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Hazel (2934 KP) rated Family Business in Books
Oct 9, 2022
I have never read anything by Mr Sims before but I do like to dip into the horror genre on occasion however, this is what I would call more supernatural with a bit of horror thrown in rather than a full-blown horror but that's ok just like this was an ok read.
What I enjoyed: the characters were interesting and believable, the "monster" was something a bit different and the plot was pretty unique.
What let it down for me: it was a bit of a slow burn with not a lot happening for quite a lot of the book although there was an increasing sense of unease which built up from the start but it just seemed to take a long time to get there unfortunately.
Whilst I wouldn't say this was one of my favourites in this genre, I did like Mr Sim's writing style and I would be tempted to read his future books and I must give my thanks to The Orion Publishing Group and NetGalley for enabling me to read and share my thoughts of Family Business.
What I enjoyed: the characters were interesting and believable, the "monster" was something a bit different and the plot was pretty unique.
What let it down for me: it was a bit of a slow burn with not a lot happening for quite a lot of the book although there was an increasing sense of unease which built up from the start but it just seemed to take a long time to get there unfortunately.
Whilst I wouldn't say this was one of my favourites in this genre, I did like Mr Sim's writing style and I would be tempted to read his future books and I must give my thanks to The Orion Publishing Group and NetGalley for enabling me to read and share my thoughts of Family Business.
Hazel (2934 KP) rated The Stolen Twins in Books
Feb 5, 2023
Oh my word ... what a story!! I don't think there are any superlatives that captures adequately how I felt about this book and how good it was ... I was breathless and on pins from the very first to the very last word.
The story is told from the viewpoints of Jewish twins Arina and Nora and from multi timelines from their life with their parents in Hungary, through the horrors of being twins at the hands of the monster that was Mengele in Auschwitz and their road to rebuilding their lives in France and the USA.
It is a powerful story of survival, loss, resilience, hope and the power of love; I was absolutely rivetted and devoured it in quick time and have no problem recommending this to those of you who love getting totally immersed in a wonderful book that will have your emotions in tatters and my thanks must go to Bookouture and NetGalley for enabling me to read and share my thoughts of The Stolen Twins.
The story is told from the viewpoints of Jewish twins Arina and Nora and from multi timelines from their life with their parents in Hungary, through the horrors of being twins at the hands of the monster that was Mengele in Auschwitz and their road to rebuilding their lives in France and the USA.
It is a powerful story of survival, loss, resilience, hope and the power of love; I was absolutely rivetted and devoured it in quick time and have no problem recommending this to those of you who love getting totally immersed in a wonderful book that will have your emotions in tatters and my thanks must go to Bookouture and NetGalley for enabling me to read and share my thoughts of The Stolen Twins.
Fate of the Moon
10.0
Rate It
Book
"You're a beautiful monster, and fate has bound us together for life." After the murder of his...
MM Paranormal Romance
ClareR (5950 KP) rated Everything Under in Books
Mar 22, 2022
This is a book to take your time over. It’s not to be rushed, because there’s so much going on under the surface, and you might just miss something.
It’s a story about transitions of gender, family and home. It looks at language, how it can be manipulated and made into something new and different (Gretel and her mother have their own words for some things).
‘Leaving’ is another theme: Margot leaves her family, Gretel is left by her mother, and in a way, Margot leaves herself behind when she becomes Marcus. Everything Under is also a book that reworks the Oedipus legend, as well as using elements of Hansel and Gretel (beyond just the use of the name!), and a made up legend called the Bonak (which is actually a Tagalog word for a stupid child or a ‘dumb kid’) - a monster that destroys, stays and disrupts.
There’s a dreamlike quality to this novel, which really added to the fairytale element - the really menacing versions.
I loved this book.
It’s a story about transitions of gender, family and home. It looks at language, how it can be manipulated and made into something new and different (Gretel and her mother have their own words for some things).
