Search
Search results
The Rocky Horror Show
9.3
Rate It
Show
The Rocky Horror Show is a musical with music, lyrics and book by Richard O'Brien. A humorous...
GoldenArmor
YouTube Channel
Hello! I'm GoldenArmor ! Welcome to my channel!. Why don't you have a look, you might find what...
The Queen of Traitors (The Fallen World #2)
Book
They say I am a queen. They say I married a monster. That I did so willingly. They say he cannot...
The Mouth of the Dark
8.0
Rate It
Book
Jayce’s twenty-year-old daughter Emory is missing, lost in a dark, dangerous realm called Shadow...
Gloomhaven Forgotten Circles
8.0
Rate It
Tabletop Game
Gloomhaven: Forgotten Circles, the first expansion for Gloomhaven, features twenty new scenarios...
Boardgames ExpansionGames Gloomhaven ChildressGames
Lyndsey Gollogly (2893 KP) rated Dr Blessings Curse in Books
May 11, 2023
60 of 235
Kindle
Dr Blessing’s Curse or The Baby in the Bell-Jar ( Dr Blessing book 1)
By Jack Rollins
⭐️⭐️⭐️⭐️⭐️
From a monster, a miracle?
After a dinner party, Doctor George Blessing reveals to his friend a secret that he has carried for three years. His most horrific case to date has left him so tormented that his marriage, his practice and his very sanity are at stake. But will his friend understand? Can he even help? Can anyone break the Doctor's curse?
Brilliant first instalment of a short story! Was totally dragged in and loved it. Very dark and definitely something I love.
Kindle
Dr Blessing’s Curse or The Baby in the Bell-Jar ( Dr Blessing book 1)
By Jack Rollins
⭐️⭐️⭐️⭐️⭐️
From a monster, a miracle?
After a dinner party, Doctor George Blessing reveals to his friend a secret that he has carried for three years. His most horrific case to date has left him so tormented that his marriage, his practice and his very sanity are at stake. But will his friend understand? Can he even help? Can anyone break the Doctor's curse?
Brilliant first instalment of a short story! Was totally dragged in and loved it. Very dark and definitely something I love.
JT (287 KP) rated Monsters (2010) in Movies
Mar 10, 2020
Not so much a film about monsters, more about the human struggle to come to terms with the aftermath of an alien invasion. Whether the title was given purely for marketing reasons or not, I’m not sure, but it certainly doesn’t deliver a plethora of monsters to the screen.
Instead, what is delivered here is an interesting and powerful character study of two people on a journey across a derelict and dangerous territory. A slow building drama and romantic relationship is the focus with the vast, perilous repercussions of man vs. monster as the intriguing backdrop.
Just like Jaws, it is about what you don’t see that makes this film intense viewing. Edwards builds tension with the creepy, predator like noises that emanate from the squid-like monsters and with the ever present danger of the likelihood of a monster appearing I was totally captivated from start to finish.
The visual effects, especially the glowing alien eggs that I would liken to a Louise Bourgeois piece of tactile art add a magical air. I wanted to reach out into the screen and touch them. I was totally immersed in Gareth Edwards’ apocalyptic vision; his use of location and the handheld camera filming transports you into Mexico with veracity. He cleverly uses locals as the supporting cast and as they interact with each other and the two main characters I felt like I was watching a documentary.
There is one particular scene that stood out for me; they are camped out in the forest for the night and as they sit round the fire with the locals a really natural, jovial conversation starts to flow. The director cleverly puts the viewer off guard and just as I started to relax the tone of the scene changed into one of horror. There is much of this muted drama throughout but Edwards intersperses it with some truly grim, realistic footage.
Considering the small budget used to make Monsters, it is a remarkable film. If you are in the mood for a beautiful, well thought out film that has been directed with precision then go and see it. If you are expecting a monster extravaganza you may want to steer clear.
Instead, what is delivered here is an interesting and powerful character study of two people on a journey across a derelict and dangerous territory. A slow building drama and romantic relationship is the focus with the vast, perilous repercussions of man vs. monster as the intriguing backdrop.
Just like Jaws, it is about what you don’t see that makes this film intense viewing. Edwards builds tension with the creepy, predator like noises that emanate from the squid-like monsters and with the ever present danger of the likelihood of a monster appearing I was totally captivated from start to finish.
The visual effects, especially the glowing alien eggs that I would liken to a Louise Bourgeois piece of tactile art add a magical air. I wanted to reach out into the screen and touch them. I was totally immersed in Gareth Edwards’ apocalyptic vision; his use of location and the handheld camera filming transports you into Mexico with veracity. He cleverly uses locals as the supporting cast and as they interact with each other and the two main characters I felt like I was watching a documentary.
There is one particular scene that stood out for me; they are camped out in the forest for the night and as they sit round the fire with the locals a really natural, jovial conversation starts to flow. The director cleverly puts the viewer off guard and just as I started to relax the tone of the scene changed into one of horror. There is much of this muted drama throughout but Edwards intersperses it with some truly grim, realistic footage.
Considering the small budget used to make Monsters, it is a remarkable film. If you are in the mood for a beautiful, well thought out film that has been directed with precision then go and see it. If you are expecting a monster extravaganza you may want to steer clear.
Daniel Boyd (1066 KP) rated Monster Hunter (2020) in Movies
Feb 24, 2021
Absolutely Disastrous
Monster Hunter is the 15th feature film directed by Paul WS Anderson and is based on a popular gaming franchise of the same name. This is not Anderson’s first attempt at a video game movie, as he is arguably best known for giving us the Resident Evil movie series and the 1995 version of Mortal Kombat.
