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Kristina (502 KP) rated Thirteen Reasons Why in Books
Dec 7, 2020
It hurts. I hurt - my heart, most of all. Thirteen Reasons Why spoke to me on a deep and personal level, one I try to ignore more often than not. Listening to Hannah Baker explain, in great detail, the stories, events, and people, that lead to her decision to commit suicide, was jarring. The way she chose to reveal her past, to expose the cause, was more effective than if she had just walked through the story in real time. Reading the discoveries through Clay's point of view made things more interesting. From Hanna's first official kiss, to the rumors that spread afterward (and who can honestly say they've never had a single rumor said about them?), to out of control parties and signs of depression ignored, we're lead through a sort of "treasure hunt". Each moment builds and builds as her tolerance withers away, crumbling under thoughts of not being wanted or cared about. This book, Hannah's story, is something that should open every eye to who we are as people, how we act, what we believe without verification, and how we treat others. Some events in Thirteen Reasons Why are textbook examples of bullying, while others are moments where, if they had happened separately from all the other moments, probably wouldn't have amounted to much. It should make you realize how every little thing can effect someone. Your words have an effect; your actions have an effect; your behavior has an effect. If you don't stop to think to how you've treated people throughout your life, or even wondered if something you have said or done has ever meant more to another person than they did to you, then perhaps you need to reevaluate your life. Thirteen Reasons Why is a breath of truth, if not a breath of fresh air. Nothing has slapped me in the face as serious or as hard as this book. Please, if you feel like you didn't feel the same reaction, reread this book and try to look at it through a different mindset. Because each word is important and the moral of this particular story is life changing.
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Hazel (2934 KP) rated The Cellar in Books
Nov 20, 2022
This is a dark, disturbing and violent psychological thriller that pulls no punches and is highly descriptive which may be a bit much for some; I admit that I winced and drew breath a few times but kept going as I was gripped and already highly invested in the story.
The characters are excellent and feel real. Marcus Gove is a despicable person; I can't even bring myself to call him a human being he is that bad, he is a sad, twisted and demented individual who has absolutely no moral compass or redeeming qualities whatsoever - an absolutely brilliant character and one you love to hate.
Lucy is a young woman who is generally content apart from being in an unfulfilling relationship and her mum being diagnosed with cancer but things get a whole lot worse when she comes into the crosshairs of Marcus Gove and her world turns into the most horrendous nightmare.
Ray Lewis is the detective tasked with finding Lucy; not so easy when there are few clues and even less evidence and whilst he may be unfit, unhealthy and thought of as a dinosaur, he goes about his business in a methodical way with some much-needed humour.
Told from the points of view of each of the main characters and at a really good pace, this is a book that has you wanting to put down at times due to the graphic nature of what is being written and not put it down due to the gripping nature of the story ... not put it down won out with me.
This is the first book by John Nicholl I have read before and it certainly won't be the last especially if they are as addictive and compelling as this has been and I therefore have no hesitation in recommending it to others who love a gritty and dark thriller who don't mind graphic and disturbing details that have you wincing as you read.
Many thanks to Boldwood Books and NetGalley for enabling me to read and share my thoughts of The Cellar.
The characters are excellent and feel real. Marcus Gove is a despicable person; I can't even bring myself to call him a human being he is that bad, he is a sad, twisted and demented individual who has absolutely no moral compass or redeeming qualities whatsoever - an absolutely brilliant character and one you love to hate.
Lucy is a young woman who is generally content apart from being in an unfulfilling relationship and her mum being diagnosed with cancer but things get a whole lot worse when she comes into the crosshairs of Marcus Gove and her world turns into the most horrendous nightmare.
Ray Lewis is the detective tasked with finding Lucy; not so easy when there are few clues and even less evidence and whilst he may be unfit, unhealthy and thought of as a dinosaur, he goes about his business in a methodical way with some much-needed humour.
Told from the points of view of each of the main characters and at a really good pace, this is a book that has you wanting to put down at times due to the graphic nature of what is being written and not put it down due to the gripping nature of the story ... not put it down won out with me.
This is the first book by John Nicholl I have read before and it certainly won't be the last especially if they are as addictive and compelling as this has been and I therefore have no hesitation in recommending it to others who love a gritty and dark thriller who don't mind graphic and disturbing details that have you wincing as you read.
Many thanks to Boldwood Books and NetGalley for enabling me to read and share my thoughts of The Cellar.
ClareR (5608 KP) rated The Other Side of Mrs Wood in Books
Aug 15, 2023
I’ve read a couple of books recently with mediums front and centre, and I really enjoyed The Other Side of Mrs Wood.
