Leanne Crabtree (480 KP) rated Anti-Romance (Anti-Romance #1) in Books
Jan 6, 2021
This was a freebie I downloaded about four years ago and I've put it off for a while because of it's rather bad rating on Goodreads of 3.64. I feel I should point out that most books I read have a rating of between 3.9 and 4.5 stars, so I was wary that I wouldn't like it.
We follow Laney, who writes a blog about her exploits with different men and it's very anti-romance/romance is dead - hence the name of the book. She's currently seeing someone in politics but he gives her an STI and it turns out he is married so she's ready to write her post about him. Then she meets her neighbour Kade, a hot musician who really likes her. And then there's her best friend of years, George, who's been in love with her for years.
I had nothing against Laney spreading the love, really, but I generally prefer to focus on one guy and she was changing between Kade and George rather quickly and easily.
And then the book ended at 49%, mid chapter, mid crisis. It felt too abrupt. Just cut off without some sort of proper ending. I'm understanding it's low rating.
I feel I should also point out that this book is no longer available on Amazon unless you want it as an audiobook and the second part Pro-Love isn't anywhere I can see so I will never know how this story ends. I have to say I was pro Kade since I like the kind of bad boy he seemed to be.
P.S. The best bit for me was probably the four pictures that had hidden penises in them.
Kurt Vile recommended Journey in Satchidananda by Alice Coltrane in Music (curated)
James Dean Bradfield recommended Slow Dazzle by John Cale in Music (curated)
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Gareth von Kallenbach (980 KP) rated Miles Ahead (2016) in Movies
Aug 6, 2019
‘Miles Ahead’ is a biopic about the legendary jazz musician directed by and staring Don Cheadle who also co-wrote the film with Steven Baigelman, Christopher Wilkinson, and Steven J. Rivele.
Emayatzy Corinealdi, Ewan McGregor, Michael Stuhlbarg, and Keith Stanfield. Rather than focus on the entire life of the great jazz musician which could encompass several films and take up an entire archive, the film focuses mainly on a period in Davis’s life where he is living in relative seclusion in his home in New York City after having retreated from the public spotlight five years previously. Miles endeavors to begin recording and playing music once again after combating addictions to alcohol and cocaine which he indulged in to deal with his wife leaving him and the heavy stress brought upon him by a loss of inspiration to compose music. At about this same time ‘Rolling Stone’ reporter Dave Braden (McGregor), a borderline paparazzi of the time but not quite, calls upon Davis begging him to let him write about Davis’s great comeback. After several futile attempts on the part of Braden, Davis reluctantly agrees after Braden introduces him to a new dealer willing to supply him with high-grade cocaine. What follows is something thats almost out of a Hunter S. Thompson book as the two attempt to recover a demo tape of Davis’s most recent recordings from a low level gangster/manager/agent who stole the from Davis’s home. Amongst the drugs and the booze and the gun fights and car chases there are brief flashbacks into Miles’s past where he relives times good and bad with his wife Frances (Corinealdi). How they met, how they lived, and how she inspired some of his greatest works through her graceful dancing and their mutual love for classical music like Eric Satie, Chopin, and Stravinsky and how he eventually lost her due to his addictions and indulgences.
For such a brief glimpse into the life of one of music’s greatest, the movie was quite well done. It was clearly a labor of love for Mr. Cheadle who had his hands in nearly every aspect of the movie and went so far as to learn to play the trumpet so he could actually play the music himself in the movie. The actor, who is amongst the best and most underrated of our time, reportedly spent six years making this film. The background music is mostly comprised of tracks from arguably one of Davis’s best albums ‘Sketches Of Spain’ and selections of his work is played by Cheadle himself. It’s sometimes difficult to tell whether the movie is more about the music or the man himself. Does it honestly matter though? In many ways, they’re one in the same are they not? The movie is rated R for scenes with violence, adult language, and intimate scenes. I’d give it 4 out of 5 stars. The only negative thing I have to say about is that I wish there had been more about the life of the man. His beginnings. Like when he was accepted into the Juilliard School of Music in New York only to drop out. His days spent jamming with Charlie Parker. Again, that would encompass far more time than one would consider ‘feasible’ for a movie.
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