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Gareth von Kallenbach (971 KP) rated Everest (2015) in Movies
Jun 19, 2019
Ever since Sir Edmund Hillary reached the peak of Mount Everest in 1953, the mountain has been the Holy Grail for climbers of all experience levels despite the fact that the mountain has claimed more than a few victims over the years from those who have attempted to reach the summit which is also known as “The Killing Zone”.
In the new film “Everest”, audiences get an up close look at the beauty and danger of the mountain as told by real men and women who risked it all for a shot at greatness.
Based on the books Into Thin Air and The Climb: Tragic Ambitions on Everest by two of the survivors, the film looks at an expedition in 1996 that until recently was the most tragic climb on the mountain and caused real concern about the commercialization of the mountain.
Jason Clarke stars as Rob Hall, an experienced guide and climber who has operated a very successful company which charges $65,000 a head for the chance at greatness.
As the film opens, Rob is leaving his pregnant wife behind in New Zealand to lead a group up the mountain. The weather looks good during the brief window where they have a chance to climb to the top, and despite a record number of groups waiting to climb, Rob is confident he can get his crew to the top.
Rob has a seasoned and professional crew and with a journalist in tow, he is ready to procedure but always operates from a position of safety and care. It is attention to safety that causes Rob to be labeled a “hand holder” from rival guide Scott Fisher (Jake Gyllenhaal).
Despite their rival nature and different styles, Rob and Scott decide to combine forces and work with one another to get their clients up the mountain and work to secure the all-important climbing ropes.
As the climb goes well, we learn about the various characters and get some great supporting work from Sam Worthington, Josh Brolin, and the diverse and very engaging cast of the film.
Naturally things do not go as planned as a series of weather induced tragedies set in and forces the climbers to battle overwhelming odds to survive in a deadly race against time.
Aside from the amazing visual where you can really see the challenge and danger of climbing at an altitude usually reserved for 747s, the film which will be shown only in IMAX 3D screens shows the passion and endurance of those willing to pay a small fortune and risk death for one of the greatest challenges out there.
Director Baltasar Kormakur is to be praised for a visually compelling film that lets the setting and characters propel the story and does not resort to Hollywood gimmicks like over embellished storms, cave ins, and scenes common in most Disaster films and focused on the events as depicted by the survivors.
It was difficult at times to identify key characters as when they are all bundled up in a storm, telling who was who became a real challenge at times, but imagine how hard it was for those who were actually there.
If you are looking for a character driven action film with amazing scenery, you will want to make sure to see this film as it is as unforgettable a tale with amazing visuals.
http://sknr.net/2015/09/18/everest/
In the new film “Everest”, audiences get an up close look at the beauty and danger of the mountain as told by real men and women who risked it all for a shot at greatness.
Based on the books Into Thin Air and The Climb: Tragic Ambitions on Everest by two of the survivors, the film looks at an expedition in 1996 that until recently was the most tragic climb on the mountain and caused real concern about the commercialization of the mountain.
Jason Clarke stars as Rob Hall, an experienced guide and climber who has operated a very successful company which charges $65,000 a head for the chance at greatness.
As the film opens, Rob is leaving his pregnant wife behind in New Zealand to lead a group up the mountain. The weather looks good during the brief window where they have a chance to climb to the top, and despite a record number of groups waiting to climb, Rob is confident he can get his crew to the top.
Rob has a seasoned and professional crew and with a journalist in tow, he is ready to procedure but always operates from a position of safety and care. It is attention to safety that causes Rob to be labeled a “hand holder” from rival guide Scott Fisher (Jake Gyllenhaal).
Despite their rival nature and different styles, Rob and Scott decide to combine forces and work with one another to get their clients up the mountain and work to secure the all-important climbing ropes.
As the climb goes well, we learn about the various characters and get some great supporting work from Sam Worthington, Josh Brolin, and the diverse and very engaging cast of the film.
Naturally things do not go as planned as a series of weather induced tragedies set in and forces the climbers to battle overwhelming odds to survive in a deadly race against time.
Aside from the amazing visual where you can really see the challenge and danger of climbing at an altitude usually reserved for 747s, the film which will be shown only in IMAX 3D screens shows the passion and endurance of those willing to pay a small fortune and risk death for one of the greatest challenges out there.
Director Baltasar Kormakur is to be praised for a visually compelling film that lets the setting and characters propel the story and does not resort to Hollywood gimmicks like over embellished storms, cave ins, and scenes common in most Disaster films and focused on the events as depicted by the survivors.
