Search
Search results
LeftSideCut (3778 KP) rated Humanoids from the Deep (1980) in Movies
Oct 13, 2020
I'm completely aware that Humanoids from the Deep (originally titled Monster) is trashy as hell, but dammit I'm just a sucker for this kind of film.
It has a lot of issues - it's pacing is off for a start. A lot of the narrative focuses on a new fishing cannery in the seaside community of Noyo, a plot point that of course turns out to be completely irrelevant. It has some absurdly choppy editing - it has scenes that take place at the same time, in the same location, from different character perspectives, that inexplicably take place at different times of day. The big final scene has a sudden shot of an earlier part of the movie for no apparent reason other than saving money and time.
The same scene also has horrendously obvious looped sound editing. It's incredibly messy.
And yet, its still way more entertaining than it deserves to be. The mutant fish monster things look ridiculous of course, but it's the kind of hammy and gratuitous man-in-a-rubber-suit creature horror you just don't see these days.
There's plenty of gore and the usual Roger Corman endorsed nudity that sold these kind of films.
It has a respectable cast as well, including Doug McClure, Vic Morrow, Ann Turkel and Anthony Pena. It's a far cry from the copious amounts of teenagers usually associated with the genre during this era, and lends the film a sense of class amongst all the silliness.
Humanoids from the Deep is a film not to be taken seriously. That way, it's a pretty good time despite it's many flaws, and is an entertaining enough creature feature.
It has a lot of issues - it's pacing is off for a start. A lot of the narrative focuses on a new fishing cannery in the seaside community of Noyo, a plot point that of course turns out to be completely irrelevant. It has some absurdly choppy editing - it has scenes that take place at the same time, in the same location, from different character perspectives, that inexplicably take place at different times of day. The big final scene has a sudden shot of an earlier part of the movie for no apparent reason other than saving money and time.
The same scene also has horrendously obvious looped sound editing. It's incredibly messy.
And yet, its still way more entertaining than it deserves to be. The mutant fish monster things look ridiculous of course, but it's the kind of hammy and gratuitous man-in-a-rubber-suit creature horror you just don't see these days.
There's plenty of gore and the usual Roger Corman endorsed nudity that sold these kind of films.
It has a respectable cast as well, including Doug McClure, Vic Morrow, Ann Turkel and Anthony Pena. It's a far cry from the copious amounts of teenagers usually associated with the genre during this era, and lends the film a sense of class amongst all the silliness.
Humanoids from the Deep is a film not to be taken seriously. That way, it's a pretty good time despite it's many flaws, and is an entertaining enough creature feature.
The Witcher: Old World
Tabletop Game
In The Witcher: Old World, you become a witcher — a professional monster slayer — and immerse...
L. Ron Hubbard Presents Writers of the Future Volume 38
10.0
Rate It
Book
In the World of Science Fiction… …this Anthology stands out for three reasons: The...
science fiction fantasy sci-fi fantasy bookbuzz
ClareR (5686 KP) rated The Night Ship in Books
Dec 12, 2022
The Night Ship is a wonderful story told from two different perspectives: Mayken is travelling to the Dutch East Indies on board the Batavia in 1629; in 1989, Gil is sent to live with his grandfather after he death of his mother. Gil finds out about the shipwreck of the Batavia when he meets some archaeologists, and becomes really interested in what happened.
The story switches between the two children, and I couldn’t wait to read about each perspective. Mayken is a happy, curious child, who is desperate to explore the world below decks - which due to her status, she isn’t supposed to do. So she enlists the help of a cabin boy and disguises herself. Mayken searches for a monster below decks, the Bullebak, as things start to go wrong on the ship. But it soon becomes apparent that the threat doesn’t come from a monster.
Gil doesn’t want to live with his uncommunicative, distant grandfather. He doesn’t want to fish with him either. And her certainly doesn’t want to talk about what happened with his mother. He finds solace in his friendships with an ancient tortoise called Enkidu, and Silvia Zanetti, the wife and mother of his grandfathers enemies, Frank and Roper (the latter sounds like he should be locked up, to be honest).
I absolutely loved this book. Mayken and Gil are both such tragic characters who only need someone to care for them. It’s a magical story, made more so by the imaginations of the two children. It’s a shame that the real world has to encroach on them.
Highly recommended.
The story switches between the two children, and I couldn’t wait to read about each perspective. Mayken is a happy, curious child, who is desperate to explore the world below decks - which due to her status, she isn’t supposed to do. So she enlists the help of a cabin boy and disguises herself. Mayken searches for a monster below decks, the Bullebak, as things start to go wrong on the ship. But it soon becomes apparent that the threat doesn’t come from a monster.
Gil doesn’t want to live with his uncommunicative, distant grandfather. He doesn’t want to fish with him either. And her certainly doesn’t want to talk about what happened with his mother. He finds solace in his friendships with an ancient tortoise called Enkidu, and Silvia Zanetti, the wife and mother of his grandfathers enemies, Frank and Roper (the latter sounds like he should be locked up, to be honest).
I absolutely loved this book. Mayken and Gil are both such tragic characters who only need someone to care for them. It’s a magical story, made more so by the imaginations of the two children. It’s a shame that the real world has to encroach on them.
Highly recommended.
