Search
Search results
A Promised Land
Book
A riveting, deeply personal account of history in the making-from the president who inspired us to...
The Sum Of Us
Book
NEW YORK TIMES BESTSELLER - One of today's most insightful and influential thinkers offers a...
Firefly - Season 1
9.3
Rate It
TV Season
Firefly is an American space western drama television series created by writer and director Joss...
Firefly Serenity Joss Whedon Browncoats TV Series Fox
Beckie Shelton (40 KP) rated The Marriage Pact in Books
Oct 6, 2017
Now, this was a strange one, interesting but a bit wacky in its concept.
The marriage pact by Michelle Richmond was surprisingly good, The author has found a unique idea and evolved it from there.
With some surprising twists and turns that I didn't see coming this was a refreshing contribution to the psychological genre and I only had minor issues and niggles that pulled this down slightly for me.
So the marriage Pact involves newlywed's Jake and Alice who receive an enticing gift from one of Alice's Clients at the law firm she works at.
"The Pact"
It is designed to keep couples happy and fulfilled in their marriages, the rules seem to make sense and The Pact seems harmless in its intentions.
Initially impressed Alice and Jake start to realise there is more at stake than they realise as their dreams start to evolve into nightmares.
And no one leaves "THE PACT" ever.
So let me break this down for you first three-quarters of The Marriage Pact I loved, the story flowed, it was well written and my only minor criticism would be sometimes Jake could waffle on a tad too much with his inner monologue and I found this a touch irritating and longwinded.
Then came the last quarter, not sure what happened here but I really was not feeling it, the whole visit Orla at her home seemed unnecessary and a bit boring to me.
I would have really preferred another direction to be taken and a bit more of a pro-active stance applied here rather than talking.
Then came the ending, this is where my main issue lies, it was just so anti-climatic and blah and after all Jake's moralistic stances he just walks away, leaving the corruption behind for someone else to deal with.
I'm not saying he's wrong to do this, I just find it mildly surprising after listening to Jakes Inner moral compass throughout The Marriage Pact that he just abandons all his principles and jumps ship.
I would also have liked to see inside Alice's head as well, she was such a diverse character with so much to offer and I felt we didn't get to know her properly in her entirety.
So this was such a page-turner and even with the issues I've described, I have to give this a Four star as It was such compelling reading.
This was such an interestingly unique story that I would definitely recommend Thank you to NetGalley, the publisher and the Author Michelle Richmond for providing me with an Arc of The Marriage Pact, this is my own honest unbiased opinion.
Arc Reviewed By Beckie Bookworm
https://www.beckiebookworm.com/
https://www.facebook.com/beckiebookworm/
https://www.goodreads.com/user/show/9460945-bex-beckie-bookworm
The marriage pact by Michelle Richmond was surprisingly good, The author has found a unique idea and evolved it from there.
With some surprising twists and turns that I didn't see coming this was a refreshing contribution to the psychological genre and I only had minor issues and niggles that pulled this down slightly for me.
So the marriage Pact involves newlywed's Jake and Alice who receive an enticing gift from one of Alice's Clients at the law firm she works at.
"The Pact"
It is designed to keep couples happy and fulfilled in their marriages, the rules seem to make sense and The Pact seems harmless in its intentions.
Initially impressed Alice and Jake start to realise there is more at stake than they realise as their dreams start to evolve into nightmares.
And no one leaves "THE PACT" ever.
So let me break this down for you first three-quarters of The Marriage Pact I loved, the story flowed, it was well written and my only minor criticism would be sometimes Jake could waffle on a tad too much with his inner monologue and I found this a touch irritating and longwinded.
Then came the last quarter, not sure what happened here but I really was not feeling it, the whole visit Orla at her home seemed unnecessary and a bit boring to me.
I would have really preferred another direction to be taken and a bit more of a pro-active stance applied here rather than talking.
Then came the ending, this is where my main issue lies, it was just so anti-climatic and blah and after all Jake's moralistic stances he just walks away, leaving the corruption behind for someone else to deal with.
