Search

Search only in certain items:

The Half Sister
The Half Sister
6
6.0 (1 Ratings)
Book Rating
I am so happy to have the opportunity to be part of the blog tour for The Half Sister by Sandie Jones. Thank you to the team at Pan Macmillan, for sending me a copy in exchange for an honest review.

About The Author:
I have heard a lot about Sandie Jones, but I haven’t read any books by her prior to The Half Sister. Sandie Jones has worked as a freelance journalist for over twenty years, and has written for publications including the Sunday Times, Woman’s Weekly and the Daily Mail. She lives in London with her husband and three children. The Other Woman is her debut novel.

Synopsis:
I need to mention that the original synopsis of the book may be a bit misleading. Lauren and Kate are two sisters, but they don’t get along too well and their relationship is complicated.

Kate is a reporter, married to lovely Mark, and going through many rounds of IVF treatment, hoping to start a family. Kate had a very close relationship with her father until the day he died, but was never too close to her sister Lauren and their mother, Rose.

Lauren, on the other hand, is a full time mom of three, with a demanding and overprotective husband. She is very close to her mum, and had a complicated relationship with her father, never forgiving him for understanding her in the past.

One day, while Kate, Lauren and their mum are having their usual Sunday roast, a woman knocks on their door and drops a bombshell. Jess claims to be their half-sister.

This allegation is met with denial - how could she be a secret daughter of their father. Their mother is devastated, Lauren is not surprised, and Kate doesn’t believe Jess at all. But as more secrets start to unravel, no one can know who to trust anymore…

My Thoughts:
I loved the idea of this book, even though I am not too big of a fan of domestic mysteries and drama. My impressions were that this would’ve been more psychological thriller, but I was in the wrong. However, despite this, the book is really surprisingly well-written and kept me on my toes until the very end.

The lives of Lauren and Kate in particular were very well written. I can imagine people being able to easily relate to their struggles. The difference between the two sisters is like night and day. I loved the fact that this book was not sugar coating this, and it didn’t end it with a “happily ever after”. Instead, it ended with “we know we are different, and we are working to fix our relationship in its natural course”.

The story about how Jess comes into their lives, and the whole DNA situation was extremely not believable. As well as the fact that doing another DNA test at the beginning of the novel would have solved all assumptions, rather than people believing hearsay and creating more drama. However, I am also aware that drama was needed to keep the story going, so I can’t hold a grudge.

The ending was predictable half-way through the book. Some scenes are completely unnecessary and make the story more complicated. There are many triggering moments in this book. Cheating, domestic violence and abuse, both physical and emotional and abortion. This book may also trigger people that have had difficult relationships with their parents and/or siblings.<br/><br/>Even though not a favorite thriller, I enjoyed this book and recommend it to everyone that loves domestic thrillers. It is a fast-paced read, and the plot twists are juicy.
  
40x40

Kirk Bage (1775 KP) rated Unsolved Mysteries in TV

Jan 22, 2021 (Updated Jan 22, 2021)  
Unsolved Mysteries
Unsolved Mysteries
2020 | Crime, Documentary, Drama
6
6.6 (7 Ratings)
TV Show Rating
It is a guilty secret of mine that when in the right mood I love to get a small fix of the unexplained or the macabre true crime documentary type thing. They tend to range from truly ridiculous to the mildly convincing, but tend not to have especially high production value. Netflix seem to know there is demand for it however, and every now and again there is a mini-series that can live in the same box as the more serious docs.

Making a Murderer was maybe the first to break through into the mainstream consciousness, some five years ago. I watched the first series of that with a morbid fascination, as did everyone else. The second season was interesting too, but lacked the cliffhanger drive of the first. Then there are three or four parters like the superlative Ted Bundy Tapes, which get to the point and don’t out stay their welcome. Unsolved Mysteries is sort of something in the middle.

