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Daniel Boyd (1066 KP) rated Wolfenstein: The Old Blood in Video Games
Nov 2, 2017
An Oldie but a Goodie
This game is the story DLC to the fantastic Wolfenstein: The New Order and it too is developed by Machine Games. It runs on the same engine as the New Order and carries over most of the same gameplay mechanics and like the New Order it too is a lot of fun. The graphics aren’t great here, some close up textures look more like they belong in the PS3 generation to be honest, but fun gameplay is what matters in the Wolfenstein games and this one has it in spades. The characters are interesting and well acted, the iconic Castle Wolfenstein environment is awesome to see fully realised in HD and the loot and weapons systems are well implemented throughout the game’s short runtime. Although you can play through this experience in a short time I do feel that you get your money’s worth here. Due to the impressive presentation and detail of major set pieces etc I feel that if the game was a little longer it could have been sold as a fully fledged new entry to the series. There were several times where the game slowed to a crawl though and took me hours to get through the one stage. Obviously this game has been designed as a homage to older games and is styled in that way and for the most part it is an awesome blast from the past, however it also carries across some of the negative traits for older games like monster closets and placing the player into a confined area with no obvious way forward, causing a frustrating amount of time to be spent backtracking and desperately trying to find progress and the way forward to the next stage of the game. This was also the worst part of The New Order and it really is detrimental to the flow of the game. The writing is quite good for what it is and the ‘nightmare’ sections of the game that allow you to explore the original castle of Wolfenstein 3D are awesome. Overall this is a really fun romp, if you like The New Order and want more then this is for you the weapons are awesome and blowing away Nazis never gets old, whether they are zombies or not.
Shaun Collins (3 KP) rated Star Wars: Vader Down in Books
Jan 12, 2018
Vader goes from hunter to hunted in this crossover event from Marvel.
Firstly, "crossover" is a bit of a misnomer, since he's already a character in STAR WARS, but the idea was to broad strokes fill in some of the details of what he was doing when he wasn't on camera. Since these series are set between New Hope and Empire, there's a lot more wiggle room. Secondly, crossover events tend to be gimmicky and difficult for comic readers to track since they span multiple titles. Fortunately, there are only two titles here to deal with, so its a bit easier, but it still took some detective work to figure out the individual issues involved.
* VERY MILD SPOILERS (like the kind on a dust jacket) FOLLOW...
Okay, with the rant over, lets get to the good stuff. This book was good. This is really the first time we've seen the fearsome dark lord of the Sith AS a fearsome dark lord of the Sith, and not a broken down mechanical mystery monster who is really just a shadow of his former legendary self. This feels more like Anakin at the height of his powers, just evil. Alone on a planet with an entire battalion of Rebels on his trail, and Imperial agents who want to usurp him close behind, he's not worried, phased or hell even concerned. They're just dead men to him, and he tells them as much. This Vader is BAD-ASS.
Unfortunately, the counter plot to the Vader story is lighter in tone (and normally when those characters show up in the Vader comic I'm exceedingly happy for their brief forays into comedy to lighten up the proceedings), but here they are over used and quite honestly, detract from the bloodbath the Emperor's Fist finds himself in. While a dose of comedy can be welcome, this feels like the authors were trying too hard, and the result comes out as very uneven. Especially when the subject of the humor is Han. Han should be cool and unintentionally funny when things don't go his way, not bungling Mr. Bean style funny because he's inept.
Bottom line, the plot drove me through the rough spots, and I still think this is a great series, I only hope the luster is not starting to tarnish on this one, but that's what this volume feels like...
Firstly, "crossover" is a bit of a misnomer, since he's already a character in STAR WARS, but the idea was to broad strokes fill in some of the details of what he was doing when he wasn't on camera. Since these series are set between New Hope and Empire, there's a lot more wiggle room. Secondly, crossover events tend to be gimmicky and difficult for comic readers to track since they span multiple titles. Fortunately, there are only two titles here to deal with, so its a bit easier, but it still took some detective work to figure out the individual issues involved.
* VERY MILD SPOILERS (like the kind on a dust jacket) FOLLOW...
