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Lee (2222 KP) rated Pet Sematary (2019) in Movies
Apr 2, 2019 (Updated Apr 5, 2019)
Not only have I not read the Stephen King book that Pet Sematary is based on, I haven't even seen the original 1989 movie either. As much as I feel ashamed for completely missing out on both of those, it also meant that I was able to head into this movie with nothing to compare it to and no idea of what to expect, other than a bit of creepy-burial-ground-raising-the-dead type stuff that the first trailer covered. One quick note on the trailers before I begin though - the most recent one, which luckily I only saw after I had seen the movie, pretty much gives away the entire plot. Granted, if you're a fan of Stephen Kings work, or even the original movie, then you're going to know what to expect anyway. But, if you're like me - someone who enjoys a good horror movie, but doesn't read books and has gaping holes in his movie viewing history, then try and give the trailers a miss on this occasion before heading into the cinema.
Louis Creed (Jason Clarke) is a Boston doctor who moves his family to the (hopefully) less chaotic setting of rural Maine - wife Rachel (Amy Seimetz), 8 year old daughter Ellie (Jeté Laurence), toddler Gage and friendly family cat Church. However, the family soon discover that their house is located right alongside a road which is prone to noisy trucks suddenly speeding past - our first jump scare and something already given away by the trailers! Those trucks also have a tendency to end the lives of any local pets who might happen to wander out in front of them, so it's pretty handy that there happens to be a Native American graveyard out in the woods at the back of the Creed's new house.
The local children make good use of the area, carrying out a funeral procession while wearing masks before burying deceased pets there, and they have also erected a sign - "Pet Sematary", which is nailed to one of the trees outside of it. Unfortunately, it's not too long before Church falls victim to a passing truck, at which point friendly neighbour Jud (John Lithgow) tells Louis of a special burial ritual which can be carried out on an area of ground located even further into the forest. It's a ritual that can bring the dead back to life so, in order to avoid upsetting daughter Ellie, Louis keeps the death a secret until he and Jud can head out late that night to perform the ritual with Church. Sure enough, Church is back with the family the next morning - alive, but looking very disheveled and in a seriously grumpy mood. He's not quite the cute little bundle of joy he once was - as Jud puts it, "Sometimes dead is better".
After banging on earlier about spoilers for movies, I feel it would be wrong of me to go and do the same thing here. If you're familiar with the story, then you'll know what happens anyway, although there is a moderate change of detail in this particular version which has already had a few die hard Stephen King fans up in arms. I'll just say that the special properties of the burial ground get used on a few more occasions during the course of the movie, with increasingly devastating consequences, and I personally felt that the change to the source material totally worked within the confines of this version of the story.
Ok, so what did I think of the movie overall? Well, I found Pet Sematary to be pretty intense, even more so than 'Us' recently. There were a couple of guys to the side of me in the cinema who were sitting forward on the edge of their seat for the majority of the movie just hyperventilating - I thought they were going to have a heart attack at one point! Yes, there are some jump scares, but this was more the kind of nightmare horror that I loved while watching 'Us' and it had me gripped to my seat for a good 80% or so of its run-time. Everyone involved in the movie is on top form - the children are outstanding, as is Jason Clarke, John Lithgow, even the cat! The dread-filled atmosphere, the tragedy and the horror of it all, it really resonated with me and I came away from this exhausted but happy!
Louis Creed (Jason Clarke) is a Boston doctor who moves his family to the (hopefully) less chaotic setting of rural Maine - wife Rachel (Amy Seimetz), 8 year old daughter Ellie (Jeté Laurence), toddler Gage and friendly family cat Church. However, the family soon discover that their house is located right alongside a road which is prone to noisy trucks suddenly speeding past - our first jump scare and something already given away by the trailers! Those trucks also have a tendency to end the lives of any local pets who might happen to wander out in front of them, so it's pretty handy that there happens to be a Native American graveyard out in the woods at the back of the Creed's new house.
