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Amber Tamblyn recommended Autobiography of Red in Books (curated)

 
Autobiography of Red
Autobiography of Red
(0 Ratings)
Book Favorite

"The ultimate prose book. There is no one greater or darker than Carson. This book follows a creature named Red who is part boy, part winged monster. It's a coming of age story about a Kafkaesque boy and the exploration of his body and sexuality. Absolutely brilliant from start to finish. I used a quote from it to open the last book I wrote, "What's it like to be a woman listening in the dark?" That's the million dollar question."

Source
  
Monster: A Novel of Extreme Horror and Gore
Monster: A Novel of Extreme Horror and Gore
Matt Shaw, Michael Bray | 2015 | Horror
4
6.5 (2 Ratings)
Book Rating
Engaging (0 more)
Long exposition (3 more)
Shifting narratives
Many typos
Anticlimactic Ending
The authors of MONSTER preface the book with a warning to the readers, cautioning them about the contents of the book. They really play it up: debating whether or not the story was too dark or too extreme and needed to be censored. It's ridiculous. If you've seen the first five minutes of the remake of The Hills Have Eyes 2, you've read this book. Matt Shaw really phones it in. He seems to be doing pretty well, popping out a book every month or so, and probably making a decent bit of cash too. So you'd think he'd be able to afford an editor. MONSTER is riddled with typos that should embarrass professional writers, like the misuse of "it's" and "its" in the same sentence, and a complete lack of knowledge on how quoting dialogue works. Also, it's almost impossible to get a sense of where this book is set until they explicitly tell you. All the characters use British slang and spellings, but it's set in Indiana. Okay.

Matt Shaw says in the introduction that he writes his endings to leave the audience reeling. That's true. Because I wasted three hours or so on one of the most underwhelming, anticlimactic, predictable endings I've ever read. It felt like he was written into a corner, so he just STOPPED. That's how abruptly it ends. And yeah, we all get it. "Who's the real monster?" Really original.

Also, it's Patrick Bateman in American Psycho, not NIcholas. Wikipedia is a thing. So is imdb. Do your research!
  
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Awix (3310 KP) rated Mothra (1961) in Movies

Feb 11, 2018 (Updated Feb 11, 2018)  
Mothra (1961)
Mothra (1961)
1961 | Adventure, Fantasy
You're going to need some bigger mothballs
The film that sets the standard for rampaging-giant-mystic-butterfly pictures is one of the best Toho monster movies, clearly owing a debt to King Kong but adding a lovely veneer of charming Japanese weirdness to the recipe. Evil Rosilicans (i.e., Americans) gatecrash a Japanese expedition to a mysterious island and end up kidnapping the twin fairies in charge of the place and forcing them to appear in a stage musical (this film has some banging tunes, by the way). Disgruntled natives wake up Mothra, butterfly-god protector of the island, who promptly heads for Japan to express displeasure as only a 180 metre long larva can.

Much more of a fantasy movie than the rest of the Godzilla series (with which it is in continuity; Mothra and Godzilla have been fighting together and against each other for over fifty years), and also with an unambiguously sympathetic monster, this is probably a more technically adept and simply enjoyable film than any of its immediate predecessors from Toho. The story is vaultingly peculiar in some ways, but at least it has originality on its side. The attempt to disguise where Rosilica is really supposed to be falls flat as soon as we learn one of its major cities is called New Kirk, but you can't fault one of these movies for being just a little bit odd. Perhaps the lack of another monster for Mothra to fight at the end is a weakness in the story, but if so it is less obvious than is usually the case in this sort of film. An endearing and engaging piece of entertainment.