The twist on this series is that these six stories are all active cases that remain unsolved by local police forces, and we are encouraged at the end of each one to call a hotline with any info that may lead to an arrest. This is a gimmick, of course, and I can’t imagine the calls and emails they have been getting! Those would make a better TV show than this actually is, for sure.

Each episode is an hour long, which in honesty is twice as long as it needs to be in half the cases. In fact, only two of the six captured my imagination enough to give me chills and want to know what happened. The other four were standard missing person stories that although “unsolved” were pretty mundane. As mundane as murder ever gets… which is a pitfall of watching this stuff… it all gets quite normalised and loses its power to disturb, as it should.

The first to interest me was the first up, the strange story of Rey Rivera, known as “the mystery on the rooftop”. The thing that got me was the hidden note taped to the back of his computer, that read like a coded message, and hinted at involvement with a secret society. That, combined with the fact that his fall to death was impossible, and that his boss put a gagging order on all his staff after the event. Whatever this guy had going on in his life it was weird! And his family knew not one thing about it…

The second was “House of Terror”, the story of a French aristocrat who secretly shot his entire family while they slept, carefully buried them under the back porch with immense care, left no other trace of evidence in the house, then disappeared forever into the mountains, seemingly creating a deliberate false trail on CCTV. What got me here was the calculation and calm of it all, combined with the mystery of not knowing his motive, other than the fact he may have been living a lie about how successful he was financially. Regardless, his actions were so cool and unpanicked, it was like watching something out of the Bourne Identity.

As I say, otherwise it is all pretty standard stuff, and nothing to write home about. But I will remember those two cases and be holding out for any new developments in them. I guess that’s all they want – enough intrigue to keep you hooked for more down the line. Of course, you are never quite sure how manipulative with the “truth” these things are? It seemed to be presented soberly and without a sensationalist angle, but you never know. Why do I watch them at all, that is the biggest mystery…
  
    The Greedy Cave

    The Greedy Cave

    Games and Entertainment

    (0 Ratings) Rate It

    App

    In a land far, far away there once was a vast continent called Milton. It was a land where the power...

    Infinity Blade II

    Infinity Blade II

    Games and Entertainment

    (0 Ratings) Rate It

    App

    Join our new forums: https://www.epicgames.com/infinityblade/forums/ **2011 IGN "Mobile Game of the...

What You Want To See (Roxane Weary #2)
What You Want To See (Roxane Weary #2)
Kristen Lepionka | 2018 | Mystery
9
9.0 (1 Ratings)
Book Rating
The Roxane Weary mystery series is straight-up great!
Roxane Weary is hired by Arthur Ungless, owner of a print shop, to track his fiance, Marin, whom he believes is cheating on him. But her case devolves quickly, between a bounced check and Tom (Roxane's dad's former partner) and a rude cop named Sanko showing up on Roxane's doorstep with the news that Marin is dead. Not only that, they make it pretty clear that they want Roxane to stay out of it. But this is "pathologically nosy" Roxane we are talking about. Stay out of it she cannot. So Roxane continues to work Arthur's case--as the husband, he's the main suspect after all. Roxane is determined he's innocent: a perspective not shared by Tom and Sanko. As she digs deeper into Marin's life, she discovers that she led quite the double life, and Roxane finds herself lost in a world of antiques dealing, wealthy families, and a lot of danger.

I loved this book. I love the first person aspect. The Roxane Weary series is straight-up great mystery writing. No unreliable narrator, no chapters that alternate POV or time periods, no gimmicks--just an excellent protagonist and a strong plot. It makes you long for mysteries of old (think Kinsey Millhone). The ways I love Roxane cannot truly be enumerated--she's a female lead in a mystery series, for one. She's smart, witty, and sarcastic. She's bisexual, but this characteristic is just who she is, not her main defining element or the entire defining point of the novel. As a bisexual female, I cannot stress how amazing this is in literature. To have bisexual representation (and have that representation be intelligent, funny, and not portrayed as evil and deviant), well, it's wonderful. She has relationships of all kinds and works on figuring out herself, just like any other person. Gasp! Imagine that. I couldn't love Roxane more (or Kristen Lepionka for creating this character). Also, Roxane calls waffles "golden beauty" and well, what more do you need in your PI? She's the Leslie Knope of private investigators.

