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Game of Greed (Francis Scott-Wren Series Book 1)
Book
Earth provides enough to satisfy every man's needs, but not every man's greed. Breathtaking...
crime thriller Swedish fiction Game of Greed Francis Scott-Wren
Hazel (2934 KP) rated The Cellar in Books
Nov 20, 2022
This is a dark, disturbing and violent psychological thriller that pulls no punches and is highly descriptive which may be a bit much for some; I admit that I winced and drew breath a few times but kept going as I was gripped and already highly invested in the story.
The characters are excellent and feel real. Marcus Gove is a despicable person; I can't even bring myself to call him a human being he is that bad, he is a sad, twisted and demented individual who has absolutely no moral compass or redeeming qualities whatsoever - an absolutely brilliant character and one you love to hate.
Lucy is a young woman who is generally content apart from being in an unfulfilling relationship and her mum being diagnosed with cancer but things get a whole lot worse when she comes into the crosshairs of Marcus Gove and her world turns into the most horrendous nightmare.
Ray Lewis is the detective tasked with finding Lucy; not so easy when there are few clues and even less evidence and whilst he may be unfit, unhealthy and thought of as a dinosaur, he goes about his business in a methodical way with some much-needed humour.
Told from the points of view of each of the main characters and at a really good pace, this is a book that has you wanting to put down at times due to the graphic nature of what is being written and not put it down due to the gripping nature of the story ... not put it down won out with me.
This is the first book by John Nicholl I have read before and it certainly won't be the last especially if they are as addictive and compelling as this has been and I therefore have no hesitation in recommending it to others who love a gritty and dark thriller who don't mind graphic and disturbing details that have you wincing as you read.
Many thanks to Boldwood Books and NetGalley for enabling me to read and share my thoughts of The Cellar.
The characters are excellent and feel real. Marcus Gove is a despicable person; I can't even bring myself to call him a human being he is that bad, he is a sad, twisted and demented individual who has absolutely no moral compass or redeeming qualities whatsoever - an absolutely brilliant character and one you love to hate.
Lucy is a young woman who is generally content apart from being in an unfulfilling relationship and her mum being diagnosed with cancer but things get a whole lot worse when she comes into the crosshairs of Marcus Gove and her world turns into the most horrendous nightmare.
Ray Lewis is the detective tasked with finding Lucy; not so easy when there are few clues and even less evidence and whilst he may be unfit, unhealthy and thought of as a dinosaur, he goes about his business in a methodical way with some much-needed humour.
Told from the points of view of each of the main characters and at a really good pace, this is a book that has you wanting to put down at times due to the graphic nature of what is being written and not put it down due to the gripping nature of the story ... not put it down won out with me.
This is the first book by John Nicholl I have read before and it certainly won't be the last especially if they are as addictive and compelling as this has been and I therefore have no hesitation in recommending it to others who love a gritty and dark thriller who don't mind graphic and disturbing details that have you wincing as you read.
Many thanks to Boldwood Books and NetGalley for enabling me to read and share my thoughts of The Cellar.
ClareR (5854 KP) rated The Other Side of Mrs Wood in Books
Aug 15, 2023
I’ve read a couple of books recently with mediums front and centre, and I really enjoyed The Other Side of Mrs Wood.
Mrs Violet Wood is one of the best known mediums in London, if not the whole country. People come to her for solace and pure entertainment, and the local Mediums meet up regularly to practice their skills on one another. Feeling her age (bearing in mind she’s not 40 yet - and this really got my goat, if I’m completely honest!), Mrs Wood agrees to take on an apprentice who has been standing outside her seances, hoping to be noticed. Emmie Finch is a very keen pupil. Or is she?
We all know that seances are pure showmanship, and highly unlikely to actually make contact with the dead, but these women really believe what they’re doing - even as they set up the room to cheat those who were paying for their services. The seances where the mediums are there on their own would make anyone think that they believed 100% in what they were doing. Clearly they had their own moral codes, and no one appeared to be cheated out of money (but if you have someone paying you regularly for work that isn’t genuine, are you cheating them?!).
