"The easiest choice. The greatest of movies. Never has a film been so formally rich and so teeming with life. Jean Renoir’s romantic roundelay is as fluid and multifaceted as the characters he depicts with equal doses of compassion and bemusement, and this depiction of the mercurial nature of human behavior, of the beauty and absurdity of civilization, has never been equaled. The Dance of Death is the greatest sequence, but it’s also a dance of life. For many years, the film was literally unavailable in an acceptable print or video version in this country. For a showing several years ago (before the recent Janus Films rerelease), the Museum of the Moving Image had to import a 35 mm print from England. And as though it isn’t enough to be able to own a masterfully restored copy, the Criterion DVD has a great documentary about Renoir by Jacques Rivette!"

"David Cronenberg’s reflexive masterpiece of modern horror, with James Woods as a seedy purveyor of soft-core exploitation for cable TV, and Debbie Harry as his siren, brought the media-as-message theories of fellow Torontonian Marshall McLuhan to visceral life. This was one of the first movies I rented on VHS, and Videodrome is partly an exploration of the strange, clunky physical sensation attached to the idea of a feature film being available on a paperback-size plastic-and-tape cassette that is inserted into a machine . . . and our brains. A quarter century later, Cronenberg’s dazzling vision of a world where image and flesh are one—“long live the new flesh”—Videodrome’s futuristic vision is timelier than ever. And above all that, the movie is sexy, smart, funny, and fascinating, moving adeptly between its layers of reality, imagination, and that vast territory in between."

"Not only did I love it but, as we made the film… We had about a thousand extras. We had to have the use of a thousand people to be various crowds and parents and whatever. And they all — including the crew — all fell in love with that movie. There are many times — not just the last scenes — but there are many times when we did scenes again and again just because they were fun to do. When I say fun, I mean moving — there were more tears wept in the making of the film just because we wanted to, just because it was fun to do. And no film ever bonded [people] like that film. Usually the crew goes one place, and the cast goes another, and the extras go another. And in that film, we all went out together, sang karaoke together. We had a great time."

"I’m a big fan of writers who emphasize the importance of personal interaction. I’d rather guess at a plot by accumulating minute observation of the behaviors of characters than be driven down a straight road with predictable lefts and rights. In her debut novel, Roy writes like a human microscope, moving her focus in and out of different time periods and opening up the petals of language to reveal ever more tightly coiled insights. Fraternal twins Rahel and Estha Kochamma share a devastating secret that’s tainted their lives, mirroring the corruption at the heart of India’s ruling system that has exploited and polluted the country for decades. Untangling effects from causes is never more exquisitely wrought than in this masterful and sensitive opus. Roy is one of those rare authors who has the power to trick you into believing her stories are your own."

"The British Invasion of the sixties fascinates me, as do the glitter rock and prog rock movements that followed. A Hard Day’s Night is my all-time favorite film, and the music made between 1964 and 1974 has remained my favorite. Most of that music is filled with power, liberation, and joy. But right in the middle of that ten-year period was this terrible event that seems to body-slam the “peace and love” vibe that preceded it. The Rolling Stones had recently lost founding member and icon Brian Jones and were moving on. Some genius decides to hire Hells Angels (with beer) for security at their concert at the Altamont Speedway, which results in the stabbing death of a concertgoer. It’s amazing that these events all come together in this eerie and compelling document. This film details the exact moment of “the end of an era.” Chilling."