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Sean Farrell (9 KP) rated The Hatching (The Hatching #1) in Books
Mar 15, 2018
Some people find spiders horrifying, others don't have much problem with them. I belong to the former group, and as such, found much in this book to creep me out. The story follows a large and diverse cast of characters located around the world, as a series of bizarre incidences involving spiders begins to point towards a larger disaster looming around the corner. With the cast featuring everyone from doomsday preppers to an FBI agent to an arachnologist to the President of the United States, it's practically a who's who of monster and disaster movie cliches. But thanks to the brisk pace and effectively gross manner of death, this combination of "Arachnophobia", "Alien" and pretty much any Roland Emmerich blockbuster winds up being very hard to put down. There are a few flaws, like some forced-feeling romance elements, and far too many of the characters being described as very attractive. The complete lack of any resolution presented by the ending is a bit of a disappointment as well, though I am left definitely interested in the next book. I don't know how much the type of person who would happily let a tarantula crawl up their arm will get out of this, but for everyone else, you will likely find yourself checking the corners of your walls for a couple days after finishing.
Awix (3310 KP) rated The Mummy (2017) in Movies
Feb 11, 2018 (Updated Feb 11, 2018)
Oh, Mummy.
Laborious attempt by Universal to grab a slice of Marvel's meta-franchise pie by launching a series of fantasy blockbusters based on their stable of famous monster characters. Tom Cruise plays an annoying mercenary who catches the eye of an ancient and evil supernatural creature unearthed in Iraq.
There's a good reason why sensible studios don't try to make horror blockbusters, and especially horror blockbusters starring Tom Cruise - every time the film starts to be effectively creepy or atmospheric, along comes a CGI-enhanced chase sequence, or Tom Cruise doing that smirk, or some other manifestation of corporate blandness. Isn't Tom Cruise too old for this sort of thing? Watching him flirting with a considerably younger actress is by far the creepiest thing in the movie, and he seems quite incapable of the moral ambiguity the part probably requires - Russell Crowe, in the Samuel L Jackson plot-device-character role, acts him off the screen.
You scratch your head wondering how this thing is supposed to work - are all the monsters going to team up together? And do what, exactly? No-one seems to have thought this through. It's much more of a zombie movie than one about an actual mummy, anyway. The depiction of the one-way system in Oxford City Centre is also very misleading; I nearly knocked off a point because of it.
There's a good reason why sensible studios don't try to make horror blockbusters, and especially horror blockbusters starring Tom Cruise - every time the film starts to be effectively creepy or atmospheric, along comes a CGI-enhanced chase sequence, or Tom Cruise doing that smirk, or some other manifestation of corporate blandness. Isn't Tom Cruise too old for this sort of thing? Watching him flirting with a considerably younger actress is by far the creepiest thing in the movie, and he seems quite incapable of the moral ambiguity the part probably requires - Russell Crowe, in the Samuel L Jackson plot-device-character role, acts him off the screen.
You scratch your head wondering how this thing is supposed to work - are all the monsters going to team up together? And do what, exactly? No-one seems to have thought this through. It's much more of a zombie movie than one about an actual mummy, anyway. The depiction of the one-way system in Oxford City Centre is also very misleading; I nearly knocked off a point because of it.
Awix (3310 KP) rated At the Earth's Core (1976) in Movies
Nov 10, 2018 (Updated Nov 10, 2018)
Second in Amicus's series of Burroughs-inspired pulp adventures with Doug McClure. Adventurers seeking to drill through the mountains from England to Wales take a wrong turn and end up in a terrifying wasteland dominated by sub-human beasts; it takes them a while to figure out their mistake. It turns out the Earth's core is ruled by evil giant pterodactyls with hypnotic powers - having taken a fancy to the local princess (Munro), the beefier of the visitors (McClure) resolves to sort the situation out.
One of the final examples of the kind of cheap and cheerful genre movie that the success of Star Wars the following year was to transform utterly. This one is notable for some of the worst man-in-a-suit monster effects ever seen outside Japan, the closest thing to a bad performance ever given by Peter Cushing, and an oddly inconsistent tone - much of it is rather juvenile, but some of the violence is a bit heavy for what often feels like a knockabout kid's film (the Earth's core is a wholly abstinent place - there isn't even the suggestion of funny business between McClure and Munro). The Iron Mole model is actually not bad, and the prog rock soundtrack certainly makes it distinctive. Kind of fun, in the end. Contains the line 'You can't mesmerise me, I'm British!'
One of the final examples of the kind of cheap and cheerful genre movie that the success of Star Wars the following year was to transform utterly. This one is notable for some of the worst man-in-a-suit monster effects ever seen outside Japan, the closest thing to a bad performance ever given by Peter Cushing, and an oddly inconsistent tone - much of it is rather juvenile, but some of the violence is a bit heavy for what often feels like a knockabout kid's film (the Earth's core is a wholly abstinent place - there isn't even the suggestion of funny business between McClure and Munro). The Iron Mole model is actually not bad, and the prog rock soundtrack certainly makes it distinctive. Kind of fun, in the end. Contains the line 'You can't mesmerise me, I'm British!'
