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Sophia (Bookwyrming Thoughts) (530 KP) rated The Color Project in Books
Jan 23, 2020
<b><i>I received this book for free from Author in exchange for an honest review. This does not affect my opinion of the book or the content of my review.</i></b>
<b>Five Reasons Why You Should Drop Everything on July 18 and Read <i>The Color Project</i></b>
Lately I've been in a reviewing funk/slump, so I am back again with another list of reasons why you should totally drop everything, and I mean <i>everything</i> (except for homework and other real-life priorities despite the fact you'd rather read all day) on July 18 (WHEN THE BOOK COMES OUT!) and read Sierra Abrams's debut novel.
<b>The Use of Apps</b> - I think this is a <i>really</i> minor detail, but I almost never see books that actually uses smartphone apps, and Abrams incorporates the use of at least one app I think almost everyone uses on a daily basis if not more.
<b>Gorgeous Writing</b> - I currently don't have the copy with me by side as I'm writing this review, but Abrams has some <i>amazing</i> descriptors in her novel (most of which having to do with stars and constellations, which I adore). Have I mentioned the chapters are based on songs?!
<b>Family and Friendship</b> - Aside from the obvious romance, family and friendship plays an important role in <i>The Color Project</i>, and I <i>loved</i> how Abrams incorporated those two elements together seamlessly with romance.
<b>So Much Emotional Feels</b> - If anyone knows me well enough, I am <i>not</i> an emotional person when it comes to the books I read and the movies/TV shows I see. <i>The Color Project</i> brings out my emotional side, and I had so many tears as I got closer to the end of the novel. (Granted, I might have been watching far too many <i>Boys Over Flowers</i> episodes and reading about three other contemporary novels at the same time, but <i>I never cryyy</i>.)
<b>Cute Characters</b> - I am <i>alll</i> for adorable characters. <i>Imperfect Chemistry</i> is valid proof of that, along with many others I've been reading lately (from <i>I Believe in a Thing Called Love</i> to <i>When Dimple Met Rishi</i>). Bee and Levi are so adorable, I just want to pick them up from <i>The Color Project</i> and adopt them.
It was an absolute delight to read Bee's and Levi's story in <i>The Color Project,</i> and is perfect for those looking for a contemporary novel that has gorgeous writing and bring so much emotion.
<a href="https://bookwyrmingthoughts.com/blog-tour-color-project-by-sierra-abrams/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
<b>Five Reasons Why You Should Drop Everything on July 18 and Read <i>The Color Project</i></b>
Lately I've been in a reviewing funk/slump, so I am back again with another list of reasons why you should totally drop everything, and I mean <i>everything</i> (except for homework and other real-life priorities despite the fact you'd rather read all day) on July 18 (WHEN THE BOOK COMES OUT!) and read Sierra Abrams's debut novel.
<b>The Use of Apps</b> - I think this is a <i>really</i> minor detail, but I almost never see books that actually uses smartphone apps, and Abrams incorporates the use of at least one app I think almost everyone uses on a daily basis if not more.
<b>Gorgeous Writing</b> - I currently don't have the copy with me by side as I'm writing this review, but Abrams has some <i>amazing</i> descriptors in her novel (most of which having to do with stars and constellations, which I adore). Have I mentioned the chapters are based on songs?!
<b>Family and Friendship</b> - Aside from the obvious romance, family and friendship plays an important role in <i>The Color Project</i>, and I <i>loved</i> how Abrams incorporated those two elements together seamlessly with romance.
<b>So Much Emotional Feels</b> - If anyone knows me well enough, I am <i>not</i> an emotional person when it comes to the books I read and the movies/TV shows I see. <i>The Color Project</i> brings out my emotional side, and I had so many tears as I got closer to the end of the novel. (Granted, I might have been watching far too many <i>Boys Over Flowers</i> episodes and reading about three other contemporary novels at the same time, but <i>I never cryyy</i>.)
<b>Cute Characters</b> - I am <i>alll</i> for adorable characters. <i>Imperfect Chemistry</i> is valid proof of that, along with many others I've been reading lately (from <i>I Believe in a Thing Called Love</i> to <i>When Dimple Met Rishi</i>). Bee and Levi are so adorable, I just want to pick them up from <i>The Color Project</i> and adopt them.
It was an absolute delight to read Bee's and Levi's story in <i>The Color Project,</i> and is perfect for those looking for a contemporary novel that has gorgeous writing and bring so much emotion.
<a href="https://bookwyrmingthoughts.com/blog-tour-color-project-by-sierra-abrams/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
BankofMarquis (1832 KP) rated Paddington 2 (2017) in Movies
Feb 3, 2019
Wonderful, whimsical film for kids and adults alike
As I was perusing various "Top Films of 2018" lists, one surprising film kept showing up on these lists, so I thought I'd better check it out.
And I'm glad I did for PADDINGTON 2 is a charming family film that entranced me from beginning to end with wonderful performances and a charm and whimsy that hooked me from start to finish.
A follow-up to the moderate 2014 hit (based on the beloved children's books series) about a Peruvian bear that heads to 19th Century London seeking adventure - and finds a family - PADDINGTON 2 follows said Bear as he is caught up in a robbery and is mistakenly jailed for the crime. Can Paddington make friends with the burly inmates in the prison? Can the Brown family help find the true perpetrator of the crime and help spring Paddington? Can faith and love triumph in a time of skepticism and darkness?
It's a family film, what do you think?
The joy in this film is in the telling - and Paul King (returning as Director/Writer) does a wonderful job telling a joyous, family-friendly story without diving into sacrine-ness (is that a word? It is now) and schmaltz. He tells the story with a sly wink in his eye and dives deep into whimsical detail of late 19th century London - a London racing full throttle into the steam age. There is a light cyber-punk sensibility to the proceedings and this works wonderfully well.