Okay, with the rant over, lets get to the good stuff. This book was good. This is really the first time we've seen the fearsome dark lord of the Sith AS a fearsome dark lord of the Sith, and not a broken down mechanical mystery monster who is really just a shadow of his former legendary self. This feels more like Anakin at the height of his powers, just evil. Alone on a planet with an entire battalion of Rebels on his trail, and Imperial agents who want to usurp him close behind, he's not worried, phased or hell even concerned. They're just dead men to him, and he tells them as much. This Vader is BAD-ASS.
Unfortunately, the counter plot to the Vader story is lighter in tone (and normally when those characters show up in the Vader comic I'm exceedingly happy for their brief forays into comedy to lighten up the proceedings), but here they are over used and quite honestly, detract from the bloodbath the Emperor's Fist finds himself in. While a dose of comedy can be welcome, this feels like the authors were trying too hard, and the result comes out as very uneven. Especially when the subject of the humor is Han. Han should be cool and unintentionally funny when things don't go his way, not bungling Mr. Bean style funny because he's inept.
Bottom line, the plot drove me through the rough spots, and I still think this is a great series, I only hope the luster is not starting to tarnish on this one, but that's what this volume feels like...
Steven Sklansky (231 KP) rated A Quiet Place (2018) in Movies
Apr 5, 2018
Shhh. You Make a Sound You Die.
These types of movies are never really my favorite. Most of the time the trailer is what makes me not want to see a movie. This time was a little bit different. I didn't really know what to think of this trailer, it wasn't really appealing but I thought I might be good. So I broke the trend and went to see it. This was a fantastic movie and it was written and directed by a guy would not normally associate with horror. .John Krasinski, most known for comedy and sometime drama, made me really like this movie.
This movie is about a world taken over by monsters that find and kill you by sound. Could you live in a world of silence? I don't think I could, but in a movie with almost no dialogue they did an amazing job. Now there was sign language, which I thought was very smart, otherwise facial expressions and body language was the words of this movie. The grown up actors were great. The kids actually did a very good job with this. Sometimes kids do not have the emotional range to be able to pull something like this off.
There are several this in this movie that are never really answered. One of them is where the monster came from. Not that it really matters but I kind of would like to know if they are aliens or just monsters that just showed up one day. I think they came from the upside down. They really do look like demogorgons from Stranger Thing. I thought this was kind of a cheat, but the way they act and kill was very original.
It wasn't a bloody or gorey movie, which was just fine. The suspense was done just right,. making you jump in just the right places. The other cool thing with this movie was, being that there was no dialogue for about the first 45 minutes the theater was creepy quiet. Like you could hear a pin drop.
If you can go see this movie, you will not be disappointed. You might also be afraid to talk or make a noise upon leaving the theater. Until next time, enjoy the show.
This movie is about a world taken over by monsters that find and kill you by sound. Could you live in a world of silence? I don't think I could, but in a movie with almost no dialogue they did an amazing job. Now there was sign language, which I thought was very smart, otherwise facial expressions and body language was the words of this movie. The grown up actors were great. The kids actually did a very good job with this. Sometimes kids do not have the emotional range to be able to pull something like this off.
There are several this in this movie that are never really answered. One of them is where the monster came from. Not that it really matters but I kind of would like to know if they are aliens or just monsters that just showed up one day. I think they came from the upside down. They really do look like demogorgons from Stranger Thing. I thought this was kind of a cheat, but the way they act and kill was very original.
It wasn't a bloody or gorey movie, which was just fine. The suspense was done just right,. making you jump in just the right places. The other cool thing with this movie was, being that there was no dialogue for about the first 45 minutes the theater was creepy quiet. Like you could hear a pin drop.
If you can go see this movie, you will not be disappointed. You might also be afraid to talk or make a noise upon leaving the theater. Until next time, enjoy the show.
Rachel King (13 KP) rated Wither (The Chemical Garden, #1) in Books
Feb 11, 2019
The world that Lauren DeStefano builds in this book combines several dystopian concepts - genetic engineering and reproduction, a virus of epic proportions, anarchy and survival of the fittest. 70 years ago mankind finds a way to make "perfect" babies, and then their babies suffer the consequences - death at 25 for men and 20 for women - with no cure on the horizon. Prostitution, polygamy, human experimentation, wide-scale murder, the prevalence of orphanages, and a country divided on whether mankind is worth saving are all issues in the plot. Plus, all of this takes place after a world war has destroyed all but North America - or so the history goes.