I'm not saying he's wrong to do this, I just find it mildly surprising after listening to Jakes Inner moral compass throughout The Marriage Pact that he just abandons all his principles and jumps ship.
I would also have liked to see inside Alice's head as well, she was such a diverse character with so much to offer and I felt we didn't get to know her properly in her entirety.
So this was such a page-turner and even with the issues I've described, I have to give this a Four star as It was such compelling reading.
This was such an interestingly unique story that I would definitely recommend Thank you to NetGalley, the publisher and the Author Michelle Richmond for providing me with an Arc of The Marriage Pact, this is my own honest unbiased opinion.
Arc Reviewed By Beckie Bookworm
https://www.beckiebookworm.com/
https://www.facebook.com/beckiebookworm/
https://www.goodreads.com/user/show/9460945-bex-beckie-bookworm
Author's new direction
This ARC was provided by the publisher via NetGalley in exchange for an honest review
Cecelia Ahern is the well-known Irish author of contemporary women’s fiction, particularly P.S. I Love You. However, Ahern has decided to branch out and has penned her first dystopian, young adult novel, Flawed. It is dubious when an author, who is loved for her work, changes their style, but it appears she has pulled it off.
Seventeen-year-old Celestine is a logical girl who is soon to learn she lives in an illogical world. In an attempt to create a perfect society, citizens must avoid making moral or ethical mistakes; otherwise they will be branded as Flawed. And branded means literal branding with a hot iron, there is no hiding the fact that they have flaws. Celestine, like everyone else, has been brainwashed into believing that Flawed people should be avoided and do not deserve the same privileges as the “perfect” people. However, after seeing an elderly Flawed man choking on a bus, her logical brain kicks in and goes to help him. Big mistake.
After finding herself accused of being Flawed, Celestine reaslises how corrupt society is, yet there is nothing she can do about it without enduring further punishment. Despite her bleak outlook on her future, her hopes begin to rise when she discovers that there are people on her side – people that want rid of the government that disciplines people when they should not be punished in the first place.
As a reader of Ahern’s previous works and a fan of dystopian fiction, I honestly did not expect Flawed to be any good. Ahern has proved she has the talent to write women’s fiction, but this book was a complete contrast. The first few chapters of the novel were admittedly a bit shaky. It did not look promising. Yet eventually Ahern found her flow and produced a pretty good young adult novel.
When I saw the title, Flawed, I immediately assumed it would be a book about physical appearance and was hesitant about reading it. Therefore I was pleasantly surprised when this was not the case at all. The concept is fresh and original and does not become apocalyptical like many other dystopian fictions.
How the majority will receive this book is difficult to say. Fans of Cecelia Ahern may be disappointed by her change in genre. Fans of dystopia may be put off by the author’s previous novels. I urge readers to approach this story with an open mind; you may be pleasantly surprised. Flawed will not look out of place amongst other books of similar themes, and for those who do enjoy it, there will be a sequel, Perfect, next year.
Cecelia Ahern is the well-known Irish author of contemporary women’s fiction, particularly P.S. I Love You. However, Ahern has decided to branch out and has penned her first dystopian, young adult novel, Flawed. It is dubious when an author, who is loved for her work, changes their style, but it appears she has pulled it off.
Seventeen-year-old Celestine is a logical girl who is soon to learn she lives in an illogical world. In an attempt to create a perfect society, citizens must avoid making moral or ethical mistakes; otherwise they will be branded as Flawed. And branded means literal branding with a hot iron, there is no hiding the fact that they have flaws. Celestine, like everyone else, has been brainwashed into believing that Flawed people should be avoided and do not deserve the same privileges as the “perfect” people. However, after seeing an elderly Flawed man choking on a bus, her logical brain kicks in and goes to help him. Big mistake.
After finding herself accused of being Flawed, Celestine reaslises how corrupt society is, yet there is nothing she can do about it without enduring further punishment. Despite her bleak outlook on her future, her hopes begin to rise when she discovers that there are people on her side – people that want rid of the government that disciplines people when they should not be punished in the first place.