As you would expect, King does a nice job getting the actors to click into the sensibilities and style of this film. Ben Wishaw is back as the voice of Paddington - and he is perfectly cast. Wishaw has a naivete and sense of wonder to his voice that serves the Paddington character well. Jim Broadbent, Hugh Bonneville, Sally Hawkins and Julie Walters all reprise their roles - in winning fashion. But it is the newcomers that shine. Brendan Gleeson shows off some comic chops as main prison bad guy "Knuckles" McGinty who forms an unlikely friendship/partnership with Paddington and, especially Hugh Grant as vain, egotistical actor Phoenix Buchanan. I won't spoil the antics of Grant's character but I have a feeling that Mr. Grant had as much fun bringing this character to screen as I did watching him.
Two final things - the finale really works for me as King sets up each character's "special skill" at the beginning of the film that they will need to bring to bear (no pun intended) during the action at the end. To often, character's and character threads are set up at the beginning of a film only to be abandoned by the end, so it is satisfying to me when King sets up items at the beginning of this film and then PAYS THEM OFF at the end.
And, finally, STAY THROUGH THE CREDITS. There is a scene in the credits that is as good as anything that is in the film. I won't spoil the fun for you, but want you to know about this so you won't miss it.
A wonderful, whimsical, time at the movies. If you have kids (5,6,7 years old), this is a MUST SEE. For the rest of you, if you're looking for fun escape from the world, this film will do it.
Letter Grade A-
8 (out of 10) stars and you can take that to the Bank(ofMarquis)
And I'm glad I did for PADDINGTON 2 is a charming family film that entranced me from beginning to end with wonderful performances and a charm and whimsy that hooked me from start to finish.
A follow-up to the moderate 2014 hit (based on the beloved children's books series) about a Peruvian bear that heads to 19th Century London seeking adventure - and finds a family - PADDINGTON 2 follows said Bear as he is caught up in a robbery and is mistakenly jailed for the crime. Can Paddington make friends with the burly inmates in the prison? Can the Brown family help find the true perpetrator of the crime and help spring Paddington? Can faith and love triumph in a time of skepticism and darkness?
It's a family film, what do you think?
The joy in this film is in the telling - and Paul King (returning as Director/Writer) does a wonderful job telling a joyous, family-friendly story without diving into sacrine-ness (is that a word? It is now) and schmaltz. He tells the story with a sly wink in his eye and dives deep into whimsical detail of late 19th century London - a London racing full throttle into the steam age. There is a light cyber-punk sensibility to the proceedings and this works wonderfully well.
As you would expect, King does a nice job getting the actors to click into the sensibilities and style of this film. Ben Wishaw is back as the voice of Paddington - and he is perfectly cast. Wishaw has a naivete and sense of wonder to his voice that serves the Paddington character well. Jim Broadbent, Hugh Bonneville, Sally Hawkins and Julie Walters all reprise their roles - in winning fashion. But it is the newcomers that shine. Brendan Gleeson shows off some comic chops as main prison bad guy "Knuckles" McGinty who forms an unlikely friendship/partnership with Paddington and, especially Hugh Grant as vain, egotistical actor Phoenix Buchanan. I won't spoil the antics of Grant's character but I have a feeling that Mr. Grant had as much fun bringing this character to screen as I did watching him.
Two final things - the finale really works for me as King sets up each character's "special skill" at the beginning of the film that they will need to bring to bear (no pun intended) during the action at the end. To often, character's and character threads are set up at the beginning of a film only to be abandoned by the end, so it is satisfying to me when King sets up items at the beginning of this film and then PAYS THEM OFF at the end.
And, finally, STAY THROUGH THE CREDITS. There is a scene in the credits that is as good as anything that is in the film. I won't spoil the fun for you, but want you to know about this so you won't miss it.
A wonderful, whimsical, time at the movies. If you have kids (5,6,7 years old), this is a MUST SEE. For the rest of you, if you're looking for fun escape from the world, this film will do it.
Letter Grade A-
8 (out of 10) stars and you can take that to the Bank(ofMarquis)
Disposable Futures: The Seduction of Violence in the Age of Spectacle
Brad Evans and Henry A. Giroux
Book
"This is a must-read book for anyone ready to transcend fear and imagine a new reality."--Tikkun...
Butterfly child (6 KP) rated Killing Floor: (Jack Reacher 1) in Books
Feb 26, 2018
OK characterisation (1 more)
Good mystery build up
Intriguiging lead character.
I wasn't sure about this book when I first started it. I had heard great things about it, but I like to make my own mind up. Although it had some action from the start, it was still quite slow but once I got into it, I really enjoyed it. A really good read, I passed onto my mum to read too! We quite like reading the same books sometimes so we can discuss it after reading. Its quite a nice mum/daughter activity.
I know the Jack Reacher series is quite old, and now has to movies but I guess I was quite late to the party. I have managed to avoid hearing much about the series, other than lots of positive comments about the books. So I was quite excited to get started.
The debut Jack Reacher novel kicks off with a good mystery and an intriguing character. I did find it was quite slow, and even though Jack is meant to be a bit of a mystery, I finished the book still not really feeling connected to the character, and for me, when reading its about feeling connected to the characters and the books which makes me carry on reading a series.
Although, I didn't fully connected with Jack Reacher, I did like the story and some of the background characters.
I like fiction, and I am a fan of Harry Potter and sci-fi and lots of things that dispel belief, but I like it in that context when you are expecting magic and some things to not make sense. The idea of why Jack was in Margate, Georgia and his connection the dead body felt a little strange. It added a level of something to the story but I am not sure why. This was my only issue with it, and I have only read the first book, so maybe more will be explained as the series goes on. I am giving it the benefit of the doubt, as overall I did really enjoy the book.
