"I’m going to go with All That Jazz for number one. It’s Bob Fosse directing a movie about himself; he changed the name to Joe Gideon from Bob Fosse. So he’s directing a movie about a musical choreographer/director who takes too many pills, sleeps with too many women, drinks too much; he’s a moviemaker who’s editing a movie while he’s doing a play and having hallucinations with musicals. It’s so unbelievable how he balances it all, and it’s Roy Scheider’s best performance, I think, ever. He’s amazing in it. It is so amazing. He’s a pretty despicable guy in the movie — I mean, he sleeps around on his girlfriend — but you love him. The doctors tell him not to take his drugs, but he does it anyway, and you still love him. You don’t blame him. And it’s sort of how Bob Fosse ended up dying, so he really forecasted his own death. I mean, he even put his girlfriend in the movie as his girlfriend — Joe Gideon’s girlfriend — and then cheated on her! Like, he had his character cheat on her. It’s so f***ing unbelievable. Just brilliant. That’s number one. That would be my, I have to say, overall all-time favorite. I’m just very impressed by that movie. It’s just really, really good. It’s got like four musical numbers in there, but they’re not like Glee. Some of them are in drug-induced hallucinations, and some of them are, he’s actually directing a musical. I’ve done plays; I’ve done one musical. But the first table read, when they’re going to put up this play, it is so like the table read on plays. I recognize so many things that they get right. Yeah, that’s my all-time favorite."

"My friend Al played it to me when we were living together. It's a box set of all four of his releases at that time. It's super bleak and I don't know what it says about my mental state then, but for a long time it was the record I would fall asleep to, particularly on tour. There's something microscopic about the sound, but it's like a musical optical illusion - it can sound vast and oceanic or it can sound quite narrow. He's done something fascinating with the sonics so that it works on two dimensions. It's also just heartbreaking - there's one piece called 'Orgone Donor' with musical saw and violin over granular drones; a matt finish with these aching, twisted sliding harmonies. Like the soundtrack to the end of days. As though you're sliding into a black hole."