I was worried that the second Roxane Weary novel wouldn't stand up to the first, but I was anxious for no reason. The second book is just as wonderful and intricately crafted as the first, and we get to see Roxane both struggling and growing professionally and personally. The case is a great one--it had me frantically reading and totally shocked me at the end, which I love. So rarely can a detective novel keep me guessing to the anymore. Marin Strasser is quite the character, and her web of lies pulls in a whole host of supporting characters.

We also see Roxane navigating new territory with Tom, her former lover (and, as mentioned, her dad's ex-partner), and get appearances again from the appealing Weary brothers and Roxane's mom. Roxane is still working on her relationships--not just romantic ones, but life ones, and you'll be touched as she figures out trying to be a "surrogate aunt" to Shelby, who appeared in book one. Watching her let her guard down at times is enjoyable.

The case is still mainly the star, though, and it won't disappoint. It's complicated and intriguing and everything comes together in ways that will make you gasp and keep you riveted. I was definitely shocked several times while reading. Not to mention I love it when an author can write a character that I truly hate--you know they've done a good job when you can feel that anger viscerally through the pages!

Overall, I have nothing bad to say about this book. Maybe that it's over, and I have to wait now for a (hopeful!!) book three? I love Roxane. I feel kinship toward her for sure, this sarcastic, bisexual PI whose still navigating the world around her. The mystery in this book won't disappoint, nor will the characters. If you haven't read the first Roxane Weary novel, I do recommend reading it first (mostly because it's also so good), but this will stand on its own. Highly recommend!!

I received a copy of this novel from the publisher and Netgalley in return for an unbiased review. More at http://justacatandabookatherside.blogspot.com/.
  
The Banker&#039;s Wife
The Banker's Wife
Cristina Alger | 2018 | Fiction & Poetry, Thriller
9
6.5 (2 Ratings)
Book Rating
Great, exciting, tense novel
Annabel Lerner feels isolated in Geneva: she's not like the other bankers' wives, and she rarely sees her husband Matthew anymore. They moved to Geneva for a fresh start--and yes, to take advantage of the salary Matthew's private banking job at Swiss United offered. But Annabel never realized how stressed Matthew would be or how often he'd travel. And then, suddenly, he's gone: his private plane simply falling off the radar over the French Alps. Before she can even understand what's happening, Annabel is left to deal with the aftermath, including a trail of secrets and the powerful men at Swiss United who don't want them exposed. Meanwhile, Marina Tourneau is a reporter for The Press. Her mentor, Duncan Carr, has been chasing a story involving Morty Reiss, whose hedge fund was one of the largest Ponzi scams of all time. Supposedly, before he could get caught, Morty committed suicide. But Duncan and Marina believe Marty faked his death and Duncan has become obsessed with proving it--to the detriment of his health, his reputation, and his career. But Marina is also engaged to Grant Ellis, whose wealthy father, James, is about to run for President. The plan is for Marina to stop writing and stand by her man. But when she suddenly realizes she's on the trail of the story of her career, what will she do?

Well, this turned out to be a gem of a novel. When I first started reading it, I was a little worried that I wouldn't see what the fuss was all about, but things quickly picked up, and I was hooked. One of the best things about this novel is that it's an old-style thriller--it reminded me of old-school Grisham or Stieg Larsson. It even throws shade at the glutton of Girl books and their (annoying) unreliable narrators, which I love. This is a mystery for folks who love real stories without any fuss or distraction and with strong characters--all of which combine to leave you befuddled and anxious as everything slowly unfurls.