It's an 'ok' start to a series, and Jack Reachers mysterious life kept me intrigued enough to want to carry on with the series and pass it onto my mum. I am excited to move onto book 2.
I know the Jack Reacher series is quite old, and now has to movies but I guess I was quite late to the party. I have managed to avoid hearing much about the series, other than lots of positive comments about the books. So I was quite excited to get started.
The debut Jack Reacher novel kicks off with a good mystery and an intriguing character. I did find it was quite slow, and even though Jack is meant to be a bit of a mystery, I finished the book still not really feeling connected to the character, and for me, when reading its about feeling connected to the characters and the books which makes me carry on reading a series.
Although, I didn't fully connected with Jack Reacher, I did like the story and some of the background characters.
I like fiction, and I am a fan of Harry Potter and sci-fi and lots of things that dispel belief, but I like it in that context when you are expecting magic and some things to not make sense. The idea of why Jack was in Margate, Georgia and his connection the dead body felt a little strange. It added a level of something to the story but I am not sure why. This was my only issue with it, and I have only read the first book, so maybe more will be explained as the series goes on. I am giving it the benefit of the doubt, as overall I did really enjoy the book.
It's an 'ok' start to a series, and Jack Reachers mysterious life kept me intrigued enough to want to carry on with the series and pass it onto my mum. I am excited to move onto book 2.
Bob Mann (459 KP) rated Jumanji: The Next Level (2019) in Movies
Dec 27, 2019
Ensemble cast (1 more)
Plain good fun
Rebooted again, and just as fun.
One of the pleasant movie surprises of Christmas 2017 for me was "Jumanji: Welcome to the Jungle". I expected it to be a tired retread of the original classic, but instead it turned into a highly entertaining action comedy. Reading my review again, I was rather po-faced about it and scored it with a rather measly 7/10. But this rather belies my secret love of the movie: it is a film that I can invariably watch and enjoy again and again.
This was also a film that raked in a HUGE return at the box office, getting close to the billion dollar number on its $90 million budget. During the spring of 2018, this was an almost permanent resident at the multiplexes (until "The Greatest Showman" and "Mamma Mia: Here We Go Again" took over the residence for the rest of the year!) . A sequel was inevitable
We rejoin the cast some time after the events of the first film, and the geeky teenage lovers - Spencer and Bethany - are trying, unsuccessfully, to carry on their long distance relationship while at separate colleges. Spencer is struggling mentally; lacking in confidence and momentum and desperate to feel like 'Smoulder' Bravestone again.
On returning to his home town for the holidays, Spencer fixes the shattered game. But the console is unpredictable and when the game sucks people into Jumanji this time it's not just Spencer and two of his friends that go in, but Spencer's Grandpa Eddie (Danny DeVito) and his old friend Milo (Danny Glover).
When they get there though, things have changed and the mission is a different one. A "next level" indeed!
This is very much 'much of the same' from the first film. Yes, there's a different backdrop with desert and mountain 'levels' to play through. But the same fun, with exploding avatars and dangerous cake, is to be had again. The script team had to do something different here, and they did that by mixing up the avatars (including a surprising equine player) and throwing in the 'pensioners' to the mix. There is new fun to be mined here from the now nimble-again Eddie and the slow-talking and laconic Milo never quite getting to the point in time.
The stars were all persuaded back for another ride. The four avatar leads (Dwayne Johnson, Karen Gillan, Jack Black and Kevin Hart) all return, together with the young teens (Alex Wolff, Morgan Turner, Ser'Darius Blain and Madison Iseman). Nick Jonas and his older real-life player Colin Hanks are back. Even Nigel "Welcome to Jumanji" Billingsley (Rhys Darby) returns, this time swapping his jeep for a plane.
The newcomers to the cast are also welcome. Glover and DeVito are at their cranky best, and introduce a genuinely touching moment into the film. And a new avatar - Ming Fleetfoot - is fabulous in the form of Awkwafina, so brilliant in this year's "The Farewell".
There's not much more to say on this. If you liked the original, you'll enjoy this one too. Many of the same jokes are trotted out again. The villain (here Rory McCann) is as forgettable as in the first film. It's not breaking any records in terms of originality, but the producers won't mind about that as long as it drags the crowds in again. At the time of writing it has made $320K on its $125K budget, so that seems to be working.
Jake Kasdan is again at the helm. But I really hope enough is enough, and they leave it at this. The mid-credits scene might suggest though that greed is going to dictate a Jumanji 4 (or 5 in some people's books). The returns, I fear, from the franchise will be ever diminishing from this point forwards.
(For the full graphical review go here - https://bob-the-movie-man.com/2019/12/27/one-manns-movies-film-review-jumanji-the-next-level-2019/ .)
This was also a film that raked in a HUGE return at the box office, getting close to the billion dollar number on its $90 million budget. During the spring of 2018, this was an almost permanent resident at the multiplexes (until "The Greatest Showman" and "Mamma Mia: Here We Go Again" took over the residence for the rest of the year!) . A sequel was inevitable
We rejoin the cast some time after the events of the first film, and the geeky teenage lovers - Spencer and Bethany - are trying, unsuccessfully, to carry on their long distance relationship while at separate colleges. Spencer is struggling mentally; lacking in confidence and momentum and desperate to feel like 'Smoulder' Bravestone again.
On returning to his home town for the holidays, Spencer fixes the shattered game. But the console is unpredictable and when the game sucks people into Jumanji this time it's not just Spencer and two of his friends that go in, but Spencer's Grandpa Eddie (Danny DeVito) and his old friend Milo (Danny Glover).
