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Rob P (30 KP) rated The Heroes in Books
Dec 20, 2018
Character Arc (3 more)
Universe exploration and progression
Minor characters from previous trilogy (The First Law) explored to great satisfaction of readers.
Morally very challenging.
The Heroes
First of all I’d like to say that although this is a great read for any fantasy fan, the importance and virtues of this book are enforced greatly by having read Abercrombie’s trilogy; The First Law. That’s not to say it could not be read on its own, the story is dramatic, rich, honest and satisfying. Characters are interesting, morally grey (an Abercrombie staple) and fundamentally human in their relatability.
The story centres on a battle between the empirical Union, or otherwise the seat of power from the south of the continent, and the brutish Northmen united under a legendary fighter, Black Dow. Dow has (presumably) killed, and seized power from the previous lord of war, Logen Ninefingers (also known as The Bloody Nine) and declared the north independent.
In the south, the Union (under guidance and governance from external parties) raises it’s army to march north and deal with this threat, with the two armies set to collide at an old northern monument of stone pillars, known as The Heroes.
Now, for a reader with a severe completion complex, this book is just a warm hug. Leading on from the trilogy that left just enough unanswered to make you need more, this book if anything over-delivers on detail and lends some of its best moments from characters you just didn’t realise you wanted to know more about, or passed you by entirely.
The very best state of mind to go into with this read, is to remember that both story and moral lines are perennially blurred. Every character belongs to one side or the other in theory, but with their own agenda entirely.
Abercrombie, to me, really stands out when it comes to fighting sequences, and there’s no shortage in this offering. He uses point of view accounts from multiple characters, chaining them as they fall or impact the flow of battle, making for a visceral and investing read.
Ultimately, fans of the series or Abercrombie’s works will already have enough to know they want to read this, but if you’re thinking of picking this as a starting point, your bookshelf will be sponsored by Abercrombie before you even know what is happening – Rob.
The story centres on a battle between the empirical Union, or otherwise the seat of power from the south of the continent, and the brutish Northmen united under a legendary fighter, Black Dow. Dow has (presumably) killed, and seized power from the previous lord of war, Logen Ninefingers (also known as The Bloody Nine) and declared the north independent.
In the south, the Union (under guidance and governance from external parties) raises it’s army to march north and deal with this threat, with the two armies set to collide at an old northern monument of stone pillars, known as The Heroes.
Now, for a reader with a severe completion complex, this book is just a warm hug. Leading on from the trilogy that left just enough unanswered to make you need more, this book if anything over-delivers on detail and lends some of its best moments from characters you just didn’t realise you wanted to know more about, or passed you by entirely.
The very best state of mind to go into with this read, is to remember that both story and moral lines are perennially blurred. Every character belongs to one side or the other in theory, but with their own agenda entirely.
Abercrombie, to me, really stands out when it comes to fighting sequences, and there’s no shortage in this offering. He uses point of view accounts from multiple characters, chaining them as they fall or impact the flow of battle, making for a visceral and investing read.
Ultimately, fans of the series or Abercrombie’s works will already have enough to know they want to read this, but if you’re thinking of picking this as a starting point, your bookshelf will be sponsored by Abercrombie before you even know what is happening – Rob.
Phillip McSween (751 KP) rated The Kid Brother (1927) in Movies
Jul 25, 2019
Great Conflict, Great Story
When a huge town fund goes missing, Harold (Harold Lloyd) sees a grand opportunity to prove himself to his family while winning the heart of a girl he likes. When the movie first started, I had no idea what to expect as it was my very first silent film. Once I got settled in and used to the concept, I was thoroughly impressed.
Acting: 10
Beginning: 6
If the movie continued on like it started, I would have hated it. For such a short run time, The Kid Brother didn’t exactly come out of the gates swinging. It’s like an old car: Gotta warm up first. Once it gets going…
Characters: 10
So what if all the other characters were one-dimensional? The movie revolves completely around Harold and Harold delivers. You’ve gotta respect the kid as he’s just trying to live up to his family name. His father has never thought much of him and his brothers are always roughing him up and, for once, Harold is hoping to come out on top. Not only does he deal with a number of moral dilemmas, but you can’t help but fall in love with the dude’s craft and cunning. Harold will make you laugh and cheer by the end of it.