The main character, Rhine Ellery, is forced into a polygamous marriage at the age of 16 to the rich Linden, age 21, along with the flighty 14-year-old Cecily and ex-prostitute, 18-year-old Jenna. Rhine's main goal is escape, but each girl in the marriage has her own motivations and goals. I found their relationships with one another far more interesting than each one's relationship with Linden. Poor Linden lives under the illusions that his aging father feeds him while suffering from the loss of his first love, Rose. While Rhine makes part of her goal to avoid consummating the marriage with Linden, her sister wives have other ideas, but ironically, jealousy among the wives is not the green-eyed monster that I think many would expect. While Cecily is typically self-absorbed and high maintenance, she still wants her sister-wives to bear children, and even Jenna, who hates Linden from the first day, sees no hypocrisy in sharing a bed with him. I also admired Rhine for her extreme patience and endurance with Cecily's immature and naive behavior, though I don't think I would have chosen denial over full disclosure to both Cecily and Linden.
Rhine's secret relationship seems to find it's power in free-formed friendship, without any expectations or requirements. Simply put, Rhine wants her freedom, and she will find it in any form she can grasp. Except for Rhine's memories, almost the entire book takes place on the grounds of Linden's mansion, so I am anxious to see what will happen in the next book in the series, Fever.
The main character, Rhine Ellery, is forced into a polygamous marriage at the age of 16 to the rich Linden, age 21, along with the flighty 14-year-old Cecily and ex-prostitute, 18-year-old Jenna. Rhine's main goal is escape, but each girl in the marriage has her own motivations and goals. I found their relationships with one another far more interesting than each one's relationship with Linden. Poor Linden lives under the illusions that his aging father feeds him while suffering from the loss of his first love, Rose. While Rhine makes part of her goal to avoid consummating the marriage with Linden, her sister wives have other ideas, but ironically, jealousy among the wives is not the green-eyed monster that I think many would expect. While Cecily is typically self-absorbed and high maintenance, she still wants her sister-wives to bear children, and even Jenna, who hates Linden from the first day, sees no hypocrisy in sharing a bed with him. I also admired Rhine for her extreme patience and endurance with Cecily's immature and naive behavior, though I don't think I would have chosen denial over full disclosure to both Cecily and Linden.
Rhine's secret relationship seems to find it's power in free-formed friendship, without any expectations or requirements. Simply put, Rhine wants her freedom, and she will find it in any form she can grasp. Except for Rhine's memories, almost the entire book takes place on the grounds of Linden's mansion, so I am anxious to see what will happen in the next book in the series, Fever.
Neon's Nerd Nexus (360 KP) rated Godzilla: King of the Monsters (2019) in Movies
May 29, 2019
Oh my God...
#godzillakingofthemonsters is overlong, overstuffed, bland & lacks the one thing that at bare minimum I expected from a movie about big #monsters #fighting, EXCITEMENT. Now I quite liked the first #godzilla movie & yes it was to focused on the human element but visually it was really sticking & I found its slow build up to the reveal of Godzilla intense & exciting so that when he's finally introduced fully his presence became that more intimidating & thrilling. Sadly although in this sequel the monsters are given way more screen time at around 2hours the human element is still far to overpowering. That would be fine but its all so #boring & only serves as exposition to move the plot along. Dialog is sloppy/bellow basic & repetitive, acting is average at best & no one is likeable. Story wise its incredibly weak/bare bones which makes me wonder why it takes so long to play out considering we are only all here really to see monsters #fight. Cgi is really dodgy in places & I'm not sure if this is a throwback to past films but it feels odd & disjointed because at times its also impressive like it suddenly found its budget again. For an hour & a half I found this movie terrible with nothing setting it apart from stuff like #sanandreas or #geostorm. There are big set pieces upping the pace but like those movies they are a hollow mess of washed out cgi/badly framed fights that just weren't exciting at all. Why a 3? something changes in the last half hour & things do get a little cool for a bit, the score becomes epic, cgi looks great, theres some nice visual touches, #animation has weight & #action invokes some thrill but by then its all a just a bit to late. Theres also some #beautiful artsy establishing shots at times too throughout the movie & the subtle metaphors about the effects of #nuclear #weapons/war & looking after our #planet are well implemented too but thats about it. Im still #excited for #GodzillavsKong but just hoping this is a case of middle film itis but for now there are way better monster movies out there as i cant recomend seeing this one at all to be honest which is such a shame. #shingodzilla #godzillamovie #kong #japan #anime #gojira #kaiju
Kyera (8 KP) rated Our Dark Duet in Books
Jan 31, 2018
Oh, my heart. I can't. I absolutely adore V.E. Schwab's books and this series is no different. Her stories are more of a slow burn than constant, action-packed scenes but that style lends itself fantastically to her incredible world building. The first book took place solely in Verity, or V-City, a place overrun by monsters. We heard about the other cities in This Savage Song, but in Our Dark Duet, we were able to experience one of the other ones. People always said that there were no monsters in Prosperity, but they were wrong. The city just had a different type of monster.