When they get there though, things have changed and the mission is a different one. A "next level" indeed!
This is very much 'much of the same' from the first film. Yes, there's a different backdrop with desert and mountain 'levels' to play through. But the same fun, with exploding avatars and dangerous cake, is to be had again. The script team had to do something different here, and they did that by mixing up the avatars (including a surprising equine player) and throwing in the 'pensioners' to the mix. There is new fun to be mined here from the now nimble-again Eddie and the slow-talking and laconic Milo never quite getting to the point in time.
The stars were all persuaded back for another ride. The four avatar leads (Dwayne Johnson, Karen Gillan, Jack Black and Kevin Hart) all return, together with the young teens (Alex Wolff, Morgan Turner, Ser'Darius Blain and Madison Iseman). Nick Jonas and his older real-life player Colin Hanks are back. Even Nigel "Welcome to Jumanji" Billingsley (Rhys Darby) returns, this time swapping his jeep for a plane.
The newcomers to the cast are also welcome. Glover and DeVito are at their cranky best, and introduce a genuinely touching moment into the film. And a new avatar - Ming Fleetfoot - is fabulous in the form of Awkwafina, so brilliant in this year's "The Farewell".
There's not much more to say on this. If you liked the original, you'll enjoy this one too. Many of the same jokes are trotted out again. The villain (here Rory McCann) is as forgettable as in the first film. It's not breaking any records in terms of originality, but the producers won't mind about that as long as it drags the crowds in again. At the time of writing it has made $320K on its $125K budget, so that seems to be working.
Jake Kasdan is again at the helm. But I really hope enough is enough, and they leave it at this. The mid-credits scene might suggest though that greed is going to dictate a Jumanji 4 (or 5 in some people's books). The returns, I fear, from the franchise will be ever diminishing from this point forwards.
(For the full graphical review go here - https://bob-the-movie-man.com/2019/12/27/one-manns-movies-film-review-jumanji-the-next-level-2019/ .)
Tyler Fletcher (8 KP) rated Artemis Fowl (2020) in Movies
Jun 14, 2020
Character development (1 more)
Forgettable story
Another Live-Action Disney Adaption Bomb
Contains spoilers, click to show
What is it about fantasy novels that makes them so difficult to translate effectively to the silver screen? It’s not impossible – J.K. Rowling’s Harry Potter series and Peter Jackson’s The Lord of the Rings adaptations are proof that it can be done. More often than not, however, the result is as limp and truncated as Kenneth Branagh’s Artemis Fowl – a few standout moments set adrift in a sea of underdeveloped characters, incomplete backstory elements, and abbreviated world building. Although the problem lies primarily in the difficulties associated with condensing an epic tale into a short-ish movie, the lack of elegance with which that is accomplished makes Artemis Fowl a failure for anyone hoping for the next great fantasy film.
The treatment accorded to Artemis Fowl (the movie condenses elements from the first two volumes of an eight-novel cycle into a single film) recalls a Disney misfire from more than three decades ago. Although The Black Cauldron was animated, it suffered from many of the same problems evident in Artemis Fowl: an oversimplification of the backstory, a rushed narrative with poorly realized characters, and a overall lack of faithfulness to the source material. The Black Cauldron worked better because it at least had a clean ending. Artemis Fowl suffers by trying to both provide a credible stopping point (in case there are no additional films) and offering a lead-in to additional adventures (in case there are additional films).
In the books, 12-year old Artemis (played by Ferdia Shaw, the grandson of Robert Shaw) is presented as an anti-hero (although, over the course of the saga, his villainous attributes fade to be replaced by heroic ones). Here, he’s more of a misunderstood boy-genius whose role as the protagonist is never in question. All of his edges have been smoothed out. The story focuses on Artemis’ efforts to locate and rescue his father, Artemis Fowl Sr. (Colin Farrell), an infamous art thief who has been kidnapped by the twisted evil fairy Opal Koboi. Her ransom for releasing him is that Artemis must locate and obtain a powerful McGuffin. He is joined in his efforts by Lower Elements Police (LEP) fairy police officer Holly Short (Lara McDonnell), giant dwarf Mulch Diggums (Josh Gad), and strongman Domovoi Butler (Nonso Anozie).
Artemis Fowl diverges considerably from the two books that form its basis, Artemis Fowl and Artemis Fowl and the Arctic Incident. Although author Eoin Colfer reportedly “approved” the changes, they push the film into an alternate universe from the one occupied by the novels. Even with the pruning of subplots and condensation of the narrative, 100 minutes is too short to tell the story effectively. None of the characters are well-developed, including Artemis. The boy’s relationship with Holly Short evolves with whiplash-inducing rapidity – one moment, they’re enemies (actually, she’s his prisoner), the next they’re friends. The film’s frenetic pace might work for ADD viewers and preteens but there’s no time for world-building or anything more than the most basic exposition. As a result, Artemis Fowl feels rushed to the point of being exhausting and strangely confusing despite the relatively straightforward storyline.
Kenneth Branagh was undoubtedly selected to direct the film based on his success with two earlier Disney properties: the live-action Cinderella and Marvel’s Thor. Perhaps because Branagh had no input into the screenplay (which was completed before he came on board), the movie lacks the complex psychological qualities he normally brings to his films. Visually, Artemis Fowl is impressive. However, although the fairy world of Haven is beautifully rendered, it appears all-too-briefly. The film’s most impressive sequence, a throwdown with a seemingly invincible troll, is a standout by any definition, but it represents only about five minutes of screen time and there’s nothing else that comes close – not even the muted climax.
