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Rocking Kin (The Lucy & Harris Novella Series Book 3)
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With one promise her life was changedโฆ Saying goodbye to my mother also meant saying goodbye to...
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The Mammoth Book of Tasteless Jokes
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The ultimate collection of tasteless and sick jokes that just shouldn't be told. More than 3,000...
Jesters_folly (230 KP) rated Mr. Vampire (1985) in Movies
Jul 24, 2020
Contains spoilers, click to show
When a 20 year old corpse is exhumed for a re burial Master Gau and his two students find that the body hasn't rotted. When the corpse re animates as a vampire the trio have to protect the vampires family and find a way to stop the monster.
Mr vampire is a Chinese horror/comedy and a breakthrough 'Jiangshi' (Rotting Copse) movie due it's mixing of slapstick comedy, kung-fu, Chinese folklore and western vampire myth and has a number of sequels.
The humour is very slapstick, with people getting hit with furniture or getting their head stuck in prison cell bars and the horror level is quite low and most of the effects are quite cheesy.
The Kung-Fu aspect makes the fight scenes entertaining and both the vampire and the ghost have to be dealt with slightly differently..
The image of the living corpse, be it vampire or zombie, being controlled by a yellow paper talisman stuck to it's head is though to have come from Mr Vampire and has been used in many subsequent Jiangshi film as well as many other shows, including the recent Netflix show 'Kingdom' where we see a scene of villagers selling the talismans when the zombies are threatening their village.
Mr Vampire manages to pull off Horror comedy in a way that is watchable by almost anyone. The film has a 15 (UK) rating and does contain vampires and ghosts but neither are overly frighting, partly due to the effects of the time.
Mr vampire is a Chinese horror/comedy and a breakthrough 'Jiangshi' (Rotting Copse) movie due it's mixing of slapstick comedy, kung-fu, Chinese folklore and western vampire myth and has a number of sequels.
The humour is very slapstick, with people getting hit with furniture or getting their head stuck in prison cell bars and the horror level is quite low and most of the effects are quite cheesy.
The Kung-Fu aspect makes the fight scenes entertaining and both the vampire and the ghost have to be dealt with slightly differently..
The image of the living corpse, be it vampire or zombie, being controlled by a yellow paper talisman stuck to it's head is though to have come from Mr Vampire and has been used in many subsequent Jiangshi film as well as many other shows, including the recent Netflix show 'Kingdom' where we see a scene of villagers selling the talismans when the zombies are threatening their village.
Mr Vampire manages to pull off Horror comedy in a way that is watchable by almost anyone. The film has a 15 (UK) rating and does contain vampires and ghosts but neither are overly frighting, partly due to the effects of the time.
LoganCrews (2861 KP) rated The Oath (2018) in Movies
Nov 8, 2020
Mental horror. What was marketed as a routine goofy comedy ended up being this fucking monster of intense, bleak, hyper-abusive, bloody torment that still has hard laughs to spare. Outside of its tidy ending which wraps things up a bit too quickly (that I have good and bad things to say about) it's as good as ๐๐ฆ๐ต ๐๐ถ๐ต in weaving the seemingly intrinsically violent divisiveness of American politics into a hard-hitting socio-political satire that toes the line between horrifying and hilarious with a natural ease. There's a crescendo near the end of this that had me physically biting my fist and leaning closer and closer over in my chair I damn near couldn't take it. I already loved Ike Barinholtz going into this but I'm still so impressed with this, he and Haddish have terrific chemistry and the whole cast is a knockout (Billy Magnussen holy shit). Rather than being a cringy "both sides" white man rant as we may (not so unreasonably) expect (*cough* ๐๐ฐ๐ฏ๐จ ๐๐ฉ๐ฐ๐ต), it's instead mainly convinced with being incredibly loud and incredibly mean to these people without really declaring one viewpoint the ultimate winner or the ultimate loser in a way which perfectly emulates today's political landscape. Attacks habits and opinions that until this the genre had left untapped. Luckily for me my comfort genre is assholes jostling each other so this was like candy. One of the best political comedies I've seen in eons. Couldn't have picked many better films than this to watch while Trump was finally getting voted out.
LeftSideCut (3778 KP) rated The Lie (2020) in Movies
Nov 18, 2020
To sum up The Lie in one word - frustrating.
This recent thriller from Blumhouse, based on 2015 German film Wir Monster, has a lot of good ingredients, and some decent performances but there's just so much that bogs it down.
