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Josh Burns (166 KP) rated the PlayStation 4 version of Godzilla in Video Games
Jun 21, 2019
Nails the feeling from the movies (2 more)
Fun with a large variety of playable Kaiju
A ton of unlockables
No story mode (1 more)
Does get repetitive
A fun love letter to the classic Godzilla movies
I feel like this game was dead before it had a chance. Critics expected Mortal Kombat with Kaiju and it isn't. It's more of a kaiju simulator. You are a big lumbering monster, so that's how the controls are intentionally. Many have written it off as too clunky for that reason, missing the point.
Gameplay: It is fun, but does get repetitive after a while. There is no real story so it's best played for a while, and back off once it feels repetitive and come back later. Basically, you smash cities and generators, gaining G Energy which makes your Kaiju grow in size and power. Or, you protect them, while fighting kaiju and increasing human military forces.
content: you can unlock almost any monster seen in any Godzilla movie as well as bios for each. You can level them up and unlock figures and settings to build dioramas also. It has multiple game modes but they don't vary from each other a lot. There is also PVP online, but since the critics shredded it so bad there aren't many players so matchmaking is a nightmare.
overall: it's a lot of fun with a ton of content to unlock, just don't burn yourself out on it. I play for like a month here and there, have a blast, then back off for a while so it doesn't get stale.
Gameplay: It is fun, but does get repetitive after a while. There is no real story so it's best played for a while, and back off once it feels repetitive and come back later. Basically, you smash cities and generators, gaining G Energy which makes your Kaiju grow in size and power. Or, you protect them, while fighting kaiju and increasing human military forces.
content: you can unlock almost any monster seen in any Godzilla movie as well as bios for each. You can level them up and unlock figures and settings to build dioramas also. It has multiple game modes but they don't vary from each other a lot. There is also PVP online, but since the critics shredded it so bad there aren't many players so matchmaking is a nightmare.
overall: it's a lot of fun with a ton of content to unlock, just don't burn yourself out on it. I play for like a month here and there, have a blast, then back off for a while so it doesn't get stale.
Bob Mann (459 KP) rated Sound of Metal (2019) in Movies
Apr 13, 2021
Acting by Riz Ahmed, Paul Raci AND Olivia Cooke (2 more)
Wonderful story: show not tell!
Sound design is simply epic
When I was young, I remember being scared to death by an old black and white movie about a woman who went blind.... I remember she was travelling on a bus and the movie simulated the view through her eyes as her vision dimmed and then went black. (I've googled this without joy, so can't place the movie!) I found the concept of suddenly losing one of your key senses to be utterly terrifying. So, I was fully engaged with Ruben's issues in this movie.
I thought the movie was going to be downbeat and depressing. But, both with it's positive portrayal of the deaf community and with the extraordinary ending, I found it to be a wonderfully heart-warming tale.
Positives:
- There is just SOOO much depth to this story: a character torn from his familiar world and struggling to adapt to the changes. It's fundamentally a movie about acceptance of self. The last two minutes of the screen time are momentous: one of the best endings of a movie I can remember in recent memory. A truly religious experience.
- "Sound of Metal" won the BAFTA at the weekend for Sound, and deservedly so. It's another leading character in the film, with the editing deftly weaving between the soundscape that most of us live in and Ruben's perception. Apparently, the sound team used a hyper-sensitive microphone in Ahmed's mouth to pick up the inner noises of his body.
- Both Riz Ahmed and Paul Raci are nominated for Oscars. Simply stunning performances from both of them.
- Although not nominated, I'd lob Olivia Cooke's name into that frame too. It's almost IMPOSSIBLE to see the same actress who played "Pixie" in the body of Lou. It's a transformation akin to Charlize Theron's in "Monster". (In fact, it took me until the Paris scenes to actually recognize her!)
- Director Darius Marder - IN HIS DIRECTORIAL FEATURE DEBUT! - delivers a fabulous example of "show not tell". All of the detail is present in the film to tell the story if you look for it. You don't need dialogue to give Lou's backstory: just a casual shot of her lower arm is enough.
Negatives:
- It's a VERY minor quibble but, with a 2 hour running length, the Paris scenes dragged just a little for me. I might have chosen to do a few nips and tucks there in the 'party' scenes. But I wouldn't have wanted to lose much.
