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Kristy H (1252 KP) rated The Night Swim: A Novel in Books
Sep 17, 2020
Dark, timely and propulsive thriller
Rachel Krall, from the popular Guilty or Not Guilty true crime podcast, finds herself in the town of Neapolis, North Carolina for season three. It's the first time she's covered a live trial, and it's a divisive rape trial no less. A high school girl "K" has accused popular swimmer Scott Blair of raping her. It's set the town on edge and brought up lots of questions about reputations and who can be believed. As Rachel arrives in Neapolis, she's shocked to find a letter on her car--rarely is the radio host recognized in public. But someone in the town wants her help unlocking the mysteries of what happened to her sister over twenty-five years ago. Jenny Stills' death--at sixteen--was ruled a drowning, but the letter writer insists she was murdered, and they want Rachel to help her find the killer. Quickly the past and present intertwine, as Rachel realizes the two cases may be connected.
"That's why I'm writing to you, Rachel. Jenny's killer will be there. In that town. Maybe that courtroom. It's time for justice to be done. You're the only one who can help me deliver it."
Goldin offers us an excellent thriller with a pervasive eerie feel. While, for the most part, I find myself tired of podcast tales, The Night Swim offers an overall fresh take on the genre, weaving in Rachel's episodes about the trial with her own investigation into both the current case and the Stills drowning. We also hear from the past, giving us even more insight into what happened to Jenny all those years ago. The result is a spellbinding, sometimes heartbreaking, read that's nearly impossible to put down.
I highly enjoyed putting the pieces together on this one--as they filter in via our various narratives. I had an early guess that proved to be right, but that didn't diminish my enjoyment of the book in any way. The ending was a little different, but overall, I was a big fan of the intersection of the two cases and the dark and timely themes this book brought up--rape, assault, and more. It offers an unflinching look at what women experience: and how rarely they are believed, trusted, or can turn to anyone.
Overall, this is an excellent, fast-paced thriller with two storylines that work well together. It's creepy and dark, with a strong, unforgettable message. 4 stars.
"That's why I'm writing to you, Rachel. Jenny's killer will be there. In that town. Maybe that courtroom. It's time for justice to be done. You're the only one who can help me deliver it."
Goldin offers us an excellent thriller with a pervasive eerie feel. While, for the most part, I find myself tired of podcast tales, The Night Swim offers an overall fresh take on the genre, weaving in Rachel's episodes about the trial with her own investigation into both the current case and the Stills drowning. We also hear from the past, giving us even more insight into what happened to Jenny all those years ago. The result is a spellbinding, sometimes heartbreaking, read that's nearly impossible to put down.
I highly enjoyed putting the pieces together on this one--as they filter in via our various narratives. I had an early guess that proved to be right, but that didn't diminish my enjoyment of the book in any way. The ending was a little different, but overall, I was a big fan of the intersection of the two cases and the dark and timely themes this book brought up--rape, assault, and more. It offers an unflinching look at what women experience: and how rarely they are believed, trusted, or can turn to anyone.
Overall, this is an excellent, fast-paced thriller with two storylines that work well together. It's creepy and dark, with a strong, unforgettable message. 4 stars.
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LeftSideCut (3776 KP) rated Midnight Mass in TV
Nov 11, 2021
It's a rare thing indeed that I'm left in stunned silence when the credits start to to roll. Midnight Mass was one of those occasions (actually, due to its episodic format, this happened more than once)
This limited series is pretty much perfect in every way. For starters, every single piece of dialogue feels important. There are plenty of lengthy moments of talking, and most of these scenes are completely engaging, dripping with character development. In fact, every character we see throughout the show is given just the right amount of backstory, and I found myself profusely invested in all of them. The way these characters are crafted lead to a plethora of emotional moments. By the time the final scene rolls around, I was exhausted, but in a good and wholly fulfilling way.
