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James Dean Bradfield recommended Slow Dazzle by John Cale in Music (curated)
Hohner-GCF Mini-SqueezeBox - All Tones Deluxe Edition
Music and Education
App
Hohner announces the introduction of a revolutionary new app for the iPhone: The Hohner...
Samplr - Touch the Music
Music and Productivity
App
Samplr allows you to make music and play with sound in a new and intuitive way by touching the...
Some Kind of Peace by Olafur Arnalds
Album
The internationally acclaimed BAFTA winner and Emmy-nominated Icelandic composer Ólafur Arnalds is...
Round Up the Usual Peacocks
9.0
Rate It
Book
New York Times bestselling author Donna Andrews first introduced us to Meg Langslow as a...
Gareth von Kallenbach (980 KP) rated Miles Ahead (2016) in Movies
Aug 6, 2019
If you’ve ever found yourself in a coffee shop, bookstore, or perhaps even a jazz club in the 21st century you can’t NOT have heard either the name ‘Miles Davis’, his music, or perhaps both. If you’ve been living under a rock your whole life and by some miracle you have a smartphone, computer, or a radio find a jazz station and it’s almost a sure thing you’ll here his music within minutes. The man is no myth although the man and his music are so legendary there is almost a mythical presence to him. He is one of the greats. No question. No argument.
‘Miles Ahead’ is a biopic about the legendary jazz musician directed by and staring Don Cheadle who also co-wrote the film with Steven Baigelman, Christopher Wilkinson, and Steven J. Rivele.
Emayatzy Corinealdi, Ewan McGregor, Michael Stuhlbarg, and Keith Stanfield. Rather than focus on the entire life of the great jazz musician which could encompass several films and take up an entire archive, the film focuses mainly on a period in Davis’s life where he is living in relative seclusion in his home in New York City after having retreated from the public spotlight five years previously. Miles endeavors to begin recording and playing music once again after combating addictions to alcohol and cocaine which he indulged in to deal with his wife leaving him and the heavy stress brought upon him by a loss of inspiration to compose music. At about this same time ‘Rolling Stone’ reporter Dave Braden (McGregor), a borderline paparazzi of the time but not quite, calls upon Davis begging him to let him write about Davis’s great comeback. After several futile attempts on the part of Braden, Davis reluctantly agrees after Braden introduces him to a new dealer willing to supply him with high-grade cocaine. What follows is something thats almost out of a Hunter S. Thompson book as the two attempt to recover a demo tape of Davis’s most recent recordings from a low level gangster/manager/agent who stole the from Davis’s home. Amongst the drugs and the booze and the gun fights and car chases there are brief flashbacks into Miles’s past where he relives times good and bad with his wife Frances (Corinealdi). How they met, how they lived, and how she inspired some of his greatest works through her graceful dancing and their mutual love for classical music like Eric Satie, Chopin, and Stravinsky and how he eventually lost her due to his addictions and indulgences.
For such a brief glimpse into the life of one of music’s greatest, the movie was quite well done. It was clearly a labor of love for Mr. Cheadle who had his hands in nearly every aspect of the movie and went so far as to learn to play the trumpet so he could actually play the music himself in the movie. The actor, who is amongst the best and most underrated of our time, reportedly spent six years making this film. The background music is mostly comprised of tracks from arguably one of Davis’s best albums ‘Sketches Of Spain’ and selections of his work is played by Cheadle himself. It’s sometimes difficult to tell whether the movie is more about the music or the man himself. Does it honestly matter though? In many ways, they’re one in the same are they not? The movie is rated R for scenes with violence, adult language, and intimate scenes. I’d give it 4 out of 5 stars. The only negative thing I have to say about is that I wish there had been more about the life of the man. His beginnings. Like when he was accepted into the Juilliard School of Music in New York only to drop out. His days spent jamming with Charlie Parker. Again, that would encompass far more time than one would consider ‘feasible’ for a movie.