Awix (3310 KP) rated Vice (2018) in Movies
Jan 31, 2019
Adam McKay's attempt to reinvent himself as a sort of non-documentarian version of Michael Moore is not so much a hatchet-job as a machete-job - no, make that a chainsaw-job - on the reputation of Dick Cheney, Vice-Prez under Dubya. Christian Bale vanishes under layers of make-up and the Cheney who emerges is a disturbing, totally unprincipled monster, consumed by the acquisition and use of power, responsible for (amongst other things) the invasion of Iraq and the rise of ISIS. Potentially quite heavy stuff going on, then, but McKay takes care to cheer things up (relatively speaking) by including big performances from Sam Rockwell and Steve Carell, along with a few Monty Python ideas repurposed for this movie.
Highly entertaining in a ghastly sort of way, and illuminating with respect to the twisted logic employed by the Bush administration and the role they played in facilitating the current civic nightmare engulfing the USA. Unlikely to appeal to the Republican base, for obvious reasons, but the film inevitably has some jokes to make about its own liberal bias, too, as well as being smart enough to allow Cheney the chance to justify himself, which he does in a disturbingly persuasive way. Still probably a bit too partisan for its own good, but still very impressive and a lot of fun; thought-provoking too.
Highly entertaining in a ghastly sort of way, and illuminating with respect to the twisted logic employed by the Bush administration and the role they played in facilitating the current civic nightmare engulfing the USA. Unlikely to appeal to the Republican base, for obvious reasons, but the film inevitably has some jokes to make about its own liberal bias, too, as well as being smart enough to allow Cheney the chance to justify himself, which he does in a disturbingly persuasive way. Still probably a bit too partisan for its own good, but still very impressive and a lot of fun; thought-provoking too.
Phillip McSween (751 KP) rated Depraved (2019) in Movies
Dec 29, 2019
Good but Needed a More Inventive Story
In this intriguing retelling of Frankenstein’s monster, a man finds himself the victim of a kidnapping and gruesome science experiment.
Acting: 10
Beginning: 10
Characters: 10
Cinematography/Visuals: 10
Conflict: 8
Entertainment Value: 4
Memorability: 1
Pace: 10
One of the things Depraved does extremely well is keep you engaged. We move from one scene to the next at a pretty quick clip. Even during scenes with heavier dialogue, there are no lingering moments which I appreciate. Thoroughly enjoyed the speed as the movie didn’t feel like two hours in the slightest.
Plot: 5
The sum of the story’s parts doesn’t really pass the smell test. Fast is good, yes, but there are some speed bumps that are hard to overlook. It felt like it was trying so hard to mirror Frankenstein at times that it never fully tried to do its own thing.
Resolution: 5
Overall: 73
I try to support indie movies as often as I can. And not just Fox Searchlight type of movies but those up and coming from lesser known studios. Films like Depraved can find themselves outgunned and overmatched but I appreciate what directors like Larry Fessenden are able to do with less. I hope to see more of his work in the future.
Acting: 10
Beginning: 10
Characters: 10
Cinematography/Visuals: 10
Conflict: 8
Entertainment Value: 4
Memorability: 1
Pace: 10
One of the things Depraved does extremely well is keep you engaged. We move from one scene to the next at a pretty quick clip. Even during scenes with heavier dialogue, there are no lingering moments which I appreciate. Thoroughly enjoyed the speed as the movie didn’t feel like two hours in the slightest.
Plot: 5
The sum of the story’s parts doesn’t really pass the smell test. Fast is good, yes, but there are some speed bumps that are hard to overlook. It felt like it was trying so hard to mirror Frankenstein at times that it never fully tried to do its own thing.
Resolution: 5
Overall: 73
I try to support indie movies as often as I can. And not just Fox Searchlight type of movies but those up and coming from lesser known studios. Films like Depraved can find themselves outgunned and overmatched but I appreciate what directors like Larry Fessenden are able to do with less. I hope to see more of his work in the future.
Ross (3284 KP) rated Siege and Sacrifice in Books
Dec 12, 2019
A good conclusion
Contains spoilers, click to show
The final part of this trilogy starts with what should be an almighty conflict. The (somewhat damp squib of a) second book in the series ended with the much-feared monster being summoned into the body of the presumed-dead Anon, Sandis' brother. Sadly, this opening scene is short-lived as the heroes scarper and live to fight another day (though admittedly it was always going to be that way!).
That opening anti-climax out of the way, this book is a more intelligent and thoughtful one that the previous two. Finally we have some answers and insight into the world we are in, and where the ancient mystical race went, as well as where the summoned demons come from. While I didn't feel this was missing from the first two books, it is good to have some answers and extra world-building to get stuck into.