The narrative in wonderfully paced. The horror element is present from the start, but is subtle to begin with, focusing on the island setting and the people that live there. The mysteries of the plot are drip fed and intriguing. When the twist and turns start to hit, it gives way to an unsettling horror-thriller with religion right at the centre. I'm a sucker for religious horror, and Midnight Mass is surely the new reigning champion of this particular sub genre. The way that this small island town finds themselves in the grip of a "full blown religious revival" as one of the characters puts it, manages to feel miraculous, warming, and eventually terrifying, all at once. Spearheading said revival is Father Paul, one of the most charismatic bastards ever commited to screen, and portrayed with aplomb by Hamish Linklater. He chews up every scene he is in and delivers some staggering monologues. His right hand, Bev Keane, is another highlight. Samantha Sloyan gives us hugely contemptible antagonist. The whole cast is nothing short of excellent, but these two in particular steal the whole show.
On top of all of this, every episode is shot beautifully. It's stunning to look at from start to finish. The music score is fantastic as well, especially the hymns. The use of them leads to some overwhelmingly powerful moments (especially in the final episode), and all of these positives combined result in a bonafide masterpiece.
It's clear that this was a passion project for Mike Flanagan in the way that it's so lovingly put together. He just keeps proving himself over and over again, and I can't give enough praise to both him, and Midnight Mass, and he's one of a fair few modern directors that ensure that the future of horror is bright indeed.
This limited series is pretty much perfect in every way. For starters, every single piece of dialogue feels important. There are plenty of lengthy moments of talking, and most of these scenes are completely engaging, dripping with character development. In fact, every character we see throughout the show is given just the right amount of backstory, and I found myself profusely invested in all of them. The way these characters are crafted lead to a plethora of emotional moments. By the time the final scene rolls around, I was exhausted, but in a good and wholly fulfilling way.
The narrative in wonderfully paced. The horror element is present from the start, but is subtle to begin with, focusing on the island setting and the people that live there. The mysteries of the plot are drip fed and intriguing. When the twist and turns start to hit, it gives way to an unsettling horror-thriller with religion right at the centre. I'm a sucker for religious horror, and Midnight Mass is surely the new reigning champion of this particular sub genre. The way that this small island town finds themselves in the grip of a "full blown religious revival" as one of the characters puts it, manages to feel miraculous, warming, and eventually terrifying, all at once. Spearheading said revival is Father Paul, one of the most charismatic bastards ever commited to screen, and portrayed with aplomb by Hamish Linklater. He chews up every scene he is in and delivers some staggering monologues. His right hand, Bev Keane, is another highlight. Samantha Sloyan gives us hugely contemptible antagonist. The whole cast is nothing short of excellent, but these two in particular steal the whole show.
On top of all of this, every episode is shot beautifully. It's stunning to look at from start to finish. The music score is fantastic as well, especially the hymns. The use of them leads to some overwhelmingly powerful moments (especially in the final episode), and all of these positives combined result in a bonafide masterpiece.
It's clear that this was a passion project for Mike Flanagan in the way that it's so lovingly put together. He just keeps proving himself over and over again, and I can't give enough praise to both him, and Midnight Mass, and he's one of a fair few modern directors that ensure that the future of horror is bright indeed.
graveyardgremlin (7194 KP) rated India Black (Madam of Espionage, #1) in Books
Feb 15, 2019
<b>3.5 stars</b>
<b>India Black</b> is a well-written and entertaining read, featuring a no-nonsense, street-wise, and book-smart whore-turned-madam who is the namesake of the book. While I do like India and her voice, there was something about her that felt off, and after thinking about it I've come to realize that I really don't know her that well. I find that odd because the book is told first-person. Even though this is the first in the series and some authors may not want to divulge everything about a character, I think there needed to be more tidbits about India. What's her history? How did she grow up? Was she groomed to be a whore? Etc., etc., etc. Besides, French is the secretive one, we don't need two mysterious characters in one book. As for the attraction between India and French promised on the back of the book, well, it wasn't there. Now there's the promise for that in the future, but there weren't enough scenes with the two of them together for anything to actually happen except some minor discussions about the issue(s) at hand, some bantering, and a decent amount of bickering -- though luckily not too much of the latter to annoy.