As is often the case, Branagh’s presence at the top results in some impressive names in the cast. The young leads are newcomers – this is Ferdia Shaw’s first movie (and it shows – his performance is occasionally wooden) and Lara McDonnell’s third (she’s better, evidencing an indomitable pluckiness) – but the rest of the cast is populated with veterans. Josh Gad, another Disney regular, has the most openly comedic role of the film as Mulch Diggums. Colin Farrell is called on for limited duty as Artemis’ mostly-absent father. Nonso Anozie, who has a history with Branagh, plays Artemis’ protector and advisor. Finally, Judi Dench adds a dose of class as Holly’s no-nonsense boss.
It has taken Artemis Fowl nearly 20 years to traverse the route from page to screen and one senses that neither fans nor newcomers will be especially pleased with the end result. Recognizing that the film faced rough seas, Disney postponed the movie’s originally planned August 2019 release to May 2020 then, when the coronavirus made that impossible, the studio elected to shift the film to its Disney+ platform. Although partially a face-saving gesture (Artemis Fowl would likely have had a similar box office reception to Disney’s underwhelming 2018 release, The Nutcracker and the Four Realms), it at least allows the film to find a large audience in a low-pressure situation.
The bottom line seems to be that, while Disney has shown an aptitude for making many different kinds of movies, fantasy epics aren’t among them. This is one genre the Magic Kingdom should perhaps avoid, leaving such properties to studios that have shown better success (such as Warner Brothers). Artemis Fowl could have been the beginning of a movie franchise but, based on the first installment, it’s more likely a one-and-done outing. Disney can't quite get away from the John Carters can they?
THIS FILM IS AN EXCEPTIONAL BOMB
The treatment accorded to Artemis Fowl (the movie condenses elements from the first two volumes of an eight-novel cycle into a single film) recalls a Disney misfire from more than three decades ago. Although The Black Cauldron was animated, it suffered from many of the same problems evident in Artemis Fowl: an oversimplification of the backstory, a rushed narrative with poorly realized characters, and a overall lack of faithfulness to the source material. The Black Cauldron worked better because it at least had a clean ending. Artemis Fowl suffers by trying to both provide a credible stopping point (in case there are no additional films) and offering a lead-in to additional adventures (in case there are additional films).
In the books, 12-year old Artemis (played by Ferdia Shaw, the grandson of Robert Shaw) is presented as an anti-hero (although, over the course of the saga, his villainous attributes fade to be replaced by heroic ones). Here, he’s more of a misunderstood boy-genius whose role as the protagonist is never in question. All of his edges have been smoothed out. The story focuses on Artemis’ efforts to locate and rescue his father, Artemis Fowl Sr. (Colin Farrell), an infamous art thief who has been kidnapped by the twisted evil fairy Opal Koboi. Her ransom for releasing him is that Artemis must locate and obtain a powerful McGuffin. He is joined in his efforts by Lower Elements Police (LEP) fairy police officer Holly Short (Lara McDonnell), giant dwarf Mulch Diggums (Josh Gad), and strongman Domovoi Butler (Nonso Anozie).
Artemis Fowl diverges considerably from the two books that form its basis, Artemis Fowl and Artemis Fowl and the Arctic Incident. Although author Eoin Colfer reportedly “approved” the changes, they push the film into an alternate universe from the one occupied by the novels. Even with the pruning of subplots and condensation of the narrative, 100 minutes is too short to tell the story effectively. None of the characters are well-developed, including Artemis. The boy’s relationship with Holly Short evolves with whiplash-inducing rapidity – one moment, they’re enemies (actually, she’s his prisoner), the next they’re friends. The film’s frenetic pace might work for ADD viewers and preteens but there’s no time for world-building or anything more than the most basic exposition. As a result, Artemis Fowl feels rushed to the point of being exhausting and strangely confusing despite the relatively straightforward storyline.
Kenneth Branagh was undoubtedly selected to direct the film based on his success with two earlier Disney properties: the live-action Cinderella and Marvel’s Thor. Perhaps because Branagh had no input into the screenplay (which was completed before he came on board), the movie lacks the complex psychological qualities he normally brings to his films. Visually, Artemis Fowl is impressive. However, although the fairy world of Haven is beautifully rendered, it appears all-too-briefly. The film’s most impressive sequence, a throwdown with a seemingly invincible troll, is a standout by any definition, but it represents only about five minutes of screen time and there’s nothing else that comes close – not even the muted climax.
As is often the case, Branagh’s presence at the top results in some impressive names in the cast. The young leads are newcomers – this is Ferdia Shaw’s first movie (and it shows – his performance is occasionally wooden) and Lara McDonnell’s third (she’s better, evidencing an indomitable pluckiness) – but the rest of the cast is populated with veterans. Josh Gad, another Disney regular, has the most openly comedic role of the film as Mulch Diggums. Colin Farrell is called on for limited duty as Artemis’ mostly-absent father. Nonso Anozie, who has a history with Branagh, plays Artemis’ protector and advisor. Finally, Judi Dench adds a dose of class as Holly’s no-nonsense boss.
It has taken Artemis Fowl nearly 20 years to traverse the route from page to screen and one senses that neither fans nor newcomers will be especially pleased with the end result. Recognizing that the film faced rough seas, Disney postponed the movie’s originally planned August 2019 release to May 2020 then, when the coronavirus made that impossible, the studio elected to shift the film to its Disney+ platform. Although partially a face-saving gesture (Artemis Fowl would likely have had a similar box office reception to Disney’s underwhelming 2018 release, The Nutcracker and the Four Realms), it at least allows the film to find a large audience in a low-pressure situation.