As a reader of Ahern’s previous works and a fan of dystopian fiction, I honestly did not expect Flawed to be any good. Ahern has proved she has the talent to write women’s fiction, but this book was a complete contrast. The first few chapters of the novel were admittedly a bit shaky. It did not look promising. Yet eventually Ahern found her flow and produced a pretty good young adult novel.
When I saw the title, Flawed, I immediately assumed it would be a book about physical appearance and was hesitant about reading it. Therefore I was pleasantly surprised when this was not the case at all. The concept is fresh and original and does not become apocalyptical like many other dystopian fictions.
How the majority will receive this book is difficult to say. Fans of Cecelia Ahern may be disappointed by her change in genre. Fans of dystopia may be put off by the author’s previous novels. I urge readers to approach this story with an open mind; you may be pleasantly surprised. Flawed will not look out of place amongst other books of similar themes, and for those who do enjoy it, there will be a sequel, Perfect, next year.
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review </i>
Cecelia Ahern is the well-known Irish author of contemporary women’s fiction, particularly <i>P.S. I Love You.</i> However, Ahern has decided to branch out and has penned her first dystopian, young adult novel, <i>Flawed</i>. It is dubious when an author, who is loved for her work, changes their style, but it appears she has pulled it off.
Seventeen-year-old Celestine is a logical girl who is soon to learn she lives in an illogical world. In an attempt to create a perfect society, citizens must avoid making moral or ethical mistakes; otherwise they will be branded as Flawed. And branded means literal branding with a hot iron, there is no hiding the fact that they have flaws. Celestine, like everyone else, has been brainwashed into believing that Flawed people should be avoided and do not deserve the same privileges as the “perfect” people. However, after seeing an elderly Flawed man choking on a bus, her logical brain kicks in and goes to help him. Big mistake.
After finding herself accused of being Flawed, Celestine reaslises how corrupt society is, yet there is nothing she can do about it without enduring further punishment. Despite her bleak outlook on her future, her hopes begin to rise when she discovers that there are people on her side – people that want rid of the government that disciplines people when they should not be punished in the first place.
As a reader of Ahern’s previous works and a fan of dystopian fiction, I honestly did not expect <i>Flawed</i> to be any good. Ahern has proved she has the talent to write women’s fiction, but this book was a complete contrast. The first few chapters of the novel were admittedly a bit shaky. It did not look promising. Yet eventually Ahern found her flow and produced a pretty good young adult novel.
When I saw the title, <i>Flawed</i>, I immediately assumed it would be a book about physical appearance and was hesitant about reading it. Therefore I was pleasantly surprised when this was not the case at all. The concept is fresh and original and does not become apocalyptical like many other dystopian fictions.
How the majority will receive this book is difficult to say. Fans of Cecelia Ahern may be disappointed by her change in genre. Fans of dystopia may be put off by the author’s previous novels. I urge readers to approach this story with an open mind; you may be pleasantly surprised. <i>Flawed</i> will not look out of place amongst other books of similar themes, and for those who do enjoy it, there will be a sequel, <i>Perfect</i>, next year.
Cecelia Ahern is the well-known Irish author of contemporary women’s fiction, particularly <i>P.S. I Love You.</i> However, Ahern has decided to branch out and has penned her first dystopian, young adult novel, <i>Flawed</i>. It is dubious when an author, who is loved for her work, changes their style, but it appears she has pulled it off.
Seventeen-year-old Celestine is a logical girl who is soon to learn she lives in an illogical world. In an attempt to create a perfect society, citizens must avoid making moral or ethical mistakes; otherwise they will be branded as Flawed. And branded means literal branding with a hot iron, there is no hiding the fact that they have flaws. Celestine, like everyone else, has been brainwashed into believing that Flawed people should be avoided and do not deserve the same privileges as the “perfect” people. However, after seeing an elderly Flawed man choking on a bus, her logical brain kicks in and goes to help him. Big mistake.
After finding herself accused of being Flawed, Celestine reaslises how corrupt society is, yet there is nothing she can do about it without enduring further punishment. Despite her bleak outlook on her future, her hopes begin to rise when she discovers that there are people on her side – people that want rid of the government that disciplines people when they should not be punished in the first place.