I did feel for Mrs Wood as she was pushed out of her position by the upstart Emmie, and could understand how she worried about losing her livelihood and her house. Mrs Wood descends into a bad place and pushes all of her friends away for a time. This seems out of character, but she’s being pushed to her limit. She doesn’t have the backstop of a husband to save her if everything goes wrong. Self-sufficient women of means were probably few and far between at this time, and if you lost everything it was a long fall.
I read this with The Pigeonhole, who again helped me with my NetGalley reads (I do like reading along with everyone else on there, it really adds a different perspective to the books I read). Many thanks to the author, Lucy Barker, Fourth Estate and to The Pigeonhole for serialising this fascinating book.
Mrs Violet Wood is one of the best known mediums in London, if not the whole country. People come to her for solace and pure entertainment, and the local Mediums meet up regularly to practice their skills on one another. Feeling her age (bearing in mind she’s not 40 yet - and this really got my goat, if I’m completely honest!), Mrs Wood agrees to take on an apprentice who has been standing outside her seances, hoping to be noticed. Emmie Finch is a very keen pupil. Or is she?
We all know that seances are pure showmanship, and highly unlikely to actually make contact with the dead, but these women really believe what they’re doing - even as they set up the room to cheat those who were paying for their services. The seances where the mediums are there on their own would make anyone think that they believed 100% in what they were doing. Clearly they had their own moral codes, and no one appeared to be cheated out of money (but if you have someone paying you regularly for work that isn’t genuine, are you cheating them?!).
I did feel for Mrs Wood as she was pushed out of her position by the upstart Emmie, and could understand how she worried about losing her livelihood and her house. Mrs Wood descends into a bad place and pushes all of her friends away for a time. This seems out of character, but she’s being pushed to her limit. She doesn’t have the backstop of a husband to save her if everything goes wrong. Self-sufficient women of means were probably few and far between at this time, and if you lost everything it was a long fall.
I read this with The Pigeonhole, who again helped me with my NetGalley reads (I do like reading along with everyone else on there, it really adds a different perspective to the books I read). Many thanks to the author, Lucy Barker, Fourth Estate and to The Pigeonhole for serialising this fascinating book.
graveyardgremlin (7194 KP) rated Benighted in Books
Feb 15, 2019
I've spent the last three weeks reading Benighted off and on. I have a hard time describing how I feel about this book - in one respect I feel that it is well-written and very lifelike, even if it deals with lycanthropes, but in another, I feel that the story is flawed. I think that it was hard to stick with it because the tone is so depressing and dreary that I needed breaks.
Lola (or May) is a sympathetic character, but that does not, in any way, mean you'll like her, but I couldn't help but feel sorry for what she's been through and how those experiences have affected her. The main problem I had with the story was that the whole business of DORLA seemed odd. I would think that by this time, the organization would be obsolete and none of the Lycos would be afraid of Barebacks since they are supposedly the inferior species and there are so few of them. For me, it just doesn't make much sense.
I went to the author's website and she said that she preferred the U.K. title, Bareback. I feel that Benighted is a much more fitting title, as it isn't all just about the treatment of Barebacks, it's both. And since Benighted's definition at the beginning of the book is: 1. (adj) in a state of pitiful or contemptible intellectual or moral ignorance, typically owing to a lack of opportunity
2. (archaic) overtaken by darkness
It seems to me that both definitions can be applied to both Barebacks and Lunes in different ways. But maybe that's just the American in me talking.
I did at times become bored with the book, probably due to it's excessive length (not to mention again how down it is). Now I don't mind long books at all, but Benighted is 516 pages and there were many ramblings that could have used a drastic paring down. With that said, I did find it interesting and thought provoking, but I'm not sure I would read another book from Ms. Whitfield. I was looking forward to reading something a little different than the typical werewolf book and was left disappointed. Maybe, going into it, if I had known how much more a sociological study of minorities this is than a werewolf story, I would have liked the book better.
Lola (or May) is a sympathetic character, but that does not, in any way, mean you'll like her, but I couldn't help but feel sorry for what she's been through and how those experiences have affected her. The main problem I had with the story was that the whole business of DORLA seemed odd. I would think that by this time, the organization would be obsolete and none of the Lycos would be afraid of Barebacks since they are supposedly the inferior species and there are so few of them. For me, it just doesn't make much sense.