The plot is fine, but there's really nothing new to distinguish it from others in Victorian mysteries. Actually, the book doesn't feature any mystery what-so-ever and it's more of a chase to retrieve top secret government documents; I've heard the term caper thrown around and that sounds about right for this book. After a while I felt like I was in <b>Groundhog Day</b> -- same scenarios popped up under different circumstances, but all with the same outcome, which became tiring. The historical facts would have been better served had they been more smoothly incorporated into the story rather than dropped in big chunky lumps that often bored me (and I <i>like</i> history). The atmosphere of the book was fairly well-done, though it seemed a bit too polished and clean, so a little more grit would have given it some needed realism. The main character is a madam who can't possibly live in best neighborhood, and no matter how well-mannered, groomed, or intelligent she may be, she has to live in a tough place.
While I do have those minor issues about the book, the question is, <i>"Would I read the next book in the series?"</i> Yes, I believe so, because overall, I did enjoy this foray into India Black's world and it has the makings of a very interesting series.
<b>India Black</b> is a well-written and entertaining read, featuring a no-nonsense, street-wise, and book-smart whore-turned-madam who is the namesake of the book. While I do like India and her voice, there was something about her that felt off, and after thinking about it I've come to realize that I really don't know her that well. I find that odd because the book is told first-person. Even though this is the first in the series and some authors may not want to divulge everything about a character, I think there needed to be more tidbits about India. What's her history? How did she grow up? Was she groomed to be a whore? Etc., etc., etc. Besides, French is the secretive one, we don't need two mysterious characters in one book. As for the attraction between India and French promised on the back of the book, well, it wasn't there. Now there's the promise for that in the future, but there weren't enough scenes with the two of them together for anything to actually happen except some minor discussions about the issue(s) at hand, some bantering, and a decent amount of bickering -- though luckily not too much of the latter to annoy.
The plot is fine, but there's really nothing new to distinguish it from others in Victorian mysteries. Actually, the book doesn't feature any mystery what-so-ever and it's more of a chase to retrieve top secret government documents; I've heard the term caper thrown around and that sounds about right for this book. After a while I felt like I was in <b>Groundhog Day</b> -- same scenarios popped up under different circumstances, but all with the same outcome, which became tiring. The historical facts would have been better served had they been more smoothly incorporated into the story rather than dropped in big chunky lumps that often bored me (and I <i>like</i> history). The atmosphere of the book was fairly well-done, though it seemed a bit too polished and clean, so a little more grit would have given it some needed realism. The main character is a madam who can't possibly live in best neighborhood, and no matter how well-mannered, groomed, or intelligent she may be, she has to live in a tough place.
While I do have those minor issues about the book, the question is, <i>"Would I read the next book in the series?"</i> Yes, I believe so, because overall, I did enjoy this foray into India Black's world and it has the makings of a very interesting series.
graveyardgremlin (7194 KP) rated Body Count (Sophie Anderson, #1) in Books
Feb 15, 2019
After a somewhat rough and slow start, give or take the first 150 pages, BODY COUNT picked up steam with the turn of each page. Told in first-person, present tense narrative, the book introduces Australian transplant, Sophie Anderson, who now works as a profiler for the F.B.I. and is intent on catching the D.C. Slasher before he strikes too close to home.
Sophie is a sympathetic and smart protagonist, and I liked her even though she felt slightly distant to me; although her distance quite fit with her character. While many books feature headstrong females who idiotically go off half-cocked into precarious situations, I am happy to say Sophie was sensible enough that I don't remember her ever doing anything overtly stupid throughout the duration of the book. At first, I thought too much of the book was given to the romance between Sophie and Josh Marco, a fellow profiler, but luckily that trailed off and it became less of a focus. The psychic angle actually doesn't play as much into this series' first outing as I was led to believe from the synopsis, but it works in the book's favor, as it helps set up the characters and background, especially Sophie's.