As a reader of Ahern’s previous works and a fan of dystopian fiction, I honestly did not expect <i>Flawed</i> to be any good. Ahern has proved she has the talent to write women’s fiction, but this book was a complete contrast. The first few chapters of the novel were admittedly a bit shaky. It did not look promising. Yet eventually Ahern found her flow and produced a pretty good young adult novel.
When I saw the title, <i>Flawed</i>, I immediately assumed it would be a book about physical appearance and was hesitant about reading it. Therefore I was pleasantly surprised when this was not the case at all. The concept is fresh and original and does not become apocalyptical like many other dystopian fictions.
How the majority will receive this book is difficult to say. Fans of Cecelia Ahern may be disappointed by her change in genre. Fans of dystopia may be put off by the author’s previous novels. I urge readers to approach this story with an open mind; you may be pleasantly surprised. <i>Flawed</i> will not look out of place amongst other books of similar themes, and for those who do enjoy it, there will be a sequel, <i>Perfect</i>, next year.
Darren (1599 KP) rated Air (2015) in Movies
Jun 20, 2019
Story: Air starts in the future when the world has gone through a war, the remaining people live in a bunker in sleep chambers, engineers Bauer (Reedus) and Cartwright (Hounsou) both awaken on a routine cycle to check the equipment before returning to their chambers, but when a fire causes them to lose one of their chambers, they must work together with the resources they have because in 2 hours their air supply runs out.
As the clock ticks down the two must face moral decisions which involve risks to the fellow the sleepers in their bunker but finding a way for them both to get back to sleep is the most important part and any means necessary.
Thoughts on Air
Characters – Bauer seems to be the most resourceful of the two technicians in the chamber, he plays things safe and makes sure he knows the damage of any effect the men do. Cartwright seems to be the one who is about to lose his mind, he has visions of his wife who makes him make the decisions he does. While it could be argued these two men are meant to be considered the lower lives of the selected neither of them is made out to be the good guy while both find themselves making bad decisions through the film.
Performance – Both Norman Reedus and Djimon Hounsou are great actors but in this role the two just don’t give their best performances and end up not helping us care about either character.
Story – The story should work, we have the world ending with the only survivors in sleeping pods with two technicians watching over them every so many months or years. The problems here are clear, we have two unlikable characters who while they do take a step back to solve the problem it does just turn into a mindless battle of who will get the upper hand.
Sci-Fi/Thriller – The sci-fi side of the film comes from idea the world has ended and now the few survivors are underground, we are left wondering how the two men could survive with the only one chamber.
Settings – The film is set within the chamber, it shows the unclear feeling of what is outside and the fear of what is happening with no safety in the chamber.
Special Effects – The effects are used well with most being practical until we see the outside world which is as bleak as we are expecting.
That Moment That Annoyed Me – I just didn’t care about the two characters.
Final Thoughts – This is a sci-fi film that we have seen before, we have seen better before but we have seen worse too and lacks the pace we need in the film.
Overall: Disappointing thriller.
https://moviesreview101.com/2018/06/01/air-2015/
As the clock ticks down the two must face moral decisions which involve risks to the fellow the sleepers in their bunker but finding a way for them both to get back to sleep is the most important part and any means necessary.
Thoughts on Air
Characters – Bauer seems to be the most resourceful of the two technicians in the chamber, he plays things safe and makes sure he knows the damage of any effect the men do. Cartwright seems to be the one who is about to lose his mind, he has visions of his wife who makes him make the decisions he does. While it could be argued these two men are meant to be considered the lower lives of the selected neither of them is made out to be the good guy while both find themselves making bad decisions through the film.
Performance – Both Norman Reedus and Djimon Hounsou are great actors but in this role the two just don’t give their best performances and end up not helping us care about either character.
Story – The story should work, we have the world ending with the only survivors in sleeping pods with two technicians watching over them every so many months or years. The problems here are clear, we have two unlikable characters who while they do take a step back to solve the problem it does just turn into a mindless battle of who will get the upper hand.
Sci-Fi/Thriller – The sci-fi side of the film comes from idea the world has ended and now the few survivors are underground, we are left wondering how the two men could survive with the only one chamber.