Cinematography/Visuals: 10
Conflict: 10
This movie has one of the coolest action scenes that I’ve seen in an earlier film. It involves a big fight on an abandoned ship. Between that, a cool chariot-style race, and Harold constantly trying to avoid awkward scrapes there is plenty of conflict to go around.
Entertainment Value: 10
Memorability: 10
Pace: 10
Slow start but quickly picks up steam. It’s a short ride, but the directors made sure they used up every ounce of time available. I appreciated that all the scenes really were necessary and they never overstayed their welcome.
Plot: 10
The story is succinct and very well-written. There weren’t any cheats as each plot point moved seamlessly to the next. Great character-development is weaved in as well. All the ingredients for a great story.
Resolution: 10
Overall: 96
If it weren’t for a weaker beginning, The Kid Brother would rank right up there with the all-time best. It had me looking forward to a deeper dive into the silent film world.
Acting: 10
Beginning: 6
If the movie continued on like it started, I would have hated it. For such a short run time, The Kid Brother didn’t exactly come out of the gates swinging. It’s like an old car: Gotta warm up first. Once it gets going…
Characters: 10
So what if all the other characters were one-dimensional? The movie revolves completely around Harold and Harold delivers. You’ve gotta respect the kid as he’s just trying to live up to his family name. His father has never thought much of him and his brothers are always roughing him up and, for once, Harold is hoping to come out on top. Not only does he deal with a number of moral dilemmas, but you can’t help but fall in love with the dude’s craft and cunning. Harold will make you laugh and cheer by the end of it.
Cinematography/Visuals: 10
Conflict: 10
This movie has one of the coolest action scenes that I’ve seen in an earlier film. It involves a big fight on an abandoned ship. Between that, a cool chariot-style race, and Harold constantly trying to avoid awkward scrapes there is plenty of conflict to go around.
Entertainment Value: 10
Memorability: 10
Pace: 10
Slow start but quickly picks up steam. It’s a short ride, but the directors made sure they used up every ounce of time available. I appreciated that all the scenes really were necessary and they never overstayed their welcome.
Plot: 10
The story is succinct and very well-written. There weren’t any cheats as each plot point moved seamlessly to the next. Great character-development is weaved in as well. All the ingredients for a great story.
Resolution: 10
Overall: 96
If it weren’t for a weaker beginning, The Kid Brother would rank right up there with the all-time best. It had me looking forward to a deeper dive into the silent film world.
Ross (3284 KP) rated The Black Hawks in Books
Nov 11, 2019
A gritty story that emerges gradually and organically
The Black Hawks follows Vedren Chel, a young knight-in-training whose training is floundering and he is disengaged. His place in the corrupt country, and its class system, is dubious, and suddenly thrown into doubt when his home city is invaded. He sees the chance to escort young cowardly Prince Tarfel across country as his way out of his dead-end role. Sadly for him, they are kidnapped by the Black Hawk company, a crew of mercenaries as likely to call you an inventive swear-word as to instantly gut you.
The story is one that emerges over time, as Chel and the Black Hawks' journey changes and develops into more of a righteous quest. While I tend to prefer books where I can visualise the overall plot early on, I really enjoyed this and the way everyone was on the back foot the whole time. It gave me, as the reader, the feeling of being unaware and at the mercy of this harsh world, as it did for the characters in the story.
The characters themselves are largely well-developed. Chel is an interesting main character, being morally strong but largely useless in a fight. I was oddly glad that his battle skills barely improved throughout the book, I was at one point dreading chapters of sword forms and stances. He contrasts well with the Black Hawks, who are a grim company of morally corrupt selfish head-cases who are somewhat loyal to each other, but at the same time out for themselves. Within the crew each has their own place, their own skills and their own defined personality. It was a little hard initially to remember each of them, but I quickly got to know them well. Their different skills were well used in the action scenes as the company fought against other crews of mercenaries and corrupt government/church officials.