One of those different monsters finds its way to Verity and forces Kate to return home. Both Kate and August are different, having been forced to confront or suppress their demons. August is still my favourite of the two main characters, despite his struggles. They both experience character development that makes you feel for them and only wish for their happiness.
I am glad that we got a little more development of some of the secondary characters. Schwab populated her books with such a variety of interesting and unique characters that you want to get to know them better. You want to discover their motivations, desires, fears, and secrets. The additional depth provided to Ilsa makes you love her and just want to protect her from harm. The other character that I loved the introduction of would be spoiler-y, so I'll just say I enjoyed the unique perspective they gave to the story and the diversity they added.
This world was so richly populated and described that it easily blooms into existence within your mind. Although this is only a duology and the final book, I would love to see more books set within this world. Perhaps the story in Verity is done, but there are plenty more monsters and cities to explore.
The story takes readers along on a steady, but not slow, ride that culminates with a dramatic flourish that will leave you breathless, a little heartbroken, yet hopeful.
I would highly recommend this fantastic urban fantasy series to all young adult/teen readers who enjoy fantasy, immersive world building, character development and V.E. Schwab's other books (like the Shades of Magic trilogy).
One of those different monsters finds its way to Verity and forces Kate to return home. Both Kate and August are different, having been forced to confront or suppress their demons. August is still my favourite of the two main characters, despite his struggles. They both experience character development that makes you feel for them and only wish for their happiness.
I am glad that we got a little more development of some of the secondary characters. Schwab populated her books with such a variety of interesting and unique characters that you want to get to know them better. You want to discover their motivations, desires, fears, and secrets. The additional depth provided to Ilsa makes you love her and just want to protect her from harm. The other character that I loved the introduction of would be spoiler-y, so I'll just say I enjoyed the unique perspective they gave to the story and the diversity they added.
This world was so richly populated and described that it easily blooms into existence within your mind. Although this is only a duology and the final book, I would love to see more books set within this world. Perhaps the story in Verity is done, but there are plenty more monsters and cities to explore.
The story takes readers along on a steady, but not slow, ride that culminates with a dramatic flourish that will leave you breathless, a little heartbroken, yet hopeful.
I would highly recommend this fantastic urban fantasy series to all young adult/teen readers who enjoy fantasy, immersive world building, character development and V.E. Schwab's other books (like the Shades of Magic trilogy).
Awix (3310 KP) rated The Incredible Hulk in TV
Mar 16, 2018 (Updated Mar 16, 2018)
The weird thing about the Hulk TV show is that it is almost nothing like the comic book version of the character, but still manages to be a classic piece of television (and was, for a long time, by far the most successful adaptation of a Marvel character to another medium). Creator Kenneth Johnson didn't want to do it, and did his hardest to distance his version from the book (he wanted to change the colour of the Hulk, but Marvel refused to let him), and ended up basically doing an American version of Les Miserables (the novel, not the musical) with Jean Valjean getting cross and swelling up into a monster twice an episode.