"Sound of Metal" has - I'm sure - a guaranteed slot in my Films of the Year list. Simply stunning and highly recommended, this is currently showing in the UK on Amazon Prime.
(For the full graphical review, please check out the One Mann's Movies review here - https://bob-the-movie-man.com/2021/04/13/sound-of-metal-dont-ignore-that-ear-bud-volume-warning-on-your-phone-kids/ )
I thought the movie was going to be downbeat and depressing. But, both with it's positive portrayal of the deaf community and with the extraordinary ending, I found it to be a wonderfully heart-warming tale.
Positives:
- There is just SOOO much depth to this story: a character torn from his familiar world and struggling to adapt to the changes. It's fundamentally a movie about acceptance of self. The last two minutes of the screen time are momentous: one of the best endings of a movie I can remember in recent memory. A truly religious experience.
- "Sound of Metal" won the BAFTA at the weekend for Sound, and deservedly so. It's another leading character in the film, with the editing deftly weaving between the soundscape that most of us live in and Ruben's perception. Apparently, the sound team used a hyper-sensitive microphone in Ahmed's mouth to pick up the inner noises of his body.
- Both Riz Ahmed and Paul Raci are nominated for Oscars. Simply stunning performances from both of them.
- Although not nominated, I'd lob Olivia Cooke's name into that frame too. It's almost IMPOSSIBLE to see the same actress who played "Pixie" in the body of Lou. It's a transformation akin to Charlize Theron's in "Monster". (In fact, it took me until the Paris scenes to actually recognize her!)
- Director Darius Marder - IN HIS DIRECTORIAL FEATURE DEBUT! - delivers a fabulous example of "show not tell". All of the detail is present in the film to tell the story if you look for it. You don't need dialogue to give Lou's backstory: just a casual shot of her lower arm is enough.
Negatives:
- It's a VERY minor quibble but, with a 2 hour running length, the Paris scenes dragged just a little for me. I might have chosen to do a few nips and tucks there in the 'party' scenes. But I wouldn't have wanted to lose much.
"Sound of Metal" has - I'm sure - a guaranteed slot in my Films of the Year list. Simply stunning and highly recommended, this is currently showing in the UK on Amazon Prime.
(For the full graphical review, please check out the One Mann's Movies review here - https://bob-the-movie-man.com/2021/04/13/sound-of-metal-dont-ignore-that-ear-bud-volume-warning-on-your-phone-kids/ )
LeftSideCut (3778 KP) rated The Meg (2018) in Movies
May 14, 2019 (Updated Jun 8, 2019)
A fun but flawed monster movie, that (thankfully) never takes itself seriously.
The Meg is silly. Very very silly.
It's verging on so silly that at some point, you just accept what's happening and go along with the ride.
Jason Statham absolutely carries this film. As per usual, he is extremely likable, and carries a terrible script to satisfying degree.
The rest of the human cast are mostly dull , even the usually loveable Rainn Wilson seems like he's phoning it in at times.
The jump scares are predictable, resulting in a tame experience (unless you happen to have a fear of sharks of course), and the CGI is very questionable at times.
The main saving grace for The Meg is that it knows what it is, and never takes itself seriously, at times, even pointing out convenient plot points and making light of them, and it just about gets away with it. Just.
Best line - "That fossil ate my friend!"
It's verging on so silly that at some point, you just accept what's happening and go along with the ride.
Jason Statham absolutely carries this film. As per usual, he is extremely likable, and carries a terrible script to satisfying degree.
The rest of the human cast are mostly dull , even the usually loveable Rainn Wilson seems like he's phoning it in at times.
The jump scares are predictable, resulting in a tame experience (unless you happen to have a fear of sharks of course), and the CGI is very questionable at times.
The main saving grace for The Meg is that it knows what it is, and never takes itself seriously, at times, even pointing out convenient plot points and making light of them, and it just about gets away with it. Just.
Best line - "That fossil ate my friend!"
Erika (17788 KP) rated Godzilla: King of the Monsters (2019) in Movies
May 31, 2019
This is one of those films where the trailers were better than the end product. Honestly, I barely remember G14, only that the title character doesn't show up until the end. At least Skull Island had some good Kong kicking ass moments and Tom Hiddleston in a tight shirt.
