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Magic Trick #7
Entertainment and Games
App
Magic Trick #7 gives the ability to prank your friends in a such crazy way! Shaking your iPhone will...
All the Invisible Things
Book
A warm, witty, important story about being a young woman today, and what it's like to find a real...
Fiction YA LGBT
Have You Seen Her
Book
Bonfire Night. A missing girl. Anna only takes her eyes off Laurel for a second. She thought Laurel...
General Fiction Adult Mystery Thriller
The Encouragement Letters
9.0
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Book
WILLIAM CROMWELL, at age eleven, knows what it is like living with new changes. In 1865, Manchester,...
MG middle grade fiction historical fiction England Industrial Revolution
Tell Me a Secret
8.0
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Book
**The million copy bestselling author of Faking Friends and My Sweet Revenge is back - pre-order...
A Day at the Office
Book
One office, five lives, on the most romantic day of the year. For most people, Valentine’s Day...
David McK (3632 KP) rated Black Panther: Wakanda Forever (2022) in Movies
Jan 8, 2023
Wakanda Forever!
In late 2020 the actor Chadwick Boseman died, after a long - and private - battle with cancer, aged 43.
He was the original Black Panther.
That meant there was a lot of talk at the time about what Marvel was going to do: re-cast, or not?
The answer was 'not', with a pre-credits sequence in this movie dealing with his (and the characters off-screen) passing, before the usual Marvel logo montage concentrates solely on him.
His on-screen sister Shuri then takes the lead for the rest of this movie, ably supported by on-screen mum Angela Bassett, as the nation of Wakanda struggles to accept his passing and as the rest of the world start looking for their own supplies of Vibranium, encroaching on a secret underwater civilization who then also approach Wakanda with a threat couched as an offer of cooperation.
The loss of T'Challa is felt throughout the movie, with Shuri railing against his passing and unable to accept what has happened for the most part of it, right up until the (somewhat moving) very final scenes of the film.
He was the original Black Panther.
That meant there was a lot of talk at the time about what Marvel was going to do: re-cast, or not?
The answer was 'not', with a pre-credits sequence in this movie dealing with his (and the characters off-screen) passing, before the usual Marvel logo montage concentrates solely on him.
His on-screen sister Shuri then takes the lead for the rest of this movie, ably supported by on-screen mum Angela Bassett, as the nation of Wakanda struggles to accept his passing and as the rest of the world start looking for their own supplies of Vibranium, encroaching on a secret underwater civilization who then also approach Wakanda with a threat couched as an offer of cooperation.
The loss of T'Challa is felt throughout the movie, with Shuri railing against his passing and unable to accept what has happened for the most part of it, right up until the (somewhat moving) very final scenes of the film.
Merissa (13422 KP) rated Enchanted: Roberta's Story (The Academy #4) in Books
Feb 2, 2022
ENCHANTED is Roberta's story. We have already met Roberta in the other stories from The Academy, so we know some of her backstory. This gives a more in-depth view of it, including what life was like in the 1900s for independent young women.
Although I liked Roberta and Nate together, and can see and understand how Roberta thought he was her soul mate, I didn't quite connect with Nate by himself. If Roberta was indeed his soul mate, then I feel he did a grave injustice to her and himself by not choosing their life together and going the easy route.
For me, Ronin was one of the better characters and I was definitely left wanting more about Roberta's mum.
This was well-paced and full of attention to detail which made it a delight to read. A brilliant addition to the series and definitely recommended by me.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Although I liked Roberta and Nate together, and can see and understand how Roberta thought he was her soul mate, I didn't quite connect with Nate by himself. If Roberta was indeed his soul mate, then I feel he did a grave injustice to her and himself by not choosing their life together and going the easy route.
For me, Ronin was one of the better characters and I was definitely left wanting more about Roberta's mum.
