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Lee (2222 KP) rated The Shape of Water (2017) in Movies
Feb 8, 2018
Sally Hawkins (1 more)
Michael Shannon
Beautiful and Enchanting
The Shape of Water really is one of those movies where I feel the trailer doesn't really do it justice. From seeing the trailer, I wasn't really sure how much I was going to enjoy the movie. Like I'm sure many others will be, I was persuaded that I might be wrong by the 13 Oscar nominations it recently received. I shouldn't have had any doubts to be honest. Pan's Labyrinth, also directed by Guillermo del Toro, is one of my favourite movies and The Shape of Water shares many similarities with that. A beautiful and enchanting mix of fairy tale, love story and monster movie.
Sally Hawkins plays Elisa Esposito, a mute woman who works nights as a janitor for Occam Aerospace Research Center along with friend Zelda Fuller (Octavia Spencer). At home she lives a simple life, watching musicals with her gay neighbour Giles (Richard Jenkins) and finding joy in the simple things in life. One day a strange creature is brought into the research center to be studied, surrounded by military and medical personnel. Colonel Richard Strickland has accompanied 'the asset' from it's previous location, and appears to have developed a serious dislike to it. He carries an electrified cattle prod, which he takes great delight in using on the creature. In return though, the creature does manage to remove two of Stricklands fingers, and also inflicts serious injuries on others.
But Elisa takes pity on the creature and over time tries to befriend it, bringing him hard-boiled eggs and teaching him sign language. When she learns that plans for the creature involve vivisection, she hatches a plan to help him escape, and from that point their feelings for each other develop into love. A true Beauty and the Beast style fairy tale.
I found myself absolutely captivated, swept along by the story, and everything about it is just beautiful. Sally Hawkins is incredible, portraying such varied emotions without speaking, she provides much of the films humour, and shines in the more serious scenes too. Doug Jones does what he does best as the creature, but the real monster of the movie is Michael Shannon as Colonel Strickland. Terrifyingly brilliant.
For me, I'm not sure if this beats Pan's Labyrinth, but The Shape of Water is certainly worthy of all the praise, and hopefully the awards, it receives.
Sally Hawkins plays Elisa Esposito, a mute woman who works nights as a janitor for Occam Aerospace Research Center along with friend Zelda Fuller (Octavia Spencer). At home she lives a simple life, watching musicals with her gay neighbour Giles (Richard Jenkins) and finding joy in the simple things in life. One day a strange creature is brought into the research center to be studied, surrounded by military and medical personnel. Colonel Richard Strickland has accompanied 'the asset' from it's previous location, and appears to have developed a serious dislike to it. He carries an electrified cattle prod, which he takes great delight in using on the creature. In return though, the creature does manage to remove two of Stricklands fingers, and also inflicts serious injuries on others.
But Elisa takes pity on the creature and over time tries to befriend it, bringing him hard-boiled eggs and teaching him sign language. When she learns that plans for the creature involve vivisection, she hatches a plan to help him escape, and from that point their feelings for each other develop into love. A true Beauty and the Beast style fairy tale.
I found myself absolutely captivated, swept along by the story, and everything about it is just beautiful. Sally Hawkins is incredible, portraying such varied emotions without speaking, she provides much of the films humour, and shines in the more serious scenes too. Doug Jones does what he does best as the creature, but the real monster of the movie is Michael Shannon as Colonel Strickland. Terrifyingly brilliant.
For me, I'm not sure if this beats Pan's Labyrinth, but The Shape of Water is certainly worthy of all the praise, and hopefully the awards, it receives.
Lee (2222 KP) rated A Quiet Place (2018) in Movies
Apr 3, 2018 (Updated Apr 3, 2018)
Superb tension, great monster movie
We're on day 79 of what we assume is some kind of apocalyptic event. A general store is deserted, without power, and in a complete mess. A man and his wife (John Krasinski and off screen wife Emily Blunt) along with their 3 children, are quietly scavenging for drugs for one of the sick children, along with general supplies. They move quietly, carefully moving objects so as to not make a sound. They communicate only by sign language, and the youngest of the children is refused a battery operated rocket toy, because it will make a noise. The family quietly walk back home, and you begin to wonder what exactly could be so dangerous that it's wiped out most of humanity and left this family in fear, desperately trying to remain silent. We soon find out though, in one quick, and shocking moment.