First off, the lead cast here are great. Peter Sarsgaard and Mireille Enos in particular are heart wrenchingly believable as two parents desperately trying to protect their teen daughter (Joey King) who has confessed to impulsively murdering one of her friends. It's a slow burn of a plot, and Sarsgaard and Enos do a hell of a lot to make it watchable.
Joey King's character is stupidly unlikable however. I got the feeling that we as the audience were supposed to be on her side, hoping that she wouldn't get caught - like the filmmakers we're going for a Psycho vibe or something, but her character is so obnoxious and spoilt, that all I wanted was for her to go to prison. It's a big hiccup considering the narrative centres around her so severely.
Then there's the twist - no spoilers here, but fuck me, it's stupid. All good thrillers need a good twist to round things off, but the one we're subjected to here requires a huge suspension of disbelief on the viewers part. It asks too much, and ruins what is otherwise a fairly tense and minimalist thriller.
The snowy setting adds some beauty to the films aesthetic, but it's not enough to detract from everything that makes The Lie more unenjoyable than it should be.
This recent thriller from Blumhouse, based on 2015 German film Wir Monster, has a lot of good ingredients, and some decent performances but there's just so much that bogs it down.
First off, the lead cast here are great. Peter Sarsgaard and Mireille Enos in particular are heart wrenchingly believable as two parents desperately trying to protect their teen daughter (Joey King) who has confessed to impulsively murdering one of her friends. It's a slow burn of a plot, and Sarsgaard and Enos do a hell of a lot to make it watchable.
Joey King's character is stupidly unlikable however. I got the feeling that we as the audience were supposed to be on her side, hoping that she wouldn't get caught - like the filmmakers we're going for a Psycho vibe or something, but her character is so obnoxious and spoilt, that all I wanted was for her to go to prison. It's a big hiccup considering the narrative centres around her so severely.
Then there's the twist - no spoilers here, but fuck me, it's stupid. All good thrillers need a good twist to round things off, but the one we're subjected to here requires a huge suspension of disbelief on the viewers part. It asks too much, and ruins what is otherwise a fairly tense and minimalist thriller.
The snowy setting adds some beauty to the films aesthetic, but it's not enough to detract from everything that makes The Lie more unenjoyable than it should be.
Rodney Barnes (472 KP) rated The Incredible Hulk (2008) in Movies
Feb 15, 2021
Great Reboot From the First
As a comic book fan the Hulk is my favorite superhero. I never missed an episode of the old television series and had many comic books. So I think this movie did the Hulk justice. I absolutely hated the one with Bana. This one was a great improvement. I must say I do like Norton better in this role than Ruffalo. I am not saying Ruffalo is bad but Norton captured what Bruce Banner is for me. I liked the design of this Hulk and the essence of his rage was captured very well. The supporting cast was great as well. William Hurt and Liv Tyler did a great job as General Ross and Betty Ross. I was so glad they brought one of the Hulk's main enemies into this movie as well...The Abomination. For those that don't know, the Abomination is a gamma monster the same as the Hulk but he is bigger and stronger than the Hulk. The thing about the Hulk is he has this x Factor. The madder he gets, the stronger he gets. So he is more than a match for Abomination. This movie set the standard for how a Hulk movie should be made. There was a part in which there is a set up for another villain of the Hulk's...The Leader. We haven't seen anything about him yet in the MCU but I am hoping this comes to fruition. As a Hulk fan..I recommend this movie
LoganCrews (2861 KP) rated Chappie (2015) in Movies
Sep 19, 2020 (Updated Sep 19, 2020)
"๐ ๐จ๐ถ๐ฆ๐ด๐ด ๐ต๐ฉ๐ฐ๐ด๐ฆ ๐ด๐ค๐ช๐ฆ๐ฏ๐ต๐ช๐ด๐ต ๐จ๐ถ๐บ๐ด ๐ข๐ญ๐ญ ๐ธ๐ฐ๐ณ๐ฌ๐ช๐ฏ๐จ ๐ฐ๐ฏ ๐.๐. ๐ฏ๐ฆ๐ท๐ฆ๐ณ ๐จ๐ข๐ท๐ฆ ๐ค๐ฐ๐ค๐ข๐ช๐ฏ๐ฆ ๐ข๐ฏ๐ฅ ๐๐ฐ๐ฏ๐ด๐ต๐ฆ๐ณ ๐๐ฏ๐ฆ๐ณ๐จ๐บ ๐ข ๐ต๐ณ๐บ." - Trevor Moore, ๐๐ฉ๐ฆ ๐๐ต๐ฐ๐ณ๐บ ๐ฐ๐ง ๐๐ถ๐ณ ๐๐ช๐ฎ๐ฆ๐ด
Much better than ๐๐ช๐ด๐ต๐ณ๐ช๐ค๐ต 9 even though it's essentially the same movie for the chief purpose that this is cleaner, more fun, and ditches the sloppy gimmick and failed heavy-handed metaphor. Those last 30 minutes are godly, just totally bananas trashy cyberpunk action glory - not only the best thing Blomkamp has ever done but some of the most fun a sci-fi movie has had in the 2010s. But otherwise a movie about robot cop Sharlto Copley hanging around Die Antwood who teach him how to be gangsta but he accidentally discovers consciousness while a deranged Hugh Jackman desperately wants to let his monster mech loose on the city should be a lot more entertaining than this was. Still sports impeccable graphics and design as always with Neill, and you know what this isn't deep on any level nor does it have a single talking point about the militarization of the police department or A.I. or big tech corporations - fine, whatever. But there's almost zero violence for the hour + twenty-five minute stretch in the middle of this where it becomes this trite, sickly sweet family drama? I mean you're practically poised to fashion this nuanced, ultraviolent story dissecting how A.I. reacts to trauma but instead they're reading bedtime stories to the thing? Still vibrant and ridiculous though, enjoyed the hell out of it - I ain't picky. Plus points for letting all these actors use their natural accents.
