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Movie Metropolis (309 KP) rated Godzilla (2014) in Movies
Jun 10, 2019
Simply Stunning
The king of the Kaiju, Godzilla, has had a very chequered cinematic history. From the classic original Japanese films to Roland Emmerich’s 1998 disaster, the famous beast hasn’t always been given the respect deserved of such an iconic monster.
Now, 16 years after Emmerich’s critical flop, Monsters director Gareth Edwards resurrects the gargantuan reptile in this year’s reboot, simply titled Godzilla, but is it a return to form?
Yes, is the short answer. From an engaging story to a stellar cast, Edwards recreates the fan favourite with the utmost care and attention, and comes out smelling of roses.
Bryan Cranston (Breaking Bad) stars as Joe Brody, an American nuclear power officer living and working in Japan with his wife Sandra (Juliette Binoche) and their son Ford,bryan-cranston-fans-will-be-disappointed-with-godzilla just as a nuclear disaster begins. Fast-forward 15 years and a disheveled Joe is trying to find the truth about what happened at the nuclear plant, believing the authorities are trying to hide something from the general public. As his descent into madness continues, a fully grown Ford, played by Aaron Taylor-Johnson decides to come to his aid.
What ensues is a great story of father bonding with son as they try to work out exactly what is going on together. Though what they find shocks the globe.
Within the first hour of Godzilla, the titular monster’s appearances are limited to shots of spines poking from the ocean, keeping the audience guessing as to how the creature has been designed by Edwards and his team.
This can become increasingly tiresome as we make do with the film’s primary antagonists MUTO, and as impressive as they are to look at, all we really want to see is Godzilla in all his glory. Though Edwards’ constant teasers are brilliantly varied.
Thankfully after numerous jaw-dropping set pieces ranging from a Japanese nuclear plant to a Hawaiian airport, Godzilla is finally revealed and the result is exceptional.
Gone is the T-Rex on steroids look that Emmerich shoved down our throats in the 1998 monstrosity and in its place is how the beast used to look in the original foreign classics – of course with revolutionary special effects to keep things looking tip-top.
The CGI, of which there is a huge amount, is breath-taking. Godzilla, the MUTO and all of the set pieces are of the highest quality, with no visible lapses whatsoever, and what Edwards does that so many other directors don’t is to keep the story going instead of letting the CGI take over, it never becomes overly loud and obnoxious.
One scene in particular, involving a group of paratroopers infiltrating a desolate San Francisco as Godzilla and the MUTO do battle is probably one of the most beautifully shot and eerily quiet action sequences in cinematic history with one section involving some perfectly positioned Chinese lanterns being the highlight.
A really enjoyable aspect of the film is spotting the homages to previous Godzilla films as well as other monster classics like Jurassic Park. There are many scattered throughout the film.
Moreover, the acting is generally very good. Cranston is sublime and shows what a brilliant actor he is. The character of Joe is the one you care about the most throughout the film. Taylor-Johnson is good, if a little staid as the generic armed forces stereotype.
Elizabeth Olsen, David Strathairn and Sally Hawkins also star. Unfortunately, a weak link is Ken Watanabe who plays Dr Ishiro Serizawa. His over-the-top and hammy performance begins to grate after an hour of seeing him on screen.
Thankfully though, Godzilla’s inevitable weak points are far outshone by the incredible special effects, interesting story and excellent acting. Bryan Cranston is a real highlight and the beast himself is a wonder to behold.
Gareth Edwards has not only created one of the best monster films ever with some of the most breath-taking shots ever seen on celluloid, he has also whet our appetites for Colin Trevorrow’s Jurassic World set to be released in June next year – that can only be a good thing.
https://moviemetropolis.net/2014/05/20/godzilla-review/
Now, 16 years after Emmerich’s critical flop, Monsters director Gareth Edwards resurrects the gargantuan reptile in this year’s reboot, simply titled Godzilla, but is it a return to form?
Yes, is the short answer. From an engaging story to a stellar cast, Edwards recreates the fan favourite with the utmost care and attention, and comes out smelling of roses.
Bryan Cranston (Breaking Bad) stars as Joe Brody, an American nuclear power officer living and working in Japan with his wife Sandra (Juliette Binoche) and their son Ford,bryan-cranston-fans-will-be-disappointed-with-godzilla just as a nuclear disaster begins. Fast-forward 15 years and a disheveled Joe is trying to find the truth about what happened at the nuclear plant, believing the authorities are trying to hide something from the general public. As his descent into madness continues, a fully grown Ford, played by Aaron Taylor-Johnson decides to come to his aid.
