Smashbomb

"My Mother and Father were both in theatre and in some movies. My Mother was on Broadway in the ‘50s before I was around, in a musical, I think she was in it for two or three years. They always did things together, they were always getting the Broadway musicals and listening to them and getting into records. “Broadway musical cast albums are part of my earliest memories. I’ve been told that I would - as children can often do - absorb them and memorise it all, so on a family trip somewhere I would start singing them the whole way through. All of he songs in this musical or that musical, or whatever one they’ve been playing a lot of, or whichever one I maybe liked more and asked to keep hearing. “That’s been a big part of my writing; to have a storytelling aspect, a certain variety, a certain sense of those characters. It’s not all autobiographical, that’s often mixed in when I write and perform - to have that sense of playing or acting and storytelling. “This song is from Man of La Mancha. which was one of my favorites, that was one of the ones I could sing all the way through, and was one stayed with me more. Occasionally I would listen to it even when I was older than six years old, there’s something about a lot of those songs that connected with me. “With ‘Dulcinea’ in particular it’s the heartfeltness and the melody of it. And then it’s actually sung by other people with a different beat, a different groove and a different attitude, the same words are sung in a mocking and taunting way. “I was recently thinking of this - and I didn’t realise at the time - but to learn as a child that a song can be done in such different ways. The same song, the same words, the same chorus, the same melody, can be done as a sincere, heartfelt love, and then also could be done as absolute mocking, taunting and a violent aspect to it, instead of the most tender. It’s the same thing, but a different way and a different attitude. I think there’s something about it that I probably had taken in a very natural way, because I was hearing it. “Actually, from very, very early on, there was a Violent Femmes show or two that I sang a little bit of that song as a little intro to some other song that we did, because it seemed like it would be fun to do or it was in my head to do it. So it even made it to a Violent Femmes concert once or twice in the very early years of our band"

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Kudos

Animal Band ~ Music Time

Games and Music

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Animal Band is a fun and easy music toy that encourages young children to explore music while...

RəX Regent (349 KP) rated Horse Feathers (1932) in Movies

Feb 18, 2019

Horse Feathers (1932)

1932 | Classics, Comedy

8.5

(2 Ratings)

Movie Rating

“I married your mother because I wanted children. Imagine my disappointment when you arrived.”

The penultimate Marx Brothers film as their time with Paramount was drawing to a close, Horse Feathers was possible one the their most anarchic entries. The paper thin plot revolving around building a football team at the failing fictional Huxley University, in which Groucho’s, Quincy Adams Wagstaff has become headmaster, is nothing more than a platform for ludicrous comedy.

This gives rise to one of the most even handed ensemble pieces which I have personally seen within The Marx Brothers franchise, with all three main brothers taking a more equal part in the comedy. I normally find that Groucho steals the show, but here, it was hard to decide. Of course Zeppo had little to do as per usual, an issue which would eventually lead to him leaving the screen ensemble.

Laughs a plenty as they had moved further away from their Vaudeville musical comedy roots, focusing more of straight gags, which were as hilarious and as memorable as ever! There were of course the usual songs and musical interludes but this did seem more accessible for a modern audience as the primary focus was on the group and their crazy antics.

A great comedy from the dawn of talkies and these lot knew exactly what to say.

Kudos

Awix (3310 KP) rated Rocketman (2019) in Movies

May 29, 2019

Rocketman (2019)

2019 | Biography, Drama

8.0

(59 Ratings)

Movie Rating Watch

One day it may be possible to review Rocketman without comparing it to Bohemian Rhapsody (same director, very similar subject matter, same grab-bag of familiar music), but clearly not today. Musical prodigy Reggie Dwight learns to tinkle the ivories, meets lyricist Bernie Taupin, reinvents himself as glam-rock superstar Elton John, but must contend with both success (350 million records sold) and heartbreak (Watford lose the 1984 FA cup final 2-0).

A generally upbeat portrait of the music legend (as one might expect, given he exec-produced and his husband produced it) Dexter Fletcher's film features an unexpectedly good performance from Taron Egerton and, as a full-blown musical it isn't afraid to embrace elements of fantasy (the story still plays fast and loose with the facts a bit). On the other hand, it doesn't have a big iconic moment like Live Aid to build up to, the only real option being Elton singing at the funeral in 1997 (which would require a movie with a wholly different tone). In the end the movie handles the rags rather better than the riches, goes to pieces a little bit just as its subject did, but in the end proves to be a surprisingly touching tale of a man exorcising his personal demons. Great soundtrack, too, obviously.