Sign up
Search
Advanced search settings

Search only in certain items:

Search results
All (3145)
Content
People
Apps
Books
Orbs
Movies
Music
Podcasts
Shows
Tabletop Games
Tech
TV
Video Games
YouTube Channels
Videos
    SUP Multiplayer Racing

    SUP Multiplayer Racing

    Games

    (0 Ratings) Rate It

    App

    GEAR UP and make your engines roar for the craziest FREE MULTIPLAYER RACING EXPERIENCE!  Leave your...

40x40

LeftSideCut (3776 KP) rated Halloween Kills (2021) in Movies

Oct 17, 2021  
Halloween Kills (2021)
Halloween Kills (2021)
2021 | Horror
6
6.2 (9 Ratings)
Movie Rating Watch
I can safely say, that I'm not 100% sure whether I liked Halloween Kills or not. There were parts that I genuinely enjoyed, in no small part thanks to Michael Myers. As in Halloween (2018), this Myers is a brutal and unforgiving one. His aesthetic is great and he's intimidating as fuck. This movie pulls no punches in making him out to be a monster, shying further away from the days of rooting for slasher villains. To top it off, Kills easily has some of the best Michael moments in the entire franchise. This is bolstered by some truly fantastic cinematography.
However, the positives are marred quite severely by everything else. The script is hammy as fuck, which is fine, but the tone of the movie is pretty damn serious, and a lot of the screenplay just doesn't land properly. There are endless characters saying something along the lines of "it's my fault, and I'm going to be the one to kill Michael Myers" for no real reason. Additionally, there are a whole bunch of "legacy" characters from the OG Halloween making their return. It's lovely to see the likes of Kyle Richards, Charles Cyphers, and Nancy Stephens back for another round, but they do kind of feel shoehorned in. Tommy Doyle being thrust into the spotlight as a main character is in no means a bad idea, but he's just a bit of a gammon for the entire runtime, and quickly becomes a tiresome protagonist. All of this is exacerbated by pacing that just plummets around the mid point. The whole subplot of a mob chasing down a small bald man who clearly isn't Michael Myers is just ludicrous, and it's goes on FOREVER. All just to throw in a forced "maybe we were the monsters all along" conundrum. It's really dumb.

I didn't hate Halloween Kills by any means, but for me, it was a huge step down from the fantastic 2018 effort. Hopefully, Halloween Ends will bring the quality back up (with more Laurie Strode fingers crossed)
  
40x40

ClareR (5879 KP) rated Our Hideous Progeny in Books

Aug 15, 2023  
Our Hideous Progeny
Our Hideous Progeny
C. E. McGill | 2023 | Fiction & Poetry, Horror, LGBTQ+, Science Fiction/Fantasy
10
10.0 (1 Ratings)
Book Rating
Our Hideous Progeny by C E McGill picks up the history of the Frankenstein’s where Mary Shelleys novel left off, give or take a generation. Except Mary in this story doesn’t know anything about her Great Uncle Victor. She does know that he went missing in the Artic in mysterious circumstances, but it’s not until she finds some letters that she learns the extent of his work.

Mary is a keen scientist, helping her husband Henry in his geological work. Without wealth and connections though, there is little they can do to really make their names in the field. So when she discovers Victor’s papers, she and her husband decide that there is only one thing to do. So they take themselves off to Henry’s old family home in Scotland to try and create a monster of their own.

Henry is a bit of an idiot though, and has managed to make himself some enemies, and one such turns up on the doorstep demanding money. When they explain to him what they’re doing, he demands to take part - and then things start to go wrong.

I really liked the female characters in this: Mary, and Henry’s reclusive and sickly sister, Maisie. They are determined (even in Maisie’s illness she isn’t a walkover) and intelligent. It was quite frustrating to see Mary treated so badly, whilst at the same time the men relied on her to do a lot of the work. It is her moral compass that grounds the endeavour, but to be fair, they don’t seem to listen to her much (of course, they know better!).

There’s a real sense of time and place in this - from the attitudes of the men towards the women, to the attitudes of the upper classes towards the lower. Horse and carriages, steam trains and bathing houses all entrenched the novel firmly in the Victorian age.

This really is a phenomenal read, and I loved it. There’s nothing like a strong female character or two having a go at the patriarchy to make my day!!