The bottom line seems to be that, while Disney has shown an aptitude for making many different kinds of movies, fantasy epics aren’t among them. This is one genre the Magic Kingdom should perhaps avoid, leaving such properties to studios that have shown better success (such as Warner Brothers). Artemis Fowl could have been the beginning of a movie franchise but, based on the first installment, it’s more likely a one-and-done outing. Disney can't quite get away from the John Carters can they?
THIS FILM IS AN EXCEPTIONAL BOMB
Lee (2222 KP) rated Ready Player One (2018) in Movies
Mar 20, 2018
A dazzling, geeky feast for the eyes!
I don't really do books. In the last twenty years or so, I've probably only read one book from start to finish, and that book was Ready Player One. And I absolutely loved it, reading it pretty much non stop until I'd completed it. As anyone else who has read the book knows, there's a hell of a lot in there for someone to try and incorporate into any movie adaptation that gets undertaken, not to mention all the rights needing to be obtained for the vast wealth of famous characters, movies and video games that it features and recreates in such intricate geeky detail. Steven Spielberg is probably about a good a choice as any for tackling something like this though, and to say I was excited heading in to the preview screening of this would be a serious understatement.
The movie covers a lot of detail up front in a fairly brisk, but very effective introduction in order to set the scene. It's 2045, and our hero is Wade Watts, living high up in 'The Stacks', towers of trailers crudely stacked and held up together by metal beams in a densely populated urban area of Columbus. As Wade descends from his home, he passes his neighbours, many of whom are wearing some kind of VR headsets, involved in different kinds of online activity that we can't see. Wade tells us that at some point in the past people just stopped trying to fix lifes problems and learnt to just live with them instead. And to make things easier, they have the OASIS. The virtual world that his neighbours, and billions of people around the world, all connect to in order to escape the daily grind of the real world. In the OASIS you can be anyone you want to be, do anything you want to do. There are different worlds you can visit, and coins to be earned in order to upgrade your experience. Wade has all his equipment for connecting to the OASIS hidden away among the nearby piles of scrap cars, and when he puts on his headset, we are introduced to his online avatar, Parzival. He tells us about James Halliday, creator of the OASIS, who died five years ago. He left behind a message, informing the world that within the OASIS he'd hidden an Easter egg. Anyone who could find the three keys needed to unlock the door to that Easter egg, would inherit his entire fortune, and gain complete control of the OASIS. Since then, nobody has even got their hands on the first key. Nobody has their name up on the high score board. So... Ready Player One...
And so it kicks off, in dazzlingly glorious fashion, with a crazy multi-vehicle race through New York city in order to get to the finish line and grab the first key. It's like Mario Kart on steroids, with jumps and hazards throughout. Wrecking balls smashing the road, a T-Rex causing havoc and Kong jumping from building to building, smashing things up and taking players out of the game. But nobody can make it to the finish line. It's a fantastic, dizzy assault on the senses, and the first of many scenes where you find yourself frantically scouring the screen to see how many famous cars and characters you can spot. Parzival himself is driving a DeLorean, obviously. We're also introduced to fellow racer, and legend within the OASIS, Art3mis, who after being rescued by Parzival, becomes a close friend. Along with Art3mis, Parzival has a number of other close friends within the OASIS - Aech, Daito and Shoto, none of whom he has met in real life. As Parzival finds the first key, and begins sharing that knowledge with his friends in order to work together for the rest of the keys, they become known as the High Five, in recognition of their names being top of the scoreboard.
The bad guy of the movie is Nolan Sorrento, who used to work for Halliday. He, along with his army of employees, are out to try and take over the OASIS for monetary gain and will do whatever it takes in order to make that happen. When Sorrento discovers the real world identity of Parzival, things begin to get very difficult for the High Five who now have to struggle to not only find the keys first, but also evade capture in the real world.
I don't remember all of the details from the book, so I can't comment too much on what's been missed. But I do know that the puzzles surrounding the keys differ in the movie from those in the book. There are also some pretty big elements which don't feature in the book at all, but the main thing for me was that the overall spirit of the book definitely carries over to the movie. There is some occasional second half drag, but that's inevitable when there are so many prolonged moments of eye-popping visuals on display in-between. One thing I do remember well from the book is the final act, where Wade calls upon an army of OASIS users to help him and the high five fight Sorrento and his army in order to gain access to the final key. It's something I always imagined while reading as being absolutely epic if it were ever to be recreated on screen. Luckily, it is. Wow, just wow!! And once again, like with much of this movie overall, I sat there, wide eyed and with a big gormless geeky grin on my face.
The movie covers a lot of detail up front in a fairly brisk, but very effective introduction in order to set the scene. It's 2045, and our hero is Wade Watts, living high up in 'The Stacks', towers of trailers crudely stacked and held up together by metal beams in a densely populated urban area of Columbus. As Wade descends from his home, he passes his neighbours, many of whom are wearing some kind of VR headsets, involved in different kinds of online activity that we can't see. Wade tells us that at some point in the past people just stopped trying to fix lifes problems and learnt to just live with them instead. And to make things easier, they have the OASIS. The virtual world that his neighbours, and billions of people around the world, all connect to in order to escape the daily grind of the real world. In the OASIS you can be anyone you want to be, do anything you want to do. There are different worlds you can visit, and coins to be earned in order to upgrade your experience. Wade has all his equipment for connecting to the OASIS hidden away among the nearby piles of scrap cars, and when he puts on his headset, we are introduced to his online avatar, Parzival. He tells us about James Halliday, creator of the OASIS, who died five years ago. He left behind a message, informing the world that within the OASIS he'd hidden an Easter egg. Anyone who could find the three keys needed to unlock the door to that Easter egg, would inherit his entire fortune, and gain complete control of the OASIS. Since then, nobody has even got their hands on the first key. Nobody has their name up on the high score board. So... Ready Player One...