What ensues is a great story of father bonding with son as they try to work out exactly what is going on together. Though what they find shocks the globe.
Within the first hour of Godzilla, the titular monster’s appearances are limited to shots of spines poking from the ocean, keeping the audience guessing as to how the creature has been designed by Edwards and his team.
This can become increasingly tiresome as we make do with the film’s primary antagonists MUTO, and as impressive as they are to look at, all we really want to see is Godzilla in all his glory. Though Edwards’ constant teasers are brilliantly varied.
Thankfully after numerous jaw-dropping set pieces ranging from a Japanese nuclear plant to a Hawaiian airport, Godzilla is finally revealed and the result is exceptional.
Gone is the T-Rex on steroids look that Emmerich shoved down our throats in the 1998 monstrosity and in its place is how the beast used to look in the original foreign classics – of course with revolutionary special effects to keep things looking tip-top.
The CGI, of which there is a huge amount, is breath-taking. Godzilla, the MUTO and all of the set pieces are of the highest quality, with no visible lapses whatsoever, and what Edwards does that so many other directors don’t is to keep the story going instead of letting the CGI take over, it never becomes overly loud and obnoxious.
One scene in particular, involving a group of paratroopers infiltrating a desolate San Francisco as Godzilla and the MUTO do battle is probably one of the most beautifully shot and eerily quiet action sequences in cinematic history with one section involving some perfectly positioned Chinese lanterns being the highlight.
A really enjoyable aspect of the film is spotting the homages to previous Godzilla films as well as other monster classics like Jurassic Park. There are many scattered throughout the film.
Moreover, the acting is generally very good. Cranston is sublime and shows what a brilliant actor he is. The character of Joe is the one you care about the most throughout the film. Taylor-Johnson is good, if a little staid as the generic armed forces stereotype.
Elizabeth Olsen, David Strathairn and Sally Hawkins also star. Unfortunately, a weak link is Ken Watanabe who plays Dr Ishiro Serizawa. His over-the-top and hammy performance begins to grate after an hour of seeing him on screen.
Thankfully though, Godzilla’s inevitable weak points are far outshone by the incredible special effects, interesting story and excellent acting. Bryan Cranston is a real highlight and the beast himself is a wonder to behold.
Gareth Edwards has not only created one of the best monster films ever with some of the most breath-taking shots ever seen on celluloid, he has also whet our appetites for Colin Trevorrow’s Jurassic World set to be released in June next year – that can only be a good thing.
https://moviemetropolis.net/2014/05/20/godzilla-review/
I'll Be Gone in the Dark: One Woman's Obsessive Search for the Golden State Killer
9.0
Rate It
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Introduction by Gillian Flynn Afterword by Patton Oswalt "This is a one sit-down read. That's how...
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Legendary Wars
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8.0
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Swamp Water (37 KP) rated Super Blood Hockey in Video Games
Sep 13, 2017
Blood and pucks!
This game reminded me of the good old days of hockey games, by which I mean THE FIGHTS! I remember playing hockey games on the Sega Mega-Drive, and most of the fun to be had in those games was derived from trying to start a fight in the game. It was a novelty, but a lot of fun. So much fun, in fact, that there was a Monster Hockey League game that tried to amp up the violence a bit. Super Blood Hockey is a fun tribute to those old hockey games, with a dash of extra violence. No need to wait around for a fight, they happen quite a lot. Even the ref can get knocked over in the mayhem! My only gripe with the game is that the speed of the characters feels sluggish, and almost tank-like in their turning for some. Luckily, you can unlock a feature to adjust the characters weight, essentially giving them all a speed boost. I feel like it should be faster off the bat, but still, this is a great nod to those old hockey games, and has a fantastic, frantic arcade feel to it. Highly recommended, especially with friends!
The Marinated Meeple (1853 KP) rated Survive: Escape from Atlantis! in Tabletop Games
Apr 10, 2018
Sea Monsters (5 more)
Whales that sink boats
Sharks that eat swimmers
Sending monster to do your bidding
getting your people to safety
A newer version was published so everyone has access to it.
The Island is sinking and the ocean is filled with terrors, what a fun time.
I adored this game as a kid, nothing better than sending a shark to eat your sister and making the sounds from the movie JAWS, or sending a whale to sink her boat and maybe yelling "Moby Dick gets his revenge" before you actually know what you are talking about, because you know of the book but haven't read it yet....
This is a great game, the only way to improve it would be to make it 6 players, and add more versions of the creatures, which I've heard the new version does add squids, dolphins and more players. Or as I would call them, Flipper and The Kraken.
