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DRAGON QUEST V
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******************** This grand adventure, unfolding over three generations, is now available to...
LeftSideCut (3776 KP) rated Shazam! (2019) in Movies
May 14, 2019 (Updated Dec 15, 2019)
A refreshing, and often humourous entry into the otherwise troubled DCEU
Contains spoilers, click to show
I went into Shazam! with low expectations, after not being particularly taken with the majority of past DCEU films.
I left feeling pretty positive about the whole goofy experience.
As with most DC material, the film starts on a fairly dark note, introducing us to a young Dr Sivana (a truly old school super villain, dating all the way back to the late 30s).
After a bit of back story as to why he gets all villainy, the movie wastes no time introducing us to Billy Batson (Asher Angel) and the rest of his foster family, and the movie succeeds in making all of the younger characters likable.
After a bit of comic book magic, we're eventually acquainted with the true power of Shazam!
Zachary Levi absolutely shines as he clearly relishes in playing this goofy, excitable teenager trapped in the body of a God. He bounces back and forth with Jack Dylan Grazer pretty well, and for the most part the relentless stream of jokes land nicely.
The film starts to waiver slightly towards the end, as the story hurtles towards a standard comic book movie CGI showdown, with a by the numbers comic book movie performance from Mark Strong, and some sketchy CGI cloud monsters, but it's hard not to grin with the surprise introduction of the Shazam! family (something I would surely expect from a sequel).
Shazam! also struggles at times to balance it's humour with it's more serious beats, but for the most part is an enjoyable origin story that the whole family can enjoy.
I left feeling pretty positive about the whole goofy experience.
As with most DC material, the film starts on a fairly dark note, introducing us to a young Dr Sivana (a truly old school super villain, dating all the way back to the late 30s).
After a bit of back story as to why he gets all villainy, the movie wastes no time introducing us to Billy Batson (Asher Angel) and the rest of his foster family, and the movie succeeds in making all of the younger characters likable.
After a bit of comic book magic, we're eventually acquainted with the true power of Shazam!
Zachary Levi absolutely shines as he clearly relishes in playing this goofy, excitable teenager trapped in the body of a God. He bounces back and forth with Jack Dylan Grazer pretty well, and for the most part the relentless stream of jokes land nicely.
The film starts to waiver slightly towards the end, as the story hurtles towards a standard comic book movie CGI showdown, with a by the numbers comic book movie performance from Mark Strong, and some sketchy CGI cloud monsters, but it's hard not to grin with the surprise introduction of the Shazam! family (something I would surely expect from a sequel).
Shazam! also struggles at times to balance it's humour with it's more serious beats, but for the most part is an enjoyable origin story that the whole family can enjoy.
Kayla Ackerman (15 KP) rated Bird Box (2018) in Movies
Jun 5, 2019
Sandra Bullock (2 more)
Sort of original plot?
Nice scenery
A combination of 'A Quiet Place' and 'The Happening' (3 more)
Two timelines were not needed to convey the story
The big bad is merely suggested, never revealed
Too much build up for a climax that never comes
Too much hype, not enough follow through.
Maybe in a linear timeline, this would have been a good story: It would have been about a cold, cut off woman learning to open up to those around her in the face of tragedy, only to be met with misery again, which she responds to by closing herself off and becoming cold, rational, and kinda mean, but in the end she has to learn that there is more to life than just survival. That sounds much better than the time jumpy nonsense that spoiled itself every step of the way and took all tension out of half the film because we know they survive at least as long as we have already seen them get.Battling an enemy that literally is the embodiment of your worst fear (or salvation to fractured minds?) is a pretty scary concept, or it would be if I could picture anything other than a Boggart from Harry Potter, which is the issue because I do have to make up my own mind about what it is that they are seeing that makes them kill themselves, since the film never saw fit to show us a sliver of anything. Watching someone react to something that you have never seen is not a lot of fun, and that was the whole movie: characters reacting to vague, off-screen monsters.
ArecRain (8 KP) rated Halfway to the Grave (Night Huntress, #1) in Books
Jan 18, 2018
I forgot how much I loved a good paranormal romance novel until I discovered Frost. A couple of my favorite authors recommended Jeaniene Frost, singing her praises. I was a bit hesitant after the slew of horrible vampire romances that I have forced myself to make it through as of late.