‘Leaving’ is another theme: Margot leaves her family, Gretel is left by her mother, and in a way, Margot leaves herself behind when she becomes Marcus. Everything Under is also a book that reworks the Oedipus legend, as well as using elements of Hansel and Gretel (beyond just the use of the name!), and a made up legend called the Bonak (which is actually a Tagalog word for a stupid child or a ‘dumb kid’) - a monster that destroys, stays and disrupts.
There’s a dreamlike quality to this novel, which really added to the fairytale element - the really menacing versions.
I loved this book.
imPerfect Fae (The imPerfect Cathar #3)
Book
Body-jacking a legendary assassin when I’m running on empty. No problem, right? After the last...
Dark Humour Supernatural Mystery
Lyndsey Gollogly (2893 KP) rated Dirty Heads in Books
Jan 5, 2024
3 of 220
Kindle
Dirty Heads
By Aaron Dries
⭐️⭐️⭐️⭐️
The story of a boy who dreamed of becoming a man… But dreamed up a monster instead
You’re on the run. Marked. Don’t think about the kid you used to be when you’re homeless and dumpster-diving in the rain. Just eat whatever you find to keep your engine full. Because the shadow with too many teeth wants you tired.
You’re easier to catch when you’re tired.
It has hunted you since the summer of 1994, back when we confessed who we were through mixtapes. When every movie at the video store had dirty heads. You were thirteen and thought you knew who you were. Only the shadow with too many teeth knew you better. It still does. And it won’t stop. Not until you come home.
Back to where it all began.
I’ve never read anything like it. It was just one of those books where you are shook to the core but can’t stop reading. So so good. This was so brilliantly written.
Kindle
Dirty Heads
By Aaron Dries
⭐️⭐️⭐️⭐️
The story of a boy who dreamed of becoming a man… But dreamed up a monster instead
You’re on the run. Marked. Don’t think about the kid you used to be when you’re homeless and dumpster-diving in the rain. Just eat whatever you find to keep your engine full. Because the shadow with too many teeth wants you tired.
You’re easier to catch when you’re tired.
It has hunted you since the summer of 1994, back when we confessed who we were through mixtapes. When every movie at the video store had dirty heads. You were thirteen and thought you knew who you were. Only the shadow with too many teeth knew you better. It still does. And it won’t stop. Not until you come home.
Back to where it all began.
I’ve never read anything like it. It was just one of those books where you are shook to the core but can’t stop reading. So so good. This was so brilliantly written.
Lyndsey Gollogly (2893 KP) rated The Mind is a Razorblade in Books
Mar 8, 2024
45 of 220
Book sirens arc
The Mind is a Razorblade
By Max Booth lll
⭐️⭐️⭐️⭐️
Drowning, he wakes beside two corpses. His memory has been wiped clean. He doesn't know his name, what he's doing here, who these people are, or even why one of them is a cop. Nor can he explain his strange telekinetic abilities.
Questions plague his mind like hellfire, questions that begin a journey leading into the rot of downtown America, a journey that will not end until every one of his questions have been answered, despite who has to die in the process. Even if those who have all the answers aren't human.
Even if the true monster he's hunting for is staring at him through the mirror.
This was bloody bizarre and to start with I was completely baffled but I actually really enjoyed it especially the ending. Definitely different to anything I’ve read. Also spiders really? I suppose it could have been worse like centipedes!
I received an advance review copy for free, and I am leaving this review voluntarily.
Book sirens arc
The Mind is a Razorblade
By Max Booth lll
⭐️⭐️⭐️⭐️
Drowning, he wakes beside two corpses. His memory has been wiped clean. He doesn't know his name, what he's doing here, who these people are, or even why one of them is a cop. Nor can he explain his strange telekinetic abilities.
Questions plague his mind like hellfire, questions that begin a journey leading into the rot of downtown America, a journey that will not end until every one of his questions have been answered, despite who has to die in the process. Even if those who have all the answers aren't human.
Even if the true monster he's hunting for is staring at him through the mirror.