It was difficult at times to identify key characters as when they are all bundled up in a storm, telling who was who became a real challenge at times, but imagine how hard it was for those who were actually there.
If you are looking for a character driven action film with amazing scenery, you will want to make sure to see this film as it is as unforgettable a tale with amazing visuals.
http://sknr.net/2015/09/18/everest/
Gareth von Kallenbach (971 KP) rated Prey (2022) in Movies
Aug 6, 2022
The latest film in the Predator film series has arrived and the first
under Disney ownership since their purchase of 20th Century Fox. “Prey”
takes a look back in order to move the franchise forward and it does
this by setting in amongst the Comanche community roughly three hundred
years in the past.
The film follows a young girl named Naru (Amber Midthunder) who looks to
become a warrior but in a male-dominated setting, only her brother is
relatively supportive of her ambition and talks about when she will face
a trial which she must endure to show her worth.
At the same time, a Predator has arrived and begins to hunt the local
wildlife. Naru sees evidence of his work and tries to convince the tribe
that the carnage they are finding is not the work of a bear or a
mountain lion as the community believes.
When the nature of the threat manifests itself, Naru must find the
courage and skills to track and face the enemy who threatens to destroy
her tribe.
The film is directed by Dan Trachtenberg and he mixes a good amount of
action along with a very interesting setting and characters to create an
engaging tale.
There are some moments that the FX was not as sharp as one might expect
but the sequences with the Predator are filled with action and suspense
and should make fans of the franchise very happy. The film at times does
require some leaps of faith from the audience but in the end, “Prey” is
a satisfying film that is superior to “The Predator” and rates as one of
the stronger entries in the series and that the franchise is in good
hands for the future.
It will be interesting to see where the franchise goes next as there is lots of material for the franchise to explore, but for now, “Prey” is a refreshing take on the series and one fans should enjoy.
under Disney ownership since their purchase of 20th Century Fox. “Prey”
takes a look back in order to move the franchise forward and it does
this by setting in amongst the Comanche community roughly three hundred
years in the past.
The film follows a young girl named Naru (Amber Midthunder) who looks to
become a warrior but in a male-dominated setting, only her brother is
relatively supportive of her ambition and talks about when she will face
a trial which she must endure to show her worth.
At the same time, a Predator has arrived and begins to hunt the local
wildlife. Naru sees evidence of his work and tries to convince the tribe
that the carnage they are finding is not the work of a bear or a
mountain lion as the community believes.
When the nature of the threat manifests itself, Naru must find the
courage and skills to track and face the enemy who threatens to destroy
her tribe.
The film is directed by Dan Trachtenberg and he mixes a good amount of
action along with a very interesting setting and characters to create an
engaging tale.
There are some moments that the FX was not as sharp as one might expect
but the sequences with the Predator are filled with action and suspense
and should make fans of the franchise very happy. The film at times does
require some leaps of faith from the audience but in the end, “Prey” is
a satisfying film that is superior to “The Predator” and rates as one of
the stronger entries in the series and that the franchise is in good
hands for the future.
It will be interesting to see where the franchise goes next as there is lots of material for the franchise to explore, but for now, “Prey” is a refreshing take on the series and one fans should enjoy.
Gruff Rhys recommended Fantastic Expedition of Dillard & Clark by Gene Clark / Dillard & Clark / Doug Dillard in Music (curated)
Emma @ The Movies (1786 KP) rated Out of Death (2021) in Movies
Jul 30, 2021
I got my hands on a preview of this one. Modern Bruce Willis is always a slight concern, but I like to give them the benefit of the doubt.
In this peaceful mountain town, a quiet hike turns to terror as a photographer witnesses a brutal crime by the very people who are supposed to protect against them.
On the scale of messed up plots, Out of Death isn't actually that bad. Corrupt law enforcement caught in the act is a strong idea to use in a crime thriller. The setting also gave them a lot of opportunities even though it's a fairly simple forest/wooded setting. Though that setting suffers a little from TARDIS-esque qualities, is it big, is it small, how does time work in and around it? I found myself wondering about those random things, which may have been down to not feeling massively engaged with anything happening.
From the small collection of characters, Billie and Tom probably came out the best. Though no one quite got out unscathed. They did at least have a bond that played out well in a few scenes.
