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Bong Mines Entertainment (15 KP) rated Live From Studio Hotel Earth by Laura Jean Anderson in Music
Jun 25, 2019
Laura Jean Anderson is an LA-based singer-songwriter from Olympia, Washington. Not too long ago, she released an EP of live in-studio tracks, entitled, “Live From Studio Hotel Earth”.
The 6-track project contains songs from her debut EP, entitled, “Lonesome No More”, alongside a cover of The White Stripes’ “I’m Lonely (But I Ain’t That Lonely Yet)” single.
“I miss my mother, I miss being her one. As crazy as I was, I guess I wasn’t much fun. Sometimes, I miss her so much, want to hop on the next jet. I get lonely, but I ain’t that lonely yet.” – lyrics
‘I’m Lonely (But I Ain’t That Lonely Yet)’ tells a depressing tale of a young woman who is in need of human contact. Apparently, she doesn’t want to bother her loved ones, therefore, she doesn’t tell them that she misses them.
Later, she admits that sometimes she wants to give them a call, but doesn’t want to feel like a pest. Even though she feels regret for being desolate, she keeps on keeping on. What she really wants is to find a friend, someone who she can talk to one on one.
‘I’m Lonely (But I Ain’t That Lonely Yet)’ contains a gloomy storyline, ear-welcoming vocals, and guitar-driven instrumentation flavored with sentimental blues and folk elements.
“Making a record and having the vast possibilities of production and instrumentation is exciting, but there is something special about limitation. This live EP brings the songs back to how they were written. Back to those intimate moments of writing alone late at night with just me and my guitar. These songs are really personal to me. All about very vivid moments and stories of my life so being able to record them stripped-down and intimately was really emotional but beautiful. The day of the recording was really special for me. I’m a huge believer in the power of a community of people. So it was really special having my old friend Theo Karon record this in his new studio.” – Laura Jean Anderson
Laura Jean Anderson had a strict Mormon upbringing. During her teenage years, she used music as an outlet for rebellion and enhanced her vocal skill in church choirs.
After a bronchitis-ridden audition, she gained acceptance to California Institute of the Arts (CalArts), where she studied classical voice.
Since then, she has gained experience as a blue collared musician who built her career working odd jobs which involved painstaking hard labor.
Get acquainted with her music by streaming her “Live From Studio Hotel Earth” EP via Spotify.
Laura Jean Anderson recorded her “Live From Studio Hotel Earth” EP in one-take.
Also, this summer, she will embark on a tour as direct support with L.A. alt-rock outfit Grizfolk.
The 6-track project contains songs from her debut EP, entitled, “Lonesome No More”, alongside a cover of The White Stripes’ “I’m Lonely (But I Ain’t That Lonely Yet)” single.
“I miss my mother, I miss being her one. As crazy as I was, I guess I wasn’t much fun. Sometimes, I miss her so much, want to hop on the next jet. I get lonely, but I ain’t that lonely yet.” – lyrics
‘I’m Lonely (But I Ain’t That Lonely Yet)’ tells a depressing tale of a young woman who is in need of human contact. Apparently, she doesn’t want to bother her loved ones, therefore, she doesn’t tell them that she misses them.
Later, she admits that sometimes she wants to give them a call, but doesn’t want to feel like a pest. Even though she feels regret for being desolate, she keeps on keeping on. What she really wants is to find a friend, someone who she can talk to one on one.
‘I’m Lonely (But I Ain’t That Lonely Yet)’ contains a gloomy storyline, ear-welcoming vocals, and guitar-driven instrumentation flavored with sentimental blues and folk elements.
“Making a record and having the vast possibilities of production and instrumentation is exciting, but there is something special about limitation. This live EP brings the songs back to how they were written. Back to those intimate moments of writing alone late at night with just me and my guitar. These songs are really personal to me. All about very vivid moments and stories of my life so being able to record them stripped-down and intimately was really emotional but beautiful. The day of the recording was really special for me. I’m a huge believer in the power of a community of people. So it was really special having my old friend Theo Karon record this in his new studio.” – Laura Jean Anderson
Laura Jean Anderson had a strict Mormon upbringing. During her teenage years, she used music as an outlet for rebellion and enhanced her vocal skill in church choirs.
After a bronchitis-ridden audition, she gained acceptance to California Institute of the Arts (CalArts), where she studied classical voice.
Since then, she has gained experience as a blue collared musician who built her career working odd jobs which involved painstaking hard labor.
Get acquainted with her music by streaming her “Live From Studio Hotel Earth” EP via Spotify.
Laura Jean Anderson recorded her “Live From Studio Hotel Earth” EP in one-take.