I own the old version. which was missing pieces and I got another copy that was missing pieces and created a frankenstein of parts to make the whole. I've seen people playing it online and it hits me in my nostalgic place. I'd love to break this out again and play.
Oh the pictures I would paint in my head as a kid.
The heroic triumph of getting my people to safety.
This is a great game, the only way to improve it would be to make it 6 players, and add more versions of the creatures, which I've heard the new version does add squids, dolphins and more players. Or as I would call them, Flipper and The Kraken.
I own the old version. which was missing pieces and I got another copy that was missing pieces and created a frankenstein of parts to make the whole. I've seen people playing it online and it hits me in my nostalgic place. I'd love to break this out again and play.
Oh the pictures I would paint in my head as a kid.
The heroic triumph of getting my people to safety.
Since I'm a crafty-ish person, I wanted to like this book better than how it ended up. That's not to say there aren't some cute things in here, like the Monster Week Tampon/Pad Case, which could be used to hold other items as well, or handy, like the Secret Stash in Your Rack craft. Even the silly ones could be fun for a craft party or something. However, I don't see myself making many of these as they're just not how I am as a feminist. I'd like more crafts that have to do with equality than how women-centric those in this book are. I do like the cassette tape turned into a business card holder, although I could see ways of making it better, plus I'd urge those to keep the inside workings as they can be used for other things. I've had plans for more years than I care to think about to crochet with the tape. I like that there are recommendations for books, music, films, plus some quotations. I think this book would be better for newer crafters as the projects are fairly basic, but even those who are more advanced could think of ways of making the crafts more clean and upscale. Overall, this is a silly book and not to be taken too seriously.
Awix (3310 KP) rated Godzilla, Mothra and King Ghidorah: Giant Monsters All-Out Attack (2001) in Movies
Feb 17, 2018 (Updated Feb 17, 2018)
Four's a crowd
Twenty-sixth Godzilla movie (also eleventh Mothra movie, eighth Ghidorah movie and third Baragon movie, in case anyone's counting) recruits director Shusuke Kaneko, helmsman of the brilliant 90s Gamera trilogy; results are (perhaps inevitably) disappointing. A new incarnation of Godzilla threatens Japan, but a young tabloid TV journalist encounters a mysterious old man in an equestrian safety helmet who tells her of three legendary Guardian Monsters who will defend the country against this menace (Baragon is also a Guardian Monster but not famous enough to get his name in the title).
Some interesting innovations: first film to address (even obliquely) issues of Japanese culpability for events of the Second World War, first film where King Ghidorah is a good guy, first film with a scene set in Godzilla's intestinal tract. However, the end result is let down by a fatally uncertain tone - seemingly serious scenes of death and carnage are intercut with knockabout cheesy humour and in-jokes (in the English dub at least). The retro feel of the movie, hearkening back to the 60s films of the series, is not unwelcome, but its take on the formula is just plain weird. Most importantly it lacks the mythic grandeur of the Kaneko Gamera trilogy. Still better than the films which immediately preceded it, though.
Some interesting innovations: first film to address (even obliquely) issues of Japanese culpability for events of the Second World War, first film where King Ghidorah is a good guy, first film with a scene set in Godzilla's intestinal tract. However, the end result is let down by a fatally uncertain tone - seemingly serious scenes of death and carnage are intercut with knockabout cheesy humour and in-jokes (in the English dub at least). The retro feel of the movie, hearkening back to the 60s films of the series, is not unwelcome, but its take on the formula is just plain weird. Most importantly it lacks the mythic grandeur of the Kaneko Gamera trilogy. Still better than the films which immediately preceded it, though.
Sean Farrell (9 KP) rated The Hatching (The Hatching #1) in Books
Mar 15, 2018
Some people find spiders horrifying, others don't have much problem with them. I belong to the former group, and as such, found much in this book to creep me out. The story follows a large and diverse cast of characters located around the world, as a series of bizarre incidences involving spiders begins to point towards a larger disaster looming around the corner. With the cast featuring everyone from doomsday preppers to an FBI agent to an arachnologist to the President of the United States, it's practically a who's who of monster and disaster movie cliches. But thanks to the brisk pace and effectively gross manner of death, this combination of "Arachnophobia", "Alien" and pretty much any Roland Emmerich blockbuster winds up being very hard to put down. There are a few flaws, like some forced-feeling romance elements, and far too many of the characters being described as very attractive. The complete lack of any resolution presented by the ending is a bit of a disappointment as well, though I am left definitely interested in the next book. I don't know how much the type of person who would happily let a tarantula crawl up their arm will get out of this, but for everyone else, you will likely find yourself checking the corners of your walls for a couple days after finishing.