This was well-paced and full of attention to detail which made it a delight to read. A brilliant addition to the series and definitely recommended by me.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Hazel (2934 KP) rated The Silent Dead (Detective Jackie Cooke #2) in Books
Nov 6, 2022
A great addition to what is fast becoming a great series and whilst this can be read as a standalone, I would recommend reading the first so you get the most out of this and also because it's an excellent read.
Like the first in the series, there is a lot to like about The Silent Dead - the characters, the plot, the twists, the back-stories, the writing style, the pacing - pretty much everything really!
Jackie Cooke is an excellent character; battling with a boss who clearly doesn't like her very much and a soon-to-be ex-husband who's moved on to pastures younger and left her with a new baby and twin boys and having to rely on her mum more than either of them would like all whilst trying to find a heinous murderer who is targeting single mums.
From the very first to the very last word, this book had me hooked and thanks must go to Bookouture and NetGalley for enabling me to read and share my thoughts of The Silent Dead and I am very much looking forward to the next in the series.
Like the first in the series, there is a lot to like about The Silent Dead - the characters, the plot, the twists, the back-stories, the writing style, the pacing - pretty much everything really!
Jackie Cooke is an excellent character; battling with a boss who clearly doesn't like her very much and a soon-to-be ex-husband who's moved on to pastures younger and left her with a new baby and twin boys and having to rely on her mum more than either of them would like all whilst trying to find a heinous murderer who is targeting single mums.
From the very first to the very last word, this book had me hooked and thanks must go to Bookouture and NetGalley for enabling me to read and share my thoughts of The Silent Dead and I am very much looking forward to the next in the series.
Bob Mann (459 KP) rated Wild Rose (2018) in Movies
Sep 28, 2021
Three Chords and the Truth.
BAFTA named Jessie Buckley as one of their “Rising Stars” for 2019, and here she proves why.
Buckley plays Glaswegian Rose-Lynn Harlan, a decidedly wild child electronically tagged and released from the clink but straight down to some very public cowgirl sex with her erstwhile boyfriend. Only then does she have the afterthought of going round to the house of her Mum (Julie Walters) where two young children live. For Rose-Lynn is a single mum of two (#needs-to-be-more-careful-with-the-cowgirl-stuff), and the emotional damage metered out to the youngsters from her wayward life is fully evident.
Rose-Lynn is a frustrated ‘country-and-weste’… no, sorry… just ‘western’ singer, and she has a talent for bringing the house down in Glasgow during a show. The desire to ‘make it big’ in Nashville is bordering on obsession, and nothing – not her mum, not her children, nothing – will get in her way.
Rose-Lynn has no idea how to make her dream come true. (And no, she doesn’t bump into Bradley Cooper at this point). But things look up when she lies her way to a cleaning job for the middle class Susannah (Sophie Okonedo) who sees the talent in her and comes up with a couple of innovative ways to move her in the right direction.
Will she get out of her Glasgow poverty trap and rise to fame and fortune as a Nashville star?
Difficult to like.
Rose-Lynn is not an easy character to like. She is borderline sociopathic and has a self-centred selfish streak a mile wide. As she tramples all over her offspring’s young lives, breaking each and every promise like clockwork, then you just want to shout at her and give her a good shaking. It’s a difficult line for the film to walk (did the ghost of Johnny Cash make me write that?) and it only barely walks it unscathed.
Memories of Birdman.
A key shout-out needs to go to director Tom Harper (“Woman in Black 2“, and the TV epic “War and Peace”) and his cinematographer of choice George Steel. Some of the angles and framed shots are exquisitely done. A fantastic dance sequence through Susannah’s house (the best since Hugh Grant‘s No. 10 “Jump” in “Love Actually”) reveals the associated imaginary musicians in various alcoves reminiscent of the drummer in “Birdman“. And there are a couple of great drone shots: one (no spoilers) showing Rose-Lynn leaving a party is particularly effective.
The turns.
