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Bakjwi (Thirst) (2009)
Bakjwi (Thirst) (2009)
2009 | Drama, Horror, International
Best vampire priest film ever!
The director of Oldboy brings you his own unique spin on the vampire film. A priest is assisting victims of a plague in Africa when he becomes afflicted with a unique illness he can't initially identify.

The moral Christian values slowly start to change as his lust for blood and sex consume him. He must continually inject the rose colored ambrosia to stave off boils from covering his entire body. He begins an affair with a married woman unbeknownst to her family or husband. Her lust and passion are fulfilled as well since she is unhappy with her husband and her marriage.

The priest is constantly torn between his former religious believes and his current immoral desires which are consuming him. His relationships evolve as he can now relieve the suffering of those who want to end their lives while assisting to maintain his own.

Will his desires or his new romance get the best of him?

Watched this as part of my October horror-a-thon, and was not disappointed. The concept for the film is completely unique in a good way and is assisted by pristine, sets, camera work and lighting. Some of the imagery will certainly catch your attention as something you have not seen before and the plot will keep you guessing.

The 135 minute running time did seem to drag a bit toward the middle of the film, but it gains traction and motors through the last hour rather quickly.

I really liked this one.
 
  
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ClareR (5716 KP) rated Purple People in Books

Jul 26, 2020 (Updated Jul 26, 2020)  
Purple People
Purple People
Kate Bulpitt | 2020 | Contemporary, Fiction & Poetry, Humor & Comedy
8
9.0 (2 Ratings)
Book Rating
The satire is strong in Purple People, and there was a point in this where I thought that it all could be feasible. Ok, maybe not, but life never ceases to surprise me!

Eve Baxter is a reporter on an online news channel that reports all things weird and wonderful. She lives in New York, and is happy with her life and the distance it puts between her and her family. After a call from home to say that her father has been attacked and is unconscious in hospital, Eve decides to go home. At the same time, news comes out of the UK about a strange phenomenon: purple people. It transpires that in a bid to take the strain off an inadequate prison system and a rise in antisocial behaviour and violence, perpetrators are turned purple. No one quite knows how this is achieved, so Eve decides that she is going to find out.

This was a very entertaining read: I loved the humour especially, and there’s a big moral question in this. Is this really any way to treat people, whether they’re criminals or not? And is it really ‘right’ to lump all criminals in the same purple category, no matter the type of antisocial behaviour? Personally, I’m just glad that it’s not something that we could get away with (at least I hope so!).

Many thanks to The Pigeonhole for serialising this book, and for Kate Bulpitt for commenting along with the other readers in the margins.
  
Unhinged (2020)
Unhinged (2020)
2020 | Thriller
Contains spoilers, click to show
After a confrontation at a set of traffic lights, Rachel finds herself in a race for the survival of her family, friends and herself.
Russell Crowe plays a man who has had enough, imagine if a film like 'Falling Down' had continued (or had a sequel) where the main character had gone completely off the rails and you'd have Crowe's character. After being honked by Rachel at a set of traffic lights the Man decides to teach her what a bad day is really like. After terrorising Rachel as she drives around the Man moves on to attacking and killing her friends and family, blaming Rachel for her actions.
There is a lot driving in Unhinged, Rachel spends most of the time in her car either avoiding the man or trying to plan what to next and the man switches between chasing Rachel or terrorising her family.
The moral of the film is that road rage is everywhere, be polite to people because you don't know who you're talking to and that you can use 'Fortnight' tactics in real life.
Once it gets going, Unhinged doesn't give up, there's violence, torture and threat interspersed with car chases that also contain threat.
Unhinged also tries to comment on society, as the man kills one of Rachel's friends, people look on, film the event or walk away but no one tries to help, some people do call the police but no one tries to stop the man.
Unhinged is fast paced, and violent, I found it a bit predictable but still enjoyable.
  
    Tyron by Slowthai

    Tyron by Slowthai

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    TYRON is a tale of two halves exposing human complexity. Just as with the narrative of his own life,...

Lesson of the Evil (2012)
Lesson of the Evil (2012)
2012 | Horror
*Big band music playing loudly in the background*

Takashi Miike's 𝘛𝘩𝘦 𝘎𝘶𝘦𝘴𝘵 - which, yes, is every bit as messy and overstuffed as that sounds; though I fear that if this were leaner you could miss out on the finer details like the weird German folklore stuff or the fleshy gun with the talking eyeball. The third act here is better than anything in even 𝘈𝘮𝘦𝘳𝘪𝘤𝘢𝘯 𝘗𝘴𝘺𝘤𝘩𝘰, probably the greatest thing Miike has ever done - just as demented, tasteless, and perfectly staged as reported plus it lasts around a solid, uninterrupted 45 minutes. Simultaneously fun and hard to watch in the sense that you can't believe that not only are they actually going for this, but they're going for it *hard* (given the director, I'd expect no less). I'm confident in saying this has the most straight-up brutal use of the shotgun in film history that I've seen. Hideaki Ito is flawless as this fucked-up closet psychopath who just bleeds raw antihero charisma, this kind of character can tire so easily but him and Miike sell it in full - partly because (and this is one of the things I love most about Miike) there's zero pretension to be found here. The precise type of ethically repugnantly, formally playful, feverish trashy thrills you'd expect out of this are exactly what you get - no clichéd moral handwringing or bullshit pulled punches you see in a lot of Western cinema for this genre. This is the real shit, another bonafide cult classic from one of the masters. Plus it's generally bizarre as hell, too.