Everyone remembers this show as the one with the Hulk rasslin' small-time thugs every week, lots of jokes about 'how many shirts does this guy get through, ha ha', and 'you won't like me when I'm angry', but the range of styles and influences involved is really much greater - the programme goes from serious movie-of-the-week drama, to freewheeling comedy, to B-movie inspired horror and SF, and makes a pretty good job of all of them. Highlights include 'The Snare' (psycho millionaire whose hobby is hunting and killing drifters picks the wrong target), 'The Psychic' (a woman with unusual powers discovers Banner's secret just as it seems the Hulk has committed a murder), 'Equinox' (Banner and his indefatigable nemesis McGee finally come face-to-face at a masked ball, rather inspired by Masque of the Red Death), and 'The First' (Banner encounters another Hulk, created in the 1940s).
The programme's great strength is Bill Bixby's performance as Banner, for he is always utterly committed and usually highly convincing even when the episodes themselves wobble a bit. The show's Hulk is mute, but even so Ferrigno gives an increasingly effective turn as the creature (and eventually gets an episode where he appears as himself, so to speak, and does a pretty good job).
It is occasionally a bit formulaic, and you have to accept a few built-in implausibilities in the format, but this is a show which still stands up extremely well, and is still probably the biggest single influence on public perceptions of the Hulk. Well worth watching.
Everyone remembers this show as the one with the Hulk rasslin' small-time thugs every week, lots of jokes about 'how many shirts does this guy get through, ha ha', and 'you won't like me when I'm angry', but the range of styles and influences involved is really much greater - the programme goes from serious movie-of-the-week drama, to freewheeling comedy, to B-movie inspired horror and SF, and makes a pretty good job of all of them. Highlights include 'The Snare' (psycho millionaire whose hobby is hunting and killing drifters picks the wrong target), 'The Psychic' (a woman with unusual powers discovers Banner's secret just as it seems the Hulk has committed a murder), 'Equinox' (Banner and his indefatigable nemesis McGee finally come face-to-face at a masked ball, rather inspired by Masque of the Red Death), and 'The First' (Banner encounters another Hulk, created in the 1940s).
The programme's great strength is Bill Bixby's performance as Banner, for he is always utterly committed and usually highly convincing even when the episodes themselves wobble a bit. The show's Hulk is mute, but even so Ferrigno gives an increasingly effective turn as the creature (and eventually gets an episode where he appears as himself, so to speak, and does a pretty good job).
It is occasionally a bit formulaic, and you have to accept a few built-in implausibilities in the format, but this is a show which still stands up extremely well, and is still probably the biggest single influence on public perceptions of the Hulk. Well worth watching.
Goddess in the Stacks (553 KP) rated Dread Nation in Books
Jul 24, 2018
So, as a general rule, I don't read zombie stories. Zombies are the one monster that will almost invariably give me nightmares. This book, however, had such hype built up around it that I decided to bend my rule.
I should not have.
Before I start in on this, let me say it's a good story. It's well-written, the plot is paced nicely, and it's entertaining. All that said, it's quite problematic in many ways. I knew some of this before I read it; there was a Twitter thread about some of the issues, namely that in the Author's Note she describes the Native American boarding schools (where the government forced Native American children to go, and tried to destroy their heritage and culture in the name of "civilizing" them) as "well-meaning." The Twitter thread does an excellent job of dissecting that passage, and it's worth reading.
There's also the incredibly unrealistic scene where Jane gets flogged eleven times, walks back to where she's staying, has a coherent conversation where she lays out a plan she has formed, and then puts a shirt on. That last part especially got me. Like, what? You're going to be in more pain than that! Being flogged barely seems to slow Jane down. She asks for laudanum - for her plan. Not to take for the pain.
I don't know. There's a lot about the book that set my teeth on edge. There's the absurd amount of racism, but the protagonist is a black woman and it's civil war era, so that's to be expected. And it's coming from characters, not from narration. Jane lies. A lot. So it's hard to trust that she's even a reliable narrator.
I guess it's okay. I didn't care for it. I found it really hard to get past the author's "well-meaning" comment about the Native American boarding schools. And the plot of "as soon as they're old enough, black children get sent to combat schools." Especially with what's going on lately with the jailing of migrant children, it feels tone-deaf, ignorant, and genocidal.