The local children make good use of the area, carrying out a funeral procession while wearing masks before burying deceased pets there, and they have also erected a sign - "Pet Sematary", which is nailed to one of the trees outside of it. Unfortunately, it's not too long before Church falls victim to a passing truck, at which point friendly neighbour Jud (John Lithgow) tells Louis of a special burial ritual which can be carried out on an area of ground located even further into the forest. It's a ritual that can bring the dead back to life so, in order to avoid upsetting daughter Ellie, Louis keeps the death a secret until he and Jud can head out late that night to perform the ritual with Church. Sure enough, Church is back with the family the next morning - alive, but looking very disheveled and in a seriously grumpy mood. He's not quite the cute little bundle of joy he once was - as Jud puts it, "Sometimes dead is better".
After banging on earlier about spoilers for movies, I feel it would be wrong of me to go and do the same thing here. If you're familiar with the story, then you'll know what happens anyway, although there is a moderate change of detail in this particular version which has already had a few die hard Stephen King fans up in arms. I'll just say that the special properties of the burial ground get used on a few more occasions during the course of the movie, with increasingly devastating consequences, and I personally felt that the change to the source material totally worked within the confines of this version of the story.
Ok, so what did I think of the movie overall? Well, I found Pet Sematary to be pretty intense, even more so than 'Us' recently. There were a couple of guys to the side of me in the cinema who were sitting forward on the edge of their seat for the majority of the movie just hyperventilating - I thought they were going to have a heart attack at one point! Yes, there are some jump scares, but this was more the kind of nightmare horror that I loved while watching 'Us' and it had me gripped to my seat for a good 80% or so of its run-time. Everyone involved in the movie is on top form - the children are outstanding, as is Jason Clarke, John Lithgow, even the cat! The dread-filled atmosphere, the tragedy and the horror of it all, it really resonated with me and I came away from this exhausted but happy!
365 Bible Stories | Daily Short Stories for Kids
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365 Bible Short Stories to enjoy sharing the Bible with your kids. • An easy way to talk about...
Purple Phoenix Games (2266 KP) rated Dice Town in Tabletop Games
Aug 13, 2019 (Updated Jun 24, 2021)
Hoo doggie! That’s definitely what we say in the 1800s Wild West! Yeuuuup, it’s time to take over this here town and call it ours. What are you waitin’ fer? If you ain’t helpin’ me, then you ken giiiiiiit out. This here’s mine now, just gotta… convince the people. *whistles at a horse to giddyup*
Dice Town is a rootin’-tootin’ dice chuckin’ game relying heavily on poker and card majority. Each player is trying to gain the most money, gold nuggets, and property cards to beef up their VP totals once the game ends to become the baddest dude in the West.
To setup, place the town board in the middle of the table and populate its different areas with their components: the Gold Mine receives all the gold nuggets, the Bank receives $3 initially, the General Store receives all the cards of its deck with three property cards will be displayed next to Town Hall, and Doc Badluck will receive its deck with two cards displayed. Each player will receive a dice cup, five dice, and $8 to start. The youngest player received the Sheriff badge card and the game may begin!
Turns are taken simultaneously among all players. Players will roll their dice using the dice cup and choose one result to keep. They may keep more dice by paying $1 for each die kept, or they may pay $1 to keep zero dice and try again. Players are attempting to roll the best poker hand during these turns to set themselves up for the next phase of the game – actions.
Once all players are finished keeping dice and building poker hands, they move to the actions phase. Beginning with the Gold Mine and moving left to right, each area of town will be resolved based on the players’ results. The player with the most 9s rolled will take nuggets from the Gold Mine equal to the number of 9s rolled. The player with the most 10s will take the money at the bank. Most Jacks will draw General Store cards (that can mess with other players or help the holder) equal to the number of Jacks rolled and choose one card to keep. The most Queens will summon a lady at the Saloon to help steal any General Store or property card from another player. Most Kings will be the new Sheriff in town and will break all ties (and also can be bribed). Whomever was able to build the best poker hand will be able to claim the property card at the bottom of the display and one additional property for each Ace rolled. Finally, if a player was not able to win anything up to this point, they will be able to claim a card from Doc Badluck which can be very powerful.