Also, this summer, she will embark on a tour as direct support with L.A. alt-rock outfit Grizfolk.
Bong Mines Entertainment (15 KP) rated VOLUME 1 by Tash in Music
Sep 2, 2019
Tash is a talented singer-songwriter and gifted musician from Australia. Not too long ago, she released a music video for her lovely single, entitled, “The Signs”.
“I wrote ‘The Signs’ in a similar headspace to the way I wrote ‘DREAMING’. It’s about feeling suspicious that omens exist and that maybe I’d done something to deserve my own misfortune. I don’t actually believe in any of that stuff, but at the time I’d probably had a weird week and started wondering if opening umbrellas indoors is the cause of it.” – Tash
The audiovisual, equipped with a classic ‘80s flare, opt for sprinkles of VHS frames and subtle animation.
Also, the music video follows a relaxed Tash as she travels sonically through the bustling city at nighttime.
‘The Signs’ is featured on Tash’s latest EP, entitled, “VOLUME 1”. The likable 5-track project contains her previously released tune, entitled, “What a Lovely Mess”.
“Tash is such a prolific songwriter and we feel that anyone who listens to the EP is going to have a very special listening experience” – producer of the EP, Mark J Feist (Beyoncé, Mary J. Blige, John Legend, Little Mix)
Tash was discovered by multi-platinum record producer and songwriter Mark J. Feist on Instagram.
She started by posting acoustic covers of popular songs and has since reached over 800K impressions a week.
Tash has quickly established herself as one of this year’s most exciting artists to watch.
She was born into a musical family to a guitar-teaching mother and bass-playing father.
At such a young age, she has sold out numerous shows including performances at Soho House NYC, Sayers Club Los Angeles, Peppermint Club, and Hotel Cafe.
So far, her music has amassed over 80M streams and garnered over 12M views online across various social media platforms.
“I’m questioning the way it works what did I do to deserve this change of rhythm so bitter, I’m getting butthurt about almost everything, it’s unsettling. Focus on better things. Stop, stop hiding in your euphemisms, believing your superstition, following your intuition ain’t always so good for you. I know if you bring bad, the bad will come to you. That doesn’t mean that all the black cat bullsh*t is actually true, nah. Don’t need my fortune told to tell me I’ve got unrequited love. I’ve got issues with my trust. I’ve got a conscience. That’s enough for me to think that’s enough for me.” – lyrics, “The Signs”
Tash is the first artist to ever perform on the roof at the Facebook Campus.
Her songs have been added to over 20+ Spotify, Amazon, and Apple playlists.
Also, she was placed on the Apple Music homepage in the USA as well as featured in their Swipe Up viral campaign.
“I wrote ‘The Signs’ in a similar headspace to the way I wrote ‘DREAMING’. It’s about feeling suspicious that omens exist and that maybe I’d done something to deserve my own misfortune. I don’t actually believe in any of that stuff, but at the time I’d probably had a weird week and started wondering if opening umbrellas indoors is the cause of it.” – Tash
The audiovisual, equipped with a classic ‘80s flare, opt for sprinkles of VHS frames and subtle animation.
Also, the music video follows a relaxed Tash as she travels sonically through the bustling city at nighttime.
‘The Signs’ is featured on Tash’s latest EP, entitled, “VOLUME 1”. The likable 5-track project contains her previously released tune, entitled, “What a Lovely Mess”.
“Tash is such a prolific songwriter and we feel that anyone who listens to the EP is going to have a very special listening experience” – producer of the EP, Mark J Feist (Beyoncé, Mary J. Blige, John Legend, Little Mix)
Tash was discovered by multi-platinum record producer and songwriter Mark J. Feist on Instagram.
She started by posting acoustic covers of popular songs and has since reached over 800K impressions a week.
Tash has quickly established herself as one of this year’s most exciting artists to watch.
She was born into a musical family to a guitar-teaching mother and bass-playing father.
At such a young age, she has sold out numerous shows including performances at Soho House NYC, Sayers Club Los Angeles, Peppermint Club, and Hotel Cafe.
So far, her music has amassed over 80M streams and garnered over 12M views online across various social media platforms.
“I’m questioning the way it works what did I do to deserve this change of rhythm so bitter, I’m getting butthurt about almost everything, it’s unsettling. Focus on better things. Stop, stop hiding in your euphemisms, believing your superstition, following your intuition ain’t always so good for you. I know if you bring bad, the bad will come to you. That doesn’t mean that all the black cat bullsh*t is actually true, nah. Don’t need my fortune told to tell me I’ve got unrequited love. I’ve got issues with my trust. I’ve got a conscience. That’s enough for me to think that’s enough for me.” – lyrics, “The Signs”
Tash is the first artist to ever perform on the roof at the Facebook Campus.