Boy, was I pleasantly surprised. Frosts fiery Cat immediately captured my attention. She was one of the first female protagonists who actually enjoyed being schooled about her weaknesses. Instead of being obnoxiously stubborn, she actually threw herself into making herself stronger and learning from her faults. I know that sounds like so many other female leads, but to me she seemed different. I didnt feel that everything was a struggle between Cat and Bones. Whenever they fell in love, I could see how they got to that point. They did have fire and chemistry, but it was far from them continuously butting heads and arguing like so many other novels do.
I also enjoyed the simple plot. It wasnt about Cat and Bones being the only two being able to save the world from certain doom. Of course, they did have a goal they were working towards, and an antagonist they had to take down. However, there were no random surprises that only the author could see coming and no twist that broke our necks from confusion.
However, I will state that Cats ridiculous mother seriously made me want to slam her face into the pavement. While Frost can create the likable characters of Bones and Cat, she can also create some monsters like Cats mother.
Boy, was I pleasantly surprised. Frosts fiery Cat immediately captured my attention. She was one of the first female protagonists who actually enjoyed being schooled about her weaknesses. Instead of being obnoxiously stubborn, she actually threw herself into making herself stronger and learning from her faults. I know that sounds like so many other female leads, but to me she seemed different. I didnt feel that everything was a struggle between Cat and Bones. Whenever they fell in love, I could see how they got to that point. They did have fire and chemistry, but it was far from them continuously butting heads and arguing like so many other novels do.
I also enjoyed the simple plot. It wasnt about Cat and Bones being the only two being able to save the world from certain doom. Of course, they did have a goal they were working towards, and an antagonist they had to take down. However, there were no random surprises that only the author could see coming and no twist that broke our necks from confusion.
However, I will state that Cats ridiculous mother seriously made me want to slam her face into the pavement. While Frost can create the likable characters of Bones and Cat, she can also create some monsters like Cats mother.
Debbiereadsbook (1487 KP) rated The Princess of Draga (Draga Court #1) in Books
Feb 28, 2018
a slow burner
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
A bit of a slow burner, long build up kinda book, this one!
It reminds me a little of reading Game of Thrones, NOT in the content, not at all but in the way the stage is set with many players, who have their own agendas. Many players who have a say. Many players who did NOT get a say too!
But my overwhelming reaction to finishing this was, I missed something. Something was missing and I cannot figure out what.
There is a book before this one, Royal Guard of Draga, but reading the blurb, it isn't what I'm missing. I think what I'm missing is more history of Draga, more about the original invasion of the Neprijat monsters who have returned to take over the galaxy. We get bits and pieces, but not enough for me to get the whole picture, the whole history. Maybe that will come with future books, I dunno. That's just how I feel, and ya'll know I love to share how I feel!
I did think it would be a little more on the explicit side, given how we are introduced to Nadyah and why she is in court with Adelina, but it isn't overly.
It's a GOOD book, well written from lots of those players, it just didn't grab me and it took far longer for me to read the 276 pages than it should have. Maybe book two will be better. Off to read it now!
A good solid 3 stars
**same worded review will appear elsewhere**
A bit of a slow burner, long build up kinda book, this one!
It reminds me a little of reading Game of Thrones, NOT in the content, not at all but in the way the stage is set with many players, who have their own agendas. Many players who have a say. Many players who did NOT get a say too!
But my overwhelming reaction to finishing this was, I missed something. Something was missing and I cannot figure out what.
There is a book before this one, Royal Guard of Draga, but reading the blurb, it isn't what I'm missing. I think what I'm missing is more history of Draga, more about the original invasion of the Neprijat monsters who have returned to take over the galaxy. We get bits and pieces, but not enough for me to get the whole picture, the whole history. Maybe that will come with future books, I dunno. That's just how I feel, and ya'll know I love to share how I feel!
I did think it would be a little more on the explicit side, given how we are introduced to Nadyah and why she is in court with Adelina, but it isn't overly.