I went to the author's website and she said that she preferred the U.K. title, Bareback. I feel that Benighted is a much more fitting title, as it isn't all just about the treatment of Barebacks, it's both. And since Benighted's definition at the beginning of the book is: 1. (adj) in a state of pitiful or contemptible intellectual or moral ignorance, typically owing to a lack of opportunity
2. (archaic) overtaken by darkness
It seems to me that both definitions can be applied to both Barebacks and Lunes in different ways. But maybe that's just the American in me talking.
I did at times become bored with the book, probably due to it's excessive length (not to mention again how down it is). Now I don't mind long books at all, but Benighted is 516 pages and there were many ramblings that could have used a drastic paring down. With that said, I did find it interesting and thought provoking, but I'm not sure I would read another book from Ms. Whitfield. I was looking forward to reading something a little different than the typical werewolf book and was left disappointed. Maybe, going into it, if I had known how much more a sociological study of minorities this is than a werewolf story, I would have liked the book better.
RəX Regent (349 KP) rated Night of the Living Dead (1968) in Movies
Feb 19, 2019
Iconic, influential and ground-breaking. All words to describe George A. Romero’s inaugural zombie horror, but what sets this apart from its contemporaries and the endless variations in the genre in which this Indie movie helped spawn?
Well to begin with, this is far from a simple zombie thriller. The real villains here are the collection of damaged human characters who all find themselves trapped together in an old farmhouse, barricaded within its fragile wooden walls, fighting not only the onslaught of zombie without, but the angst and fear from within.
At times they work together but unlike most films like this, the group rarely work at all, with conflicted views on how to survive, blinding them to the fact that if they only worked together they may just do so.
Instead, they all end up dead, with our leading man, a strong, smart black character, which at the time was a bold choice, being murdered by the redneck police posse, who mistake him for a zombie. But the metaphor, though hard to ignore, of a black man being gunned down without the white men bothering to ensure that he was zombie, may just be a coincidence, but the irony that he, Ben (Duane Jones) manages to survive until the end only be to gunned down in the final moments, is a tragedy that sums up this film’s tone.
With a killer child, a nude female zombie, a dysfunctional couple and the first named victim displaying a complacent contempt for God and the church, this group are real, though the acting standards are variable, the writing and direction are constantly very good, with a sense or gritty realism permeating throughout. Maintained by good pacing and gruesome cannibalistic action, this raised the bar of the genre, both now and then.
Even the zombies get a reasonable, yet none definitive explanation, as told through the radio and TV news. Radiation bringing the dead back to life, well, it may be the trope of 1960’s sci fi but it was well explained and the news reports were well composed, feeling more realistic than most movie news broadcasts.
Romero may have gone on to milk this franchise for all it is worth in the decades since but this opening low budget gem is a real piece of work; A complex moral drama set on one chaotic night in which the dead become living again.
Well to begin with, this is far from a simple zombie thriller. The real villains here are the collection of damaged human characters who all find themselves trapped together in an old farmhouse, barricaded within its fragile wooden walls, fighting not only the onslaught of zombie without, but the angst and fear from within.
At times they work together but unlike most films like this, the group rarely work at all, with conflicted views on how to survive, blinding them to the fact that if they only worked together they may just do so.
Instead, they all end up dead, with our leading man, a strong, smart black character, which at the time was a bold choice, being murdered by the redneck police posse, who mistake him for a zombie. But the metaphor, though hard to ignore, of a black man being gunned down without the white men bothering to ensure that he was zombie, may just be a coincidence, but the irony that he, Ben (Duane Jones) manages to survive until the end only be to gunned down in the final moments, is a tragedy that sums up this film’s tone.
With a killer child, a nude female zombie, a dysfunctional couple and the first named victim displaying a complacent contempt for God and the church, this group are real, though the acting standards are variable, the writing and direction are constantly very good, with a sense or gritty realism permeating throughout. Maintained by good pacing and gruesome cannibalistic action, this raised the bar of the genre, both now and then.
Even the zombies get a reasonable, yet none definitive explanation, as told through the radio and TV news. Radiation bringing the dead back to life, well, it may be the trope of 1960’s sci fi but it was well explained and the news reports were well composed, feeling more realistic than most movie news broadcasts.