As is the case with the examples above, this film is in no way faithful to the source material. I am not a huge fan of the Monster Hunter games but I have played enough of them to know that they are nothing like what we get in this generic action movie filled to the brim with clichés. Frankly, this movie runs the gamut of mid 2000’s mediocre action film clichés like it is following a formula from a textbook.
When reviewing any movie, – even one as trashy as this, – I always try to find some positives before tearing through the poor elements, but I am genuinely struggling to find anything here that didn’t annoy me or make me cringe. Even the one thing that you would think would be a positive, – the fact that the movie’s runtime is only 103 minutes long, – still isn’t a positive because the film still manages to feel so long and dragged out.
Anderson is a decent director, I know this from Event Horizon and the first Resident Evil film, but at this point in his career it genuinely seems like he isn’t even trying anymore. I’m honestly convinced at this point that the guy just looks at the box art for whatever video game series he is adapting and decides that is all of the research that he has to do.
The technical aspects of this movie are garbage. The editing is abrupt and extremely cheesy with no flow or cohesion, just a ton of hard crash zooms and awkward transitions. The score sounds like royalty free suspense stock music that a freelancer might download for background music for a low budget Youtube video.
Read the rest of my review at: https://www.bigglasgowcomicpage.com/2021/02/18/review-monster-hunter-movie/
As is the case with the examples above, this film is in no way faithful to the source material. I am not a huge fan of the Monster Hunter games but I have played enough of them to know that they are nothing like what we get in this generic action movie filled to the brim with clichés. Frankly, this movie runs the gamut of mid 2000’s mediocre action film clichés like it is following a formula from a textbook.
When reviewing any movie, – even one as trashy as this, – I always try to find some positives before tearing through the poor elements, but I am genuinely struggling to find anything here that didn’t annoy me or make me cringe. Even the one thing that you would think would be a positive, – the fact that the movie’s runtime is only 103 minutes long, – still isn’t a positive because the film still manages to feel so long and dragged out.
Anderson is a decent director, I know this from Event Horizon and the first Resident Evil film, but at this point in his career it genuinely seems like he isn’t even trying anymore. I’m honestly convinced at this point that the guy just looks at the box art for whatever video game series he is adapting and decides that is all of the research that he has to do.
The technical aspects of this movie are garbage. The editing is abrupt and extremely cheesy with no flow or cohesion, just a ton of hard crash zooms and awkward transitions. The score sounds like royalty free suspense stock music that a freelancer might download for background music for a low budget Youtube video.
Read the rest of my review at: https://www.bigglasgowcomicpage.com/2021/02/18/review-monster-hunter-movie/
Gareth von Kallenbach (980 KP) rated Come Play (2020) in Movies
Oct 29, 2020
One of the more interesting and fresh horror films since “It Follows” has arrived and “Come Play” is a creepy film that captures childhood fears and captivates.
The film follows Oliver (Azhy Robertson); a non-verbal autistic boy living with his mother Sarah (Gillian Jacobs), and his father Marty (John Gallagher Jr.). Oliver communicates via an app on his phone and he awakens one evening to find a story called “Larry the Misunderstood Monster” on his phone. While he attempts to read it, unusual things start to happen such as lights going out on their own and the belief that there is something in the room.
When morning arrives we see that Oliver is picked on at school due to his disability and a past incident where he struck another student. The fact that his parents are strained does not help but Oliver continues to experience unusual events especially in the evening.
Oliver starts to believe that Larry from his story is indeed real and is attempting to enter his world and take him. Unable to communicate this clearly, Oliver soon has his concerns confirmed when students come to his home and he sees Larry via a camera on a found tablet.
As the situation unfolds, the tension mounts Larry begins to manifest himself more and more in our world forcing Oliver and his parents to confront Larry who has become more and bolder in his manifestations.
While the film is shot in darkness for several parts of the movie which makes some things harder to see; it does add to the tension and the story is a nice deviation from the usual killer monster on the loose and provides a more restrained but suspenseful take on the monster on the loose film. The smaller cast works well as it is at the core a story about family and the extent parents will go for their children as well as a look at the problems of loneliness amongst children; especially those with disabilities.
In the end “Come Play” is a creepy, memorable, and refreshing horror /suspense film that stays with you long after the movie ends.
3.5 stars out of 5
The film follows Oliver (Azhy Robertson); a non-verbal autistic boy living with his mother Sarah (Gillian Jacobs), and his father Marty (John Gallagher Jr.). Oliver communicates via an app on his phone and he awakens one evening to find a story called “Larry the Misunderstood Monster” on his phone. While he attempts to read it, unusual things start to happen such as lights going out on their own and the belief that there is something in the room.
When morning arrives we see that Oliver is picked on at school due to his disability and a past incident where he struck another student. The fact that his parents are strained does not help but Oliver continues to experience unusual events especially in the evening.
Oliver starts to believe that Larry from his story is indeed real and is attempting to enter his world and take him. Unable to communicate this clearly, Oliver soon has his concerns confirmed when students come to his home and he sees Larry via a camera on a found tablet.
As the situation unfolds, the tension mounts Larry begins to manifest himself more and more in our world forcing Oliver and his parents to confront Larry who has become more and bolder in his manifestations.
While the film is shot in darkness for several parts of the movie which makes some things harder to see; it does add to the tension and the story is a nice deviation from the usual killer monster on the loose and provides a more restrained but suspenseful take on the monster on the loose film. The smaller cast works well as it is at the core a story about family and the extent parents will go for their children as well as a look at the problems of loneliness amongst children; especially those with disabilities.
In the end “Come Play” is a creepy, memorable, and refreshing horror /suspense film that stays with you long after the movie ends.
3.5 stars out of 5