"It’s known as the lost Scorsese movie. It’s a documentary he made about his friend Steven Prince, who worked in the music business in the ’70s – the height of their drug use. Marty, who was already a hot filmmaker then, is in it and talks 200 miles a second. The main character is fascinating, and so honest, snatched out of the Hollywood and music business and drug culture of that time. Steven Prince tells the story that Quentin Tarantino used for the needle in the chest in Pulp Fiction (1994); it had happened to him, he had put a magic marker on a girl’s chest and plunged an adrenaline needle into her heart."

"This unreleased Rolling Stones documentary was a film you’d always hear about but know you’d never, ever see. Now I can watch it online anywhere within seconds. It’s better than you think. It shows just how insane their lives were while they were making some of their best music, in hotel rooms doing drugs, with all this weird shit going on. People who see them in stadiums now wouldn’t relate to those characters, but this proves they were always phenomenal, even in their craziest hours."

"I remember first listening to this during the OK Computer tour, too, with Colin [Greenwood]. The only thing I'd really known by him before – Bill, I mean, not Colin,– was 'Lovely Day'. When I'd got into him, he'd retired from the music industry, but years later, a documentary, Still Bill, came out about why he'd done that, and I'd really encourage any fan of his to get hold of it. He's just this lovely family man, doing joinery, talking about how he doesn't want to make music for the sake of it in this really lovely, gentle way. 

There's a wisdom in his personality, too, a wisdom really comes out in his singing voice, and his music. He doesn't come across as an artist driven by the need to express himself creatively either, which is interesting. He comes across as a human being, a husband and a father before he's a musician. He talks about why that's important, and that really resonated with that way of thinking.
"

"I was a teenager when I got into Queen – Bohemian Rhapsody was everywhere after it was on Wayne’s World. There’s so much joy in their music, a real not-giving-a shit-ness. It’s great to see them in this documentary being these normal, geeky people. You see all the mundanity that goes on behind the scenes of Freddie’s showmanship on stage, plus there’s the unexpectedness of hearing his gentle English accent. Then you hear him live, and see the sweat in his moustache, and it’s spine-tingling."