Romero may have gone on to milk this franchise for all it is worth in the decades since but this opening low budget gem is a real piece of work; A complex moral drama set on one chaotic night in which the dead become living again.
Phillip McSween (751 KP) rated Never Grow Old (2019) in Movies
Apr 1, 2019
Under-the-Radar Good
Set in the 1800’s, when a band of unsavory men muscle their way into a small town, the town’s undertaker has to face the moral decision of reaping the benefits of their destruction or keeping his family and the town safe. It’s a lot harder of a decision than you might think which is part of the reason why I think this movie works so well. I thought I could easily decide one way or another, but by the end of it, I wasn’t so sure.
Acting: 10
I applaud Emile Hirsch for constantly taking on unique roles and stepping outside of comfort zones. In Never Grow Old, he is Pat the Irish undertaker. The role is original in and of itself, but he manages to take it and really make it his own. As Pat, he gives you that “Every Man” feel giving the sense that you would do the same types of things if put in his situation. You can feel his fear in knowing he may have to do some things he doesn’t want to do to protect his family.
Shout-out to John Cusack playing bounty hunter Dutch. He does an outstanding job of really making you hate his guts. By the end of it, you’re ready to seem him get taken out. I respected his performance because it never felt overdone or unbelievable like some actors struggle with when taking on an antagonist role. Think Thanos with a six-shooter.
Beginning: 9
Characters: 10
Cinematography/Visuals: 10
Conflict: 7
Genre: 9
This film ranks up there in terms of Westerns if nothing else but for its originality. The genre is oversaturated with revenge tales, robberies, and the peacekeeping law. This takes you in an entirely different direction. It’s filled with action, grit, but, more importantly, thought.
Memorability: 8
Pace: 6
Plot: 10
Resolution: 7
Not the ending I was hoping for, but I understand why this directional path was chosen. it was almost unavoidable. I didn’t love it, but I definitely respect it.
Overall: 86
Never Grow Old is one of those hidden gem movies you will be wanting to tell your friends to go see. If you like Westerns, hell even if you don’t, this one is extremely enjoyable and memorable. One of my favorite under-the-radar movies.
Acting: 10
I applaud Emile Hirsch for constantly taking on unique roles and stepping outside of comfort zones. In Never Grow Old, he is Pat the Irish undertaker. The role is original in and of itself, but he manages to take it and really make it his own. As Pat, he gives you that “Every Man” feel giving the sense that you would do the same types of things if put in his situation. You can feel his fear in knowing he may have to do some things he doesn’t want to do to protect his family.
Shout-out to John Cusack playing bounty hunter Dutch. He does an outstanding job of really making you hate his guts. By the end of it, you’re ready to seem him get taken out. I respected his performance because it never felt overdone or unbelievable like some actors struggle with when taking on an antagonist role. Think Thanos with a six-shooter.
Beginning: 9
Characters: 10
Cinematography/Visuals: 10
Conflict: 7
Genre: 9
This film ranks up there in terms of Westerns if nothing else but for its originality. The genre is oversaturated with revenge tales, robberies, and the peacekeeping law. This takes you in an entirely different direction. It’s filled with action, grit, but, more importantly, thought.
Memorability: 8
Pace: 6
Plot: 10
Resolution: 7
Not the ending I was hoping for, but I understand why this directional path was chosen. it was almost unavoidable. I didn’t love it, but I definitely respect it.
Overall: 86
Never Grow Old is one of those hidden gem movies you will be wanting to tell your friends to go see. If you like Westerns, hell even if you don’t, this one is extremely enjoyable and memorable. One of my favorite under-the-radar movies.
Kyera (8 KP) rated World War Z: An Oral History of the Zombie Wars in Books
Feb 1, 2018
This novel is the oral history of the zombie war - as told by soldiers, civilians, doctors, and those who had a hand in decision-making. Some were people who created containment or attack plans, while others were in the government coordinating the military, corralling the people, and planning for the future of their countries.
You learn about the experiences of everyday people just prior to the outbreak. This is a time when no one knows what is happening. People are dying, becoming infected, and turning into violent cannibals. Is it some strange new disease that modern medicine has yet to find a cure to, or something worse?
Then, the stories become more dire, strained, broken; as the population begins to figure out the absolute devastation that this event will wreak. Suddenly, the stories are just people trying to survive or those attempting to combat the enemy. No one knows how to halt the impending storm. The absolute destruction such an enemy poses.