This was bloody bizarre and to start with I was completely baffled but I actually really enjoyed it especially the ending. Definitely different to anything I’ve read. Also spiders really? I suppose it could have been worse like centipedes!
I received an advance review copy for free, and I am leaving this review voluntarily.
Sass Perilla (36 KP) rated Frankenstein in Books
Aug 9, 2019
The plot and major themes. (1 more)
Further work it inspired.
Readable, but disjointed and repetitive in parts.
Contains spoilers, click to show
Fundamentally, the problem with this book is the narrator, Victor. He is thoroughly detestable. A selfish, cowardly, irresponsible, excuse ridden, narcissistic d****e-bag of the highest order. And unfortunately, it is Victor Frankenstein’s POV that we are forced into for the majority of the novel.
My hatred for and frustration with the self-pitying, feckless behaviour of the (pseudo)
protagonist made this an irritating read for me- and to an extent I think this was Shelley’s intention. Victor isn’t designed to be the likable, affable, morally “good” man fallen from grace he believes himself to be, and the horrific events that befall those around him are of his making.
However, this doesn’t make him any less grating! The "monster" (to me reminiscent of Caliban with his lyrical speech and enforced isolation, being neither man nor not man) is eloquent and persuasive when he asks his creator to account for his misdoings. So, you’ve got to ask yourself, if an infanticidal, demonic, bag of sew together corpses is actually more engaging than the main storyteller, is that storyteller really the
right character to be telling the story?
Now, with all that said, it is an important book. A work by a female author with strong female characters (albeit background characters) who was only nineteen when she wrote the initial draft. Very impressive. But, for me her youth is evident. When we teach secondary school pupils to write creatively, we often give them the ambiguous instruction “show don’t tell”, and for me the book is more of a list of horrible and horrific events told in a Chinese puzzle box style story within a story, rather than an engaging and “complete” narrative. It feels like she chooses to place focus on the wrong “bits”- for example the whole of chapter nineteen where Victor travels the British Isles, comments briefly on the local architecture of each town and city and
then repetitively reminds us that he couldn’t enjoy the surroundings because of his angst.
And I would have at least like to have seen some of the courtroom drama when Victor is tried for the death of Clerval...
So, I hate to be “that” gal, who poo-poos these fantastic works of fiction (we know they’re great because some clever-britches told us they were) but in all honesty, the novel ain’t that good, and I’ll maintain that stance no matter how clever the britches of the opposing schools of thought.
I think the continuing appeal is in it’s universal themes: parenting, nature versus
nurture; morality and scientific advancement- and the whole idea of stitching a creature out of
corpse-parts and electrocuting it to life is pretty darn cool. And there are some really effective
horror scenes, such as the vignette of Victor ripping apart project lady-monster (I kind wish she had a name- a working title- but given he can’t even be bothered to name monster number one I guess this was all too much to hope for).
It’s readable, but it’s value, for me at any rate, lies in the offshoots and creativity it has spawned, rather than the work itself.
My hatred for and frustration with the self-pitying, feckless behaviour of the (pseudo)
protagonist made this an irritating read for me- and to an extent I think this was Shelley’s intention. Victor isn’t designed to be the likable, affable, morally “good” man fallen from grace he believes himself to be, and the horrific events that befall those around him are of his making.
However, this doesn’t make him any less grating! The "monster" (to me reminiscent of Caliban with his lyrical speech and enforced isolation, being neither man nor not man) is eloquent and persuasive when he asks his creator to account for his misdoings. So, you’ve got to ask yourself, if an infanticidal, demonic, bag of sew together corpses is actually more engaging than the main storyteller, is that storyteller really the
right character to be telling the story?