Beyond them, the rest of the cast don't do so well with the script. There are points where it tries to give characters something a little extra, but it ultimately came out a little on the creepy side. I'm thinking in particular about one scene where two characters try to have a human conversation and build a little backstory... it was bad, and made me cringe. I haven't felt that way about a film interaction in a very long time.
As much as I love Bruce Willis, he basically wanders through this one without much effort. The whole affair felt rather lethargic, and as with his other recent films, it's a phoned-in effort. Without him, I doubt anyone would have come across Out of Death, there's nothing that's a particular hook, and with such a generic air to it, I can't see anyone picking it out of a line-up of similar films.
Out of Death might not be the worst film I've ever seen, but there's lots of room for improvement. As it is, it doesn't hold your attention enough to make it massively enjoyable. At the very least you can enjoy the scenery.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/07/out-of-death-movie-review.html
In this peaceful mountain town, a quiet hike turns to terror as a photographer witnesses a brutal crime by the very people who are supposed to protect against them.
On the scale of messed up plots, Out of Death isn't actually that bad. Corrupt law enforcement caught in the act is a strong idea to use in a crime thriller. The setting also gave them a lot of opportunities even though it's a fairly simple forest/wooded setting. Though that setting suffers a little from TARDIS-esque qualities, is it big, is it small, how does time work in and around it? I found myself wondering about those random things, which may have been down to not feeling massively engaged with anything happening.
From the small collection of characters, Billie and Tom probably came out the best. Though no one quite got out unscathed. They did at least have a bond that played out well in a few scenes.
Beyond them, the rest of the cast don't do so well with the script. There are points where it tries to give characters something a little extra, but it ultimately came out a little on the creepy side. I'm thinking in particular about one scene where two characters try to have a human conversation and build a little backstory... it was bad, and made me cringe. I haven't felt that way about a film interaction in a very long time.
As much as I love Bruce Willis, he basically wanders through this one without much effort. The whole affair felt rather lethargic, and as with his other recent films, it's a phoned-in effort. Without him, I doubt anyone would have come across Out of Death, there's nothing that's a particular hook, and with such a generic air to it, I can't see anyone picking it out of a line-up of similar films.
Out of Death might not be the worst film I've ever seen, but there's lots of room for improvement. As it is, it doesn't hold your attention enough to make it massively enjoyable. At the very least you can enjoy the scenery.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/07/out-of-death-movie-review.html
Night Reader Reviews (683 KP) rated Something Wicked This Way Comes in Books
Jan 4, 2021
Meh book
Something Wicked This Way Comes by Linda Gaine is a mildly creepy story perfect for a fall night. It gave me that uncomfortable feeling that is not quite fear from time to time making me want to insure that doors were locked and the lights were on.
Nothing interesting ever happens in small towns. Especially in those so small that most of the residents know each other. In a town that small the murder of a young woman is big news. When this single murder turns into a string of murders that appear to be the work of a serial killer the entire town is put on edge. Everyone, specifically women are encouraged to travel with others and avoid being out at night. Unfortunately not everyone listens.
Amanda is a young woman who has grown up in this small town. She meets her husband at a local bar and they buy a large house in the mountains on the outskirts of town. Too bad a house in the mountains is not an ideal place for a young woman and her child to be living alone. Yet that is exactly what would have happened when Amanda’s husband ends up in the hospital if it wasn’t for Amanda’s best friend. The house my be isolated but that is little comfort to Amanda when the serial killer seams to be showing a special interest in her.
I enjoyed the setting of the book. From the quiet town to the large house up on the mountain. Everything is just so peaceful and lovingly thought out in the town. I was actually able to feel just how unsettling the house on the mountain was for everyone as well. It would have been nice to see dinkus (the there asterisks used to divide chapters into sections) being used. The main negative thing I noticed about this book was it jumping form one person to another without warning. The story became very confusing because of the lack of breaks. Large time jumps also became an issue.
I would not recommend this book for those hoping for horror. Instead this book is better suited for those who enjoy murder mysteries and dramas. Young adults and adults alike should enjoy this book although both should be aware of extremely mild adult content. I rate this book 2 out of 4. Sadly this book did not live up to the promise it seemed to give out. While the book started out moderately creepy it was not able to maintain that feeling. Other than that the book itself was good and had an interesting plot line. The book seems to play more on the human fear of being alone and of close personal tragedies more than anything else.
