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Into the Woods (2014)
Into the Woods (2014)
2014 | Family, Musical
A charming adaptation
Wolves, witches and giants all appear in the film adaptation of Stephen Sondheim’s popular musical which takes all the best bits of our favourite fairytales and mashes them together in one engaging, song-filled rollercoaster.

However, musical movie adaptations are notoriously difficult to get right, from casting restraints to the inclusion of all the songs, transferring them to the silver screen is not something to be entered into lightly. So does director Rob Marhsall’s effort elevate itself above its peers?

Into the Woods has numerous plot threads that all end up coming together in one way or another, but the main storyline follows a baker (James Corden) and his wife, played gloriously by Emily Blunt, as they come to realise they cannot have a child.

Alas, a witch – who just so happens to live next door – has a way to provide them with what they want as long as they get a few items for her in the meantime.

An all-star cast including the likes of Chris Pine, Anna Kendrick, Christine Baranski, Lucy Punch, Johnny Depp and of course Meryl Streep all give their all in a film that is brimming with tantalising cinematography and stunning songs.

meryl-streep-into-the-woodsGenerally speaking, the female cast fares better in the singing portions of the film, although Chris Pine and Billy Magnussen had the audience in intentional fits of laughter in one particular sequence as two handsome Princes.

Unfortunately, Into the Wood’s greatest asset, its cast, is also its biggest undoing. Having so many story threads means that there isn’t any emotional attachment to the characters – despite the film’s numerous attempts to tug at the heartstrings.

Despite a deeply heartfelt performance of ‘Stay with Me’ from Meryl Streep, the film just steadily rolls itself from admittedly thrilling set piece to set piece without getting bogged down in nitty gritty character development.

Thankfully, the glorious cinematography that featured in the trailer continues throughout. An enclosed feeling makes you feel like you’re actually watching a stage show rather than a film, albeit one with a much higher budget, and this is one of its most captivating features.

Director Rob Marshall has managed to keep the pantomime feel despite the fact the audience is watching in a cinema – the locations are never overdone and everything feels nicely claustrophobic, adding to the eerie atmosphere.

However, the final act is unnecessarily long and its foray into deeper territory means the magic and sparkle is well and truly lost. This is a real shame as there are numerous moments where the film could end on a high, rather than delving into a murky and at times, incomprehensible final third.

Overall, Into the Woods is a charming adaptation of the popular musical and despite its slightly overlong running time and a disappointing final act, it manages to stay on course for a perfectly adequate, if underwhelming finale.

The entire cast have a ball with their characters with Meryl Streep and Emily Blunt being particular highlights throughout.

Parents beware however, its PG certification may be slightly too lenient for smaller children, who will no doubt be intrigued by the premise of combining our most-loved fairytales.

https://moviemetropolis.net/2015/01/17/a-charming-adaptation-into-the-woods-review/
  
Mary Poppins Returns (2018)
Mary Poppins Returns (2018)
2018 | Family
Why We Go to Movies
Let me just get this “blasphemous” statement out of the way now: I thought Mary Poppins Returns was a better movie overall than Mary Poppins. I didn’t stutter nor am I taking it back. Run away now or hear me out, the choice is yours. In this sequel, Mary Poppins (Emily Blunt) does indeed return to take care of a new group of kids.

Acting: 10

Beginning: 7

Characters: 10

Cinematography/Visuals: 10

Conflict: 10
Here is what made the difference for me between the first and second movies. Consider the first film. If we’re really being honest, it primarily revolves around beautiful singing numbers with sprawling setpieces that are brilliantly brought to life on screen. Not only do you get that in the sequel, but you also get an actual conflict as well. There is an actual situation afoot that requires you to get behind the main characters and I really appreciated that aspect. Conflict is not just important, but NECESSARY to drive a story and you definitely get that here as the main family face potentially losing their home. Their struggle gives me a reason to keep watching beyond the amazing visuals and songs.

Genre: 8
This kids story is wonderful in so many different aspects. There is a magic here that’s unavoidable. As I said, I think it just edges out the original, but falls just short of other classic musicals like Singin’ In the Rain.

Memorability: 7

Pace: 7
For the most part, I was happy about the movement of the story. However, about ninety minutes in, things found themselves slowing down a bit as I was wondering when the movie was going to get to the punchline. It is refreshing that there is a solid blending of musical numbers and plot advancement and you never really feel like you’re getting too much of one or the other.

Plot: 7

Resolution: 10

Overall: 86
The musical flow of Mary Poppins Returns kicks things off properly and brings the movie to a beautiful endgame. I appreciated the attention to detail both in the real world, but especially in the alternate worlds where your imagination is really stretched. This movie is a magical reminder of why we go to movies in the first place.
  
Shutter Island (2010)
Shutter Island (2010)
2010 | Action, Drama, Mystery
It’s all very film noir from Scorsese, more at home among gangsters and moles, here he turns his attention to a period mystery thriller.

The film has touches of Hitchcockian flair throughout it as we watch DiCaprio and Ruffalo embark through mist and fog in order to reach a desolate island, over run with guards and orderlies whose job it seems is to keep a watchful eye over the criminally insane.

And so begins a puzzling quest for the truth as DiCaprio attempts to leave no stone unturned in the search for the missing patient while at the same time battling his own demons.

The death of his wife in an apartment fire seems to be the catalyst for a lot of dream-scape and it only proves to be a distraction from the impending outcome, as an array of colourful characters try and put him and his partner off the scent. That and its also revealed that Teddy, an ex-GI has been tormented by memories of liberating Dachau nine years earlier.

It’s a very well directed film with an added musical score that will have the hairs on your neck standing on end.

DiCaprio is nothing short of sublime and the transformation from seemingly sane individual to… well, anything else would be seen as a massive plot spoiler. The supporting cast are as equally good, with strong performances from Ben Kingsley, Michelle Williams and Jackie Earle Haley as a disfigured inmate who pops up to reveal to Teddy more clues about the mysterious secrets the island hides.

The cinematography is also exceptional with some really harrowing shots, one of which places us in the sights of a firing squad that cuts to pieces a group of death camp Nazis. Not to mention the dream sequence involving Teddy’s wife, covered in blood and disappearing into ash as a desperate DiCaprio grasps at one last embrace.

The film drops hints and clues all through it. There are some purposely shot continuity errors that film viewers should be watchful of that will lead them to the jaw dropping and well thought out if not predictable conclusion. It’s a very well directed film with an added musical score that will have the hairs on your neck standing on end.