Then we skip forward a few hundred days, joining the family once more in their home in the forest. We discover that the creatures responsible for the apocalypse are blind, with armoured skin and a superb sense of hearing which attracts them to their prey, and also explains why everyone is now being so quiet. The family walk about barefoot, still communicating in sign language and taking care not to make a sound with everything they do. It's very quiet, and very tense, which consequently amplifies every sneeze and every noisy rustle in the cinema I'm sitting in. Some of these idiots wouldn't last 5 minutes if they were in this movie!!
And then we discover that Emily Blunts character is pregnant! We see the family preparing a sound proof cot, in an underground room where the other children are also trying to make the walls soundproof. How on earth are they going to keep a baby from being heard?
Occasionally the creatures make an appearance. All teeth and claws, and genuinely scary as the family try and contain their terror to avoid making a sound. The first half of the movie follows this formula - prolonged periods of silent tension, followed by the odd burst of terror. It's extremely effective. So when the final third of the movie shifts towards more lengthy moments of monster action, with the separated family all having their own problems to overcome, it's hugely enjoyable edge of seat stuff. This really is a refreshingly smart horror movie.
Then we skip forward a few hundred days, joining the family once more in their home in the forest. We discover that the creatures responsible for the apocalypse are blind, with armoured skin and a superb sense of hearing which attracts them to their prey, and also explains why everyone is now being so quiet. The family walk about barefoot, still communicating in sign language and taking care not to make a sound with everything they do. It's very quiet, and very tense, which consequently amplifies every sneeze and every noisy rustle in the cinema I'm sitting in. Some of these idiots wouldn't last 5 minutes if they were in this movie!!
And then we discover that Emily Blunts character is pregnant! We see the family preparing a sound proof cot, in an underground room where the other children are also trying to make the walls soundproof. How on earth are they going to keep a baby from being heard?
Occasionally the creatures make an appearance. All teeth and claws, and genuinely scary as the family try and contain their terror to avoid making a sound. The first half of the movie follows this formula - prolonged periods of silent tension, followed by the odd burst of terror. It's extremely effective. So when the final third of the movie shifts towards more lengthy moments of monster action, with the separated family all having their own problems to overcome, it's hugely enjoyable edge of seat stuff. This really is a refreshingly smart horror movie.
Brumpolarbears (22 KP) rated Village Attacks in Tabletop Games
Jun 18, 2019
UK Games Expo 2018 was filled to the brim with new and shiny games, but one of our stand out picks was a cooperative castle defence game, with a twist. In Village Attacks, you take on the role of some of the most infamous and feared folklore legends. What could go wrong?
Set within the depths of a particularly immense castle, you and your fellow villains must defend your home from the local villagers who are laying siege to your home in an effort to exorcise your evil from the world.
Although the villagers themselves may be weak, they aren’t alone. Hunters and heroes from across the world have come to lend sword, shield and gun to rid the world of your taint.
The castle interior is constructed using a modular tile system made up from beautifully illustrated game tiles that allow for near limitless combinations and layouts. The villagers will attempt to reach the heart of the castle and destroy it, but they must be stopped! Only by slaying enough villagers and breaking their morale will you be able to drive them from your home for good.
The brainchild of two friends, Adam Smith and Mike Brown of Grimlord Games, an independent developer of tabletop games, Village Attacks uses custom dice to control the outcome of your turn. Dice results can be used to move your monster, activate your abilities, purchase traps, defend yourself from incoming attacks and even be stored for the next round.
Each monster possesses their own unique abilities that they are able to level up by slaying villagers and completing objectives. Monsters are categorised into types, which can affect how they interact with the enemy forces. Hunters and Town Heroes deal extra damage to monsters that match their types, creating another level of strategy and planning.
I had the opportunity to give Village Attacks a whirl at UK Games Expo and I really did fall in love with it. I’m a sucker for a good miniature and this has plenty of options, particularly if you backed the Kickstarter. While the game itself comes with a lot of components (see the list below), it’s fairly quick to get into. Once the heroes and hunters take to the board, that’s when things really start to heat up. This one is certainly going on the wish list.