Much better than ๐๐ช๐ด๐ต๐ณ๐ช๐ค๐ต 9 even though it's essentially the same movie for the chief purpose that this is cleaner, more fun, and ditches the sloppy gimmick and failed heavy-handed metaphor. Those last 30 minutes are godly, just totally bananas trashy cyberpunk action glory - not only the best thing Blomkamp has ever done but some of the most fun a sci-fi movie has had in the 2010s. But otherwise a movie about robot cop Sharlto Copley hanging around Die Antwood who teach him how to be gangsta but he accidentally discovers consciousness while a deranged Hugh Jackman desperately wants to let his monster mech loose on the city should be a lot more entertaining than this was. Still sports impeccable graphics and design as always with Neill, and you know what this isn't deep on any level nor does it have a single talking point about the militarization of the police department or A.I. or big tech corporations - fine, whatever. But there's almost zero violence for the hour + twenty-five minute stretch in the middle of this where it becomes this trite, sickly sweet family drama? I mean you're practically poised to fashion this nuanced, ultraviolent story dissecting how A.I. reacts to trauma but instead they're reading bedtime stories to the thing? Still vibrant and ridiculous though, enjoyed the hell out of it - I ain't picky. Plus points for letting all these actors use their natural accents.
LoganCrews (2861 KP) rated Super Size Me 2: Holy Chicken (2017) in Movies
Sep 20, 2020
Absolutely hysterical, through sheer commitment and idiosyncrasy achieves the once impossible task of turning ๐๐ฐ๐ฐ๐ฅ, ๐๐ฏ๐ค. into a comedy. I do have a few gripes, one of which being that - since this is objectively more 'professionally-made' than most of his other works, it sort of lacks some of that personal quality which made a lot of Spurlock's docs so distinctive. But overall that's such a minor quibble because this is still just as eccentric. Also gets a bit deceptive towards the end, though even then the base claims it sets out to make are still objectively correct so not a huge issue. Certainly not the first film to tackle this subject and won't be the last either, but it's definitely the most enjoyable - still ripe with enlightening information (if not nearly as much as the first) and insane charisma. I find it endlessly intriguing to see Spurlock create this morbid pitch-black comedy/doc hybrid that acts as this absurd birthing video showing him help raise the monster (faux-healthy fast food hysteria) that he helped create. Also the parody restaurant he makes at the end is hilarious. For anyone else I'd say this "imagine (company)... but honest!" filmmaking is an easy target that sort of has no meaning anymore but naturally Morgan delivers the goods with his ever-watchable personality and trademark filmmaking so here it seems admittedly different. Really good. Better than Where in the ๐๐ฐ๐ณ๐ญ๐ฅ ๐ช๐ด ๐๐ด๐ข๐ฎ๐ข ๐๐ช๐ฏ ๐๐ข๐ฅ๐ฆ๐ฏ? and ๐๐ข๐ฏ๐ด๐ฐ๐ฎ๐ฆ, not as good as ๐๐ฉ๐ฆ ๐๐ณ๐ฆ๐ข๐ต๐ฆ๐ด๐ต ๐๐ฐ๐ท๐ช๐ฆ ๐๐ท๐ฆ๐ณ ๐๐ฐ๐ญ๐ฅ or the original ๐๐ถ๐ฑ๐ฆ๐ณ ๐๐ช๐ป๐ฆ ๐๐ฆ.
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