Now, with all that said, it is an important book. A work by a female author with strong female characters (albeit background characters) who was only nineteen when she wrote the initial draft. Very impressive. But, for me her youth is evident. When we teach secondary school pupils to write creatively, we often give them the ambiguous instruction “show don’t tell”, and for me the book is more of a list of horrible and horrific events told in a Chinese puzzle box style story within a story, rather than an engaging and “complete” narrative. It feels like she chooses to place focus on the wrong “bits”- for example the whole of chapter nineteen where Victor travels the British Isles, comments briefly on the local architecture of each town and city and
then repetitively reminds us that he couldn’t enjoy the surroundings because of his angst.
And I would have at least like to have seen some of the courtroom drama when Victor is tried for the death of Clerval...
So, I hate to be “that” gal, who poo-poos these fantastic works of fiction (we know they’re great because some clever-britches told us they were) but in all honesty, the novel ain’t that good, and I’ll maintain that stance no matter how clever the britches of the opposing schools of thought.
I think the continuing appeal is in it’s universal themes: parenting, nature versus
nurture; morality and scientific advancement- and the whole idea of stitching a creature out of
corpse-parts and electrocuting it to life is pretty darn cool. And there are some really effective
horror scenes, such as the vignette of Victor ripping apart project lady-monster (I kind wish she had a name- a working title- but given he can’t even be bothered to name monster number one I guess this was all too much to hope for).
It’s readable, but it’s value, for me at any rate, lies in the offshoots and creativity it has spawned, rather than the work itself.
Lee (2222 KP) rated Godzilla: King of the Monsters (2019) in Movies
May 31, 2019 (Updated May 31, 2019)
Well, I liked it!
Before heading into Godzilla: King of the Monsters, I saw a lot of wildly mixed reviews online. People were either hating it or loving it, with nobody really feeling anything in-between. Even those cinema goers who were fully prepared for nothing more than a bunch of big monsters fighting alongside insignificant human bystanders were coming away from it fuming. Well, I’m happy to say that I’m putting myself firmly in the ‘loved it’ category, although I do understand and appreciate a lot of the issues that the haters have with it.
Since his appearance in the 2014 movie, and his involvement in the destruction of San Francisco, Godzilla has been keeping a fairly low profile beneath the ocean. He is now closely monitored by monster organisation Monarch, who were introduced to us previously, most notably in the movie Kong: Skull Island. They have a number of outposts dotted around the globe, where they are also tracking various other ‘titans’, most of which are lying dormant. Monarch is currently involved in a conflict with the military, who would rather see the titans wiped out than try and co-exist with them in the way our ancestors did.
In a Chinese outpost, we meet Dr Emma Russell (Vera Farmiga), who is working on a device called ORCA, something which will hopefully allow us to communicate with and control the titans. She’s there with daughter Madison (Millie Bobby Brown) as they test out ORCA on newly hatched titan larva Mothra. Emma’s estranged husband Mark (Kyle Chandler), who helped develop the ORCA device with her, is currently leading a much simpler life, photographing wolves out in the wild having completely distanced himself from Monarch and the titans.
Things start to go wrong though when eco-terrorist Jonah Alan (Charles Dance) kidnaps Emma and Madison, along with the ORCA device. He wants to use ORCA to wake up the remaining titans and there’s a lot of talk about cleansing the earth, restoring balance etc, something which continues to be the motivational theme throughout the movie.
Jonah and his team, with help from Emma, break free a three-headed monster called Ghidorah from within the Antarctic ice, and that’s when things really kick off. Ghidorah assumes the position of King of the Monsters and he and the other titans begin wreaking havoc on planet Earth. When word reaches Mark that his wife and daughter are in danger, not to mention the rest of the world, he returns to work with Monarch. Meanwhile, Godzilla has resurfaced and is en route to Ghidorah, looking for a fight. At the same time Mothra takes herself off to a waterfall, cocooning herself so that she can gloriously emerge a bit later on in the movie.
Godzilla takes a bit of a pounding from Ghidorah, sustaining some serious damage and leaving the fate of the world in jeopardy. But, the fact that the title of this movie declares Godzilla to be the King of Monsters, along with the promotional material for next years ‘Godzilla Vs Kong’ movie that has begun emerging online, should give you a pretty good idea as to whether or not he makes a comeback.