Some parts of the book I thought unnecessary but they weren't anything big or too distracting to the plot as a whole. While it is easy to figure out who the serial killer is, if you've read enough mysteries, you're bound to determine who's the one; the fun is in how Sophie and the others get to that point. I did like the main motivation behind the killer and found it fresh and interesting. The passages told from the killer's perspective were especially well-done, very chilling and realistic, and they were at the end of most chapters.
Fast, fun, thrilling and full of twists and turns, BODY COUNT kept me riveted and refused to let me put the book down. Yes, it has some faults but they're minor and this book is a pretty darn good starter to the series.
Sophie Anderson series in order:
[b:Body Count|2440333|Body Count (Sophie Anderson, #1)|P.D. Martin|http://photo.goodreads.com/books/1215115590s/2440333.jpg|2447527]
[b:The Murderers' Club|2354961|The Murderers' Club (Sophie Anderson, #2)|P.D. Martin|http://photo.goodreads.com/books/1215280718s/2354961.jpg|2361686]
[b:Fan Mail|3578656|Fan Mail (Sophie Anderson, #3)|P.D. Martin|http://photo.goodreads.com/books/1230869678s/3578656.jpg|3620904]
[b:The Killing Hands|6980016|The Killing Hands (Sophie Anderson, #4)|P.D. Martin|http://photo.goodreads.com/books/1276308597s/6980016.jpg|6439761]
[b:Kiss of Death|7975977|Kiss of Death (Sophie Anderson, #5)|P.D. Martin|http://photo.goodreads.com/books/1280898964s/7975977.jpg|9636582]
Sophie is a sympathetic and smart protagonist, and I liked her even though she felt slightly distant to me; although her distance quite fit with her character. While many books feature headstrong females who idiotically go off half-cocked into precarious situations, I am happy to say Sophie was sensible enough that I don't remember her ever doing anything overtly stupid throughout the duration of the book. At first, I thought too much of the book was given to the romance between Sophie and Josh Marco, a fellow profiler, but luckily that trailed off and it became less of a focus. The psychic angle actually doesn't play as much into this series' first outing as I was led to believe from the synopsis, but it works in the book's favor, as it helps set up the characters and background, especially Sophie's.
Some parts of the book I thought unnecessary but they weren't anything big or too distracting to the plot as a whole. While it is easy to figure out who the serial killer is, if you've read enough mysteries, you're bound to determine who's the one; the fun is in how Sophie and the others get to that point. I did like the main motivation behind the killer and found it fresh and interesting. The passages told from the killer's perspective were especially well-done, very chilling and realistic, and they were at the end of most chapters.
Fast, fun, thrilling and full of twists and turns, BODY COUNT kept me riveted and refused to let me put the book down. Yes, it has some faults but they're minor and this book is a pretty darn good starter to the series.
Sophie Anderson series in order:
[b:Body Count|2440333|Body Count (Sophie Anderson, #1)|P.D. Martin|http://photo.goodreads.com/books/1215115590s/2440333.jpg|2447527]
[b:The Murderers' Club|2354961|The Murderers' Club (Sophie Anderson, #2)|P.D. Martin|http://photo.goodreads.com/books/1215280718s/2354961.jpg|2361686]
[b:Fan Mail|3578656|Fan Mail (Sophie Anderson, #3)|P.D. Martin|http://photo.goodreads.com/books/1230869678s/3578656.jpg|3620904]
[b:The Killing Hands|6980016|The Killing Hands (Sophie Anderson, #4)|P.D. Martin|http://photo.goodreads.com/books/1276308597s/6980016.jpg|6439761]
[b:Kiss of Death|7975977|Kiss of Death (Sophie Anderson, #5)|P.D. Martin|http://photo.goodreads.com/books/1280898964s/7975977.jpg|9636582]
graveyardgremlin (7194 KP) rated The Christmas Killer in Books
Feb 15, 2019
The Christmas Killer (aka The Dream Killer) was a Point Horror book I missed out reading when I was younger, so decided to pick it up to enjoy this holiday season (yes, I am sick). Rosecleer Potter is a normal, everyday fifteen-year-old girl who has a twin brother, Jerram, and loves to dance. She also just happens to have developed the ability to talk, through dreams, to the recently departed, which starts when an acquaintance disappears and whose body turns up murdered in the woods. Now, as the body count rises, Rose has to figure out how to use her power before the killer gets to her.