Nothing interesting ever happens in small towns. Especially in those so small that most of the residents know each other. In a town that small the murder of a young woman is big news. When this single murder turns into a string of murders that appear to be the work of a serial killer the entire town is put on edge. Everyone, specifically women are encouraged to travel with others and avoid being out at night. Unfortunately not everyone listens.
Amanda is a young woman who has grown up in this small town. She meets her husband at a local bar and they buy a large house in the mountains on the outskirts of town. Too bad a house in the mountains is not an ideal place for a young woman and her child to be living alone. Yet that is exactly what would have happened when Amanda’s husband ends up in the hospital if it wasn’t for Amanda’s best friend. The house my be isolated but that is little comfort to Amanda when the serial killer seams to be showing a special interest in her.
I enjoyed the setting of the book. From the quiet town to the large house up on the mountain. Everything is just so peaceful and lovingly thought out in the town. I was actually able to feel just how unsettling the house on the mountain was for everyone as well. It would have been nice to see dinkus (the there asterisks used to divide chapters into sections) being used. The main negative thing I noticed about this book was it jumping form one person to another without warning. The story became very confusing because of the lack of breaks. Large time jumps also became an issue.
I would not recommend this book for those hoping for horror. Instead this book is better suited for those who enjoy murder mysteries and dramas. Young adults and adults alike should enjoy this book although both should be aware of extremely mild adult content. I rate this book 2 out of 4. Sadly this book did not live up to the promise it seemed to give out. While the book started out moderately creepy it was not able to maintain that feeling. Other than that the book itself was good and had an interesting plot line. The book seems to play more on the human fear of being alone and of close personal tragedies more than anything else.
Eleanor Luhar (47 KP) rated Touching The Void in Books
Jun 24, 2019
At school a little while ago we looked at an extract from this book, and I decided I may as well read the rest of the book too.
If you don't already know, Joe Simpson suffered a serious leg injury while climbing a previously unreached summit in the Peruvian Andes, 1985. His partner, Simon Yates, had a life-changing decision to make that would determine who would live and who would not.
Joe tells his story in excruciating detail, with snippets from his partner's point of view, too. He uses a lot of technical language as would be expected, which can sometimes go straight over the reader's head. He describes his emotions, his physical pain after the injury, and the setting that he found himself in.
Things go well at first, but during the descent there is serious trouble. Joe and Simon work together to lower Joe with his disformed leg, and it works for some time. But eventually, Simon has to decide whether to cut the rope or not.
After his first injury, Joe manages to survive an unbelievably long fall. But now he's stuck in the crevasse, alone, with no hopes of returning to camp alive. Meanwhile, Simon is having to overcome his guilt and travel alone, with several frostbitten fingers and no food or water. The journey that both men must take is truly amazing and although you know the general outcome, you find yourself reading on and on to see what happens next.
Although it seems like a pretty short book, it took me slightly longer than expected to finish it. The technicalities meant nothing to me most of the time, making it slightly hard to visualise the scene in detail. But I was still able to appreciate the difficulties and obstacles that the climbers had to overcome, and I am amazed at how they did it.
The photos included throughout the book were really helpful for scene-setting, and show how stunning the views were over the mountain range.
I don't read biographies that often, so I knew it wouldn't be my favourite book. But it was good, and if you like this sort of thing then I would definitely recommend it. 3.5 stars I think.
If you don't already know, Joe Simpson suffered a serious leg injury while climbing a previously unreached summit in the Peruvian Andes, 1985. His partner, Simon Yates, had a life-changing decision to make that would determine who would live and who would not.
Joe tells his story in excruciating detail, with snippets from his partner's point of view, too. He uses a lot of technical language as would be expected, which can sometimes go straight over the reader's head. He describes his emotions, his physical pain after the injury, and the setting that he found himself in.
Things go well at first, but during the descent there is serious trouble. Joe and Simon work together to lower Joe with his disformed leg, and it works for some time. But eventually, Simon has to decide whether to cut the rope or not.
After his first injury, Joe manages to survive an unbelievably long fall. But now he's stuck in the crevasse, alone, with no hopes of returning to camp alive. Meanwhile, Simon is having to overcome his guilt and travel alone, with several frostbitten fingers and no food or water. The journey that both men must take is truly amazing and although you know the general outcome, you find yourself reading on and on to see what happens next.
Although it seems like a pretty short book, it took me slightly longer than expected to finish it. The technicalities meant nothing to me most of the time, making it slightly hard to visualise the scene in detail. But I was still able to appreciate the difficulties and obstacles that the climbers had to overcome, and I am amazed at how they did it.