It's a GOOD book, well written from lots of those players, it just didn't grab me and it took far longer for me to read the 276 pages than it should have. Maybe book two will be better. Off to read it now!
A good solid 3 stars
**same worded review will appear elsewhere**
ClareR (5945 KP) rated Unclean Spirits (Gods and Monsters #1) in Books
Feb 20, 2018 (Updated Feb 20, 2018)
Low down and dirty Mythology!!
Carson Cole escapes his life of servitude when a bomb destroys his boss, Mr E. Rose. Yes, if you say it quickly it sounds like Eros, and that’s because it IS Eros. Carson learns that he is embroiled in the world of the Gods from every pantheon. They have all been cast out of the heavens by ‘The Usurper’ and are having to scratch out a life on Earth. Not many of them actually like it.
Carson had lost his life five years previously to Eros’ whims, and his wife and son hate him. He goes on a journey with Frank (who is frankly, a horrific character) to find out why this is. It’s a ‘100mph’ book: non-stop action pretty much, and if you like Gods (and monsters!) you’ll like this. It has a very dark, menacing atmosphere: dirty, unclean, violent. I enjoyed it! There was a bit (a huge!) twist at the end.
I also enjoyed the short story at the end by Pat Kelleher (Drag Hunt) featuring Coyote. This story isn’t set completely in the US, but does start there and ends in London and it’s environs. Coyote has lost a rather important part of himself, and is determined to find it. A very enjoyable story, again, with a great selection of Norse, Celtic, Egyptian and other Gods that I have probably forgotten in it! I find myself very much enjoying these stories with Coyote in. He’s very much the Loki of the North American native people. Got to love a trickster!
Thanks to Netgalley and the publisher for my copy of this book!
Carson had lost his life five years previously to Eros’ whims, and his wife and son hate him. He goes on a journey with Frank (who is frankly, a horrific character) to find out why this is. It’s a ‘100mph’ book: non-stop action pretty much, and if you like Gods (and monsters!) you’ll like this. It has a very dark, menacing atmosphere: dirty, unclean, violent. I enjoyed it! There was a bit (a huge!) twist at the end.
I also enjoyed the short story at the end by Pat Kelleher (Drag Hunt) featuring Coyote. This story isn’t set completely in the US, but does start there and ends in London and it’s environs. Coyote has lost a rather important part of himself, and is determined to find it. A very enjoyable story, again, with a great selection of Norse, Celtic, Egyptian and other Gods that I have probably forgotten in it! I find myself very much enjoying these stories with Coyote in. He’s very much the Loki of the North American native people. Got to love a trickster!
Thanks to Netgalley and the publisher for my copy of this book!
Phoebe (13 KP) rated Hannibal - Season 1 in TV
Oct 8, 2018
Hannibal's character portrayal (3 more)
Will's character depth
The aesthetic
The portrayal of mental disorders
A true favourite
I'm loving the show so far, and considering one of my all time favourite films is Silence of the Lambs, I have high expectations.
It did not disappoint.
The relationships built within this season are well thought out and captivating, especially that of Will Graham and Hannibal Lecter. The way the two men circle each other, their relationship filled with manipulation and a subtle seduction, you learn the ways they need each other, and become dependant on each other as they delve further into each other's psyches.
Speaking of, the way in which Will is both portrayed by Hugh Dancy, and treated within the show in regards to his innate aptitude for understanding the macabre is fascinating. I found it opened a new door to how the mind can work, and the dark repercussions they can have. This is also well shown through Abigail, as we follow through the aftermath of a traumatic event at the hands of her father.
The overly stunning aesthetics of this show work not only to entice but also to act as a juxtaposition to the gore caused by Hannibal and the "monsters of the week" in every episode. It allows the viewer a glimpse into how Hannibal sees the world; as a work of art. Even down to his victims. The elegance that he constantly exudes, particularly in scenes in his kitchen, almost numbs the viewer to the horrific truth behind his character.
Overall, a beautiful show. One I would highly recommend, but maybe not to those with a particularly weak stomach.
It did not disappoint.