The plot is strong here. As said earlier, it develops over time with twists and turns and treachery and moral corruption throughout.
While the ending was a little bit of a surprise and a let-down, it felt overall the right way to end this first book in the series.
I had some issues with the pacing, but on the whole really enjoyed this book.
The story is one that emerges over time, as Chel and the Black Hawks' journey changes and develops into more of a righteous quest. While I tend to prefer books where I can visualise the overall plot early on, I really enjoyed this and the way everyone was on the back foot the whole time. It gave me, as the reader, the feeling of being unaware and at the mercy of this harsh world, as it did for the characters in the story.
The characters themselves are largely well-developed. Chel is an interesting main character, being morally strong but largely useless in a fight. I was oddly glad that his battle skills barely improved throughout the book, I was at one point dreading chapters of sword forms and stances. He contrasts well with the Black Hawks, who are a grim company of morally corrupt selfish head-cases who are somewhat loyal to each other, but at the same time out for themselves. Within the crew each has their own place, their own skills and their own defined personality. It was a little hard initially to remember each of them, but I quickly got to know them well. Their different skills were well used in the action scenes as the company fought against other crews of mercenaries and corrupt government/church officials.
The plot is strong here. As said earlier, it develops over time with twists and turns and treachery and moral corruption throughout.
While the ending was a little bit of a surprise and a let-down, it felt overall the right way to end this first book in the series.
I had some issues with the pacing, but on the whole really enjoyed this book.
Becs (244 KP) rated Travels with Sushi in the Land of the Mind in Books
Feb 10, 2020
Trigger Warnings: violent threats, kidnapping, murder, death, violence
I received a physical ARC from Smith Publicity to read and review for my honest opinion. I would firstly like to thank the author and publisher for the ARC. I would secondly like to say that everything stated down below is my own honest opinion and is no way skewed to be positive just for the sake of the free ARC.
When I first started Travels with Sushi in the Land of the Mind, I was absolutely intrigued with the story and the characters. This story was basically an Alice in Wonderland inspired novel about Quantum Mechanics and Morals. It was an instant love kind of thing and I started holding a higher expectation for the story right then and there. And the story held my interest for the first couple of chapters, wowing me as I wasn’t expecting the turn the story took. But things soon turned and I started dragging through the reading, not wanting to even pick it up to finish.
As I grew further into the book and closer to the end, the story lost a bit of it’s lackluster. I just felt like the story dragged on and was adding far too many details than what was needed. There was also the fact that parts of the plot grew confusing. What really threw me for a loop were the specific scenes and topics that were shown / talked about. These scenes and topics were defiantly not something that I would have expected to see in a children’s middle grade novel. Especially when the audience was perceived to be a younger age group.
The one positive thing that really drew my interest into the story and actually kept me reading, were all of the Quantum Mechanics and Moral lessons that were littered throughout the text. These lessons really shone brighter than the negatives and I am thankful that they were included. And honestly, this was a nice touch to this story.
Overall, this was an entertaining read but the author seemed to want to include far too much in such a small book. Resulting in an overwhelming world where each element was overlooked more than what was needed. Leaving these elements to seem like a bore.
I received a physical ARC from Smith Publicity to read and review for my honest opinion. I would firstly like to thank the author and publisher for the ARC. I would secondly like to say that everything stated down below is my own honest opinion and is no way skewed to be positive just for the sake of the free ARC.
When I first started Travels with Sushi in the Land of the Mind, I was absolutely intrigued with the story and the characters. This story was basically an Alice in Wonderland inspired novel about Quantum Mechanics and Morals. It was an instant love kind of thing and I started holding a higher expectation for the story right then and there. And the story held my interest for the first couple of chapters, wowing me as I wasn’t expecting the turn the story took. But things soon turned and I started dragging through the reading, not wanting to even pick it up to finish.