Set within the depths of a particularly immense castle, you and your fellow villains must defend your home from the local villagers who are laying siege to your home in an effort to exorcise your evil from the world.
Although the villagers themselves may be weak, they aren’t alone. Hunters and heroes from across the world have come to lend sword, shield and gun to rid the world of your taint.
The castle interior is constructed using a modular tile system made up from beautifully illustrated game tiles that allow for near limitless combinations and layouts. The villagers will attempt to reach the heart of the castle and destroy it, but they must be stopped! Only by slaying enough villagers and breaking their morale will you be able to drive them from your home for good.
The brainchild of two friends, Adam Smith and Mike Brown of Grimlord Games, an independent developer of tabletop games, Village Attacks uses custom dice to control the outcome of your turn. Dice results can be used to move your monster, activate your abilities, purchase traps, defend yourself from incoming attacks and even be stored for the next round.
Each monster possesses their own unique abilities that they are able to level up by slaying villagers and completing objectives. Monsters are categorised into types, which can affect how they interact with the enemy forces. Hunters and Town Heroes deal extra damage to monsters that match their types, creating another level of strategy and planning.
I had the opportunity to give Village Attacks a whirl at UK Games Expo and I really did fall in love with it. I’m a sucker for a good miniature and this has plenty of options, particularly if you backed the Kickstarter. While the game itself comes with a lot of components (see the list below), it’s fairly quick to get into. Once the heroes and hunters take to the board, that’s when things really start to heat up. This one is certainly going on the wish list.
Jesters_folly (230 KP) rated Love and Monsters (2021) in Movies
Apr 18, 2021
Contains spoilers, click to show
Love and monsters is quite a slow paced film about a journey and a character. Joel starts the film as a bit of a looser, he feels out of place and unneeded so he sets out to find the one person he thinks will appreciate him and, as he movers through the world he begins to find himself, a purpose and the meaning of family.
In some ways, Love and Monsters reminded me of 'Zombie land', we have some one who is just trying to find his place and his way in world that changed, he has to rely on the help of others whilst finding the right rules to help him survive. Of course the biggest difference is that there are monsters instead of Zombies.
Talking of the monsters, the effects are pretty good, the monsters are not all horrific and are pretty realistic. They help set the tone and pace in the film, providing threat, humour and atmosphere and it's nice to see that some of them just want to get on with their own lives.
Another thing that was nice to see was that (most of) the humans were also just trying to live, there weren't any 'Neagan's' or camps of overly aggressive thugs as you get used to seeing in a lot of post apocalyptic movies, which came as a bit as a surprise, I was expecting there to be something odd about the meeting between Joel and Aimee but, even though it doesn't necessarily go according to plan it still works out in a nice way.
And that's the thing, Love and Monsters is quite a nice film. The characters want to survive and even in a world populated by monsters that eat people the survivors find love and purpose, yes there are people who are just out for themselves, who are willing to steal and feed others to the monsters but they are in the minority.
The only really odd thing in this film are the Mav1s', there is not really anything to explain them.
Love and Monsters is no 'Godzilla', there are no monster v monster fights. and it's no 'A Quite Place' the monsters aren't necessarily hunting the survivors for anything other than food and this isn't a horror movie, it's a film about growth, love and family and man eating bugs.
In some ways, Love and Monsters reminded me of 'Zombie land', we have some one who is just trying to find his place and his way in world that changed, he has to rely on the help of others whilst finding the right rules to help him survive. Of course the biggest difference is that there are monsters instead of Zombies.
Talking of the monsters, the effects are pretty good, the monsters are not all horrific and are pretty realistic. They help set the tone and pace in the film, providing threat, humour and atmosphere and it's nice to see that some of them just want to get on with their own lives.
Another thing that was nice to see was that (most of) the humans were also just trying to live, there weren't any 'Neagan's' or camps of overly aggressive thugs as you get used to seeing in a lot of post apocalyptic movies, which came as a bit as a surprise, I was expecting there to be something odd about the meeting between Joel and Aimee but, even though it doesn't necessarily go according to plan it still works out in a nice way.