Unfortunately, a lot of the action takes place in murky, rainy darkness, which is disappointing considering all of the marketing artwork that depicts the monsters and their battles in bright, vibrant colour. At times, far too many quick cuts make things difficult to follow – zipping between the action, the destruction and the humans that are in danger because of it. Cutting to the human cast does help to give us a sense of scale and panic but, at this point, they’ve all just become a little irrelevant. A lot of time is spent early on in the movie, introducing us to a lot of characters, with even more to come later on, but the majority of them just have very little to do or be concerned about when the monster fighting begins.
On the flip-side to all of that though, there are more than enough occasions where we find a downtrodden and seriously pissed off Godzilla handing out a satisfying series of beatings to the pretenders to his throne. I became fully invested in the huge scale of it all and what was at stake for the world. Overall I just found the whole thing really enjoyable.
Since his appearance in the 2014 movie, and his involvement in the destruction of San Francisco, Godzilla has been keeping a fairly low profile beneath the ocean. He is now closely monitored by monster organisation Monarch, who were introduced to us previously, most notably in the movie Kong: Skull Island. They have a number of outposts dotted around the globe, where they are also tracking various other ‘titans’, most of which are lying dormant. Monarch is currently involved in a conflict with the military, who would rather see the titans wiped out than try and co-exist with them in the way our ancestors did.
In a Chinese outpost, we meet Dr Emma Russell (Vera Farmiga), who is working on a device called ORCA, something which will hopefully allow us to communicate with and control the titans. She’s there with daughter Madison (Millie Bobby Brown) as they test out ORCA on newly hatched titan larva Mothra. Emma’s estranged husband Mark (Kyle Chandler), who helped develop the ORCA device with her, is currently leading a much simpler life, photographing wolves out in the wild having completely distanced himself from Monarch and the titans.
Things start to go wrong though when eco-terrorist Jonah Alan (Charles Dance) kidnaps Emma and Madison, along with the ORCA device. He wants to use ORCA to wake up the remaining titans and there’s a lot of talk about cleansing the earth, restoring balance etc, something which continues to be the motivational theme throughout the movie.
Jonah and his team, with help from Emma, break free a three-headed monster called Ghidorah from within the Antarctic ice, and that’s when things really kick off. Ghidorah assumes the position of King of the Monsters and he and the other titans begin wreaking havoc on planet Earth. When word reaches Mark that his wife and daughter are in danger, not to mention the rest of the world, he returns to work with Monarch. Meanwhile, Godzilla has resurfaced and is en route to Ghidorah, looking for a fight. At the same time Mothra takes herself off to a waterfall, cocooning herself so that she can gloriously emerge a bit later on in the movie.
Godzilla takes a bit of a pounding from Ghidorah, sustaining some serious damage and leaving the fate of the world in jeopardy. But, the fact that the title of this movie declares Godzilla to be the King of Monsters, along with the promotional material for next years ‘Godzilla Vs Kong’ movie that has begun emerging online, should give you a pretty good idea as to whether or not he makes a comeback.
Unfortunately, a lot of the action takes place in murky, rainy darkness, which is disappointing considering all of the marketing artwork that depicts the monsters and their battles in bright, vibrant colour. At times, far too many quick cuts make things difficult to follow – zipping between the action, the destruction and the humans that are in danger because of it. Cutting to the human cast does help to give us a sense of scale and panic but, at this point, they’ve all just become a little irrelevant. A lot of time is spent early on in the movie, introducing us to a lot of characters, with even more to come later on, but the majority of them just have very little to do or be concerned about when the monster fighting begins.
On the flip-side to all of that though, there are more than enough occasions where we find a downtrodden and seriously pissed off Godzilla handing out a satisfying series of beatings to the pretenders to his throne. I became fully invested in the huge scale of it all and what was at stake for the world. Overall I just found the whole thing really enjoyable.