Kirk Bage (1775 KP) rated Black Mirror - Season 5 in TV
Mar 3, 2020 (Updated Mar 3, 2020)
Perhaps in retrospect, season 5 should have held out for some better scripts. All 3 (and notably there are only 3, because of the effort and time put into the stand alone feature length Bandersnatch) episodes seem a little rushed and weak in terms of depth of idea; replacing it with more gloss and production value. You can see the cash on the screen in this episode about the natural progression of VR becoming all about virtual sex, regardless of your sexuality in the real world (or maybe because of it). There is some irony in considering how Black Mirror began feeling very British and here feels entirely consumed by Netflix and American values. Is that a clever statement in itself? Not sure. Either way, I am not a big fan on this one. I mean, it’s fine, but we have come to expect more.
Smithereens - 6
If there are any clever links to anything else going on here, in what I am now thinking of as the Black Mirror Universe, then I haven’t picked up on it. This one feels quite surface, and just a very sad story about a man in distress that wants technology to answer for its responsibilities. Andrew Scott is ever excellent in the lead – man, he can really act! – but the rest of the cast seem a little lifeless and under-written. Perhaps they were trying for something more sharply focused, but, for me, the moral message of don’t use your phone whilst driving, is a bit weak.
Rachel, Jack and Ashley Too - 6.5
Known as the Miley Cyrus episode, because… she’s in it, and so is an electronic “toy” that replicates her personality for her teen fans. There is some intrigue around the nature of fandom and obsession; also the idea of media manipulation in projecting a saleable image that may be far from “the truth”. There is a lighter tone here, though, which betrays the Black Mirror ethos to some extent. It is an entertaining piece: the CGI on the toy Ashley is great, and there is a lovely twist 3/4 in when the true personality of it comes out to hilarious effect. But, on the whole, another under-written piece that leaves us hanging on the precipice of doubt leading into another season.
Gareth von Kallenbach (980 KP) rated In the Heart of the Sea (2015) in Movies
Aug 6, 2019
Director Ron Howard strikes a fine balance between drama and action. The film doesn’t linger too long on building up the background story before plunging into an enthralling adventure. The character development is rapid, yet still manages to create depth and give the audience a chance to connect to the personalities.
Early in the film an entertaining power struggle takes place between Captain George Pollard, Jr. (Benjamin Walker) and First Officer Owen Chase (Chris Hemsworth). Captain Pollard was born into a prestigious whaling family and though not the most experienced, is placed in the position of Captain. Chase on the other hand was an orphan who grew up putting in hard work on whaling ships. The conflict between the two men dooms the crew and the ship from the outset.
The first scenes of whaling are hard to watch, bringing to light the aspect of humans as beasts themselves hunting peaceful creatures for oil.
After the ship has had a bit of success, they move on to take more. Greed and anger backfire and nature fights back. When the ship is taken out by the enraged bull sperm whale, a sheer battle for survival, requiring brute strength and quick thinking ensues.
The ominous seas show no mercy to the men, bringing them to the brink of death. When the men begin to starve they resort to cannibalism. The emotional battle of moral struggle is heart wrenching.
The film has a spiritual quality, incorporating themes of the human experience of survival, ignorance, transcendence. It also has some political undertones dealing with the subject of big oil that, despite being a very old story, are still relevant today.
The graphics are absolutely stunning and the acting is good. But the story and execution is what makes it a truly great film. It is the sum that’s greater than the individual parts in this case, which makes the film an awe inspiring experience.
I give “In the Heart of the Sea” 5 out of 5 stars.
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Neumann applies moral stories and real-life scenarios to illustrate the power of a determined mind. He urges readers to never give up, even in the face of adversity, but to use these hardships in alternative ways. Neumann uses examples from Buddhism and Christianity as well as history to show the potential of every individual.
Many self-help books give step-by-step guides to success and dismiss mental and neurological difficulties. Whilst these authors may encourage readers to reach their goals, Neumann acknowledges that it is not always possible. Yet, this does not result in failure. Neumann's insight into the workings of the world reveals there is far more to happiness than an end goal. There is more to life than being the best, being famous and being successful, but more often than not, these lessons are hard-fought. With this book, Neumann attempts to stop readers in their tracks, to stop their destructive power, to realise their true potential and look at the world afresh.
Neumann writes as though he is speaking in front of an audience. Whilst this adds honesty and passion, it disrupts the flow of the text. The book lacks grammar and is oftentimes repetitive. As a proofreader, it is difficult not to pick up on these errors, but it indeed makes the author sound human. Neumann does not use the complicated language of psychologists, does not pretend to have qualifications in counselling or such like but has his readers' best interests at heart.
Easy and quick to read, Harness the Power of the Invincible Mind is a book that stays with you long after completing. It contains so many analogies and examples that readers will want to highlight, share and, hopefully, apply in their day-to-day lives.