The main characters are uninteresting, basically, we've got Coach, that kid from Stranger Things, and the chick that's a relative of that American Horror Story actress. The movie did not make me care about them at all, I would have been fine with them all biting the dust. There's a little more about Monarch, but seriously, Thomas Middleditch was annoying.
Basically, I was there for Godzilla, and all the other monsters fighting. There wasn't enough of it, as far as I'm concerned. I guess it was worth seeing the action on the big screen. I'm vaguely interested to see Godzilla vs Kong (plz let Toby Kebbell do the mo-cap again).
The main characters are uninteresting, basically, we've got Coach, that kid from Stranger Things, and the chick that's a relative of that American Horror Story actress. The movie did not make me care about them at all, I would have been fine with them all biting the dust. There's a little more about Monarch, but seriously, Thomas Middleditch was annoying.
Basically, I was there for Godzilla, and all the other monsters fighting. There wasn't enough of it, as far as I'm concerned. I guess it was worth seeing the action on the big screen. I'm vaguely interested to see Godzilla vs Kong (plz let Toby Kebbell do the mo-cap again).
LeftSideCut (3778 KP) rated Monster House (2006) in Movies
Dec 19, 2019 (Updated Jan 14, 2020)
A horror film for children - is what Monster House is marketed as, and it's pretty much just that.
The animation style is different, looks a little ropey by todays standard but is still pretty charming.
The narrative really drags to begin with, with characters who are hard to get on board with (accept the grumpy old man, that guys speaks to me...)
The halfway mark is a turning point. When it becomes clearly obvious that the kids are being terrorized by a living house intent on eating them, it feels like a crazy episode of Scooby Doo.
The final 15 minutes or so are great, and where the animation is at its best. It also packs in a genuinely sad plot point that lends the movie an emotional edge, and it's the exact kind of thing that makes these kind of films good.
There are certainly better animated films out there, but it's not the worst way to spend an hour and a half.
The animation style is different, looks a little ropey by todays standard but is still pretty charming.
The narrative really drags to begin with, with characters who are hard to get on board with (accept the grumpy old man, that guys speaks to me...)
The halfway mark is a turning point. When it becomes clearly obvious that the kids are being terrorized by a living house intent on eating them, it feels like a crazy episode of Scooby Doo.
The final 15 minutes or so are great, and where the animation is at its best. It also packs in a genuinely sad plot point that lends the movie an emotional edge, and it's the exact kind of thing that makes these kind of films good.
There are certainly better animated films out there, but it's not the worst way to spend an hour and a half.
Young Charlie by Hollywood & Crime
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Awix (3310 KP) rated Jaws (1975) in Movies
Aug 26, 2019 (Updated Aug 26, 2019)
Spielberg's exemplary suspense-fright machine remains the only killer shark movie you will ever need to watch. A two-course fish supper: the first half concerns police chief Roy Scheider's attempts to persuade the self-serving authorities of the danger posed by a marauding shark (post-Watergate subtext is fairly obvious); the second sees Scheider, bright young oceanographer Richard Dreyfuss, and salty sea dog Robert Shaw setting off on a primal quest to slay the monster, in a boat which may well prove to be of inadequate size.
Spielberg does an excellent job of hiding the pulpy horror-story origins of the tale, swathing it in plausible small-town Americana, low-key humour and excellent characterisation; John Williams' score is, needless to say, essential to the enterprise. The battle to the death in the second half is superbly constructed, paced and executed. Superb entertainment; I am happy to report that over forty years on, Jaws remains entirely capable of making cinema audiences squirm and scream.
Spielberg does an excellent job of hiding the pulpy horror-story origins of the tale, swathing it in plausible small-town Americana, low-key humour and excellent characterisation; John Williams' score is, needless to say, essential to the enterprise. The battle to the death in the second half is superbly constructed, paced and executed. Superb entertainment; I am happy to report that over forty years on, Jaws remains entirely capable of making cinema audiences squirm and scream.
My Favorite Thing is Monsters
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Book
Set against the tumultuous political backdrop of late ’60s Chicago, My Favorite Thing Is Monsters...
Graphic novel