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Technology and the Stylistic Evolution of the Jazz Bass
6.0
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Technology and the Stylistic Evolution of the Jazz Bass traces the stylistic evolution of jazz from...
Africa Speaks, America Answers: Modern Jazz in Revolutionary Times
Book
In Bedford-Stuyvesant, Brooklyn, pianist Randy Weston and bassist Ahmed Abdul-Malik celebrated with...
The Synthesizer: A Comprehensive Guide to Understanding, Programming, Playing, and Recording the Ultimate Electronic Music Instrument
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Electronic music instruments werent called synthesizers until the 1950s, but their lineage began in...
LoganCrews (2861 KP) rated The Phantom of the Opera (2005) in Movies
Sep 20, 2020
I have to admire the spectacle but I found this to be mostly didactic, repetitious as a musical (there's only like 3.5 good songs and the rest are just unendurable variants of the exact same one) and nearly nonexistent as a romance. I do admit this almost works as a total campfest, Gerard Butler totally butchering these classical-inspired ballads that require flawless vocal range is actually pretty hilarious. On the flipside I spent most of the time in complete awe of how astonishing Emmy Rossum is in this, only 18 years old at the time and effortlessly nails every formidable note not to mention looks the part seamlessly. This is through and through her movie, every inch top to bottom. I should also add that the movie looks extraordinary - the sets, the costumes, the makeup, the cast, all of it. But would some fucking choreography every now and again kill these people? The stakes, too, are paper-thin - things just happen without delving too deeply (if at all) into the consequences/implications of them so a good chunk of scenes just pass through without making any sort of effect. Lastly this gets docked extra points for ruining the best part of the musical by making it too obvious that Christine was going to give The Phantom the ring from the start of that moment. I have seen much worse, though; this would have been noticeably better if they'd just gotten more people who could sing.
25 Blues Scale Licks with Joseph Alexander
Music and Education
App
A quick shot of creativity for the blues guitarist. If you're stuck in a rut or just want some fresh...
XyloFun: Kinder Music
Music and Games
App
Learn to play songs on a real xylophone with this fun musical game for children aged 0-99! Don't...
Is Alive And Well & Living In Buenos Airies: Heavy Frienz The Solo Anthology 2001-2017 by Luke Haines
Album Watch
Having played with The Servants in the late 1980s, Luke Haines carved a unique niche for himself in...
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Kim Pook (101 KP) rated Chicago (2002) in Movies
Jul 31, 2022
Contains spoilers, click to show
This review comes from a first time viewer in 2022. I put off watching it for years because it didn't look like my kinda film. In the end I decided to watch it after learning to tap dance to one of the songs in my tap class.
I'm sure most of you have seen this movie by now, but for those that haven't ill do my usual overview of the movie before my final review at the end.
So the movie is set in 1920s Chicago, we see someone hiding a gun and washing blood from their hands, clearly a murder has just taken place and we are treated to a rendition of "all that jazz", whilst a character named Roxie is having a steamy session with a guy. Once the musical number is over, the session turns violent and Roxie shoots the guy, thus landing herself in jail. The rest of the movie is Roxie trying to proof her innocence with musical numbers randomly mixed in.
Unlike other musicals, it's not really characters suddenly breaking into song as such, but it's the characters putting on show numbers in Roxies imagination (or at least I think, but there are times when performances suddenly start and Roxie wasn't in the scene, so who knows). Once you get past the random performances it is a pretty good film, I never found myself bored watching it and the songs are catchy with fantastic performances by all.
I'm sure most of you have seen this movie by now, but for those that haven't ill do my usual overview of the movie before my final review at the end.
So the movie is set in 1920s Chicago, we see someone hiding a gun and washing blood from their hands, clearly a murder has just taken place and we are treated to a rendition of "all that jazz", whilst a character named Roxie is having a steamy session with a guy. Once the musical number is over, the session turns violent and Roxie shoots the guy, thus landing herself in jail. The rest of the movie is Roxie trying to proof her innocence with musical numbers randomly mixed in.
Unlike other musicals, it's not really characters suddenly breaking into song as such, but it's the characters putting on show numbers in Roxies imagination (or at least I think, but there are times when performances suddenly start and Roxie wasn't in the scene, so who knows). Once you get past the random performances it is a pretty good film, I never found myself bored watching it and the songs are catchy with fantastic performances by all.
BankofMarquis (1832 KP) rated Rocketman (2019) in Movies
Jun 11, 2019
Strong Lead Performance
I have to admit, I thought the Freddy Mercury bio-pic BOHEMIAN RHAPSODY was just "meh" and that Rami Malek was "just o'k" as the Queen frontman (personally, I would have given the Oscar to Christian Bale for his portrayal of Dick Cheney in VICE) so I was not rushing to the multi-plex to check out the Elton John musical film ROCKETMAN. And the fact that the release of this film was "buried" in the summer and not right before "Oscar Season" gave me room to pause.
And...I would be wrong...for ROCKETMAN is a fun, fantastical fantasy musical depicting the rise and fall (by drug and alcohol abuse) of one of rock's most flamboyant showman of the 1970's.
Following the "Jukebox Musical" blueprint of something like JERSEY BOYS, Rocketman follows a young Reggie Dwight as he discovers his musical talent and grows into the Global Superstar known as Elton John.
I was happy that the filmmakers went this route (vs the bio-pic route that BOHEMIAN RHAPSODY went) for they were able to use the vast catalog of Elton John/Bernie Taupin tunes to their fullest advantage, when it made sense to drive the narrative forward - or to give the storytelling a shot of adrenaline.
