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Emma Watson recommended Women Who Run with the Wolves: Contacting the Power of the Wild Woman in Books (curated)

 
Women Who Run with the Wolves: Contacting the Power of the Wild Woman
Women Who Run with the Wolves: Contacting the Power of the Wild Woman
Clarissa Pinkola Estés | 2008 | Gender Studies
9.3 (4 Ratings)
Book Favorite

"As a young girl growing up in northern Michigan, Estes felt most at home in the woods where she often heard wolves howling. Instead of scaring her, the animals’ cries comforted her in a way she was later able to express in this book. Wolves and women share many qualities: playfulness, strength, curiosity, bravery, they are adaptive, and each care deeply for their young. But both wolves and women have suffered a similar fate of being hounded, harassed, exhausted, marginalized, accused of being devious and of little value. How does one reconnect with our deepest, most true selves when today’s world demands us to conform to ridiculous expectations? Estes retells ancient myths and fairy tales from around the world and in doing so shines a light on a path which leads us back to our natural state — and help us restore the power we carry within us."

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40x40

Jack Reynor recommended Kwaidan (1964) in Movies (curated)

 
Kwaidan (1964)
Kwaidan (1964)
1964 | Drama, Fantasy, Horror
9.0 (1 Ratings)
Movie Favorite

"Kwaidan is a film like no other. Adapted from Japanese legends and myths that were collected by Irish author Lafcadio Hearn, the film is an anthology of four ghost stories. The superstitiousness of Irish culture clearly influenced Hearn’s recording of these tales, and to see these stories adapted again by a Japanese artist is fascinating. I think Kobayashi poured his soul into this project. Kwaidan, in every way, bleeds Japanese culture and identity: not a loud and obnoxious nationalistic pride, but a thoughtful and considered love and respect for its heritage. Toru Takemitsu provides an austere and haunting score using traditional Japanese instruments and warped sound effects. The majority of the film is shot on a soundstage and features strikingly, often eerily painted backdrops. This was Kobayashi’s first color project, and cinematographer Yoshio Miyajima uses light, a 2:35:1 aspect ratio, and refined camera movement to astonishing effect."

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