The photos included throughout the book were really helpful for scene-setting, and show how stunning the views were over the mountain range.
I don't read biographies that often, so I knew it wouldn't be my favourite book. But it was good, and if you like this sort of thing then I would definitely recommend it. 3.5 stars I think.
Goddess in the Stacks (553 KP) rated Inkmistress in Books
Dec 25, 2018
As I mentioned on Friday, this book is the prequel to Of Fire and Stars, so I read it first, even though it was published second. I prefer to read in chronological order when I can.
Inkmistress follows Asra, a demigod of unknown parentage, as she first follows and then is chased by her lover-turned-dragon who is intent on vengeance for the destruction of her village. Her lover, Ina, is convinced it is the King's fault that the village was destroyed, as he's been letting bandits roam over the outer reaches of his kingdom unchecked. So after taking on the form of a dragon, she's off to kill him to avenge her family. Asra is trying to talk Ina out of it, and chases her across the country, from their remote mountain to the inner forests and cities.
I really love Asra. Ina's kind of a bitch, but Asra is loving and funny and just an awesome person, fighting to protect herself and those she loves, even as those she loves evolve and change past what she can hold onto. Her magic takes a terrible price if she uses it, both on her and on the rest of the world. She has to wrestle with so many unknowns - her parentage, her magic, the world off her mountain, politics, other demigods - and somehow she manages to land on her feet. (Though not without help!)
The romance is sweet, and I love the emphasis on chosen families. Both Asra and Ina appear to be bisexual, which also doesn't appear to be unusual in this world. Reviews of Of Fire and Stars complain about the lack of worldbuilding, which is NOT a problem in this book. Perhaps I'll have an easier time having read this book first; which is a bit of a problem - you shouldn't have to read a prequel to understand the setting of the first book in a series! It does make me glad I'm reading them in this order, though.
I really loved this book. The urgency of the chase really came through in the story - Asra had to get to certain places and get certain things done before certain times, and obstacles thrown in her way made you worry she wouldn't get things done in time. It was well-written, with good character development of Asra, at least, and great world-building.
You can find all my reviews at http://goddessinthestacks.com
Inkmistress follows Asra, a demigod of unknown parentage, as she first follows and then is chased by her lover-turned-dragon who is intent on vengeance for the destruction of her village. Her lover, Ina, is convinced it is the King's fault that the village was destroyed, as he's been letting bandits roam over the outer reaches of his kingdom unchecked. So after taking on the form of a dragon, she's off to kill him to avenge her family. Asra is trying to talk Ina out of it, and chases her across the country, from their remote mountain to the inner forests and cities.
I really love Asra. Ina's kind of a bitch, but Asra is loving and funny and just an awesome person, fighting to protect herself and those she loves, even as those she loves evolve and change past what she can hold onto. Her magic takes a terrible price if she uses it, both on her and on the rest of the world. She has to wrestle with so many unknowns - her parentage, her magic, the world off her mountain, politics, other demigods - and somehow she manages to land on her feet. (Though not without help!)
The romance is sweet, and I love the emphasis on chosen families. Both Asra and Ina appear to be bisexual, which also doesn't appear to be unusual in this world. Reviews of Of Fire and Stars complain about the lack of worldbuilding, which is NOT a problem in this book. Perhaps I'll have an easier time having read this book first; which is a bit of a problem - you shouldn't have to read a prequel to understand the setting of the first book in a series! It does make me glad I'm reading them in this order, though.
I really loved this book. The urgency of the chase really came through in the story - Asra had to get to certain places and get certain things done before certain times, and obstacles thrown in her way made you worry she wouldn't get things done in time. It was well-written, with good character development of Asra, at least, and great world-building.
You can find all my reviews at http://goddessinthestacks.com
LeftSideCut (3778 KP) rated Rare Exports: A Christmas Tale (2010) in Movies
Dec 18, 2020
Rare Exports is a proper gem of an alternative Christmas film.
It revolves around a British company drilling into the mountain Korvatunturi in Lapland, hoping to find a legendary gravesite. A local child Pietari spies on proceedings, and is convinced that this company have found the grave of the original Santa Claus, not the jolly red and white icon that everyone is familiar with, but the proper monstrous version spoken about in fairtytales in Piertari's books. This being a child centric horror, of course no one believes him, until all the other children in the village start to go missing, and shit starts going sideways.