As I grew further into the book and closer to the end, the story lost a bit of it’s lackluster. I just felt like the story dragged on and was adding far too many details than what was needed. There was also the fact that parts of the plot grew confusing. What really threw me for a loop were the specific scenes and topics that were shown / talked about. These scenes and topics were defiantly not something that I would have expected to see in a children’s middle grade novel. Especially when the audience was perceived to be a younger age group.
The one positive thing that really drew my interest into the story and actually kept me reading, were all of the Quantum Mechanics and Moral lessons that were littered throughout the text. These lessons really shone brighter than the negatives and I am thankful that they were included. And honestly, this was a nice touch to this story.
Overall, this was an entertaining read but the author seemed to want to include far too much in such a small book. Resulting in an overwhelming world where each element was overlooked more than what was needed. Leaving these elements to seem like a bore.
Kirk Bage (1775 KP) rated Black Mirror - Season 5 in TV
Mar 3, 2020 (Updated Mar 3, 2020)
Contains spoilers, click to show
Striking Vipers - 5.5
Perhaps in retrospect, season 5 should have held out for some better scripts. All 3 (and notably there are only 3, because of the effort and time put into the stand alone feature length Bandersnatch) episodes seem a little rushed and weak in terms of depth of idea; replacing it with more gloss and production value. You can see the cash on the screen in this episode about the natural progression of VR becoming all about virtual sex, regardless of your sexuality in the real world (or maybe because of it). There is some irony in considering how Black Mirror began feeling very British and here feels entirely consumed by Netflix and American values. Is that a clever statement in itself? Not sure. Either way, I am not a big fan on this one. I mean, it’s fine, but we have come to expect more.
Smithereens - 6
If there are any clever links to anything else going on here, in what I am now thinking of as the Black Mirror Universe, then I haven’t picked up on it. This one feels quite surface, and just a very sad story about a man in distress that wants technology to answer for its responsibilities. Andrew Scott is ever excellent in the lead – man, he can really act! – but the rest of the cast seem a little lifeless and under-written. Perhaps they were trying for something more sharply focused, but, for me, the moral message of don’t use your phone whilst driving, is a bit weak.
Rachel, Jack and Ashley Too - 6.5
Known as the Miley Cyrus episode, because… she’s in it, and so is an electronic “toy” that replicates her personality for her teen fans. There is some intrigue around the nature of fandom and obsession; also the idea of media manipulation in projecting a saleable image that may be far from “the truth”. There is a lighter tone here, though, which betrays the Black Mirror ethos to some extent. It is an entertaining piece: the CGI on the toy Ashley is great, and there is a lovely twist 3/4 in when the true personality of it comes out to hilarious effect. But, on the whole, another under-written piece that leaves us hanging on the precipice of doubt leading into another season.
Perhaps in retrospect, season 5 should have held out for some better scripts. All 3 (and notably there are only 3, because of the effort and time put into the stand alone feature length Bandersnatch) episodes seem a little rushed and weak in terms of depth of idea; replacing it with more gloss and production value. You can see the cash on the screen in this episode about the natural progression of VR becoming all about virtual sex, regardless of your sexuality in the real world (or maybe because of it). There is some irony in considering how Black Mirror began feeling very British and here feels entirely consumed by Netflix and American values. Is that a clever statement in itself? Not sure. Either way, I am not a big fan on this one. I mean, it’s fine, but we have come to expect more.
Smithereens - 6
If there are any clever links to anything else going on here, in what I am now thinking of as the Black Mirror Universe, then I haven’t picked up on it. This one feels quite surface, and just a very sad story about a man in distress that wants technology to answer for its responsibilities. Andrew Scott is ever excellent in the lead – man, he can really act! – but the rest of the cast seem a little lifeless and under-written. Perhaps they were trying for something more sharply focused, but, for me, the moral message of don’t use your phone whilst driving, is a bit weak.
