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starwarsluvr (236 KP) rated The Fall of Sky in Books

Jan 30, 2018  
TF
The Fall of Sky
Alexia Purdy | 2015
10
10.0 (1 Ratings)
Book Rating
I loved it all. So much fun to see another side to this author. I loved the musician aspect as well. The love, the hardships, the conflicts and the amazing bond between sisters and even through everything they are together. I loved how it ended and the end brought everything together perfectly. The lyrics are amazing.. and I loved Saul. He brought more into this story. The betrayal involved was perfect for the story and made me feel. As always when reading I felt like I was brought into the story. I love that Alexia can make me feel like I transported to the story and I have to finish reading it as soon as possible. Amazing!
  
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Ross (3284 KP) rated Complete Recordings by Robert Johnson in Music

Jul 6, 2020  
Complete Recordings by Robert Johnson
Complete Recordings by Robert Johnson
1990 | Blues
9
8.5 (2 Ratings)
Album Rating
Rolling Stone's 22nd greatest album of all time
The subject of many mysterious stories of soul-selling and devil-dealing, which is obviously complete nonsense. Quite simply, Johnson was a blues musician who initially wasn't very good and then, after a couple of years of intensive practice, he became quite good. His songs tended to have a dark, macabre theme to them, which led people to believe the hype of him selling his soul to the devil, a story which wasn't invented until after his death, and has grown arms and legs since.
Superb blues songs from a master of the Delta blues style, most notably Sweet Home Chicago, Come on in my Kitchen and Cross Road Blues.
  
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Steven Seagal recommended The Godfather (1972) in Movies (curated)

 
The Godfather (1972)
The Godfather (1972)
1972 | Crime, Drama
9.3 (53 Ratings)
Movie Favorite Watch

"I thought The Godfather I and II were spectacular examples of wonderful storytelling, evolution of great characters and drama, amazing directing, Carmine Coppola’s spectacular music — I’m also a musician so I pay very close attention to music. I thought everything about [director of photography] Gordy Willis’ lighting… Of course, if we want to talk about lighting, let’s talk about Vittorio Storaro [director of photography] for The Last Emperor, breathtaking. [The two films] are sort of bookends; one doesn’t work without the other. It’s kind of the left and the right hand. I couldn’t really say which one was better to me, although in terms of creating a foundation, I think [the first one] was, once again, a masterpiece."

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