The first paragraph almost caused me to rethink my expectations of enjoyment I'd get from the book. The sentences were short and choppy, and if the whole book had been written this way, I don't think I'd have managed to get through it. Fortunately for me, it didn't turn out that way at all. Although there were more short, fragmented sentences, they were few and far between and seemed more of a style choice than anything else.
Rose was a good choice as a lead and had both positive and negative attributes to her personality. She was generally nice but could have moments of cattiness or where her temper got the best of her, which made her more believable. I can't say any of the characters are over-developed, but they are described enough to get a rough sketch of who they are as a person, and there are moments of truth in many of their actions, e.g. the mother's freaking out, the father's clamming up, and the brother's withdrawal and secretiveness. The atmosphere is done extremely well. Even though I don't remember many actual descriptions, I got the feeling of a small town, its claustrophobia, and sense of impending doom all the same.
I have to admit this book surprised me. I went in expecting more of the slasher-type YA horrors I read as a youngster, and was handed a more mature, psychological suspense horror read instead. The plot flows well and has enough clues and red herrings to keep most readers interested. As someone who has read a lot of mysteries, I did figure it out, but it could have gone many ways and still have been satisfying. The ending is the only weak point as it was a bit abrupt and maybe too open-ended, but that's a minor niggle and didn't affect my enjoyment much. As far as I've been able to tell, there is no sequel, which might be for the best. The Christmas Killer was a quick and easy chiller that kept me entertained throughout and I'd recommend it for those who like creepy teen reads.
Originally Reviewed: December 29, 2012
Received: Library
The first paragraph almost caused me to rethink my expectations of enjoyment I'd get from the book. The sentences were short and choppy, and if the whole book had been written this way, I don't think I'd have managed to get through it. Fortunately for me, it didn't turn out that way at all. Although there were more short, fragmented sentences, they were few and far between and seemed more of a style choice than anything else.
Rose was a good choice as a lead and had both positive and negative attributes to her personality. She was generally nice but could have moments of cattiness or where her temper got the best of her, which made her more believable. I can't say any of the characters are over-developed, but they are described enough to get a rough sketch of who they are as a person, and there are moments of truth in many of their actions, e.g. the mother's freaking out, the father's clamming up, and the brother's withdrawal and secretiveness. The atmosphere is done extremely well. Even though I don't remember many actual descriptions, I got the feeling of a small town, its claustrophobia, and sense of impending doom all the same.
I have to admit this book surprised me. I went in expecting more of the slasher-type YA horrors I read as a youngster, and was handed a more mature, psychological suspense horror read instead. The plot flows well and has enough clues and red herrings to keep most readers interested. As someone who has read a lot of mysteries, I did figure it out, but it could have gone many ways and still have been satisfying. The ending is the only weak point as it was a bit abrupt and maybe too open-ended, but that's a minor niggle and didn't affect my enjoyment much. As far as I've been able to tell, there is no sequel, which might be for the best. The Christmas Killer was a quick and easy chiller that kept me entertained throughout and I'd recommend it for those who like creepy teen reads.