Settings – The film is set within the chamber, it shows the unclear feeling of what is outside and the fear of what is happening with no safety in the chamber.
Special Effects – The effects are used well with most being practical until we see the outside world which is as bleak as we are expecting.
That Moment That Annoyed Me – I just didn’t care about the two characters.
Final Thoughts – This is a sci-fi film that we have seen before, we have seen better before but we have seen worse too and lacks the pace we need in the film.
Overall: Disappointing thriller.
https://moviesreview101.com/2018/06/01/air-2015/
Acanthea Grimscythe (300 KP) rated LOW in Books
Jan 31, 2019
I received a copy of LOW by Mike Duke in the mail a few months back and I’ve finally finished reading it–my health has gotten in the way not just once, but twice. For the most part, I enjoyed reading the book, but I do have a single bone to pick with it. You’ll see that towards the end of my review.
The two main characters are Mark Adams and Chad Bigleby. While Adams is a bit flat, Chad Bigleby is dynamic. Officer Adams is a good guy, through and through and does what’s right. Chad, on the other hand, is a man with no moral conscience. He’s a cheater, an abuser, and all around, a piece of shit. Mr. Phailees and Phobos are real pieces of work, showing that Duke’s definitely got the ability to create some pretty crazy characters.
Plotwise, the book is steady. There’s always something going on, even in the lulls between major events. That said, you might wonder why it took me so long to read the book if I found it interesting, and in that regard, I admit that I’ve been in a bit of a slump when it comes to reading. On top of that, I’ve had some severe concentration issues as of late.
I loved the way Duke writes his monsters. Some of them have a Lovecraftian feel to them, which I really like. Others are horrifying in other ways, such as Charon and Mortis which are demon-like and massive in their appearance.
Earlier I said I have a bone to pick, and here it is: the women in this book are unbelievably unrealistic. It’s because of this that I cannot give LOW a five-star rating. None of them are strong or independent, and for the most part, they seem like puppets controlled by their men. I would have liked to see Samantha stand up to Chad, or Amy grow a backbone despite her mistakes. It’s actually quite appalling how meek and sexualized the female characters are in this book. Granted, one of the points of view is from a misogynistic asshole of a man.
LOW is a good book and definitely falls into the horror category. In its pages, Mike Duke’s command of language is strong and his words come together beautifully to create a horrifying scene. It makes the reader question their own morality and wonder whether or not their sins would be so grievous as to be judged by Mr. Phailees. I know one thing for sure: I wouldn’t want to be at the wrong end of his bite.
I’d like to thank the author for providing me with a copy of this book for free in exchange for an honest review.
The two main characters are Mark Adams and Chad Bigleby. While Adams is a bit flat, Chad Bigleby is dynamic. Officer Adams is a good guy, through and through and does what’s right. Chad, on the other hand, is a man with no moral conscience. He’s a cheater, an abuser, and all around, a piece of shit. Mr. Phailees and Phobos are real pieces of work, showing that Duke’s definitely got the ability to create some pretty crazy characters.
Plotwise, the book is steady. There’s always something going on, even in the lulls between major events. That said, you might wonder why it took me so long to read the book if I found it interesting, and in that regard, I admit that I’ve been in a bit of a slump when it comes to reading. On top of that, I’ve had some severe concentration issues as of late.
I loved the way Duke writes his monsters. Some of them have a Lovecraftian feel to them, which I really like. Others are horrifying in other ways, such as Charon and Mortis which are demon-like and massive in their appearance.
Earlier I said I have a bone to pick, and here it is: the women in this book are unbelievably unrealistic. It’s because of this that I cannot give LOW a five-star rating. None of them are strong or independent, and for the most part, they seem like puppets controlled by their men. I would have liked to see Samantha stand up to Chad, or Amy grow a backbone despite her mistakes. It’s actually quite appalling how meek and sexualized the female characters are in this book. Granted, one of the points of view is from a misogynistic asshole of a man.
LOW is a good book and definitely falls into the horror category. In its pages, Mike Duke’s command of language is strong and his words come together beautifully to create a horrifying scene. It makes the reader question their own morality and wonder whether or not their sins would be so grievous as to be judged by Mr. Phailees. I know one thing for sure: I wouldn’t want to be at the wrong end of his bite.
