monster tree lurking in all of us, we just have to listen for it. See the movie and you will know why.
Matthew Krueger (10051 KP) rated Creature from the Black Lagoon (1954) in Movies
May 21, 2020
The Last Classic Monster
Creature From The Black Lagoon- is the last monster of the classic universal monsters. And its sad. Its sad, to see the classic universal monster, last movie. This creature is scary, terrorfying and horrorfying.
The plot: Remnants of a mysterious animal have come to light in a remote jungle, and a group of scientists intends to determine if the find is an anomaly or evidence of an undiscovered beast. To accomplish their goal, the scientists (Antonio Moreno, Richard Carlson, Richard Denning, Whit Bissell) must brave the most perilous pieces of land South America has to offer. But the terrain is nothing compared to the danger posed by an otherworldly being that endangers their work and their lives.
Creature from the Black Lagoon was filmed in 3D and originally projected by the polarized light method. The audience wore viewers with gray polarizing filters, similar to the viewers most commonly used today. Because the brief 1950s 3D film fad had peaked in mid-1953 and was fading fast in early 1954, many audiences actually saw the film "flat", in 2D. Typically, the film was shown in 3D in large downtown theaters and flat in smaller neighborhood theaters.
For marketing reasons, a comedic appearance with Abbott and Costello on an episode of The Colgate Comedy Hour aired prior to the film's release. The appearance is commonly known as Abbott and Costello Meet the Creature from the Black Lagoon. Ben Chapman reprised his role as the Gill-Man for the program.
The film is recognized by American Film Institute in these lists:
2001: AFI's 100 Years...100 Thrills – Nominated
2003: AFI's 100 Years...100 Heroes & Villains:
Gill-man – Nominated Villain
Iike i said a classic universal monster.
The plot: Remnants of a mysterious animal have come to light in a remote jungle, and a group of scientists intends to determine if the find is an anomaly or evidence of an undiscovered beast. To accomplish their goal, the scientists (Antonio Moreno, Richard Carlson, Richard Denning, Whit Bissell) must brave the most perilous pieces of land South America has to offer. But the terrain is nothing compared to the danger posed by an otherworldly being that endangers their work and their lives.
Creature from the Black Lagoon was filmed in 3D and originally projected by the polarized light method. The audience wore viewers with gray polarizing filters, similar to the viewers most commonly used today. Because the brief 1950s 3D film fad had peaked in mid-1953 and was fading fast in early 1954, many audiences actually saw the film "flat", in 2D. Typically, the film was shown in 3D in large downtown theaters and flat in smaller neighborhood theaters.
For marketing reasons, a comedic appearance with Abbott and Costello on an episode of The Colgate Comedy Hour aired prior to the film's release. The appearance is commonly known as Abbott and Costello Meet the Creature from the Black Lagoon. Ben Chapman reprised his role as the Gill-Man for the program.
The film is recognized by American Film Institute in these lists:
2001: AFI's 100 Years...100 Thrills – Nominated
2003: AFI's 100 Years...100 Heroes & Villains:
Gill-man – Nominated Villain
Iike i said a classic universal monster.
SUV Racing: The Real Jeeps Driving Experience
Games and Entertainment
App
Xtreme Off-road battle attack starts with luxury defenders on SVX concepts. Drive 4x4 SUV defenders...
365Flicks (235 KP) rated Godzilla: King of the Monsters (2019) in Movies
Nov 7, 2019
Monsters vs Monsters... Epic
After the sour taste the last big screen adaptation left in my mouth I wasn’t overly enthusiastic for this one. I mean hyping your entire movie around Bryan Cranston to just kill him in the first 20 minutes leaving second best Quicksilver to hold the movie up was just Mental.
BUT this movie did promise one thing, more Kaiju more Godzilla instead of the pitiful 10 minutes screen time on our last outing. boy did it deliver of the Kaiju battles in spades.
That’s all I wanted was to see Godzilla battle it out with Mothra, Ghiadora and whoever else, just take me back to my childhood and give me epic scale monster fights. I felt this movie delivered that unapologetically so it’s a win.
Also I kinda love seeing Kyle Chandler in things.
BUT this movie did promise one thing, more Kaiju more Godzilla instead of the pitiful 10 minutes screen time on our last outing. boy did it deliver of the Kaiju battles in spades.
That’s all I wanted was to see Godzilla battle it out with Mothra, Ghiadora and whoever else, just take me back to my childhood and give me epic scale monster fights. I felt this movie delivered that unapologetically so it’s a win.
Also I kinda love seeing Kyle Chandler in things.
Legendary Beasts of Britain
Book
From mythical legends - dragons, unicorns, mermaids, sea serpents, griffins, yales and wyverns - to...
LeftSideCut (3776 KP) rated Frankenstein (1931) in Movies
Mar 25, 2021
Frankenstein represents some of the best material from the original Universal Monsters run.
Considering it came out just a few years after feature length talkies were even a thing, the plot moves at a swift pace, and never gets boring. We know all that we need to about the characters involved with no unnecessary padding out, and boasts wonderful dialogue that is engaging throughout
What's more, it's runtime is brimming with incredible shots, from Frankenstein and the monster on top of the mountain, to the monster accepting a flower from a little girl, to the mob of townspeople marching towards the windmill (a shot that has always stuck with me since being a child).
Frankenstein is a fantastic realisation of the misunderstood beast narrative, and an incredibly important stepping stone in the history of horror. Iconic in every way.
Considering it came out just a few years after feature length talkies were even a thing, the plot moves at a swift pace, and never gets boring. We know all that we need to about the characters involved with no unnecessary padding out, and boasts wonderful dialogue that is engaging throughout
What's more, it's runtime is brimming with incredible shots, from Frankenstein and the monster on top of the mountain, to the monster accepting a flower from a little girl, to the mob of townspeople marching towards the windmill (a shot that has always stuck with me since being a child).
Frankenstein is a fantastic realisation of the misunderstood beast narrative, and an incredibly important stepping stone in the history of horror. Iconic in every way.
Lee KM Pallatina (951 KP) rated Jack Brooks: Monster Slayer (2007) in Movies
Jun 25, 2019
I used to be a plumber
Jack brooks: monster slayer pays homage to movies like Evil dead, from dusk till dawn & gremlins.
After witnessing his family's brutal murder as a child, he grows up with an unquenching fury he is constantly fighting.
After accidentally unleashing an ancient evil during a plumbing job, his client/professor (Robert Englund) becomes possessed and mutates into a gruesome monster with an undying hunger.
This results in Jack facing his fears he can no longer run from and discover the purpose of his inner rage.
This is a great movie that honestly pays off, a low budget project that deserves a franchise.
Starring Trevor Mathews & Robert Englund
Story by: John Ainslie; Jon Knautz; Trevor Matthews; Patrick White
Directed by: Jon Knautz
Release date: October 9, 2007 (Sitges Film Festival); July 25, 2008 (Canada); August
After witnessing his family's brutal murder as a child, he grows up with an unquenching fury he is constantly fighting.
After accidentally unleashing an ancient evil during a plumbing job, his client/professor (Robert Englund) becomes possessed and mutates into a gruesome monster with an undying hunger.
This results in Jack facing his fears he can no longer run from and discover the purpose of his inner rage.
This is a great movie that honestly pays off, a low budget project that deserves a franchise.
Starring Trevor Mathews & Robert Englund
Story by: John Ainslie; Jon Knautz; Trevor Matthews; Patrick White
Directed by: Jon Knautz
Release date: October 9, 2007 (Sitges Film Festival); July 25, 2008 (Canada); August