"Funky Forest. It’s a Japanese movie. It’s kind of like a patchwork film, kind of like Kuso is, in a way. I think it was heavily influential in just like, “OK well, it doesn’t all have to be … It can feel more like a short film, but in the same world, in an absurd world.” I think it was really, really inspiring for me. It had a lot of body comedy in that movie, a lot of really cool prosthetic effects that mixed with CGI, I think. It’s one of the movies where people will just be like, “What the f— is this? What is this?” And it’s not perfect movie, but it is, at times, perfect."

"First of all, I would say John Sayles’s Matewan. I don’t know if you’ve ever seen it — and by the way, you should, because it’s a really incredible film — but it was one of those things where my Aunt Mary Jean from Knoxville, Tennessee sat me down and said, “You need to see this movie.” It’s by the same guy who did this other movie called Brother from Another Planet, but this movie’s really one of the best strike movies. It had James Earl Jones, Chris Cooper in his first movie, and Mary McDonnell. It’s got an incredible cast, but it’s just got a lot of soul. It’s really one of my favorite movies."