Mrs Violet Wood is one of the best known mediums in London, if not the whole country. People come to her for solace and pure entertainment, and the local Mediums meet up regularly to practice their skills on one another. Feeling her age (bearing in mind she’s not 40 yet - and this really got my goat, if I’m completely honest!), Mrs Wood agrees to take on an apprentice who has been standing outside her seances, hoping to be noticed. Emmie Finch is a very keen pupil. Or is she?
We all know that seances are pure showmanship, and highly unlikely to actually make contact with the dead, but these women really believe what they’re doing - even as they set up the room to cheat those who were paying for their services. The seances where the mediums are there on their own would make anyone think that they believed 100% in what they were doing. Clearly they had their own moral codes, and no one appeared to be cheated out of money (but if you have someone paying you regularly for work that isn’t genuine, are you cheating them?!).
I did feel for Mrs Wood as she was pushed out of her position by the upstart Emmie, and could understand how she worried about losing her livelihood and her house. Mrs Wood descends into a bad place and pushes all of her friends away for a time. This seems out of character, but she’s being pushed to her limit. She doesn’t have the backstop of a husband to save her if everything goes wrong. Self-sufficient women of means were probably few and far between at this time, and if you lost everything it was a long fall.
I read this with The Pigeonhole, who again helped me with my NetGalley reads (I do like reading along with everyone else on there, it really adds a different perspective to the books I read). Many thanks to the author, Lucy Barker, Fourth Estate and to The Pigeonhole for serialising this fascinating book.
Mrs Violet Wood is one of the best known mediums in London, if not the whole country. People come to her for solace and pure entertainment, and the local Mediums meet up regularly to practice their skills on one another. Feeling her age (bearing in mind she’s not 40 yet - and this really got my goat, if I’m completely honest!), Mrs Wood agrees to take on an apprentice who has been standing outside her seances, hoping to be noticed. Emmie Finch is a very keen pupil. Or is she?
We all know that seances are pure showmanship, and highly unlikely to actually make contact with the dead, but these women really believe what they’re doing - even as they set up the room to cheat those who were paying for their services. The seances where the mediums are there on their own would make anyone think that they believed 100% in what they were doing. Clearly they had their own moral codes, and no one appeared to be cheated out of money (but if you have someone paying you regularly for work that isn’t genuine, are you cheating them?!).
I did feel for Mrs Wood as she was pushed out of her position by the upstart Emmie, and could understand how she worried about losing her livelihood and her house. Mrs Wood descends into a bad place and pushes all of her friends away for a time. This seems out of character, but she’s being pushed to her limit. She doesn’t have the backstop of a husband to save her if everything goes wrong. Self-sufficient women of means were probably few and far between at this time, and if you lost everything it was a long fall.
I read this with The Pigeonhole, who again helped me with my NetGalley reads (I do like reading along with everyone else on there, it really adds a different perspective to the books I read). Many thanks to the author, Lucy Barker, Fourth Estate and to The Pigeonhole for serialising this fascinating book.
graveyardgremlin (7194 KP) rated Benighted in Books
Feb 15, 2019
I've spent the last three weeks reading Benighted off and on. I have a hard time describing how I feel about this book - in one respect I feel that it is well-written and very lifelike, even if it deals with lycanthropes, but in another, I feel that the story is flawed. I think that it was hard to stick with it because the tone is so depressing and dreary that I needed breaks.
Lola (or May) is a sympathetic character, but that does not, in any way, mean you'll like her, but I couldn't help but feel sorry for what she's been through and how those experiences have affected her. The main problem I had with the story was that the whole business of DORLA seemed odd. I would think that by this time, the organization would be obsolete and none of the Lycos would be afraid of Barebacks since they are supposedly the inferior species and there are so few of them. For me, it just doesn't make much sense.
I went to the author's website and she said that she preferred the U.K. title, Bareback. I feel that Benighted is a much more fitting title, as it isn't all just about the treatment of Barebacks, it's both. And since Benighted's definition at the beginning of the book is: 1. (adj) in a state of pitiful or contemptible intellectual or moral ignorance, typically owing to a lack of opportunity
2. (archaic) overtaken by darkness
It seems to me that both definitions can be applied to both Barebacks and Lunes in different ways. But maybe that's just the American in me talking.
I did at times become bored with the book, probably due to it's excessive length (not to mention again how down it is). Now I don't mind long books at all, but Benighted is 516 pages and there were many ramblings that could have used a drastic paring down. With that said, I did find it interesting and thought provoking, but I'm not sure I would read another book from Ms. Whitfield. I was looking forward to reading something a little different than the typical werewolf book and was left disappointed. Maybe, going into it, if I had known how much more a sociological study of minorities this is than a werewolf story, I would have liked the book better.
