"Being a military historian, I was really blown away by the depiction that [Stanley] Kubrick had of trench life. But more importantly, I was immersed in the moral quagmire that Col. Dax, played by Kirk Douglass, experienced in the film. There’s a moment when somebody looks down at a cockroach and says, “You see that cockroach?” He says something like, “In an hour, he’ll have more relevance than I do.” And [another character] steps on the cockroach and says, “Not anymore.” Also, it was a very revolutionary shooting style that Kubrick presented, with his long tracking shots and his use of close-up wide lenses that I found very attractive. I first saw that film when I was a cadet at West Point."

"At first this book first gives you a ‘reader’s digest’ version of how the world leaders really were. That’s interesting enough. But it goes on to show you how the brain works when a person is depressed, and how to overcome it. It is fascinating and full of important information. I kept reading thinking “great to know the other side of our leaders we didn’t know.” But then, in the end, there is a surprise! It shows the current scientific findings of the link between depression and empathy, we knew only as a moral and idealistic trait. Now it seems they found a point of brain that corresponds to empathy, scientifically, which is connected to depression, its cause, and also as its cure."

"I loved when Criterion started making these massive box sets, like this and the Rohmer Six Moral Tales. The idea of including a second edition of a film you already love (in this case, The Killing of a Chinese Bookie; see also: Brazil) is genius and shows a complete mastery of the importance of supplements. I guess this is a fairly obvious and oft-cited pick, but oh, well. It’s incredible, and learning that the five films are included because they are the ones Cassavetes produced independently and that Gena Rowlands ended up owning the rights to was fascinating. Tricky rights issues can unfortunately cause masterworks to languish in undeserved obscurity, so the partnership that brought us this collection feels particularly monumental."

"Eric Rohmer may be underrated as a director. His films are rightly known for their endless talking, and for their intricate, ambiguity-filled exploration of contemporary romance and relationships. Yet he is also a precise and inventive director. His deceptively straightforward films are rich and cinematic: every cut, every decision to shoot in long shot or shot–reverse shot, and every object, costume, and piece of furniture reveals something about the emotional and intellectual subtext. Filmed in lush, crisp black and white, during a snowy Parisian winter, by the great Nestor Almendros, this is the most beautiful of Rohmer’s films. And the good news is that in order to obtain this film, you’ll have to get the astonishing box set Six Moral Tales."