Rare Exports strengths lies in its strong cast. Greta performances from Onni Tommila and Jorma Tommila (father and son in both the film, and real life, just for that extra layer of believability!) The pair, alongside the supporting cast keep everything pretty grounded, despite the absurdity going on around them.
The film's dialogue is largely in Finnish, and this coupled with it's sparse and snowy setting, lend the narrative a truly otherworldly but authentic feeling.
It's also effectively creepy, especially the skinny old man "Santa" that the group capture and cage up. The need to figure out what is really going on never lets up either, even as the plot flies towards it's increasingly WTF climax (there's a silly amount of dong by the way, just FYI).
Rare Exports is certainly worth a watch. It's delightfully barmy, and is a great tonic if you become weary of "traditional" Christmas movies. 🎅
It revolves around a British company drilling into the mountain Korvatunturi in Lapland, hoping to find a legendary gravesite. A local child Pietari spies on proceedings, and is convinced that this company have found the grave of the original Santa Claus, not the jolly red and white icon that everyone is familiar with, but the proper monstrous version spoken about in fairtytales in Piertari's books. This being a child centric horror, of course no one believes him, until all the other children in the village start to go missing, and shit starts going sideways.
Rare Exports strengths lies in its strong cast. Greta performances from Onni Tommila and Jorma Tommila (father and son in both the film, and real life, just for that extra layer of believability!) The pair, alongside the supporting cast keep everything pretty grounded, despite the absurdity going on around them.
The film's dialogue is largely in Finnish, and this coupled with it's sparse and snowy setting, lend the narrative a truly otherworldly but authentic feeling.
It's also effectively creepy, especially the skinny old man "Santa" that the group capture and cage up. The need to figure out what is really going on never lets up either, even as the plot flies towards it's increasingly WTF climax (there's a silly amount of dong by the way, just FYI).
Rare Exports is certainly worth a watch. It's delightfully barmy, and is a great tonic if you become weary of "traditional" Christmas movies. 🎅
Purple Phoenix Games (2266 KP) rated Gorinto in Tabletop Games
Mar 2, 2020
I have been noticing that as I do more and more reviews and previews I am learning to absolutely adore abstract strategy games. Like, I LOVE them now. So when a call for reviewers came out for a new abstract game with art by Josh Cappel, I was immediately intrigued. I love games with an Asian style (even if loosely themed), and games that reward players for thinking ahead and maximizing their turns. Wait, it plays in 30-60 minutes too? I’m a fan.
A “gorinto” is a Japanese five-tier pagoda tower where each tier is representative of something of religious importance. In this game, each tier is representative of one of the elements: fire, water, wind, earth, and void. In this prototype version, the season tracking pawn is a representative gorinto. To gain deeper understanding of these elements and attain ultimate Wisdom is the goal of the game of Gorinto.
DISCLAIMER: We were provided a prototype copy of this game for the purposes of this review. These are preview copy components, and the final components will be different from these shown. Also, it is not my intention to detail every rule in the game. You are invited to download the rulebook, back the game through the Kickstarter campaign running until March 4, 2020, or purchase through any retailers stocking it after fulfillment. -T
To setup, each player will choose a color, take the play mat of matching color, and place their score marker on the score board. The season tracker will be placed on the scoreboard as well, along with the randomized Goal cards and end-of-game element scoring cards. The main play board will be populated with randomized element tiles pulled from the bag in the shape of a mountain, with 10 tiles placed along the side and top edges of the built mountain of tiles. Determine the first player and the game is ready to be played.
On a player’s turn they will choose one of these outlying tiles to move onto the board. Once placed, the player will choose tiles, based on the placed tile’s power, from the board. For example, “fire spreads tall,” so if a Fire tile is placed on the board, a player may choose any tile from the column where it was placed two spaces above or below the placed tile. The number of tiles that can be plucked from the board depends on the player’s “understanding” of the element (the number of tiles of that type on the player’s board +1). With two tiles on a player’s personal board, they can choose three tiles when moving that type of tile, in the example – fire.
Tiles moved from the left side of the mountain can only move horizontally in their row and tiles moved from the top of the mountain can only move vertically in their column. With each of the elements possessing different ways tiles can be chosen from the mountain, and understanding of each element affecting how many tiles can be chosen, players need to plan ahead for their turns… except that other players will be doing the same and planning their own strategies to destroy their opponents’ plans.
When there are fewer tiles to be moved outside the mountain than there are players, the season (round) ends. At this point, players will score the Goal cards before setting up for the next season.