Her songs have been added to over 20+ Spotify, Amazon, and Apple playlists.
Also, she was placed on the Apple Music homepage in the USA as well as featured in their Swipe Up viral campaign.
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Gareth von Kallenbach (980 KP) rated A Star Is Born (2018) in Movies
Jul 2, 2019
Bradley Cooper lays the triple threat by not only starring, but directing and co-writing the script for this 4th time retelling of a tragic story of love, music, and addiction. Jackson Maine (Bradley Cooper), a superstar struggling with addiction on a downward spiral falls in love with a rising star named Ally (Lady Gaga), who is trying to make her musical mark in the world all while saving the man she loves.
One night after a show, Jackson Maine drunkenly wanders into a drag bar and becomes completely enamored with Ally’s sultry voice after she belts out La Vie En Rose. It didn’t take long to realize the vulnerability that connected the two artists. The wounded soul of Jackson’s past and Ally’s heartbreak from constant rejection by the large music companies because she doesn’t look like a Barbie doll. The following day, Jackson flies Ally to one of his shows, and invites her to sing with him on stage together. Realizing the audience loves them and the chemistry they exude on stage, it’s only makes sense for Ally to join Jackson on tour and begin making beautiful music together. The chemistry carries off stage as the two quickly fall in love, get married, all while Ally’s career begins to take off.
Ally, however, is ill-equipped to deal with Jackson’s addiction and the demands that come with being a superstar, trying to juggle home life and her career. Proud of his wife’s success and still suffering from his own demons, Jackson in the end realizes his inability to come up for air is holding her back.
Bradley Cooper has proven that he is just as talented behind the camera as he is in front of one. All the agony, the pain, raw emotions Cooper demonstrated in this character, I would be very surprised if he didn’t receive any recognition come awards season. Even with such a stellar performance by Cooper, Lady Gaga was the absolute show stopper. She commanded the audience’s attention with her voice, her quick wit, her natural realism of codependency. She was born to play Ally.
We already knew that Lady Gaga and her singing chops where going to be a major focal point in this film, but who knew Bradley Cooper could sing? Cooper, who said he flew to Seattle to consult friend Eddie Vedder, frontman for Pearl Jam, on how to “aesthetically become a musician, and all the inner workings.” The breathtaking musical performances made you feel like you were live at the concert. I almost found myself clapping at the end of a couple of numbers.
When you see a movie and find yourself just sitting there in awe as the end credits roll by, unable to move, you realized you’ve just seen magic. From the music, to the supporting characters, the editing……..every element was sheer perfection!
One night after a show, Jackson Maine drunkenly wanders into a drag bar and becomes completely enamored with Ally’s sultry voice after she belts out La Vie En Rose. It didn’t take long to realize the vulnerability that connected the two artists. The wounded soul of Jackson’s past and Ally’s heartbreak from constant rejection by the large music companies because she doesn’t look like a Barbie doll. The following day, Jackson flies Ally to one of his shows, and invites her to sing with him on stage together. Realizing the audience loves them and the chemistry they exude on stage, it’s only makes sense for Ally to join Jackson on tour and begin making beautiful music together. The chemistry carries off stage as the two quickly fall in love, get married, all while Ally’s career begins to take off.
Ally, however, is ill-equipped to deal with Jackson’s addiction and the demands that come with being a superstar, trying to juggle home life and her career. Proud of his wife’s success and still suffering from his own demons, Jackson in the end realizes his inability to come up for air is holding her back.
Bradley Cooper has proven that he is just as talented behind the camera as he is in front of one. All the agony, the pain, raw emotions Cooper demonstrated in this character, I would be very surprised if he didn’t receive any recognition come awards season. Even with such a stellar performance by Cooper, Lady Gaga was the absolute show stopper. She commanded the audience’s attention with her voice, her quick wit, her natural realism of codependency. She was born to play Ally.
We already knew that Lady Gaga and her singing chops where going to be a major focal point in this film, but who knew Bradley Cooper could sing? Cooper, who said he flew to Seattle to consult friend Eddie Vedder, frontman for Pearl Jam, on how to “aesthetically become a musician, and all the inner workings.” The breathtaking musical performances made you feel like you were live at the concert. I almost found myself clapping at the end of a couple of numbers.
When you see a movie and find yourself just sitting there in awe as the end credits roll by, unable to move, you realized you’ve just seen magic. From the music, to the supporting characters, the editing……..every element was sheer perfection!
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