And that's the thing, Love and Monsters is quite a nice film. The characters want to survive and even in a world populated by monsters that eat people the survivors find love and purpose, yes there are people who are just out for themselves, who are willing to steal and feed others to the monsters but they are in the minority.
The only really odd thing in this film are the Mav1s', there is not really anything to explain them.
Love and Monsters is no 'Godzilla', there are no monster v monster fights. and it's no 'A Quite Place' the monsters aren't necessarily hunting the survivors for anything other than food and this isn't a horror movie, it's a film about growth, love and family and man eating bugs.
Gareth von Kallenbach (977 KP) rated Luca (2021) in Movies
Jun 16, 2021
The artists at Disney and Pixar have returned with a new animated film “Luca” which will debut on Disney+ on June 18th.
The film introduces audiences to Luca (Jacob Tremblay); a young Sea Monster who lives with his family and fellow fish off the coast of a small town in Italy. Luca is warned not to go on the surface and to avoid humans at all costs by his parents.
When a rebellious Sea Monster named Alberto (Jack Dylan Grazer); happens upon Luca and gets him to the surface; Luca discovers that he and Alberto appear as human boys when their skin is no longer wet.
Fascinated by the rebellious life Alberto leads and amazed by what he sees upon his brief land excursions; Luca looks for new ways to find time on the surface which leads to him being more and more deceptive to his parents.
In time Luca and Alberto head to the village and meet a spunky local girl named Giulia (Emma Berman); who is on a break from school and longs to win a local race in order to get back at the reigning champion and bully.
Luca and Alberto see the race as a chance to win money to buy their own Vespa which they see as the key to exploring the surface world which sets a chain of events into motion as their two worlds are about to collide leading up to the race.
The film is visually appealing, but the story for me dragged and did not have the spark and heart that have made countless PIXAR films enduring classics. While the characters were fine; they did not have the appeal or charisma that I have come to expect with the PIXAR brand.
There have been reports that after “SOUL” was moved from a theatrical release to streaming during the Pandemic that some at PIXAR were upset with the decision to make “Luca” a streaming option. My take is that it was 100% the correct decision as while it is an entertaining film; it is not one that is likely to light up the Box Office and is better suited for a streaming debut.
The biggest issue with “Luca” is that coming from a studio with such a long line of classics; it fails to reach the levels previously set and while entertaining comes up lacking.
3 stars out of 5
The film introduces audiences to Luca (Jacob Tremblay); a young Sea Monster who lives with his family and fellow fish off the coast of a small town in Italy. Luca is warned not to go on the surface and to avoid humans at all costs by his parents.
When a rebellious Sea Monster named Alberto (Jack Dylan Grazer); happens upon Luca and gets him to the surface; Luca discovers that he and Alberto appear as human boys when their skin is no longer wet.
Fascinated by the rebellious life Alberto leads and amazed by what he sees upon his brief land excursions; Luca looks for new ways to find time on the surface which leads to him being more and more deceptive to his parents.
In time Luca and Alberto head to the village and meet a spunky local girl named Giulia (Emma Berman); who is on a break from school and longs to win a local race in order to get back at the reigning champion and bully.
Luca and Alberto see the race as a chance to win money to buy their own Vespa which they see as the key to exploring the surface world which sets a chain of events into motion as their two worlds are about to collide leading up to the race.
The film is visually appealing, but the story for me dragged and did not have the spark and heart that have made countless PIXAR films enduring classics. While the characters were fine; they did not have the appeal or charisma that I have come to expect with the PIXAR brand.
There have been reports that after “SOUL” was moved from a theatrical release to streaming during the Pandemic that some at PIXAR were upset with the decision to make “Luca” a streaming option. My take is that it was 100% the correct decision as while it is an entertaining film; it is not one that is likely to light up the Box Office and is better suited for a streaming debut.
The biggest issue with “Luca” is that coming from a studio with such a long line of classics; it fails to reach the levels previously set and while entertaining comes up lacking.
3 stars out of 5
Jesters_folly (230 KP) rated Scary Stories to Tell in the Dark (2019) in Movies
Aug 21, 2019
Contains spoilers, click to show
Scary Stories to tell in the dark is a film based on a series of children’s books famed for its terrifying art work. The film tells of what happens when a group of children discover the story book of Sarah Bellows, the town’s urban legend who is supposed to have poisoned and killed the children who heard her stories.