Each season the Goal cards will be scored – so players will know throughout the game upon what they should be concentrating their efforts. Examples of these Goal cards are: score your tallest stack (1 point per tile), then score your shortest stack (0 points if no tiles on a stack); score your stacks with odd number of tiles twice; score the stack with the median number of tiles three times. By being able to manipulate and keep track of the tile stacks players can be planning their scores ahead of time for each season.
Components. Again, this is a prototype copy of the game, but already one can see the direction this game is headed, and it’s glorious! I have seen the Kickstarter page, and am super excited about seeing nearly every component get a fantastic upgrade. The art direction is incredible, the physical components are plastic and cardboard heaven. I am even pretty happy with this prototype copy. Yeah, the tiles are squarish wooden tiles with stickers, and the retail copy will have sexy interlocking plastic tokens, and the player boards in prototype are rectangular, but the retail copy will have a fancy contoured edge. Even so! The game looks amazing on the table, and will be even more so once it goes to manufacturing in earnest.
I mentioned in my intro that I am falling more in love with abstracts the more I play them. Has it just been that abstracts have been getting better and better lately, or am I leveling up as a gamer? I don’t know and I don’t care. Abstracts hold a very special place in my heart now, and this one is one of the best I have played. Most abstracts get a bad rap for being themeless and boring to look at, but Gorinto brings it and I’m totally diggin’ it. I love games like Gekitai, Calico, Elementos, Hive, and Onitama, and now there’s another to add to my display case of amazing abstracts.
If you enjoy themed abstract strategy games, games that make you think without bogging you down, and games that make you smile even when you lose simply because you enjoyed the experience, you should check this one out. There is still time to back it through Kickstarter, but the campaign ends on Wednesday, March 6. At the time of writing, the campaign is funded at over 500%.
A “gorinto” is a Japanese five-tier pagoda tower where each tier is representative of something of religious importance. In this game, each tier is representative of one of the elements: fire, water, wind, earth, and void. In this prototype version, the season tracking pawn is a representative gorinto. To gain deeper understanding of these elements and attain ultimate Wisdom is the goal of the game of Gorinto.
DISCLAIMER: We were provided a prototype copy of this game for the purposes of this review. These are preview copy components, and the final components will be different from these shown. Also, it is not my intention to detail every rule in the game. You are invited to download the rulebook, back the game through the Kickstarter campaign running until March 4, 2020, or purchase through any retailers stocking it after fulfillment. -T
To setup, each player will choose a color, take the play mat of matching color, and place their score marker on the score board. The season tracker will be placed on the scoreboard as well, along with the randomized Goal cards and end-of-game element scoring cards. The main play board will be populated with randomized element tiles pulled from the bag in the shape of a mountain, with 10 tiles placed along the side and top edges of the built mountain of tiles. Determine the first player and the game is ready to be played.
On a player’s turn they will choose one of these outlying tiles to move onto the board. Once placed, the player will choose tiles, based on the placed tile’s power, from the board. For example, “fire spreads tall,” so if a Fire tile is placed on the board, a player may choose any tile from the column where it was placed two spaces above or below the placed tile. The number of tiles that can be plucked from the board depends on the player’s “understanding” of the element (the number of tiles of that type on the player’s board +1). With two tiles on a player’s personal board, they can choose three tiles when moving that type of tile, in the example – fire.
Tiles moved from the left side of the mountain can only move horizontally in their row and tiles moved from the top of the mountain can only move vertically in their column. With each of the elements possessing different ways tiles can be chosen from the mountain, and understanding of each element affecting how many tiles can be chosen, players need to plan ahead for their turns… except that other players will be doing the same and planning their own strategies to destroy their opponents’ plans.
When there are fewer tiles to be moved outside the mountain than there are players, the season (round) ends. At this point, players will score the Goal cards before setting up for the next season.
Each season the Goal cards will be scored – so players will know throughout the game upon what they should be concentrating their efforts. Examples of these Goal cards are: score your tallest stack (1 point per tile), then score your shortest stack (0 points if no tiles on a stack); score your stacks with odd number of tiles twice; score the stack with the median number of tiles three times. By being able to manipulate and keep track of the tile stacks players can be planning their scores ahead of time for each season.
