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Joe Goodhart (27 KP) rated Paper Girls: Volume 1 in Books

Nov 30, 2020  
Paper Girls: Volume 1
Paper Girls: Volume 1
Cliff Chiang, Brian K. Vaughan, Matthew Wilson, Jared K. Fletcher | 2016 | Comics & Graphic Novels
8
8.4 (11 Ratings)
Book Rating
Okay, as I wrote in my Comments for Reading Progress, this was a re-read, as I recently purchased Vol 4 as part of the SDCC Sale this past weekend on Comixology. I may have run through it first time out, because so much of what I read seemed as if this were my beginning go-round instead of a re-read. Hmm.. Time Slip anyone?

So, yes, just as with other BKV-helmed series, the characters are well-defined, given depth that is a progressional unfolding. Each issue allowed for me to see each of the main characters - Erin, KJ. Tiffany and Mac - for who they were and some of their moral fibers, if you will.

As good as Vaughn was at the writing, equally impressive was Cliff Chiang's art. The muted colors (except where needed, as deep red for a wound) really helped the story, making me feel like it was really the eighties instead of 2018! From the cars driven to the newspaper headlines to the housing developments layouts, it felt just like the time frame as the setting!

The easiest way to sum up this series is it is like Netflix's STRANGER THINGS but with all-girl main characters. I recall the later volumes being more science fiction-y as the series progress, but, yeah, definitely like STRANGER THINGS.

All I can say in closing is this is an awesome series! It is a lot of fun, and it is clear during reading it that BKV and Chiang had as good a time making it as I did reading! DEFINITELY CHECK IT OUT!
  
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Kirk Bage (1775 KP) rated High and Low (1963) in Movies

Jan 28, 2021  
High and Low (1963)
High and Low (1963)
1963 | Drama, Mystery, Thriller
7
8.5 (2 Ratings)
Movie Rating Watch
This movie is often touted as one of the finest non-American crime thrillers out there. It appears on many top 10 lists from renowned directors, and stands untouchable in the pantheon of post WWII Japanese cinema dealing with 20th century issues rather than samurai or traditional religious concepts. Kurasawa is known for masterpieces in both genres, and in this sphere is very much the Hitchcock of the East. The story sees self made entrepreneur Kingo Gondo, played by the ubiquitous Toshirô Mifune, being blackmailed by a kidnapper who believes he has his son, but has taken his chauffeur’s son by mistake. Cue huge moral intrigue and dilemma, leading to a chase and an unexpectedly symbolical climax and resolution.

It plays like two films for the price of one, the first a claustrophobic mood piece with a staged feel, reminding me of Hitchcock’s Rope, and the second a frantic chase movie where the forensic evidence is picked apart in intricate detail, like a less graphic Seven. The print on BFI is not great, so it actually feels older than it is. It is also pretty long at 143 minutes, and feels like it takes an age to get going. Therefore, although some moments and key images have stayed with me, I can’t honestly say I felt gripped or tense in any way. The stakes didn’t feel as high as I would have hoped for, and tonally it is a little uneven. In conclusion, it has much to offer and details in isolation are very impressive, but for me it was something of a let down.