One good point was the oh-so-casual mention of bisexuality (a female friend taught her "everything she knows about kissing") but it was only two sentences and never mentioned again. Not nearly enough to make up for the rest of the book.
You can find all my review at http://goddessinthestacks.wordpress.com
I should not have.
Before I start in on this, let me say it's a good story. It's well-written, the plot is paced nicely, and it's entertaining. All that said, it's quite problematic in many ways. I knew some of this before I read it; there was a Twitter thread about some of the issues, namely that in the Author's Note she describes the Native American boarding schools (where the government forced Native American children to go, and tried to destroy their heritage and culture in the name of "civilizing" them) as "well-meaning." The Twitter thread does an excellent job of dissecting that passage, and it's worth reading.
There's also the incredibly unrealistic scene where Jane gets flogged eleven times, walks back to where she's staying, has a coherent conversation where she lays out a plan she has formed, and then puts a shirt on. That last part especially got me. Like, what? You're going to be in more pain than that! Being flogged barely seems to slow Jane down. She asks for laudanum - for her plan. Not to take for the pain.
I don't know. There's a lot about the book that set my teeth on edge. There's the absurd amount of racism, but the protagonist is a black woman and it's civil war era, so that's to be expected. And it's coming from characters, not from narration. Jane lies. A lot. So it's hard to trust that she's even a reliable narrator.
I guess it's okay. I didn't care for it. I found it really hard to get past the author's "well-meaning" comment about the Native American boarding schools. And the plot of "as soon as they're old enough, black children get sent to combat schools." Especially with what's going on lately with the jailing of migrant children, it feels tone-deaf, ignorant, and genocidal.
One good point was the oh-so-casual mention of bisexuality (a female friend taught her "everything she knows about kissing") but it was only two sentences and never mentioned again. Not nearly enough to make up for the rest of the book.
You can find all my review at http://goddessinthestacks.wordpress.com
Debbiereadsbook (1166 KP) rated Escaping Exile (Escape Trilogy #1) in Books
Oct 29, 2018
kinda creeps up on ya!
I was gifted my copy of this book direct from the author, that I write a review was not required.
Andrew didn't know how long he'd been on the island, but it was a long time. When a ship wrecks on his beach, a scent pulls him to find Edmund, half dead from the wreck. But there are others who want Edmund, and they don't mean to save him. Andrew has to keep HIS monster at bay, along with those on the island, if he wants to keep Edmund safe.
So! I'm in a bit of a quandary about this book!
If you follow my reviews, you'll know I'm not a fan of books written in the present tense and first person. I don't know why I don't like them, I just don't. You'll also know, I will ALMOST always say I wanted to hear from the other main character, if a book is written from a single point of view.
And thus: my quandary. This book is written present tense AND first person. Had this book been written from both Andrew AND Edmund's point of view, in resent tense/first person, I have no doubt, NONE at all, I would have dumped this book as soon as that became clear. But it's ONLY Andrew who has a voice here. And of course, at this point I'm gonna say I needed to hear from Edmund, because I really did! But HAD Edmund had a say, I might not have finished it! You see my problem?!?!?!
Putting that fact aside, I really did enjoy these 80 pages of a vampire falling in love with his rescue, who in turn rescues him from his banishment. Andrew has been banished for killing one to many humans and keeping this human alive might just be his salvation. Edmund, curious mind that he has, wants to study Andrew's kind. And as they grow closer, Andrew's beast pushes hard for Andrew to bite Edmund, which Andrew doesn't want to do. But Edmund takes the choice away from him.
Andrew's voice is strong and clear, and he tells his story well. I saw no spelling or editing errors to spoil my reading.
It's just my bloody quandary!
So, since I really am surprised I enjoyed this first person/present tense...
4 solid stars
**same worded review will appear elsewhere**
Andrew didn't know how long he'd been on the island, but it was a long time. When a ship wrecks on his beach, a scent pulls him to find Edmund, half dead from the wreck. But there are others who want Edmund, and they don't mean to save him. Andrew has to keep HIS monster at bay, along with those on the island, if he wants to keep Edmund safe.
So! I'm in a bit of a quandary about this book!
