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Tohe Rootabaga Stories
Tohe Rootabaga Stories
(0 Ratings)
Book Favorite

"Grossly underappreciated, this is in my view the best of all children’s books—wildly, passionately imaginative, gently moral, and quintessentially American both in its diction and in a certain rough-hewn but kindly common sense. I also choose it because it was read to me by my father when I was a little boy, and it became for some time our private world, and so rereading it always carries me back to a very happy stage when I was more innocent than I knew: I associate it with love."

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Happy Death Day 2U (2019)
Happy Death Day 2U (2019)
2019 | Horror, Mystery
It carries on from the first film and links in nicely! You must see the first to appreciate sone of the humour in this dark, but hilarious time- travelling comedy! (1 more)
Quite sad in places too- there’s a real story behind the humour. A dilemma the main protagonist must face when she realises she can get exactly what she wants when she is in control of her destiny!
Not a true horror in my book but I enjoyed it despite that! (0 more)
A time travelling theme with a moral dilemma!
  
Crucible (Sigma Force #14)
Crucible (Sigma Force #14)
6
6.0 (1 Ratings)
Book Rating
Entry #14 in James Rollins now long-running Sigma Force series; again a mixture of science and fiction: think Dan Brown, maybe, or even Michael Crichton.

This time around, the threat that Sigma force (and, perforce, the world) faces is one of our own making: that of Artificial Intelligence (or AI), and - more specifically - that of an 'evil' (one with no moral qualms or compunctions) AI let loose. So, think Terminator's Skynet, basically.

If you've read any of the previous entries in the series, you know pretty much what to expect ...
  
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Awix (3310 KP) rated Deluge (1933) in Movies

Apr 23, 2019 (Updated Apr 23, 2019)  
Deluge (1933)
Deluge (1933)
1933 | Drama, Sci-Fi
7
7.0 (1 Ratings)
Movie Rating
Pre-Code apocalyptic disaster movie boldly goes where Roland Emmerich would follow several times; also manages to be almost definitively non-compliant with the Bechdel test. A series of unexplained disasters including floods and earthquakes destroy civilisation; in the aftermath resourceful lawyer Martin hooks up with plucky society girl Claire, little realising his wife and children survived the catastrophe. Then fate brings them all back together...

The destruction of New York is the most celebrated sequence in the movie, and it stands up relatively well as an example of practical effects in action, but it happens in the first quarter of the movie. Most of the rest of it is concerned with surprisingly familiar post-apocalyptic themes - people come together and struggle to rebuild, raiders prey on settlements, people question familiar moral standards, and so on. The film's gender politics are startling, to say the least: women appear to have no rights and are basically property (and then civilisation crumbles, ha ha). It is interesting and indicative that the film ends with the affirmation of the traditional moral order. Not exactly subtle or nuanced, and the acting is fairly robotic, but it's pacy and the story is an engaging one. An interesting movie that suggests things haven't changed as much as we sometimes think.