And so it kicks off, in dazzlingly glorious fashion, with a crazy multi-vehicle race through New York city in order to get to the finish line and grab the first key. It's like Mario Kart on steroids, with jumps and hazards throughout. Wrecking balls smashing the road, a T-Rex causing havoc and Kong jumping from building to building, smashing things up and taking players out of the game. But nobody can make it to the finish line. It's a fantastic, dizzy assault on the senses, and the first of many scenes where you find yourself frantically scouring the screen to see how many famous cars and characters you can spot. Parzival himself is driving a DeLorean, obviously. We're also introduced to fellow racer, and legend within the OASIS, Art3mis, who after being rescued by Parzival, becomes a close friend. Along with Art3mis, Parzival has a number of other close friends within the OASIS - Aech, Daito and Shoto, none of whom he has met in real life. As Parzival finds the first key, and begins sharing that knowledge with his friends in order to work together for the rest of the keys, they become known as the High Five, in recognition of their names being top of the scoreboard.
The bad guy of the movie is Nolan Sorrento, who used to work for Halliday. He, along with his army of employees, are out to try and take over the OASIS for monetary gain and will do whatever it takes in order to make that happen. When Sorrento discovers the real world identity of Parzival, things begin to get very difficult for the High Five who now have to struggle to not only find the keys first, but also evade capture in the real world.
I don't remember all of the details from the book, so I can't comment too much on what's been missed. But I do know that the puzzles surrounding the keys differ in the movie from those in the book. There are also some pretty big elements which don't feature in the book at all, but the main thing for me was that the overall spirit of the book definitely carries over to the movie. There is some occasional second half drag, but that's inevitable when there are so many prolonged moments of eye-popping visuals on display in-between. One thing I do remember well from the book is the final act, where Wade calls upon an army of OASIS users to help him and the high five fight Sorrento and his army in order to gain access to the final key. It's something I always imagined while reading as being absolutely epic if it were ever to be recreated on screen. Luckily, it is. Wow, just wow!! And once again, like with much of this movie overall, I sat there, wide eyed and with a big gormless geeky grin on my face.
Emma @ The Movies (1786 KP) rated Spider-Man: Into the Spider-Verse (2018) in Movies
Sep 25, 2019
I refrained from doing my review until I'd seen both of the preview screenings on at Cineworld. I had some serious issues with the visuals, and it turns out I wasn't the only one.
I want to talk about the positives first because there really are a lot of things to appreciate. The fact that they've linked the action so directly to the comic book format is wonderful. Having both the storyboard transitions, the lettering and the actual comic books involved brought everything together. Even the "little" things like Spidey-sense and the dot work overlay.
All of that took a back seat to the bizarre background elements at times. In the 2D showing in particular it looked like they were showing a 3D version of the film. The most distracting moments contained areas blurring into double vision, when it wasn't the blurring it just looked like some of it was unfinished.
Spider-Verse had some very good promos in the run up to the film. You see some amazing bits during all of that but luckily they held plenty back for the rest of it. We've already seen the "I love you dad" scene in the trailer, but the extended version is so much better.
Miles' story makes for a great centre piece. Every step of him trying to learn about his new found abilities is done in a humorous and well thought out way and give him a great opportunity to mingle with his spider-friends.
... And those spider-friends... you can't help but love them just a little bit. Noir is probably my favourite, he's taken a leaf out of Pocahontas' book in Ralph Breaks The Internet and has his own personal wind machine, and a confusing relationship with colours that make him a perfectly eccentric character.
Aunt May kicks ass. I can't deny that I'm loving this incarnation of her just a little bit. She definitely could have saved a few Spidey movies for me.
I actually can't believe that Spider-Ham has been in the Marvel Universe since 1983. He featured in a One Shot Marvel Tails originally that featured other Marvel hero parodies including Captain AmeriCat, Hulk-Bunny and Goose Rider. The series definitely requires some further investigation... particularly Ant-Ant, Croctor Strange and Nick Furry: Agent Of S.H.E.E.P.. Honestly there's no end to punny names. Sadly, this amusing back story doesn't save Spider-Ham for me, apart from the issue I had with the graphics he's my low point. He really is just too hammy for the storyline.
What you should do
You should definitely watch this one, there's enough amusement and action for everyone. For the older nerds, wait until the end of the credits for a scene that most of the kids won't understand but you'll appreciate.
Movie thing you wish you could take home
Having the ability to stick my hands to things wouldn't be bad. Climbing walls would be good, I'd never need a ladder to paint those hard to reach spots in the house... and I'd never drop my phone. Lots of possibilities there.
I want to talk about the positives first because there really are a lot of things to appreciate. The fact that they've linked the action so directly to the comic book format is wonderful. Having both the storyboard transitions, the lettering and the actual comic books involved brought everything together. Even the "little" things like Spidey-sense and the dot work overlay.
All of that took a back seat to the bizarre background elements at times. In the 2D showing in particular it looked like they were showing a 3D version of the film. The most distracting moments contained areas blurring into double vision, when it wasn't the blurring it just looked like some of it was unfinished.
Spider-Verse had some very good promos in the run up to the film. You see some amazing bits during all of that but luckily they held plenty back for the rest of it. We've already seen the "I love you dad" scene in the trailer, but the extended version is so much better.
Miles' story makes for a great centre piece. Every step of him trying to learn about his new found abilities is done in a humorous and well thought out way and give him a great opportunity to mingle with his spider-friends.
... And those spider-friends... you can't help but love them just a little bit. Noir is probably my favourite, he's taken a leaf out of Pocahontas' book in Ralph Breaks The Internet and has his own personal wind machine, and a confusing relationship with colours that make him a perfectly eccentric character.