Awix (3310 KP) rated Gamera: Guardian of the Universe (1995) in Movies
Feb 14, 2018 (Updated Feb 14, 2018)
Turtle Recall
Hugely confident reinvention not just of Gamera the flying turtle but also, maybe, the whole kaiju movie genre. Japan is plagued by man-eating Gyaos birds, finds unexpected assistance when floating island turns out to be giant flying turtle with plasma fireball breath. Stage is set for climactic showdown between Gamera and the last, colossal Gyaos in downtown Tokyo (of course).
Altogether much lighter on its feet than Toho's Godzilla movies from the same period; makers have clearly studied the tropes of the genre and reinvent and deploy them to great effect. Hugely enjoyable monster action sequences, solid work from the human cast as well (Steven Seagal's daughter Ayako Fujitani is clearly the one in the family with acting talent). The two sequels are possibly even better.
Altogether much lighter on its feet than Toho's Godzilla movies from the same period; makers have clearly studied the tropes of the genre and reinvent and deploy them to great effect. Hugely enjoyable monster action sequences, solid work from the human cast as well (Steven Seagal's daughter Ayako Fujitani is clearly the one in the family with acting talent). The two sequels are possibly even better.
RPGMP3 (211 KP) rated Monster Manual (Dungeons and Dragons 5th Edition) in Tabletop Games
Mar 19, 2018
A menagerie of deadly monsters for the world’s greatest roleplaying game
The Monster Manual presents a horde of classic Dungeons & Dragons creatures, including dragons, giants, mind flayers, and beholders–a monstrous feast for Dungeon Masters ready to challenge their players and populate their adventures.
The monsters contained herein are culled from the D&D game’s illustrious history, with easy-to-use game statistics and thrilling stories to feed your imagination.
The leader in providing contemporary fantasy entertainment, Dungeons & Dragons is the wellspring for the entire modern game industry, digital as well as analog. This newest edition draws from every prior edition to create a universally compelling play experience, and exemplifies the true spirit of a game that holds captive the hearts and minds of millions of players worldwide.
The Monster Manual presents a horde of classic Dungeons & Dragons creatures, including dragons, giants, mind flayers, and beholders–a monstrous feast for Dungeon Masters ready to challenge their players and populate their adventures.
The monsters contained herein are culled from the D&D game’s illustrious history, with easy-to-use game statistics and thrilling stories to feed your imagination.
The leader in providing contemporary fantasy entertainment, Dungeons & Dragons is the wellspring for the entire modern game industry, digital as well as analog. This newest edition draws from every prior edition to create a universally compelling play experience, and exemplifies the true spirit of a game that holds captive the hearts and minds of millions of players worldwide.
Awix (3310 KP) rated King Kong (2005) in Movies
Feb 26, 2018 (Updated Feb 26, 2018)
Peter Jackson's labour of love takes itself awfully seriously for a film about a giant gorilla living on an island full of dinosaurs. Proof that even hugely successful, talented people occasionally need someone to tap them on the shoulder and say 'You need to think again about this.'
I mean, I love monster movies as much as the next person, but not when they last three hours and are stuffed with dead-wood character subplots like this one (what exactly is going on with Jamie Bell's character?). Attempting to make Kong wholly sympathetic throughout is also arguably a mistake. Movie looks great and has brilliant creature designs, but overall loses the sense of pulpy fun and excitement which the best Kong movies have; ends up feeling just a bit pompous.
I mean, I love monster movies as much as the next person, but not when they last three hours and are stuffed with dead-wood character subplots like this one (what exactly is going on with Jamie Bell's character?). Attempting to make Kong wholly sympathetic throughout is also arguably a mistake. Movie looks great and has brilliant creature designs, but overall loses the sense of pulpy fun and excitement which the best Kong movies have; ends up feeling just a bit pompous.
Awix (3310 KP) rated Aliens (1986) in Movies
Feb 20, 2018
James Cameron's muscular sequel doesn't muck about admiring the art direction or trying to be atmospheric, but reinvents the original movie as a gut-busting action thriller. Slimy corporate types have colonised the planet on which a lethal alien predator was discovered in the first film; now contact has been lost and sole survivor Ripley is sent in with the troops to investigate. The ultimate fate of the cat remains a mystery.
After a long, tense build-up, once the action kicks off the film feels relentless, and in the Queen Alien it comes up with a monster just as iconic as the original creature. Great ensemble cast led by Weaver, terrific set pieces, interesting subtext about the maternal instinct. Every other Alien film since has been judged by the standards established here.
After a long, tense build-up, once the action kicks off the film feels relentless, and in the Queen Alien it comes up with a monster just as iconic as the original creature. Great ensemble cast led by Weaver, terrific set pieces, interesting subtext about the maternal instinct. Every other Alien film since has been judged by the standards established here.
Awix (3310 KP) rated Prehistoric Women (1967) in Movies
Feb 12, 2018
The Land That The Budget Forgot
Pretty much a one-man show for Hammer supremo Michael Carreras, who writes, directs, and produces, and in the process demonstrates why he should really have stuck to producing. Then again, the whole movie was intended as a cash-saving measure so there's a limit to how much you can complain about the slapdash plotting, absurdly cheap 'monster', or painful non-acting from most of the cast.
Martine Beswick does her best to rise above it all, but this is even less entertaining than it probably sounds; it's not even that interesting as an exploitation movie. Noted actor, director and playwright Steven Berkoff can be spotted hanging around in the background hoping not to be seen and planning on calling his agent.
Martine Beswick does her best to rise above it all, but this is even less entertaining than it probably sounds; it's not even that interesting as an exploitation movie. Noted actor, director and playwright Steven Berkoff can be spotted hanging around in the background hoping not to be seen and planning on calling his agent.