If you follow my reviews, you'll know I'm not a fan of books written in the present tense and first person. I don't know why I don't like them, I just don't. You'll also know, I will ALMOST always say I wanted to hear from the other main character, if a book is written from a single point of view.
And thus: my quandary. This book is written present tense AND first person. Had this book been written from both Andrew AND Edmund's point of view, in resent tense/first person, I have no doubt, NONE at all, I would have dumped this book as soon as that became clear. But it's ONLY Andrew who has a voice here. And of course, at this point I'm gonna say I needed to hear from Edmund, because I really did! But HAD Edmund had a say, I might not have finished it! You see my problem?!?!?!
Putting that fact aside, I really did enjoy these 80 pages of a vampire falling in love with his rescue, who in turn rescues him from his banishment. Andrew has been banished for killing one to many humans and keeping this human alive might just be his salvation. Edmund, curious mind that he has, wants to study Andrew's kind. And as they grow closer, Andrew's beast pushes hard for Andrew to bite Edmund, which Andrew doesn't want to do. But Edmund takes the choice away from him.
Andrew's voice is strong and clear, and he tells his story well. I saw no spelling or editing errors to spoil my reading.
It's just my bloody quandary!
So, since I really am surprised I enjoyed this first person/present tense...
4 solid stars
**same worded review will appear elsewhere**
Gareth von Kallenbach (977 KP) rated Cabin Fever (2016) in Movies
Jun 19, 2019
Back in 2002, a fairly unknown filmmaker named Eli Roth brought a fresh and creepy horror film to theaters called “Cabin Fever”. It followed a time honored setup of a group of young people taking some time off in an isolated rural setting but instead of the worn to death psycho or monster on the loose setup, this film had something new in mind.
The film followed the outbreak of a flesh eating virus that was relentless, turned characters against one another, and had audiences wondering what would happen next. Filmed for a modest budget, the film became a hit and eventually spawned two direct to video follow ups, the most recent serving as a prequel to the original film.
There were plans to make a third follow up which was reportedly to be set on a cruise ship but they were scrapped in favor of a reboot of the main film with Roth serving as producer.
The 2016 version of the film is pretty much a scene for scene and in some cases; shot for shot remake of the original that duplicates the characters, situations, and outcomes from the first film with only a few changes along the way such as a deputy being female this time around, an addition to the ending, and some slightly better production values.
While it was entertaining to watch, I found that knowing what was to come stopped any tension in the film as has barely been 14 years since the first film came out, and without anything drastically different this time around, it made me wonder why the decision to reboot the film was made.
I do believe that there is still more to tell in this series, but that there is a better way to do it than the sequels we have had to date and a shot by shot remake. I think a story that ran parallel to the original or a more direct sequel might be very interesting as well as a look at the larger consequences of the outbreak.
That being said, if you are a fan of the series you will likely want to see the remake, but will likely wish that the series had continued forward with the story rather than going back to the beginning.
http://sknr.net/2016/02/20/cabin-fever-2016/
The film followed the outbreak of a flesh eating virus that was relentless, turned characters against one another, and had audiences wondering what would happen next. Filmed for a modest budget, the film became a hit and eventually spawned two direct to video follow ups, the most recent serving as a prequel to the original film.
There were plans to make a third follow up which was reportedly to be set on a cruise ship but they were scrapped in favor of a reboot of the main film with Roth serving as producer.
The 2016 version of the film is pretty much a scene for scene and in some cases; shot for shot remake of the original that duplicates the characters, situations, and outcomes from the first film with only a few changes along the way such as a deputy being female this time around, an addition to the ending, and some slightly better production values.
While it was entertaining to watch, I found that knowing what was to come stopped any tension in the film as has barely been 14 years since the first film came out, and without anything drastically different this time around, it made me wonder why the decision to reboot the film was made.
I do believe that there is still more to tell in this series, but that there is a better way to do it than the sequels we have had to date and a shot by shot remake. I think a story that ran parallel to the original or a more direct sequel might be very interesting as well as a look at the larger consequences of the outbreak.
That being said, if you are a fan of the series you will likely want to see the remake, but will likely wish that the series had continued forward with the story rather than going back to the beginning.
http://sknr.net/2016/02/20/cabin-fever-2016/