Unlike humans and their armies, the undead need no respite. The undead don't feel pain, hunger, anguish, or lose moral. And as the military's forces dwindle in battles, the zombies swell in ranks. Each loss to you is a welcome addition to their force. An enemy that is unknown cannot easily be beaten.
Will the human race even survive long enough to worry about rebuilding, destroying every trace of the plague, or even what brought it to the world to begin with?
The novel was a unique take on the zombie/war genre and interestingly written. I did find my attention wandering at times and would have to reread sections. Although I prefer reading physical books, this novel has an incredible voice cast for its audio-counterpart. Their talents brought this book to an entirely new level, giving each character a unique voice and story (and I'm not just saying that because there was a different person voicing each one.) I've never read a book before (or listened to one) that had such a diverse cast to bring the book to life.
If you like historical fiction or zombie novels, than you're likely going to enjoy this. If zombies and historical/realistic fiction (regardless of the fact that zombies are involved) are not your style, than you may not enjoy this.
How would you react if the dead began to rise, attack, and devour your neighbors, overrunning your town - could you survive?
You learn about the experiences of everyday people just prior to the outbreak. This is a time when no one knows what is happening. People are dying, becoming infected, and turning into violent cannibals. Is it some strange new disease that modern medicine has yet to find a cure to, or something worse?
Then, the stories become more dire, strained, broken; as the population begins to figure out the absolute devastation that this event will wreak. Suddenly, the stories are just people trying to survive or those attempting to combat the enemy. No one knows how to halt the impending storm. The absolute destruction such an enemy poses.
Unlike humans and their armies, the undead need no respite. The undead don't feel pain, hunger, anguish, or lose moral. And as the military's forces dwindle in battles, the zombies swell in ranks. Each loss to you is a welcome addition to their force. An enemy that is unknown cannot easily be beaten.
Will the human race even survive long enough to worry about rebuilding, destroying every trace of the plague, or even what brought it to the world to begin with?
The novel was a unique take on the zombie/war genre and interestingly written. I did find my attention wandering at times and would have to reread sections. Although I prefer reading physical books, this novel has an incredible voice cast for its audio-counterpart. Their talents brought this book to an entirely new level, giving each character a unique voice and story (and I'm not just saying that because there was a different person voicing each one.) I've never read a book before (or listened to one) that had such a diverse cast to bring the book to life.
If you like historical fiction or zombie novels, than you're likely going to enjoy this. If zombies and historical/realistic fiction (regardless of the fact that zombies are involved) are not your style, than you may not enjoy this.
How would you react if the dead began to rise, attack, and devour your neighbors, overrunning your town - could you survive?
Bethany Fletcher (17 KP) rated Children of Blood and Bone: Book 1 in Books
Jun 24, 2018 (Updated Jun 25, 2018)
While buddy reading this with a friend we realised it was a plain copy of Avatar the Last Airbender. There is the king attacking magicians which is basically the fire nation attacking the air nomads. There is a secret temple that worships the magical gods and the protectors are there to help the chosen one. Basically the fire temple on the crescent island that is there to worship the Avatar and help Aang.
The characters were cardboard copies of Avatar. Zelie is a mix of Aang and Katara. There is Zelie’s brother, Tzain, who is the only one who doesn’t get magic because screw you Sokka you are not a Bender! They are being chased around by the Prince Inan who wants to impress his daddy but has mixed moral feelings. Hi there Zuko nice to see you again!
The plot was super confusing. There were parts that weren’t explained at all. So Inanas powers are control over someone’s mind right, so he can take someone into his ‘dreamscape’ (basically the Bone Season by Samantha Shannon). Anyway, he takes Zelie into his dreamscape and she hates him as he is a royal and hunting her down BUT she strips off naked and skinny dips? Why? There is no reason and it made zero sense for someone who is terrified of Inan to make themselves that vulnerable.
Zelie gets over her hatred for Inan pretty quick and soon they are lusting after each other. She doesn’t seem to care about the previous hatred and Inan is the only one who struggles morally. Here’s the thing, did they actually have sex? They had sex in Inan’s dreamscape while there physical bodies were actually no where near each other. Zelie was with her brother. So did their minds have sex? Did they share a dream where they both got it on? After Zelie is super awkward about it but it’s like, you didn’t actually do anything, did you? Not explained very well.