I’d like to thank the author for providing me with a copy of this book for free in exchange for an honest review.
Goddess in the Stacks (553 KP) rated Autonomous: A Novel in Books
Dec 22, 2018
Autonomous is an interesting story that poses a lot of moral questions. It doesn't really take sides; both the pharmaceutical pirate and the agents tracking her down are painted in sympathetic ways, as if we're meant to like them all. We see why Jack is a pharmaceutical pirate; medicine is only available to those rich enough to pay for it, so the poor stay poor and sick and short-lived. She wants to change that. She reverse-engineers drugs, manufactures them, and distributes them to the needy through her associates.
Meanwhile, Eliasz is a conflicted military agent who is sexually attracted to robots. Or at least to his partner, Paladin, though a flashback shows what might have been the start of his attraction to robots. Paladin is probably the single most interesting character in the entire book, as she muses on the nature of being indentured, and searches through her memories and the internet for information about her situation.
The book does have LGBT content - Jack is bisexual, and Eliasz is - robosexual? Is that a thing? Paladin could be called nonbinary or trans; she repeatedly mentions that gender isn't a thing to robots, but because she's a military robot, most people call her a he at the beginning of the book. She learns the brain inside her is female, and to make Eliasz more comfortable with his attraction, she decides to use female pronouns. Eliasz does use the F word to refer to himself being attracted to the robot at the beginning, when they were using male pronouns. This puzzles Paladin for a while, causing her to search the term and figure out what Eliasz meant by its use.
There's a lot of complex world-building in this book that is barely brushed past. From the corporations who own patents covering everything, to the system of indenture that covers humans as well as robots, to the bio-domes that cover cities (but it's livable outside the biodomes, so why are they needed?), to the new federations that cover continents that used to be divided into several countries - there's a LOT going on. And there's not just robots, but also some pretty advanced cybernetics implanted in humans as well as an everpresent network of data that can be tapped into with implants that everyone has.
Ultimately, for as complex as the world is, and cohesive as the plot is, I'm left wondering who, if anyone, was in the right in this story. I'm not sure if we're supposed to be happy with the ending or not. I've seen other reviews saying Neuromancer was a way better book in a similar vein, and I actually have copy of that waiting to be read. So we'll see.
You can find all my reviews at http://goddessinthestacks.com
Meanwhile, Eliasz is a conflicted military agent who is sexually attracted to robots. Or at least to his partner, Paladin, though a flashback shows what might have been the start of his attraction to robots. Paladin is probably the single most interesting character in the entire book, as she muses on the nature of being indentured, and searches through her memories and the internet for information about her situation.
The book does have LGBT content - Jack is bisexual, and Eliasz is - robosexual? Is that a thing? Paladin could be called nonbinary or trans; she repeatedly mentions that gender isn't a thing to robots, but because she's a military robot, most people call her a he at the beginning of the book. She learns the brain inside her is female, and to make Eliasz more comfortable with his attraction, she decides to use female pronouns. Eliasz does use the F word to refer to himself being attracted to the robot at the beginning, when they were using male pronouns. This puzzles Paladin for a while, causing her to search the term and figure out what Eliasz meant by its use.
There's a lot of complex world-building in this book that is barely brushed past. From the corporations who own patents covering everything, to the system of indenture that covers humans as well as robots, to the bio-domes that cover cities (but it's livable outside the biodomes, so why are they needed?), to the new federations that cover continents that used to be divided into several countries - there's a LOT going on. And there's not just robots, but also some pretty advanced cybernetics implanted in humans as well as an everpresent network of data that can be tapped into with implants that everyone has.
Ultimately, for as complex as the world is, and cohesive as the plot is, I'm left wondering who, if anyone, was in the right in this story. I'm not sure if we're supposed to be happy with the ending or not. I've seen other reviews saying Neuromancer was a way better book in a similar vein, and I actually have copy of that waiting to be read. So we'll see.
You can find all my reviews at http://goddessinthestacks.com