‘Miles Ahead’ is a biopic about the legendary jazz musician directed by and staring Don Cheadle who also co-wrote the film with Steven Baigelman, Christopher Wilkinson, and Steven J. Rivele.
Emayatzy Corinealdi, Ewan McGregor, Michael Stuhlbarg, and Keith Stanfield. Rather than focus on the entire life of the great jazz musician which could encompass several films and take up an entire archive, the film focuses mainly on a period in Davis’s life where he is living in relative seclusion in his home in New York City after having retreated from the public spotlight five years previously. Miles endeavors to begin recording and playing music once again after combating addictions to alcohol and cocaine which he indulged in to deal with his wife leaving him and the heavy stress brought upon him by a loss of inspiration to compose music. At about this same time ‘Rolling Stone’ reporter Dave Braden (McGregor), a borderline paparazzi of the time but not quite, calls upon Davis begging him to let him write about Davis’s great comeback. After several futile attempts on the part of Braden, Davis reluctantly agrees after Braden introduces him to a new dealer willing to supply him with high-grade cocaine. What follows is something thats almost out of a Hunter S. Thompson book as the two attempt to recover a demo tape of Davis’s most recent recordings from a low level gangster/manager/agent who stole the from Davis’s home. Amongst the drugs and the booze and the gun fights and car chases there are brief flashbacks into Miles’s past where he relives times good and bad with his wife Frances (Corinealdi). How they met, how they lived, and how she inspired some of his greatest works through her graceful dancing and their mutual love for classical music like Eric Satie, Chopin, and Stravinsky and how he eventually lost her due to his addictions and indulgences.
For such a brief glimpse into the life of one of music’s greatest, the movie was quite well done. It was clearly a labor of love for Mr. Cheadle who had his hands in nearly every aspect of the movie and went so far as to learn to play the trumpet so he could actually play the music himself in the movie. The actor, who is amongst the best and most underrated of our time, reportedly spent six years making this film. The background music is mostly comprised of tracks from arguably one of Davis’s best albums ‘Sketches Of Spain’ and selections of his work is played by Cheadle himself. It’s sometimes difficult to tell whether the movie is more about the music or the man himself. Does it honestly matter though? In many ways, they’re one in the same are they not? The movie is rated R for scenes with violence, adult language, and intimate scenes. I’d give it 4 out of 5 stars. The only negative thing I have to say about is that I wish there had been more about the life of the man. His beginnings. Like when he was accepted into the Juilliard School of Music in New York only to drop out. His days spent jamming with Charlie Parker. Again, that would encompass far more time than one would consider ‘feasible’ for a movie.
SessionBand Jazz - Volume 1
Music and Entertainment
App
All SessionBand apps now half price for a limited time only! Jamie Cullum: "An extraordinarily...
FLUX:FX play - the professional audio multi-effects engine by Adrian Belew
Music and Entertainment
App
***FLUX:FX play is the little brother of FLUX:FX - If you like this app please check out the master...
Evie is a listless teenager in California, drifting through life, when she spots a group of girls in the park one day. Evie is immediately captivated, especially by Suzanne, an older girl with long black hair. She soon becomes ensnared by the girls and drawn back to their ranch, where she meets their leader, Russell, a would-be musician who has an entire group under his thrall. While the ranch is decrepit, and its inhabitants often hungry, Evie finds it a welcome alternative to life at home with her mother, or her boring best friend friend. She also finds herself more and more enthralled with Suzanne. But as Evie gets drawn into the group, it's hard for her to see the darkness surrounding her new friends--and what it may lead to.
I tend to either read "It" books immediately, or shy away from them. I was hesitant to read this one for a while, but finally caved while on vacation. While I found it an interesting read, it didn't live up to the incredible hype that swirled around the novel. I found Evie a lackluster character--and while part of that is the point, and what allows her to be drawn into Russell and Suzanne's web, I just found myself lacking any empathy for her whatsoever. The story itself goes seemingly nowhere for a good 2/3 of the book, only picking up near the end (yet, Evie isn't really involved in the novel's major plot impetus - it's very strange).