The first third of the book rattles along quite well, the humans trying to track down the host of the demon and hence stop its daily attacks. The middle third was a bit of a slog, with much less happening, quite heavy on the exposition and endless narrative descriptions. The final was much more pacey, though I was starting to tire of the book by then and skimmed some chapters.
All in all a good conclusion to an enjoyable series.
That opening anti-climax out of the way, this book is a more intelligent and thoughtful one that the previous two. Finally we have some answers and insight into the world we are in, and where the ancient mystical race went, as well as where the summoned demons come from. While I didn't feel this was missing from the first two books, it is good to have some answers and extra world-building to get stuck into.
The first third of the book rattles along quite well, the humans trying to track down the host of the demon and hence stop its daily attacks. The middle third was a bit of a slog, with much less happening, quite heavy on the exposition and endless narrative descriptions. The final was much more pacey, though I was starting to tire of the book by then and skimmed some chapters.
All in all a good conclusion to an enjoyable series.
LeftSideCut (3776 KP) rated The Thing (1982) in Movies
Feb 6, 2020
In my many years of enjoying movies, I've yet to come across anything quite like John Carpenter's The Thing.
It's quite simply, a horror masterpiece!
The imagery and monsters bought to the screen feel like they're straight out of hell. All these years later, and The Thing, and it's many disturbing forms, remains arguably the most terrifying movie monster out there.
The incredible use of practical effects ensures that the films visceral and horrible imagery still remains to this day, and is a testament to the amazing work put by the art and make up crews.
The isolated and snowy setting is almost iconic as the titular alien, and adds an eery atmosphere from the opening scene.
Kurt Russell is a fine lead, as his character McCready drives the narrative forward at a fast and manic pace. The story if one dripping with paranoia and tension, and the whole cast do a great job at conveying this.
The plots conclusion is different from what you might expect of the genre at the time, and it's lack of a 'final girl' shows that The Thing was not afraid to go against the grain when it came to horror.
It's probably my top horror movie of all time, with the original Halloween coming a close second. Long live John Carpenter.
It's quite simply, a horror masterpiece!
The imagery and monsters bought to the screen feel like they're straight out of hell. All these years later, and The Thing, and it's many disturbing forms, remains arguably the most terrifying movie monster out there.
The incredible use of practical effects ensures that the films visceral and horrible imagery still remains to this day, and is a testament to the amazing work put by the art and make up crews.
The isolated and snowy setting is almost iconic as the titular alien, and adds an eery atmosphere from the opening scene.
Kurt Russell is a fine lead, as his character McCready drives the narrative forward at a fast and manic pace. The story if one dripping with paranoia and tension, and the whole cast do a great job at conveying this.
The plots conclusion is different from what you might expect of the genre at the time, and it's lack of a 'final girl' shows that The Thing was not afraid to go against the grain when it came to horror.
It's probably my top horror movie of all time, with the original Halloween coming a close second. Long live John Carpenter.
JT (287 KP) rated Crawl (2019) in Movies
Mar 10, 2020
I was pleasantly surprised by Crawl. For one, it’s a monster movie. Two, it has a decent plot with characters you care about seeing survive. And three, it’s very well shot with some great CGI. The film opens with Haley (Kaya Scodelario) psyching herself up to compete in the pool, proof that her ability to swim and swim fast will not be found wanting later on.
When her sister calls to tell her that she has not heard from their father (Barry Pepper), Hayley heads towards a brewing category five Hurricane to see if all is OK – which it’s not.
Turns out that daddy has had a run-in with a couple of hungry alligators and only the confines of the underground basement has prevented him from becoming a quick snack. With floodwaters rising by the minute Hayley the ‘apex predator’ has to get her game face on to fend off another impending attack.
Sharks have always been at the forefront of water-based terror so it’s nice to see the alligator making a return. There is some neat jump scares coupled with good amounts of gore, but it rarely raises the tension levels any more than that.
Acting-wise Scodelario and Pepper do an alright job and there is an inkling of a back story to shed light on their slightly troubled relationship and competitive edge.
When her sister calls to tell her that she has not heard from their father (Barry Pepper), Hayley heads towards a brewing category five Hurricane to see if all is OK – which it’s not.
Turns out that daddy has had a run-in with a couple of hungry alligators and only the confines of the underground basement has prevented him from becoming a quick snack. With floodwaters rising by the minute Hayley the ‘apex predator’ has to get her game face on to fend off another impending attack.
Sharks have always been at the forefront of water-based terror so it’s nice to see the alligator making a return. There is some neat jump scares coupled with good amounts of gore, but it rarely raises the tension levels any more than that.
Acting-wise Scodelario and Pepper do an alright job and there is an inkling of a back story to shed light on their slightly troubled relationship and competitive edge.
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