Scary Stories is one of those films that takes a mix of different horror elements, put’s them through a blender and sees what comes out; it is part Slasher, as a number of the children get attacked and killed in a variety of different ways, part J-Horror as the children have to find out what it will take to stop Sarah (in a similar style to the Ring or The Grudge), and part monster movie as a variety of creatures are set out after the children.
The one thing Scary Stories isn’t is a children’s film, the monsters are heavily based upon the art work from the original books and, after a slow beginning the tension and atmosphere are ramped up. There are a few jump scares but the film does not rely solely on these and the ones there are, are well crafted, you know something is going to happen but not when. Some of the children do died, although not in bloody ways.
For a film based on a series of stories ‘Scary Stories to tell in the dark’ doesn’t quite become an anthology movie which is a bit surprising, each monster has its own back story however, these back stories quickly become secondary as the hunt for the truth about Sarah takes over.
I think, at its heart, Scary Stories is mostly a classic ghost story, the book is a classic cursed item like the video tape in the ring or the mirror in mirror mirror (the horror film not the Disney one) which is fuelled by Sarah’s anger at the injustices she suffered when she was alive and which can be negated when something is put right. Of course anyone who has seen more than a few horror movies knows that a bad spirit can’t be kept down for long and Scary Stories to Tell in the Dark does leave the way open for a sequel.
Scary Stories is one of those films that takes a mix of different horror elements, put’s them through a blender and sees what comes out; it is part Slasher, as a number of the children get attacked and killed in a variety of different ways, part J-Horror as the children have to find out what it will take to stop Sarah (in a similar style to the Ring or The Grudge), and part monster movie as a variety of creatures are set out after the children.
The one thing Scary Stories isn’t is a children’s film, the monsters are heavily based upon the art work from the original books and, after a slow beginning the tension and atmosphere are ramped up. There are a few jump scares but the film does not rely solely on these and the ones there are, are well crafted, you know something is going to happen but not when. Some of the children do died, although not in bloody ways.
For a film based on a series of stories ‘Scary Stories to tell in the dark’ doesn’t quite become an anthology movie which is a bit surprising, each monster has its own back story however, these back stories quickly become secondary as the hunt for the truth about Sarah takes over.
I think, at its heart, Scary Stories is mostly a classic ghost story, the book is a classic cursed item like the video tape in the ring or the mirror in mirror mirror (the horror film not the Disney one) which is fuelled by Sarah’s anger at the injustices she suffered when she was alive and which can be negated when something is put right. Of course anyone who has seen more than a few horror movies knows that a bad spirit can’t be kept down for long and Scary Stories to Tell in the Dark does leave the way open for a sequel.
Slidey: Block Puzzle
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The goal of this slide puzzle is simple: move blocks horizontally to create and clear full lines....
TutoPLAY Best TutoTOONS Games
Games and Education
9.0
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TutoPLAY is an all-in-one app pack of most wanted TutoTOONS games. We hand-selected and added the...
Lyndsey Gollogly (2893 KP) rated Gypsy Freak (All the Pretty Monsters #2) in Books
Nov 4, 2021
183 of 250
Kindle
Gypsy Freak ( All the Pretty Monsters book 2)
By Kristy Cunning
Once read a review will be written via Smashbomb and link posted in comments
What's it like to be a monster in a town full of monsters, who don't know you're a monster?
Complicated and a little scary, but doable.
What's it like to be the girl who can't die...that everyone seems to always want to kill?
Frustrating as hell.
What's it like to accidentally raise psychotic alpha vampire everyone fears, who drops a lot of bodies on his first day out as a 'gift' for your troubles?
Terrifying, if I'm being honest.
What's it like when that crazed vampire tells you he wants you to be the happy little intermission, during an ongoing ancient story, and expects you to use your vagina to draw in a werewolf alpha, a Van Helsing alpha, and a sexual deviant alpha, so he can have his old friends back?
That's when a girl has to stop, look around, and question her life choices.