This film had Elton John's blessings and he was not kind to a few people in his life - most notably his mother (an almost unrecognizable Bryce Dallas Howard in a strong turn), his father (Steve Mackintosh, who I had never seen before) and his Manager, John Reid (Game of Throne's Richard Madden). All 3 are pretty one-dimensional villains that help contribute to Elton's drug and alcohol abuse.
On the other side of the coin is his writing partner, Bernie Taupin (Jamie Bell, the original BILLY ELLIOT in a performance that I think is the best of his career) and his Grandmother, Ivy (good ol' Gemma Jones BRIDGET JONES DIARY and Madam Pomfrey in the Harry Potter films). Both of these characters are generally positive influences on Elton's life, trying to understand and support our hero on his journey.
As for our hero, Taran Egerton (the KINGSMAN films) embodies Elton with panache and zeal while showing an underlying shyness and insecurity that helps lead to his abuse issues. Egerton is EXCELLENT in this role - both in acting and singing. He doesn't so much imitate Elton John but embodies the essence of Sir Elton and his performance is quite effective. If Rami Malek deserved his Oscar for playing Freddy Mercury in BOHEMIAN RHAPSODY then Taran Egerton better be in the Oscar conversation this year.
The film was Directed by Dexter Fletcher (who was brought on to finish BOHEMIAN RHAPSODY once Bryan Singer was fired from that film for his on-set behavior), so he puts to good use his experience on the Queen movie, keeping the action moving fast, the characterizations simple (but satisfying) enough while showcasing just enough music to fill a "Best of" Album.
While BOHEMIAN RHAPSODY was a "meh" movie with a buffo ending (the recreation of the LIVE AID concert was amazing), ROCKETMAN suffers from just the opposite problem. Starting off strong and growing weaker until it ends in "meh" fashion. The fact that this film musical fantasy decided to end with a faithful recreation of the I'M STILL STANDING music video is at the heart of the issue. I understand the implied underlying meaning of this song selection, but it just doesn't pack the punch that a live concert appearance would have.
Come for the music, stay for Egerton's performance and you'll be glad you did.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
And...I would be wrong...for ROCKETMAN is a fun, fantastical fantasy musical depicting the rise and fall (by drug and alcohol abuse) of one of rock's most flamboyant showman of the 1970's.
Following the "Jukebox Musical" blueprint of something like JERSEY BOYS, Rocketman follows a young Reggie Dwight as he discovers his musical talent and grows into the Global Superstar known as Elton John.
I was happy that the filmmakers went this route (vs the bio-pic route that BOHEMIAN RHAPSODY went) for they were able to use the vast catalog of Elton John/Bernie Taupin tunes to their fullest advantage, when it made sense to drive the narrative forward - or to give the storytelling a shot of adrenaline.
This film had Elton John's blessings and he was not kind to a few people in his life - most notably his mother (an almost unrecognizable Bryce Dallas Howard in a strong turn), his father (Steve Mackintosh, who I had never seen before) and his Manager, John Reid (Game of Throne's Richard Madden). All 3 are pretty one-dimensional villains that help contribute to Elton's drug and alcohol abuse.
On the other side of the coin is his writing partner, Bernie Taupin (Jamie Bell, the original BILLY ELLIOT in a performance that I think is the best of his career) and his Grandmother, Ivy (good ol' Gemma Jones BRIDGET JONES DIARY and Madam Pomfrey in the Harry Potter films). Both of these characters are generally positive influences on Elton's life, trying to understand and support our hero on his journey.
As for our hero, Taran Egerton (the KINGSMAN films) embodies Elton with panache and zeal while showing an underlying shyness and insecurity that helps lead to his abuse issues. Egerton is EXCELLENT in this role - both in acting and singing. He doesn't so much imitate Elton John but embodies the essence of Sir Elton and his performance is quite effective. If Rami Malek deserved his Oscar for playing Freddy Mercury in BOHEMIAN RHAPSODY then Taran Egerton better be in the Oscar conversation this year.
The film was Directed by Dexter Fletcher (who was brought on to finish BOHEMIAN RHAPSODY once Bryan Singer was fired from that film for his on-set behavior), so he puts to good use his experience on the Queen movie, keeping the action moving fast, the characterizations simple (but satisfying) enough while showcasing just enough music to fill a "Best of" Album.
While BOHEMIAN RHAPSODY was a "meh" movie with a buffo ending (the recreation of the LIVE AID concert was amazing), ROCKETMAN suffers from just the opposite problem. Starting off strong and growing weaker until it ends in "meh" fashion. The fact that this film musical fantasy decided to end with a faithful recreation of the I'M STILL STANDING music video is at the heart of the issue. I understand the implied underlying meaning of this song selection, but it just doesn't pack the punch that a live concert appearance would have.
Come for the music, stay for Egerton's performance and you'll be glad you did.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Sarah (7800 KP) rated Little Shop of Horrors (1986) in Movies
Jan 10, 2018
Music, comedy & horror made a fantastic mix
To me this film will never get old. It's a fantastic mix of dark comedy and horror, with some brilliant musical numbers thrown in. The casting is spot on, Rick Moranis is perfect as Seymour and the cameos from John Candy, Bill Murray etc are all great. Best by far though has to be Steve Martin as Orin Scrivello. And Levi Stubbs brings so much to Audrey II.
The songs are ridiculously catchy, even the slower ballads. And the animatronics are really good, but would you expect any less from Frank Oz? One of my all time favourite musicals and a must see at the theatre too.
The songs are ridiculously catchy, even the slower ballads. And the animatronics are really good, but would you expect any less from Frank Oz? One of my all time favourite musicals and a must see at the theatre too.