Aunt May kicks ass. I can't deny that I'm loving this incarnation of her just a little bit. She definitely could have saved a few Spidey movies for me.
I actually can't believe that Spider-Ham has been in the Marvel Universe since 1983. He featured in a One Shot Marvel Tails originally that featured other Marvel hero parodies including Captain AmeriCat, Hulk-Bunny and Goose Rider. The series definitely requires some further investigation... particularly Ant-Ant, Croctor Strange and Nick Furry: Agent Of S.H.E.E.P.. Honestly there's no end to punny names. Sadly, this amusing back story doesn't save Spider-Ham for me, apart from the issue I had with the graphics he's my low point. He really is just too hammy for the storyline.
What you should do
You should definitely watch this one, there's enough amusement and action for everyone. For the older nerds, wait until the end of the credits for a scene that most of the kids won't understand but you'll appreciate.
Movie thing you wish you could take home
Having the ability to stick my hands to things wouldn't be bad. Climbing walls would be good, I'd never need a ladder to paint those hard to reach spots in the house... and I'd never drop my phone. Lots of possibilities there.
Emma @ The Movies (1786 KP) rated Mortal Engines (2018) in Movies
Sep 25, 2019
I refrained from doing my review until I'd seen both of the preview screenings on at Cineworld. I had some serious issues with the visuals, and it turns out I wasn't the only one.
I want to talk about the positives first because there really are a lot of things to appreciate. The fact that they've linked the action so directly to the comic book format is wonderful. Having both the storyboard transitions, the lettering and the actual comic books involved brought everything together. Even the "little" things like Spidey-sense and the dot work overlay.
All of that took a back seat to the bizarre background elements at times. In the 2D showing in particular it looked like they were showing a 3D version of the film. The most distracting moments contained areas blurring into double vision, when it wasn't the blurring it just looked like some of it was unfinished.
Spider-Verse had some very good promos in the run up to the film. You see some amazing bits during all of that but luckily they held plenty back for the rest of it. We've already seen the "I love you dad" scene in the trailer, but the extended version is so much better.
Miles' story makes for a great centre piece. Every step of him trying to learn about his new found abilities is done in a humorous and well thought out way and give him a great opportunity to mingle with his spider-friends.
... And those spider-friends... you can't help but love them just a little bit. Noir is probably my favourite, he's taken a leaf out of Pocahontas' book in Ralph Breaks The Internet and has his own personal wind machine, and a confusing relationship with colours that make him a perfectly eccentric character.
Aunt May kicks ass. I can't deny that I'm loving this incarnation of her just a little bit. She definitely could have saved a few Spidey movies for me.
I actually can't believe that Spider-Ham has been in the Marvel Universe since 1983. He featured in a One Shot Marvel Tails originally that featured other Marvel hero parodies including Captain AmeriCat, Hulk-Bunny and Goose Rider. The series definitely requires some further investigation... particularly Ant-Ant, Croctor Strange and Nick Furry: Agent Of S.H.E.E.P.. Honestly there's no end to punny names. Sadly, this amusing back story doesn't save Spider-Ham for me, apart from the issue I had with the graphics he's my low point. He really is just too hammy for the storyline.
What you should do
You should definitely watch this one, there's enough amusement and action for everyone. For the older nerds, wait until the end of the credits for a scene that most of the kids won't understand but you'll appreciate.
Movie thing you wish you could take home
Having the ability to stick my hands to things wouldn't be bad. Climbing walls would be good, I'd never need a ladder to paint those hard to reach spots in the house... and I'd never drop my phone. Lots of possibilities there.
I want to talk about the positives first because there really are a lot of things to appreciate. The fact that they've linked the action so directly to the comic book format is wonderful. Having both the storyboard transitions, the lettering and the actual comic books involved brought everything together. Even the "little" things like Spidey-sense and the dot work overlay.
All of that took a back seat to the bizarre background elements at times. In the 2D showing in particular it looked like they were showing a 3D version of the film. The most distracting moments contained areas blurring into double vision, when it wasn't the blurring it just looked like some of it was unfinished.
Spider-Verse had some very good promos in the run up to the film. You see some amazing bits during all of that but luckily they held plenty back for the rest of it. We've already seen the "I love you dad" scene in the trailer, but the extended version is so much better.
Miles' story makes for a great centre piece. Every step of him trying to learn about his new found abilities is done in a humorous and well thought out way and give him a great opportunity to mingle with his spider-friends.
... And those spider-friends... you can't help but love them just a little bit. Noir is probably my favourite, he's taken a leaf out of Pocahontas' book in Ralph Breaks The Internet and has his own personal wind machine, and a confusing relationship with colours that make him a perfectly eccentric character.
Aunt May kicks ass. I can't deny that I'm loving this incarnation of her just a little bit. She definitely could have saved a few Spidey movies for me.
I actually can't believe that Spider-Ham has been in the Marvel Universe since 1983. He featured in a One Shot Marvel Tails originally that featured other Marvel hero parodies including Captain AmeriCat, Hulk-Bunny and Goose Rider. The series definitely requires some further investigation... particularly Ant-Ant, Croctor Strange and Nick Furry: Agent Of S.H.E.E.P.. Honestly there's no end to punny names. Sadly, this amusing back story doesn't save Spider-Ham for me, apart from the issue I had with the graphics he's my low point. He really is just too hammy for the storyline.
What you should do
You should definitely watch this one, there's enough amusement and action for everyone. For the older nerds, wait until the end of the credits for a scene that most of the kids won't understand but you'll appreciate.
Movie thing you wish you could take home
Having the ability to stick my hands to things wouldn't be bad. Climbing walls would be good, I'd never need a ladder to paint those hard to reach spots in the house... and I'd never drop my phone. Lots of possibilities there.