Rachel, Jack and Ashley Too - 6.5
Known as the Miley Cyrus episode, because… she’s in it, and so is an electronic “toy” that replicates her personality for her teen fans. There is some intrigue around the nature of fandom and obsession; also the idea of media manipulation in projecting a saleable image that may be far from “the truth”. There is a lighter tone here, though, which betrays the Black Mirror ethos to some extent. It is an entertaining piece: the CGI on the toy Ashley is great, and there is a lovely twist 3/4 in when the true personality of it comes out to hilarious effect. But, on the whole, another under-written piece that leaves us hanging on the precipice of doubt leading into another season.
Gareth von Kallenbach (980 KP) rated In the Heart of the Sea (2015) in Movies
Aug 6, 2019
Based on a novel by Nathaniel Philbrick, “In the Heart of the Sea,” is the tale that inspired “Moby Dick.” Set in 1820, the whaling ship Essex is taken out by a gigantic bull sperm whale and the crew finds themselves at the mercy of the sea.
Director Ron Howard strikes a fine balance between drama and action. The film doesn’t linger too long on building up the background story before plunging into an enthralling adventure. The character development is rapid, yet still manages to create depth and give the audience a chance to connect to the personalities.
Early in the film an entertaining power struggle takes place between Captain George Pollard, Jr. (Benjamin Walker) and First Officer Owen Chase (Chris Hemsworth). Captain Pollard was born into a prestigious whaling family and though not the most experienced, is placed in the position of Captain. Chase on the other hand was an orphan who grew up putting in hard work on whaling ships. The conflict between the two men dooms the crew and the ship from the outset.
The first scenes of whaling are hard to watch, bringing to light the aspect of humans as beasts themselves hunting peaceful creatures for oil.
After the ship has had a bit of success, they move on to take more. Greed and anger backfire and nature fights back. When the ship is taken out by the enraged bull sperm whale, a sheer battle for survival, requiring brute strength and quick thinking ensues.
The ominous seas show no mercy to the men, bringing them to the brink of death. When the men begin to starve they resort to cannibalism. The emotional battle of moral struggle is heart wrenching.
The film has a spiritual quality, incorporating themes of the human experience of survival, ignorance, transcendence. It also has some political undertones dealing with the subject of big oil that, despite being a very old story, are still relevant today.
The graphics are absolutely stunning and the acting is good. But the story and execution is what makes it a truly great film. It is the sum that’s greater than the individual parts in this case, which makes the film an awe inspiring experience.
I give “In the Heart of the Sea” 5 out of 5 stars.
Director Ron Howard strikes a fine balance between drama and action. The film doesn’t linger too long on building up the background story before plunging into an enthralling adventure. The character development is rapid, yet still manages to create depth and give the audience a chance to connect to the personalities.
Early in the film an entertaining power struggle takes place between Captain George Pollard, Jr. (Benjamin Walker) and First Officer Owen Chase (Chris Hemsworth). Captain Pollard was born into a prestigious whaling family and though not the most experienced, is placed in the position of Captain. Chase on the other hand was an orphan who grew up putting in hard work on whaling ships. The conflict between the two men dooms the crew and the ship from the outset.
The first scenes of whaling are hard to watch, bringing to light the aspect of humans as beasts themselves hunting peaceful creatures for oil.
After the ship has had a bit of success, they move on to take more. Greed and anger backfire and nature fights back. When the ship is taken out by the enraged bull sperm whale, a sheer battle for survival, requiring brute strength and quick thinking ensues.
The ominous seas show no mercy to the men, bringing them to the brink of death. When the men begin to starve they resort to cannibalism. The emotional battle of moral struggle is heart wrenching.
The film has a spiritual quality, incorporating themes of the human experience of survival, ignorance, transcendence. It also has some political undertones dealing with the subject of big oil that, despite being a very old story, are still relevant today.
The graphics are absolutely stunning and the acting is good. But the story and execution is what makes it a truly great film. It is the sum that’s greater than the individual parts in this case, which makes the film an awe inspiring experience.
I give “In the Heart of the Sea” 5 out of 5 stars.
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