Alger takes us into the complicated and dark world of Swiss banking, where we are introduced to a lot of real bad guys who have no morals. You can't trust them, you know they are bad, and you know your heroes and heroines are in true danger. Rarely do I think this while reading a book (because, face it, the book is always better), but I really think this book would *actually* make a great movie. It's exciting and tense, and the way things are slowly revealed would make for a very effective film.

But, anyway, it's a wonderful novel. You quickly get sucked into Annabel and Marina's worlds--the majority of the story is told from their points of view. There's a decent amount of ancillary characters to keep track of, but it's certainly manageable. The best is not knowing who to trust, what to believe, or how things went down. There's that Girl with a Dragon Tattoo-reporting vibe that I love: the pleasure of solving a case. The story is set in 2015 but is completely timely, yet utterly timeless in its essence of greed, money, and fear--and what people do in the name of all three. I just loved the old-fashioned thrill of it, the long list of suspects, the excitement of trying to work out who did what.

Overall, this is just a great novel. The plot is excellent--tense, exciting, and expertly woven together. The characters are strong, but it's really the story that's the standout here. It truly reminds you of mysteries and thrillers of old (I sound ancient here, but whatever). Don't let the banking theme scare you off: this is a fabulous read, and if you're a mystery or thriller fan, I think you'll really enjoy this one. 4+ stars.

I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!).
  
The Eye of the World (Wheel of Time, #1)
7
7.4 (8 Ratings)
Book Rating
“As the Wheel of Time turns, places wear many names. Men wear many names, many faces. Different faces, but always the same man. Yet no one knows the Great Pattern the Wheel weaves, or even the Pattern of an Age. We can only watch, and study, and hope.”

― Robert Jordan, The Eye of the World

There is perhaps nothing more magical than finding yourself fully immersed in a story. The first book in The Wheel of Time series, The Eye of the World, creates a full world of places, histories, species, religions, and myths. Robert Jordan first introduces you to the simple town of Emonds Field and the characters that live there. Then he takes us with those characters to explore a vast and more complex world. We are taken on a journey through different cities and meet a variety of people including meeting strange creatures and beings with strange, magical powers. Including Trollocs, Aes Sedai, Warders, and Myddraal. Jordan has an extraordinary ability to create intriguing mythologies for his world and creating species that have fully formed cultures and politics.

But before I get too far ahead of myself let us start with Robert Jordan. He is an American 31ulybtb-yl-_ux250_author from South Carolina, whose real name is James Oliver Rigney, JR. He lived from 1948 to 2007. He wrote books in many genres including fantasy, historical fiction, western and dance criticism each under a different pen name. The first book in his The Wheel of Time series was published in 1990. He was able to finish eleven books in the series before he passed, leaving his extensive notes to renowned novelist Brandon Sanderson who wrote the last three books of the series, finishing in 2013.

Personally, when reading a book, the most important thing for me is to become invested in at least one of the characters. Once I am, I’m completely dedicated to the book. Robert Jordan has a large group of main characters and switches perspective between them throughout their journey. Picking out a single main character is very difficult, Rand al’Thor might be the closest but Matrim (Mat) Cauthon and Perrin Aybara and possibly Egwene al’vere and Nynaeve al’Meara create the central cast. They are the natives of Emonds Field before their adventures take them journeying to places unknown. Each of them is special and through the course of the book, you uncover the power each has. What is amazing is how Jordan is able to make you care deeply for each character and while he is switching perspective you never find yourself, bored. This is impressive for often in novels that switch perspective there is that one storyline you do not care about. Upon finishing the first book I can honestly say that I do not have a single favorite out of the group but love them all and care about what will happen to them next.

My one issue with the book came with frustration at what I call Tolkien Naming Syndrome. With such a mass of characters it is not surprising that some names start to sound similar but like Arwen and Eowyn there are two females with feelings for one of the boys whose names are oddly similar Elayne and Egwene with other female names rhyming such as Moiraine and Morgase while the male names tend to sound different and are thus easier to keep apart and remember. Depending on what you want in a story, the other thing that keeps this book from being unique is the black and white stance on good vs. evil. The two sides are clear and do not leave much room for the morally grey.