Play continues in this fashion until either the supply of gold nuggets has run dry or all of the property cards have been doled out. Players will score VPs for nuggets, certain General Store cards, one VP per $2 cash, $5 from being Sheriff at the game end, and VP printed on property cards owned. Once the winner is determined, that player must now challenge the losing players to a duel at high noon. Or just gloat a lot.
Components. As you can see in the photos, the component quality is excellent, as with most Matagot titles. The dice cups are sturdy plastic, the embossed poker dice are awesome, the gold nuggets are great as well! I like the quirky cartoony art style. What I do not like about Dice Town components are the cards. They are super glossy, and that’s heck for taking photos and I just don’t enjoy the feel of them as much as the nice linen-finishes. It doesn’t break the game for me or make me enjoy playing it less, I just prefer other types of finishes on cards.
I really like Dice Town. I have always had a great time when playing, and I have even acquired it twice now. I sold my first edition copy via a BGG auction (I was addicted to auctions several years back) and missed it, so I was able to grab a second edition copy last year. I haven’t regretted reacquiring it and though I rated it a 4 I don’t see this ever leaving my collection again. I love the American West theme, and I love the way the dice cups feel and sound as players are slamming them on the table. But also I hate the way the dice cups sound as players are slamming them on the table when my children are trying to sleep or without some type of buffer material between the cups and a hard table top.
The second edition printing is definitely the way to go when deciding whether to purchase Dice Town. Everything is upgraded, and the rules have been tweaked a bit for the better. I don’t really know why I like American West in my board games so much because I can’t stand Western style movies or books, but I can’t get enough of them in my games. If you and I share preferences on games and themes and components, try to grab a copy of Dice Town. You will certain like it quite a bit. We do. Purple Phoenix Games give this one a 12 / 18. While that doesn’t seem like a great score, we would rather have access to it than not. And with so many games out there, earning a place on my shelf is a big deal for a game. So enjoy!
Dice Town is a rootin’-tootin’ dice chuckin’ game relying heavily on poker and card majority. Each player is trying to gain the most money, gold nuggets, and property cards to beef up their VP totals once the game ends to become the baddest dude in the West.
To setup, place the town board in the middle of the table and populate its different areas with their components: the Gold Mine receives all the gold nuggets, the Bank receives $3 initially, the General Store receives all the cards of its deck with three property cards will be displayed next to Town Hall, and Doc Badluck will receive its deck with two cards displayed. Each player will receive a dice cup, five dice, and $8 to start. The youngest player received the Sheriff badge card and the game may begin!
Turns are taken simultaneously among all players. Players will roll their dice using the dice cup and choose one result to keep. They may keep more dice by paying $1 for each die kept, or they may pay $1 to keep zero dice and try again. Players are attempting to roll the best poker hand during these turns to set themselves up for the next phase of the game – actions.
Once all players are finished keeping dice and building poker hands, they move to the actions phase. Beginning with the Gold Mine and moving left to right, each area of town will be resolved based on the players’ results. The player with the most 9s rolled will take nuggets from the Gold Mine equal to the number of 9s rolled. The player with the most 10s will take the money at the bank. Most Jacks will draw General Store cards (that can mess with other players or help the holder) equal to the number of Jacks rolled and choose one card to keep. The most Queens will summon a lady at the Saloon to help steal any General Store or property card from another player. Most Kings will be the new Sheriff in town and will break all ties (and also can be bribed). Whomever was able to build the best poker hand will be able to claim the property card at the bottom of the display and one additional property for each Ace rolled. Finally, if a player was not able to win anything up to this point, they will be able to claim a card from Doc Badluck which can be very powerful.