I really don't know how this stuff keeps happening to me. Life was simpler when it was just me accidentally blowing myself up while trying to create potions and shampoo.
I've lived my life in such secrecy that I've spent most of it lonely. So lonely, in fact, that my best friend is a delusional ghost. I'd rather focus on her than all the crazy things happening in my life at current. Ever since coming to this town, I've had my throat slit by vampires, attracted way too much attention from some powerful alphas, and did a lot of regrettably stupid things because...I'm too gullible for shady monsters.
To them, I'm the fool.
To them, I'm the naive girl in over my head.
To them, I'm the pawn on a worn chessboard, while the seasoned players knock me around.
Meanwhile, I'm still left to figure it all out on my own, because, just like me, no one wants to share their secrets.
I’m really liking this series. It’s a shame to lose Anna d at o soon I absolutely loved her character. The story is good and it’s written so well! We see Violet learning more about herself and the alphas surrounding her.
Kindle
Gypsy Freak ( All the Pretty Monsters book 2)
By Kristy Cunning
Once read a review will be written via Smashbomb and link posted in comments
What's it like to be a monster in a town full of monsters, who don't know you're a monster?
Complicated and a little scary, but doable.
What's it like to be the girl who can't die...that everyone seems to always want to kill?
Frustrating as hell.
What's it like to accidentally raise psychotic alpha vampire everyone fears, who drops a lot of bodies on his first day out as a 'gift' for your troubles?
Terrifying, if I'm being honest.
What's it like when that crazed vampire tells you he wants you to be the happy little intermission, during an ongoing ancient story, and expects you to use your vagina to draw in a werewolf alpha, a Van Helsing alpha, and a sexual deviant alpha, so he can have his old friends back?
That's when a girl has to stop, look around, and question her life choices.
I really don't know how this stuff keeps happening to me. Life was simpler when it was just me accidentally blowing myself up while trying to create potions and shampoo.
I've lived my life in such secrecy that I've spent most of it lonely. So lonely, in fact, that my best friend is a delusional ghost. I'd rather focus on her than all the crazy things happening in my life at current. Ever since coming to this town, I've had my throat slit by vampires, attracted way too much attention from some powerful alphas, and did a lot of regrettably stupid things because...I'm too gullible for shady monsters.
To them, I'm the fool.
To them, I'm the naive girl in over my head.
To them, I'm the pawn on a worn chessboard, while the seasoned players knock me around.
Meanwhile, I'm still left to figure it all out on my own, because, just like me, no one wants to share their secrets.
I’m really liking this series. It’s a shame to lose Anna d at o soon I absolutely loved her character. The story is good and it’s written so well! We see Violet learning more about herself and the alphas surrounding her.
Suswatibasu (1701 KP) rated Split (2016) in Movies
Oct 19, 2017 (Updated Oct 19, 2017)
A little better from M Night Shyamalan, but still not spectacular
By far, James McAvoy steals the show in this psychological thriller, in which he plays 23 different personalities. Suffering from the condition Dissociative Identity Disorder, McAvoy reveals a dark side, where he kidnaps three girls and holds them hostage to his whims, while attempting to seek help from a psychiatrist. In between, we see one girl in particular engage with him, the trauma also bringing out her own demons. And of course a mandatory cameo from the director himself.
While the story has potential, and his acting is flawless - it lacks substance somewhat. Apart from his 'transformation', the film seems to have been created mainly on the premise that there will be a sequel, so you're left in limbo at the end with a small clue of what's next.
It's not particularly scary, so I wouldn't deem it a horror movie as such. The girls' kidnapping also seems slightly pointless, like tools in the movie so that they can showcase Kevin's (the main personality) different sides and what a 'monster' he is. Disappointing, but better than Shyamalan's recent terrible films.
While the story has potential, and his acting is flawless - it lacks substance somewhat. Apart from his 'transformation', the film seems to have been created mainly on the premise that there will be a sequel, so you're left in limbo at the end with a small clue of what's next.
It's not particularly scary, so I wouldn't deem it a horror movie as such. The girls' kidnapping also seems slightly pointless, like tools in the movie so that they can showcase Kevin's (the main personality) different sides and what a 'monster' he is. Disappointing, but better than Shyamalan's recent terrible films.