The camera simply loves Jessie Buckley. She delivers real energy in the good times and real pathos in the bad. She can – assuming it’s her performing – also sing! (No surprise since she was, you might remember, runner up to Jodie Prenger in the BBC search for a “Maria” for Lloyd Webber’s “Sound of Music”). She is certainly one to watch on the acting stage.
Supporting Buckley in prime roles are national treasure Julie Walters, effecting an impressive Glaswegian accent, and Sophie Okonedo, who is one of those well-known faces from TV that you can never quite place. BBC Radio 2’s Bob Harris also turns up as himself, being marvellously unconvincing as an actor!
But I don’t like country music?
Frankly neither do I. But it hardly matters. As long as you don’t ABSOLUTELY LOATHE it, I predict you’ll tolerate the tunes and enjoy the movie. Followers of this blog might remember that – against the general trend – I was highly unimpressed with “A Star is Born“. This movie I enjoyed far, far more.
Buckley plays Glaswegian Rose-Lynn Harlan, a decidedly wild child electronically tagged and released from the clink but straight down to some very public cowgirl sex with her erstwhile boyfriend. Only then does she have the afterthought of going round to the house of her Mum (Julie Walters) where two young children live. For Rose-Lynn is a single mum of two (#needs-to-be-more-careful-with-the-cowgirl-stuff), and the emotional damage metered out to the youngsters from her wayward life is fully evident.
Rose-Lynn is a frustrated ‘country-and-weste’… no, sorry… just ‘western’ singer, and she has a talent for bringing the house down in Glasgow during a show. The desire to ‘make it big’ in Nashville is bordering on obsession, and nothing – not her mum, not her children, nothing – will get in her way.
Rose-Lynn has no idea how to make her dream come true. (And no, she doesn’t bump into Bradley Cooper at this point). But things look up when she lies her way to a cleaning job for the middle class Susannah (Sophie Okonedo) who sees the talent in her and comes up with a couple of innovative ways to move her in the right direction.
Will she get out of her Glasgow poverty trap and rise to fame and fortune as a Nashville star?
Difficult to like.
Rose-Lynn is not an easy character to like. She is borderline sociopathic and has a self-centred selfish streak a mile wide. As she tramples all over her offspring’s young lives, breaking each and every promise like clockwork, then you just want to shout at her and give her a good shaking. It’s a difficult line for the film to walk (did the ghost of Johnny Cash make me write that?) and it only barely walks it unscathed.
Memories of Birdman.
A key shout-out needs to go to director Tom Harper (“Woman in Black 2“, and the TV epic “War and Peace”) and his cinematographer of choice George Steel. Some of the angles and framed shots are exquisitely done. A fantastic dance sequence through Susannah’s house (the best since Hugh Grant‘s No. 10 “Jump” in “Love Actually”) reveals the associated imaginary musicians in various alcoves reminiscent of the drummer in “Birdman“. And there are a couple of great drone shots: one (no spoilers) showing Rose-Lynn leaving a party is particularly effective.
The turns.
The camera simply loves Jessie Buckley. She delivers real energy in the good times and real pathos in the bad. She can – assuming it’s her performing – also sing! (No surprise since she was, you might remember, runner up to Jodie Prenger in the BBC search for a “Maria” for Lloyd Webber’s “Sound of Music”). She is certainly one to watch on the acting stage.
Supporting Buckley in prime roles are national treasure Julie Walters, effecting an impressive Glaswegian accent, and Sophie Okonedo, who is one of those well-known faces from TV that you can never quite place. BBC Radio 2’s Bob Harris also turns up as himself, being marvellously unconvincing as an actor!
But I don’t like country music?
Frankly neither do I. But it hardly matters. As long as you don’t ABSOLUTELY LOATHE it, I predict you’ll tolerate the tunes and enjoy the movie. Followers of this blog might remember that – against the general trend – I was highly unimpressed with “A Star is Born“. This movie I enjoyed far, far more.