The relationships built within this season are well thought out and captivating, especially that of Will Graham and Hannibal Lecter. The way the two men circle each other, their relationship filled with manipulation and a subtle seduction, you learn the ways they need each other, and become dependant on each other as they delve further into each other's psyches.
Speaking of, the way in which Will is both portrayed by Hugh Dancy, and treated within the show in regards to his innate aptitude for understanding the macabre is fascinating. I found it opened a new door to how the mind can work, and the dark repercussions they can have. This is also well shown through Abigail, as we follow through the aftermath of a traumatic event at the hands of her father.
The overly stunning aesthetics of this show work not only to entice but also to act as a juxtaposition to the gore caused by Hannibal and the "monsters of the week" in every episode. It allows the viewer a glimpse into how Hannibal sees the world; as a work of art. Even down to his victims. The elegance that he constantly exudes, particularly in scenes in his kitchen, almost numbs the viewer to the horrific truth behind his character.
Overall, a beautiful show. One I would highly recommend, but maybe not to those with a particularly weak stomach.
Gareth von Kallenbach (980 KP) rated Don't Breathe (2016) in Movies
Jul 15, 2019
The petty crime trio of Rocky, Alex, and Money make a living from burglarizing homes throughout Detroit. They feel trapped by the poverty and destitution of the area and hope that one big score will allow them to escape their
circumstances. The opportunity appears in the form of a blind, reclusive war veteran living in an abandoned neighborhood. They quickly realize that they have underestimated this man.
Don’t Breathe is filled with tension and has audiences confused as to whether they want the trio to survive the night as they go from being the aggressors to the prey of this man as he defends himself and his home from these invaders.
The film turns the horror/suspense genre around and allows for the audience to feel the tension without being too predictable. You feel as limited as the thieves as they try to escape from the house that they have entered. You feel as though, at any moment, they will be caught, injured, or even killed in this deadly game that the blind man has started with them.
The strength of the film is not in gore or shocking moments, it is in the reality of the fear and anxiety that builds throughout Don’t Breathe. The film allows for depth of the storyline and ability for audiences to find themselves conflicted as to whether or not they should cheer for anyone in the film.
8No one is innocent. Don’t Breathe is multidimensional and does not insult the intelligence of its audience with contrived plots and clichés. The film allows us to realize that monsters exist everywhere, even in the most unassuming places and people.
circumstances. The opportunity appears in the form of a blind, reclusive war veteran living in an abandoned neighborhood. They quickly realize that they have underestimated this man.
Don’t Breathe is filled with tension and has audiences confused as to whether they want the trio to survive the night as they go from being the aggressors to the prey of this man as he defends himself and his home from these invaders.
The film turns the horror/suspense genre around and allows for the audience to feel the tension without being too predictable. You feel as limited as the thieves as they try to escape from the house that they have entered. You feel as though, at any moment, they will be caught, injured, or even killed in this deadly game that the blind man has started with them.
The strength of the film is not in gore or shocking moments, it is in the reality of the fear and anxiety that builds throughout Don’t Breathe. The film allows for depth of the storyline and ability for audiences to find themselves conflicted as to whether or not they should cheer for anyone in the film.
8No one is innocent. Don’t Breathe is multidimensional and does not insult the intelligence of its audience with contrived plots and clichés. The film allows us to realize that monsters exist everywhere, even in the most unassuming places and people.
Peter Shephard (2822 KP) rated Warhammer Quest in Tabletop Games
Aug 8, 2019 (Updated Aug 8, 2019)
Dungeon crawling goodness
The gaming group I am in played Warhammer Quest (or just Quest) for probably nearly two years, virtually every weekend for at least 4-5h. We loved it.
The basic rules involve the adventuring party (the players) choosing their adventurer, and exploring a hidden dungeon realm to find their objective room, battling monsters, earning gold and finding treasures and items. Pretty typical.
What makes Quest stand out is that it can be done as random, single adventures with "Dwarf" and "Elf" and "Barbarian" and it plays fine, but it can also be an extended campaign for names characters, with ongoing objectives and goals, and an added "between dungeon" system to determine what happens (good and bad) post-Objective Room.
With using miniatures, the game is really easy to visualise; using a standard 1in square makes the game simplistic to learn and easy to navigate, although it can be a little restrictive with some abilities.