Play continues in this fashion until either the supply of gold nuggets has run dry or all of the property cards have been doled out. Players will score VPs for nuggets, certain General Store cards, one VP per $2 cash, $5 from being Sheriff at the game end, and VP printed on property cards owned. Once the winner is determined, that player must now challenge the losing players to a duel at high noon. Or just gloat a lot.
Components. As you can see in the photos, the component quality is excellent, as with most Matagot titles. The dice cups are sturdy plastic, the embossed poker dice are awesome, the gold nuggets are great as well! I like the quirky cartoony art style. What I do not like about Dice Town components are the cards. They are super glossy, and that’s heck for taking photos and I just don’t enjoy the feel of them as much as the nice linen-finishes. It doesn’t break the game for me or make me enjoy playing it less, I just prefer other types of finishes on cards.
I really like Dice Town. I have always had a great time when playing, and I have even acquired it twice now. I sold my first edition copy via a BGG auction (I was addicted to auctions several years back) and missed it, so I was able to grab a second edition copy last year. I haven’t regretted reacquiring it and though I rated it a 4 I don’t see this ever leaving my collection again. I love the American West theme, and I love the way the dice cups feel and sound as players are slamming them on the table. But also I hate the way the dice cups sound as players are slamming them on the table when my children are trying to sleep or without some type of buffer material between the cups and a hard table top.
The second edition printing is definitely the way to go when deciding whether to purchase Dice Town. Everything is upgraded, and the rules have been tweaked a bit for the better. I don’t really know why I like American West in my board games so much because I can’t stand Western style movies or books, but I can’t get enough of them in my games. If you and I share preferences on games and themes and components, try to grab a copy of Dice Town. You will certain like it quite a bit. We do. Purple Phoenix Games give this one a 12 / 18. While that doesn’t seem like a great score, we would rather have access to it than not. And with so many games out there, earning a place on my shelf is a big deal for a game. So enjoy!
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Bob Mann (459 KP) rated Denial (2016) in Movies
Sep 29, 2021
Jewry Trial.
It’s the mid-90’s and Deborah Lipstadt (Rachael Weisz, “The Lobster“), an American professor of Holocaust studies at a US university has written a book naming and shaming David Irving (Timothy Spall, “Mr Turner”) as a Nazi-apologist who denies that the Holocaust ever happened. Filing a law suit against Penguin Books and Lipstadt in the UK, Lipstadt chooses to fight rather than settle and takes the case to the High Courts in a much publicised trial.
Help is required and Lipstadt is assigned a hot-shot solicitor (if that’s not an oxymoron) in the form of Anthony Julius (Andrew Scott, “Sherlock”) and top barrister Richard Rampton (Tom Wilkinson, “Selma“). The stage is set for an epic legal battle that will establish not just legal precedent but also historical precedent affecting the entire Jewish people.
This film’s trailer really appealed to me, and I was looking forward to this film. And that view clearly also got through to people of my age bracket (and older) since the cinema was pretty full. But ultimately I was disappointed by the film.
But first the good points.
The cinematography by Haris Zambarloukos (“Thor”, “Mamma Mia”) is memorable, particularly for the Auschwitz tour which is done in an impressively bleak way on an astoundingly bleak winter’s day.
Andrew Scott, so woefully miscast as “C” in “Spectre“, here is a nice shoo-in for the cocksure but aloof expert. And Tom Wilkinson, who can seldom put a movie foot wrong, is also perfectly cast as the claret-swigging defence-lead: passionless and analytical even when facing the horrors of a trip to Auschwitz.
Timothy Spall’s Irving is well portrayed as the intelligent and articulate – albeit deluded – eccentric he no doubt is.
There are also some nice cameo performances, including John Sessions (“Florence Foster Jenkins“) as an Oxbridge history boffin and Mark Gatiss (“Sherlock”) as an Auschwitz expert.
However, these positives don’t outweigh the big negative that the broader ensemble cast never really gels together well. The first time this is evident is in an office meeting of the defence team where the interactions have a sheen of falseness about them that is barely hidden behind some weak script and forced nervous laughter. Tea can’t help.