The book offers a great mix of solved mysteries while leaving you with an abundance of questions to make you need to continue reading the story. It truly is an epic adventure story. Fulfilling the good vs. evil battling and grand adventures and meeting strange creatures and discovering new magic. While it might not have the grand battles of Lord of the Rings it has the magical journey and strange adventures that create the amazing epic fantasy novel. I plan on reading the next book soon and highly recommend this book to fantasy readers as it offers great characters, an amazing world and interesting rules on magic.
  
Annabelle (2014)
Annabelle (2014)
2014 | Horror
Annabelle is the newest demon-based spooky fright film produced by James Wan (producer Saw II-IV & director Insidious 1&2). The trailers would have you believe that it is a prequel to the Conjuring. Well I suppose it is, although a very loose prequel.

Annabelle, the possessed doll, is mentioned a few times in “The Conjuring,” but it doesn’t contain any of the cast from the original . The film takes place in the 1970s and focuses on a married couple who have just moved in to a new house and the wife, Mia (Annabelle Wallis) is pregnant. Her husband (played extremely woodenly by actor Ward Horton) buys her a long sought after custom doll named Annabelle. Shortly after, the couple is attacked by their neighbors who we find are satanic cult members. Mia is stabbed in her belly (threatening the life of her child); the female Satanist neighbor dies clutching the Annabelle doll, her blood dripping and seemingly sucked into the eye socket of the doll, ushering in the demonic reign of Annabelle.
You’d assume that this is a standard “killer doll” horror flick, you’d also be a bit misled, and that’s a good thing in my opinion. This isn’t Chucky. You won’t see Annabelle speaking or running around the house brandishing a knife. That isn’t to say that the movie doesn’t have its share of genre tropes, it has plenty of those.

As so many other possession/haunting movies involving a couple, for the most part the lonely wife is preyed upon while the husband is away at work. Throughout the film the writers find multiple ways of keeping Mia at home alone with the demon. John is called away on a business trip on one of the more traumatic encounters Mia has with Annabelle, resulting in Mia being placed on bed rest, giving her a reason to stay at home in the demons clutches. Later John is placed on the night shift, once again placing him out of the way so the demon can terrorize Mia at night where things are scary. It is inevitable that a scene takes place where her husband doesn’t believe her and thinks she’s going crazy. I can think of so many films that go this same route. The prerequisite priest comes along to help the family figure out their demonic happenings and oh yes, let’s not forget the sagely African American that needs to help Mia find her way and lead her both in knowledge of the demon and its demise. The story manages to throw in some mysterious children to once scene just to make sure that the trope is checked off the list. The remainder of the movie after the introductory attack by the satanic neighbors has Mia and later her child being threatened by the demon possessing Annabelle, the search for what it is, and what it wants and then its climax and disposal. Nothing new to this genre found here.
Annabelle does come with its share of scares (most of these can be seen in the previews), however the pacing is bad. I found myself bored out of my mind by the plot between the scares. So bored and disinterested that once the scary scenes occurred which seemed to be paced almost on a timer there wasn’t enough scare to raise the adrenaline needed to make it to the next fright. I will say that having a child endangered and threatened by the demonic spirit does bump up the tension and nerves and was a necessary inclusion to raise the stakes and pull out some reason to care about the victims by the audience.

Mia and John are so one-imensional that one would be hard-pressed to care about what happens to either of them. The demon effects are about as scary as a guy in a rubber suit lurking around a two-bit horror house, I mean pretty bad. I’ve seen a scarier demon on a TV episode of “Unsolved Mysteries” from 1988. Annabelle is good for a fright or two, and a reason to grab some popcorn and pig-out, but just be prepared to take a siesta three or four times in-between bouts of popcorn binge.