Originally Reviewed: December 29, 2012
Received: Library
Kristy H (1252 KP) rated The Vanishing Stair (Truly Devious #2) in Books
Apr 4, 2019
Contains spoilers, click to show
Oh I just love Maureen Johnson, and I think this series is becoming my favorite of hers, although it's in stiff competition with the Shades of London books. STAIR picks up shortly after the lovely first book TRULY DEVIOUS, which is wonderful, as that one ended on a dramatic cliffhanger. Oh, but don't worry, this one will leave you gasping for more Stevie and more DETAILS, too.
This book was so compulsively readable that I read it in two sittings, on two flights. I ignored everyone around me and frantically flipped the last couple of pages as my plane landed in Charlotte (if I had known I was going to be stuck in Charlotte thanks to a canceled flight, maybe I would have made it last... oh who am I kidding, no I wouldn't have). Johnson is just so good at getting into her characters' heads--I love Stevie. I loved her in the last book, and I loved her here. She's smart, she's relatable, and she's always getting into trouble. There's plenty of exploring, detective work, and yes, tunnels, in this one to keep you more than interested.
Stevie's cast of friends is also superb, from the prickly David to the wonderful Janelle, and Nate, the writer who can no longer write. Oh and Larry, Stevie's protective security guard. I love them all, even if there are plenty of times I wanted to shake David in this one. We're also introduced to some new characters here, as Stevie takes on a new research project. (I don't want to spoil anything or ruin your enjoyment of reading about them all yourself.)
Stevie is busy unraveling the Ellingham Academy mystery in this one, and I'm happy to say she goes a long way in book #2. What I love about this series is that you get a great underlying mystery (what happened to Ellingham Academy founder Albert Ellingham's long-missing wife and daughter, if you for some unknown reason haven't read the first book), but there are always little side mysteries, plus just the general business of Stevie trying to live her life. She's struggling with being back at Ellingham--dealing with what it means to have struck a deal with Edward King, negotiating her boundaries with David, and much more. Johnson deals with Stevie's anxiety, her intelligence, and just her general no-nonsense approach to life in such realistic ways: I love it all.
So, yeah, I can't think of anything I didn't like here, except that the book ended, and now I have to wait *forever* again to find out what happens! I love this series, I love the character of Stevie, and I highly recommend this book (but start at #1, please). It's a funny, mysterious, sweet, and compelling read. 4.5 stars.
This book was so compulsively readable that I read it in two sittings, on two flights. I ignored everyone around me and frantically flipped the last couple of pages as my plane landed in Charlotte (if I had known I was going to be stuck in Charlotte thanks to a canceled flight, maybe I would have made it last... oh who am I kidding, no I wouldn't have). Johnson is just so good at getting into her characters' heads--I love Stevie. I loved her in the last book, and I loved her here. She's smart, she's relatable, and she's always getting into trouble. There's plenty of exploring, detective work, and yes, tunnels, in this one to keep you more than interested.
Stevie's cast of friends is also superb, from the prickly David to the wonderful Janelle, and Nate, the writer who can no longer write. Oh and Larry, Stevie's protective security guard. I love them all, even if there are plenty of times I wanted to shake David in this one. We're also introduced to some new characters here, as Stevie takes on a new research project. (I don't want to spoil anything or ruin your enjoyment of reading about them all yourself.)
Stevie is busy unraveling the Ellingham Academy mystery in this one, and I'm happy to say she goes a long way in book #2. What I love about this series is that you get a great underlying mystery (what happened to Ellingham Academy founder Albert Ellingham's long-missing wife and daughter, if you for some unknown reason haven't read the first book), but there are always little side mysteries, plus just the general business of Stevie trying to live her life. She's struggling with being back at Ellingham--dealing with what it means to have struck a deal with Edward King, negotiating her boundaries with David, and much more. Johnson deals with Stevie's anxiety, her intelligence, and just her general no-nonsense approach to life in such realistic ways: I love it all.
So, yeah, I can't think of anything I didn't like here, except that the book ended, and now I have to wait *forever* again to find out what happens! I love this series, I love the character of Stevie, and I highly recommend this book (but start at #1, please). It's a funny, mysterious, sweet, and compelling read. 4.5 stars.