Components. Again, this is a prototype copy of the game, but already one can see the direction this game is headed, and it’s glorious! I have seen the Kickstarter page, and am super excited about seeing nearly every component get a fantastic upgrade. The art direction is incredible, the physical components are plastic and cardboard heaven. I am even pretty happy with this prototype copy. Yeah, the tiles are squarish wooden tiles with stickers, and the retail copy will have sexy interlocking plastic tokens, and the player boards in prototype are rectangular, but the retail copy will have a fancy contoured edge. Even so! The game looks amazing on the table, and will be even more so once it goes to manufacturing in earnest.
I mentioned in my intro that I am falling more in love with abstracts the more I play them. Has it just been that abstracts have been getting better and better lately, or am I leveling up as a gamer? I don’t know and I don’t care. Abstracts hold a very special place in my heart now, and this one is one of the best I have played. Most abstracts get a bad rap for being themeless and boring to look at, but Gorinto brings it and I’m totally diggin’ it. I love games like Gekitai, Calico, Elementos, Hive, and Onitama, and now there’s another to add to my display case of amazing abstracts.
If you enjoy themed abstract strategy games, games that make you think without bogging you down, and games that make you smile even when you lose simply because you enjoyed the experience, you should check this one out. There is still time to back it through Kickstarter, but the campaign ends on Wednesday, March 6. At the time of writing, the campaign is funded at over 500%.
Darren (1599 KP) rated The Mountain Between Us (2017) in Movies
Oct 14, 2019
Characters – Ben Bass is a surgeon, he needs to get back to New York to perform an operation, when the crash happens, he focuses on aiming to stay at the crash site believing he will get rescued, reluctant to follow Alex’s idea to find their own way out. His skills as a doctor are key to survive this one. Alex is a photographer heading home for her wedding, she does get hurt in the crash and wants to go in search of help rather than wait. These two are professionals that make decisions based on logic over panic which is why even if they are opposite, their discussions make sense.
Performances – Idris Elba and Kate Winslet are the only ones that get any major screen time, they are both great in this film as we see them both playing to their strengths.
Story – The story here follows two strangers who are involved in a plane crash in a mountain range and must put their differences a side to survive while searching and hoping for rescue. This is a survival movie at heart with a weak romance movie on the side, we go through the normal can they survive situations, each one becoming deadlier as they go along and leaving us guessing how rather than if they will get rescued, it seems to clear to say that they won’t make it because of it only being a two person. The fact that the dog is the most interesting character doesn’t help us out here and the timing we go through just seems weak when it comes to telling us how long they have been there, we get the odd scene, but learn nothing about moments inbetween.
Action/Adventure/Romance – The action comes from the scene in which the plane crashed, it is shot well but is the only one we see. The adventure side of the film shows us just what the two must go through to survive their ordeal. The romance between them seems to just get tagged in for no particular reasons.
Settings – The film puts us in the middle of nowhere in a mountain range, it looks stunning with views from the top, the biggest problem with the setting is we just don’t get the full scale of the situation.
Scene of the Movie – The crash scene.
That Moment That Annoyed Me – Not explaining the time period there are lost for.
Final Thoughts – This is a standard movie with a simple story that gets everything it needs to in the film without being anything overly memorable.
Overall: Standard and safe.
Performances – Idris Elba and Kate Winslet are the only ones that get any major screen time, they are both great in this film as we see them both playing to their strengths.
Story – The story here follows two strangers who are involved in a plane crash in a mountain range and must put their differences a side to survive while searching and hoping for rescue. This is a survival movie at heart with a weak romance movie on the side, we go through the normal can they survive situations, each one becoming deadlier as they go along and leaving us guessing how rather than if they will get rescued, it seems to clear to say that they won’t make it because of it only being a two person. The fact that the dog is the most interesting character doesn’t help us out here and the timing we go through just seems weak when it comes to telling us how long they have been there, we get the odd scene, but learn nothing about moments inbetween.
Action/Adventure/Romance – The action comes from the scene in which the plane crashed, it is shot well but is the only one we see. The adventure side of the film shows us just what the two must go through to survive their ordeal. The romance between them seems to just get tagged in for no particular reasons.
Settings – The film puts us in the middle of nowhere in a mountain range, it looks stunning with views from the top, the biggest problem with the setting is we just don’t get the full scale of the situation.
Scene of the Movie – The crash scene.
That Moment That Annoyed Me – Not explaining the time period there are lost for.
Final Thoughts – This is a standard movie with a simple story that gets everything it needs to in the film without being anything overly memorable.
Overall: Standard and safe.