I could go on all day but I shan’t. It wasn’t even written well. It just read like the author didn’t know what to write so copied something they knew was succesful. If these things will annoy you as much as they did me then I would suggest skipping this book.
The characters were cardboard copies of Avatar. Zelie is a mix of Aang and Katara. There is Zelie’s brother, Tzain, who is the only one who doesn’t get magic because screw you Sokka you are not a Bender! They are being chased around by the Prince Inan who wants to impress his daddy but has mixed moral feelings. Hi there Zuko nice to see you again!
The plot was super confusing. There were parts that weren’t explained at all. So Inanas powers are control over someone’s mind right, so he can take someone into his ‘dreamscape’ (basically the Bone Season by Samantha Shannon). Anyway, he takes Zelie into his dreamscape and she hates him as he is a royal and hunting her down BUT she strips off naked and skinny dips? Why? There is no reason and it made zero sense for someone who is terrified of Inan to make themselves that vulnerable.
Zelie gets over her hatred for Inan pretty quick and soon they are lusting after each other. She doesn’t seem to care about the previous hatred and Inan is the only one who struggles morally. Here’s the thing, did they actually have sex? They had sex in Inan’s dreamscape while there physical bodies were actually no where near each other. Zelie was with her brother. So did their minds have sex? Did they share a dream where they both got it on? After Zelie is super awkward about it but it’s like, you didn’t actually do anything, did you? Not explained very well.
I could go on all day but I shan’t. It wasn’t even written well. It just read like the author didn’t know what to write so copied something they knew was succesful. If these things will annoy you as much as they did me then I would suggest skipping this book.
Lauren (6 KP) rated Supergirl - Season 2 in TV
Jul 9, 2018 (Updated Jul 9, 2018)
Chyler Leigh!! (4 more)
Floriana Lima
Melissa Benoist
Jeremy Jordan
The addition oaf a Luthor
Character development (2 more)
Network switch
Lovesick Kara took away from the supposed theme
Contains spoilers, click to show
This season had some absolutely great aspects and some that were not so stellar.
I think that the show did an amazing job with Alex's coming out storyline. It was so real and raw. This storyline was looked upon so highly by the LGBTQ community as it seemed to really speak to so many people. It was also a great example of a healthy relationship, with both women being so supportive of one another and helping each other grow. I read an article that praised it as being one of the healthiest on TV. I also think that Katie McGrath as Lena Luthor was a great addition. She brought a bit of conflict and mixed emotions. Can a Luthor get along with a Super? Is she bad or is she good? I think the moral dilemma was actually a nice addition. It was super fun seeing all the guest stars from the old Superman and super hero shows/movies making an appearance. I also liked seeing Superman a bit. I didn't like the prospect of him taking away from her and swooping in to save the day, and was happy that it didn't really seem to happen that way.
Generally speaking I thought that the move to the CW hurt the show, despite opening some doors for things that may not have been included had the show remained on CBS. I noticed a lack of character development in this season. Characters that I thought grew a to last season seemed to stay the same. There was no character growth at all. Characters that were introduced this season didn't seem to have much back story and remained 1 dimensional. There seemed to be a lot of missed opportunity. I also think that Kara falling for and pining after Mon-El so much seemed to take away from the empowerment that she had so much of in the first season. She focused so much on him that it seemed to make her forget so much of what she stood for. Not to mention that he didn't respect her at all and she continued pining after him. She so quickly jumped from loving James to immediately chasing a guy with qualities and from a planet she claimed to hate. It didn't make much sense.
I think that the show did an amazing job with Alex's coming out storyline. It was so real and raw. This storyline was looked upon so highly by the LGBTQ community as it seemed to really speak to so many people. It was also a great example of a healthy relationship, with both women being so supportive of one another and helping each other grow. I read an article that praised it as being one of the healthiest on TV. I also think that Katie McGrath as Lena Luthor was a great addition. She brought a bit of conflict and mixed emotions. Can a Luthor get along with a Super? Is she bad or is she good? I think the moral dilemma was actually a nice addition. It was super fun seeing all the guest stars from the old Superman and super hero shows/movies making an appearance. I also liked seeing Superman a bit. I didn't like the prospect of him taking away from her and swooping in to save the day, and was happy that it didn't really seem to happen that way.
