
Barker: Plays Seven
Book
"Und, a play for one woman and six trays, is a moving study of dignity and self-delusion. When a...

Sean Astin recommended Patton (1970) in Movies (curated)

Gareth von Kallenbach (980 KP) rated Detroit (2017) in Movies
Jul 11, 2019
The film, based on what is known about true events, takes viewers into a world of absolute terror as the streets of Detroit become a warzone filled with racial hatred and violence. After a police raid, looters took to the streets vandalizing and robbing local storefronts.
Rapidly, the police response grew into extreme reactionary violence and fueled the fire of the riot. The national guard is called in and rather than getting the situation under control, the city devolves into what looks like a warzone in a foreign land.
The film has a great build up and the characters are developed quite well by the time the thick of the plot gets started around the Algiers Motel Incident, an event that resulted in the deaths of three black men and the torture of nine other people.
The entire cast is amazing. Heart strings are pulled by the characters portraying Larry Reed (Algee Smith) and Fred (Jacob Latimore), two musicians that are caught in a horrific nightmare simply by being in the wrong place at the wrong time.
John Boyega also delivers a heart wrenching performance as Melvin Dismukes, a black man who tries at great length to stay safe and keep the peace. His character is portrayed as caught in the cross fires of morality and necessity.
Will Poulter plays a real-life villain as blood thirsty and racist police officer, Phillip Krauss. His portrayal of Krauss is terrifying.
The film as a film, is gripping, an amazing cinematic feat. But, the story is painful to watch. Scarier than any horror film, “Detroit” brings to light one of the darkest sides of the human species and a bloody stain on American history.

graveyardgremlin (7194 KP) rated The Blood Confession in Books
Feb 15, 2019
After reading THE BLOOD CONFESSION, I find it a bit surprising that this is specifically targeted to young adults. Not that they wouldn't appreciate or like it, although I don't know how much the appeal would be to that age range unless they're especially morbid (as I was and still am), but because of the subtle nuances and intricate study of character, morality, and belief system, which is well suited for adult readers as well. The book is mainly a character study and the author does a fantastic job bringing Erzebet to life, while slowly and believably evolving her into a mentally ill woman. I never could quite figure out if she was narcissistic, schizophrenic, suffering from some sort of body dysmorphic disorder, something altogether different, or all previously mentioned.
The writing is solid and I found myself sinking into the world Ms. Libby created, with it's brilliant Gothic atmosphere. The pacing had a few slow spots, but nothing that made the book come to a screeching halt. I confess to a few queasy moments thanks to an overactive imagination, but the gore is minimal and the author doesn't romanticize blood letting or murder for vanity.
What I should warn readers is that comparing this Erzebet Bizecka to the real Erzsebet Bathory would be a mistake. This fictional Countess doesn't have much in common with the legendary figure and is only (very) loosely based on her. That Erzsebet Bathory bathed in blood is an unfounded rumor and no one really knows why she killed these girls or how many. Some even say she was framed. Unfortunately the truth is lost to history and we'll never really know.
Only a few quibbles keep me from giving it a perfect rating, but all in all, it was an absorbing read. A couple of lingering questions remained, such as how exactly did Erzebet's mother go insane? I can guess what could have helped it along, but I don't really believe that's all it would have taken. What happened to Snow at the end?

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