Lola (or May) is a sympathetic character, but that does not, in any way, mean you'll like her, but I couldn't help but feel sorry for what she's been through and how those experiences have affected her. The main problem I had with the story was that the whole business of DORLA seemed odd. I would think that by this time, the organization would be obsolete and none of the Lycos would be afraid of Barebacks since they are supposedly the inferior species and there are so few of them. For me, it just doesn't make much sense.
I went to the author's website and she said that she preferred the U.K. title, Bareback. I feel that Benighted is a much more fitting title, as it isn't all just about the treatment of Barebacks, it's both. And since Benighted's definition at the beginning of the book is: 1. (adj) in a state of pitiful or contemptible intellectual or moral ignorance, typically owing to a lack of opportunity
2. (archaic) overtaken by darkness
It seems to me that both definitions can be applied to both Barebacks and Lunes in different ways. But maybe that's just the American in me talking.
I did at times become bored with the book, probably due to it's excessive length (not to mention again how down it is). Now I don't mind long books at all, but Benighted is 516 pages and there were many ramblings that could have used a drastic paring down. With that said, I did find it interesting and thought provoking, but I'm not sure I would read another book from Ms. Whitfield. I was looking forward to reading something a little different than the typical werewolf book and was left disappointed. Maybe, going into it, if I had known how much more a sociological study of minorities this is than a werewolf story, I would have liked the book better.
RəX Regent (349 KP) rated Night of the Living Dead (1968) in Movies
Feb 19, 2019
Iconic, influential and ground-breaking. All words to describe George A. Romero’s inaugural zombie horror, but what sets this apart from its contemporaries and the endless variations in the genre in which this Indie movie helped spawn?
Well to begin with, this is far from a simple zombie thriller. The real villains here are the collection of damaged human characters who all find themselves trapped together in an old farmhouse, barricaded within its fragile wooden walls, fighting not only the onslaught of zombie without, but the angst and fear from within.
At times they work together but unlike most films like this, the group rarely work at all, with conflicted views on how to survive, blinding them to the fact that if they only worked together they may just do so.
Instead, they all end up dead, with our leading man, a strong, smart black character, which at the time was a bold choice, being murdered by the redneck police posse, who mistake him for a zombie. But the metaphor, though hard to ignore, of a black man being gunned down without the white men bothering to ensure that he was zombie, may just be a coincidence, but the irony that he, Ben (Duane Jones) manages to survive until the end only be to gunned down in the final moments, is a tragedy that sums up this film’s tone.
With a killer child, a nude female zombie, a dysfunctional couple and the first named victim displaying a complacent contempt for God and the church, this group are real, though the acting standards are variable, the writing and direction are constantly very good, with a sense or gritty realism permeating throughout. Maintained by good pacing and gruesome cannibalistic action, this raised the bar of the genre, both now and then.
Even the zombies get a reasonable, yet none definitive explanation, as told through the radio and TV news. Radiation bringing the dead back to life, well, it may be the trope of 1960’s sci fi but it was well explained and the news reports were well composed, feeling more realistic than most movie news broadcasts.
Romero may have gone on to milk this franchise for all it is worth in the decades since but this opening low budget gem is a real piece of work; A complex moral drama set on one chaotic night in which the dead become living again.
Well to begin with, this is far from a simple zombie thriller. The real villains here are the collection of damaged human characters who all find themselves trapped together in an old farmhouse, barricaded within its fragile wooden walls, fighting not only the onslaught of zombie without, but the angst and fear from within.
At times they work together but unlike most films like this, the group rarely work at all, with conflicted views on how to survive, blinding them to the fact that if they only worked together they may just do so.
Instead, they all end up dead, with our leading man, a strong, smart black character, which at the time was a bold choice, being murdered by the redneck police posse, who mistake him for a zombie. But the metaphor, though hard to ignore, of a black man being gunned down without the white men bothering to ensure that he was zombie, may just be a coincidence, but the irony that he, Ben (Duane Jones) manages to survive until the end only be to gunned down in the final moments, is a tragedy that sums up this film’s tone.
With a killer child, a nude female zombie, a dysfunctional couple and the first named victim displaying a complacent contempt for God and the church, this group are real, though the acting standards are variable, the writing and direction are constantly very good, with a sense or gritty realism permeating throughout. Maintained by good pacing and gruesome cannibalistic action, this raised the bar of the genre, both now and then.
Even the zombies get a reasonable, yet none definitive explanation, as told through the radio and TV news. Radiation bringing the dead back to life, well, it may be the trope of 1960’s sci fi but it was well explained and the news reports were well composed, feeling more realistic than most movie news broadcasts.
Romero may have gone on to milk this franchise for all it is worth in the decades since but this opening low budget gem is a real piece of work; A complex moral drama set on one chaotic night in which the dead become living again.