Generally speaking I thought that the move to the CW hurt the show, despite opening some doors for things that may not have been included had the show remained on CBS. I noticed a lack of character development in this season. Characters that I thought grew a to last season seemed to stay the same. There was no character growth at all. Characters that were introduced this season didn't seem to have much back story and remained 1 dimensional. There seemed to be a lot of missed opportunity. I also think that Kara falling for and pining after Mon-El so much seemed to take away from the empowerment that she had so much of in the first season. She focused so much on him that it seemed to make her forget so much of what she stood for. Not to mention that he didn't respect her at all and she continued pining after him. She so quickly jumped from loving James to immediately chasing a guy with qualities and from a planet she claimed to hate. It didn't make much sense.
A Life In High Definition (2 KP) rated Kingsman: The Secret Service (2015) in Movies
Dec 31, 2018
Stylish, slick spy caper
Contains spoilers, click to show
I watched this film when it was released in 2015 & thoroughly enjoyed it on tv a night or two ago. Perhaps it was seeing that age wasn’t a barrier for Colin Firth to be a sprightly James Bond style spy or the enjoyable action scenes but o found it every bit as entertaining as the first watch through.
We start with a seemingly perfectly executed interrogation which goes wrong when a young recruit gets blown up to save the rest of his team. A medal & instructions on how to call for help are left with young son, Eggsy, & his unhappy mother.
Fast forward some years and Eggsy is grown, living on a generalised Tough estate with his mum, her all round abusive husband and his new baby sister. A dramatic contrast to the smooth, sophisticated upper class gentlemen of the Kingsmen who are preparing to choose a new recruit after losing a member to a choppy new enemy.
Eggsy gets the opportunity to use the medal & is given the opportunity to take a new path following in his fathers footsteps. Here we discover that there is more to this character than his school reports, rap sheet & current unemployed status might make you think. Despite his upbringing, Eggsy maintains a strong moral code & will not betray a confidence leading to him becoming a Kingsman trainee.
The obvious juxtaposition of ‘posh vs common’ becomes even more intense as Eggsy must proved his worth against young people who have been training for this role, possibly for their whole lives and of course are very rich as per the original heritage of the Kingsmen. It turns out the girls do not care about money & between that and some sage words from people about chips & shoulders Eggsy makes it through to the final two but will he triumph at the last hurdle?
Meanwhile the enemy plan to reduce the world population by using people’s desire for free stuff and a dramatic twist follows which doesn’t follow the rules of a classic spy film.
Will the world be saved? Will Eggsy leap forward or step back? Will there be any more twists? You’ll have to watch & find out.
We start with a seemingly perfectly executed interrogation which goes wrong when a young recruit gets blown up to save the rest of his team. A medal & instructions on how to call for help are left with young son, Eggsy, & his unhappy mother.
Fast forward some years and Eggsy is grown, living on a generalised Tough estate with his mum, her all round abusive husband and his new baby sister. A dramatic contrast to the smooth, sophisticated upper class gentlemen of the Kingsmen who are preparing to choose a new recruit after losing a member to a choppy new enemy.
Eggsy gets the opportunity to use the medal & is given the opportunity to take a new path following in his fathers footsteps. Here we discover that there is more to this character than his school reports, rap sheet & current unemployed status might make you think. Despite his upbringing, Eggsy maintains a strong moral code & will not betray a confidence leading to him becoming a Kingsman trainee.
The obvious juxtaposition of ‘posh vs common’ becomes even more intense as Eggsy must proved his worth against young people who have been training for this role, possibly for their whole lives and of course are very rich as per the original heritage of the Kingsmen. It turns out the girls do not care about money & between that and some sage words from people about chips & shoulders Eggsy makes it through to the final two but will he triumph at the last hurdle?
Meanwhile the enemy plan to reduce the world population by using people’s desire for free stuff and a dramatic twist follows which doesn’t follow the rules of a classic spy film.
Will the world be saved? Will Eggsy leap forward or step back? Will there be any more twists? You’ll have to watch & find out.