The juxtaposition of Evie looking back on her life, telling the story of her teenage years is an interesting one, but we don't get much further development about her present life. Overall, I enjoyed Cline's writing style and pieces of the book, but was disappointed in the novel as a whole. I didn't care about the characters or much of the plot, nor did I find the story as captivating as I'd hoped, based on all the raving reviews. Still, it was a fairly quick and interesting read.
I tend to either read "It" books immediately, or shy away from them. I was hesitant to read this one for a while, but finally caved while on vacation. While I found it an interesting read, it didn't live up to the incredible hype that swirled around the novel. I found Evie a lackluster character--and while part of that is the point, and what allows her to be drawn into Russell and Suzanne's web, I just found myself lacking any empathy for her whatsoever. The story itself goes seemingly nowhere for a good 2/3 of the book, only picking up near the end (yet, Evie isn't really involved in the novel's major plot impetus - it's very strange).
The juxtaposition of Evie looking back on her life, telling the story of her teenage years is an interesting one, but we don't get much further development about her present life. Overall, I enjoyed Cline's writing style and pieces of the book, but was disappointed in the novel as a whole. I didn't care about the characters or much of the plot, nor did I find the story as captivating as I'd hoped, based on all the raving reviews. Still, it was a fairly quick and interesting read.
Bookapotamus (289 KP) rated House of Rougeaux in Books
Jun 10, 2018
A Family Saga Spanning Generations and the Globe
I won a copy of House of Rougeaux through a Goodreads Giveaway (my first time winning!) I don't think I would have normally picked this up - and I try to enter myself in giveaways for just this reason - to discover new authors and read stories I wouldn't normally seek out.
House of Rougeaux was a wonderful story of a family spanning across the globe and across generations. The saga is non-linear, so it jumps around a bit. I had a hard time following in the beginning and there are quite a few characters to keep straight. But once I got a few chapters in, it was fairly easy to keep track. The family tree illustration in the beginning is super helpful and I fell in love with this family - and the way the author connected the generations was clever and didn't feel forced at all.
From the early 1800's at a sugar plantation in Martinique with Abeje, a healer, and her brother - facing tremendous brutality and loss - only to survive and start the legacy of this story and this family. To more present day with Eleanor, a musician in Canada - faced with a harrowing situation and tough choices, coming full circle.
There is magic and wonder, healing and suffering, as well as music and love. You see these aspects reflected across bloodlines, across generations, from slavery to freedom and across the world. Things are passed down, and you see a bit of some characters in other, through an intricate weaving of layers. But it's easy to see how this family changed and progressed over 100 years, and the spirit that lives within them all.
The story was captivating and the writing, eloquent. Thanks to Goodreads, Jenny Jaeckel and Raincloud Press for the opportunity to read and review.
House of Rougeaux was a wonderful story of a family spanning across the globe and across generations. The saga is non-linear, so it jumps around a bit. I had a hard time following in the beginning and there are quite a few characters to keep straight. But once I got a few chapters in, it was fairly easy to keep track. The family tree illustration in the beginning is super helpful and I fell in love with this family - and the way the author connected the generations was clever and didn't feel forced at all.
From the early 1800's at a sugar plantation in Martinique with Abeje, a healer, and her brother - facing tremendous brutality and loss - only to survive and start the legacy of this story and this family. To more present day with Eleanor, a musician in Canada - faced with a harrowing situation and tough choices, coming full circle.
There is magic and wonder, healing and suffering, as well as music and love. You see these aspects reflected across bloodlines, across generations, from slavery to freedom and across the world. Things are passed down, and you see a bit of some characters in other, through an intricate weaving of layers. But it's easy to see how this family changed and progressed over 100 years, and the spirit that lives within them all.
The story was captivating and the writing, eloquent. Thanks to Goodreads, Jenny Jaeckel and Raincloud Press for the opportunity to read and review.