The only bugbear I have about Quest is the cost, especially for the expansions - if you get lucky and can get the game at a good price, snap it up. If you have Warhammer fantasy armies, especially pre-Age of Sigmar, you will have ample models to represent most enemies you will face. Having them painted makes it even more involving and interesting. There is also a HUGE amount of player-created material available, some of which is overpowered (as you would expect) but a lot of it is flavourful-tweaking.
....I really wanna play Quest, now....
The basic rules involve the adventuring party (the players) choosing their adventurer, and exploring a hidden dungeon realm to find their objective room, battling monsters, earning gold and finding treasures and items. Pretty typical.
What makes Quest stand out is that it can be done as random, single adventures with "Dwarf" and "Elf" and "Barbarian" and it plays fine, but it can also be an extended campaign for names characters, with ongoing objectives and goals, and an added "between dungeon" system to determine what happens (good and bad) post-Objective Room.
With using miniatures, the game is really easy to visualise; using a standard 1in square makes the game simplistic to learn and easy to navigate, although it can be a little restrictive with some abilities.
The only bugbear I have about Quest is the cost, especially for the expansions - if you get lucky and can get the game at a good price, snap it up. If you have Warhammer fantasy armies, especially pre-Age of Sigmar, you will have ample models to represent most enemies you will face. Having them painted makes it even more involving and interesting. There is also a HUGE amount of player-created material available, some of which is overpowered (as you would expect) but a lot of it is flavourful-tweaking.
....I really wanna play Quest, now....
LeftSideCut (3776 KP) rated Us (2019) in Movies
Dec 15, 2019
The first thing I'll say about Us is just how unnerving it . It's one of those horror films that leaves you with a sense of unease at everyday normal things.
Jordan Peele's second horror offering verges on standard horror tropes, clearly taking influence from horror that had come before, and at times feeling similar in nature to The Strangers, and It Follows, but it's intriguing underneath-the-surface plot and underlying social commentary save it from being just another horror film.
The idea of doppelganger horror has been explored before, but it feels a bit more apt in todays climate, as Peele explores the fear of outsiders, whilst also carrying a message about wealth gaps and the effect of privilege obliviousness.
In doing so, he successfully crafts a family of character we can root for, facing off against 'monsters' that sometimes feel all to familiar.
Lupita Nyong'o in particular is a massive stand out here, playing an inherently good central character, desperately protecting her family against a shadow of herself, who at times come across as relatable.
The plot has a decent amount of depth to it, and I'm glad that the narrative explores beyond the central family.
Jordan Peele's camerawork is fantastic throughout. There are striking shots put forwards from start to finish. He also makes fantastic work of colour... The vibrant setting of Santa Cruz works nicely, and the simple colour setup for The Tethered creates a look that is sure to become iconic in the horror genre.
I found Us to be a hugely enjoyable experience, and between Peele and Ari Aster, the future of horror is looking pretty exciting.
Jordan Peele's second horror offering verges on standard horror tropes, clearly taking influence from horror that had come before, and at times feeling similar in nature to The Strangers, and It Follows, but it's intriguing underneath-the-surface plot and underlying social commentary save it from being just another horror film.
The idea of doppelganger horror has been explored before, but it feels a bit more apt in todays climate, as Peele explores the fear of outsiders, whilst also carrying a message about wealth gaps and the effect of privilege obliviousness.
In doing so, he successfully crafts a family of character we can root for, facing off against 'monsters' that sometimes feel all to familiar.
Lupita Nyong'o in particular is a massive stand out here, playing an inherently good central character, desperately protecting her family against a shadow of herself, who at times come across as relatable.
The plot has a decent amount of depth to it, and I'm glad that the narrative explores beyond the central family.
Jordan Peele's camerawork is fantastic throughout. There are striking shots put forwards from start to finish. He also makes fantastic work of colour... The vibrant setting of Santa Cruz works nicely, and the simple colour setup for The Tethered creates a look that is sure to become iconic in the horror genre.
I found Us to be a hugely enjoyable experience, and between Peele and Ari Aster, the future of horror is looking pretty exciting.