In particular, attractive Kiwi actress Caren Pistorius (“The Light Between Oceans“) seems to have been given a poor hand to play with as the junior member of the team. A late night interaction with her boyfriend, who whinges at her for having to work late, seems to be taken from a more sexist age: “the 70’s called and they want their script back”.
None of this is helped by Rachel Weisz, who I’m normally a fan of, but here she is hindered by some rather dodgy lines by David Hare (“The Reader”) and an unconvincing (well, to me at least) New York accent. For me I’m afraid she just doesn’t seem to adequately convey her passion for the cause.
While the execution of the court scenes are well done, the film is hampered by its opening five words: “Based on a True Story”. This is something of a disease at the moment in the movies, and whilst in many films (the recent “Lion” for example) the story is in the journey rather than the result, with “Denial” the story is designed to build to a tense result that unfortunately lacks any sort of tension – since the result is pre-ordained.
This is all a great shame, since director Mick Jackson (“LA Story”, in his first feature for nearly 15 years) has the potential here for a great movie. Perhaps a more fictionalised version (“vaguely based on a true story”) might have provided more of a foundation for a better film?
Help is required and Lipstadt is assigned a hot-shot solicitor (if that’s not an oxymoron) in the form of Anthony Julius (Andrew Scott, “Sherlock”) and top barrister Richard Rampton (Tom Wilkinson, “Selma“). The stage is set for an epic legal battle that will establish not just legal precedent but also historical precedent affecting the entire Jewish people.
This film’s trailer really appealed to me, and I was looking forward to this film. And that view clearly also got through to people of my age bracket (and older) since the cinema was pretty full. But ultimately I was disappointed by the film.
But first the good points.
The cinematography by Haris Zambarloukos (“Thor”, “Mamma Mia”) is memorable, particularly for the Auschwitz tour which is done in an impressively bleak way on an astoundingly bleak winter’s day.
Andrew Scott, so woefully miscast as “C” in “Spectre“, here is a nice shoo-in for the cocksure but aloof expert. And Tom Wilkinson, who can seldom put a movie foot wrong, is also perfectly cast as the claret-swigging defence-lead: passionless and analytical even when facing the horrors of a trip to Auschwitz.
Timothy Spall’s Irving is well portrayed as the intelligent and articulate – albeit deluded – eccentric he no doubt is.
There are also some nice cameo performances, including John Sessions (“Florence Foster Jenkins“) as an Oxbridge history boffin and Mark Gatiss (“Sherlock”) as an Auschwitz expert.
However, these positives don’t outweigh the big negative that the broader ensemble cast never really gels together well. The first time this is evident is in an office meeting of the defence team where the interactions have a sheen of falseness about them that is barely hidden behind some weak script and forced nervous laughter. Tea can’t help.
In particular, attractive Kiwi actress Caren Pistorius (“The Light Between Oceans“) seems to have been given a poor hand to play with as the junior member of the team. A late night interaction with her boyfriend, who whinges at her for having to work late, seems to be taken from a more sexist age: “the 70’s called and they want their script back”.
None of this is helped by Rachel Weisz, who I’m normally a fan of, but here she is hindered by some rather dodgy lines by David Hare (“The Reader”) and an unconvincing (well, to me at least) New York accent. For me I’m afraid she just doesn’t seem to adequately convey her passion for the cause.
While the execution of the court scenes are well done, the film is hampered by its opening five words: “Based on a True Story”. This is something of a disease at the moment in the movies, and whilst in many films (the recent “Lion” for example) the story is in the journey rather than the result, with “Denial” the story is designed to build to a tense result that unfortunately lacks any sort of tension – since the result is pre-ordained.
This is all a great shame, since director Mick Jackson (“LA Story”, in his first feature for nearly 15 years) has the potential here for a great movie. Perhaps a more fictionalised version (“vaguely based on a true story”) might have provided more of a foundation for a better film?
Sarah (7798 KP) Apr 2, 2019
Lee (2222 KP) Apr 3, 2019