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Movie Metropolis (309 KP) rated Deepwater Horizon (2016) in Movies
Jun 10, 2019 (Updated Jun 10, 2019)
Disaster with feeling
“Based on true events”. I can’t think of anything more disconcerting when I sit down to watch a film. When it comes to blockbusters inspired by real-life situations, the outcome can be a poignant movie that captures the heart and emotion of the episode – a la American Sniper.
Unfortunately, films in this genre can also be a disaster from start to finish with a story barely related to its real-life counterpart. You can forgive me then for going into Deepwater Horizon with an air of scepticism, but was it justified?
Thankfully, director Peter Berg (Hancock, Battleship) strikes the right balance between pleasing the movie-going masses and respecting the events that took the lives of eleven people aboard the Deepwater Horizon oil rig.
Based on the events that occurred in the Gulf of Mexico on April 20, 2010, the story chronicles the courage of those who worked on the Deepwater Horizon and the extreme moments of bravery and survival in the face of what would become one of the biggest man-made disasters in world history.
Mark Wahlberg takes the helm of this intriguing action thriller as Mike Williams, an electrician working on the rig during the explosion. A supporting cast that includes Kurt Russell, Gina Rodriguez, John Malkovich and The Maze Runner’s Dylan O’Brien bolster Wahlberg’s natural charisma and each of the aforementioned actors give first-rate performances.
The acting from all sides is superb. Mark Wahlberg in particular excels, being one of his best roles to date. His work has been decidedly dodgy over the last few years but his performance here shows just how good he is with the right material.
Nevertheless, at its core, Deepwater Horizon is a simple disaster movie, and carries the genre’s traits to a tee; there’s the obligatory hero (Mark Wahlberg), the boss/politician who doesn’t believe anything is wrong (John Malkovich), the bombastic score (courtesy of Steve Jablonsky) and the damsel in distress (Gina Rodriguez). What it does differently however is focus more on the human elements of the plot – something helped by the fact the scriptwriters had factual events to pick from.
The special effects are astounding, aided greatly by Peter Berg’s often hectic camerawork. There’s very little shaky-cam but the claustrophobic nature of the rig itself is beautifully utilised in low angled shots and sweeping exterior sequences. The scenes showing the rig on fire are so intense you can virtually feel the heat radiating from them.
It almost feels like a documentary, and a very good one at that. The audience is given references throughout the film of Deepwater Horizon’s many functions and the scale of the behemoth is apparent throughout.
Overall, to say Deepwater Horizon is a cracking disaster film feels like a slight disservice to the eleven people who died aboard it in 2010. Having Peter Berg direct was a risky move when looking at his back-catalogue but after a viewing, it’s hard to think of anyone else better suited.
This is a disaster movie with feeling and it’s one of the best films of the year.
https://moviemetropolis.net/2016/09/30/disaster-with-feeling-deepwater-horizon-review/
Unfortunately, films in this genre can also be a disaster from start to finish with a story barely related to its real-life counterpart. You can forgive me then for going into Deepwater Horizon with an air of scepticism, but was it justified?
Thankfully, director Peter Berg (Hancock, Battleship) strikes the right balance between pleasing the movie-going masses and respecting the events that took the lives of eleven people aboard the Deepwater Horizon oil rig.
Based on the events that occurred in the Gulf of Mexico on April 20, 2010, the story chronicles the courage of those who worked on the Deepwater Horizon and the extreme moments of bravery and survival in the face of what would become one of the biggest man-made disasters in world history.
Mark Wahlberg takes the helm of this intriguing action thriller as Mike Williams, an electrician working on the rig during the explosion. A supporting cast that includes Kurt Russell, Gina Rodriguez, John Malkovich and The Maze Runner’s Dylan O’Brien bolster Wahlberg’s natural charisma and each of the aforementioned actors give first-rate performances.
The acting from all sides is superb. Mark Wahlberg in particular excels, being one of his best roles to date. His work has been decidedly dodgy over the last few years but his performance here shows just how good he is with the right material.
Nevertheless, at its core, Deepwater Horizon is a simple disaster movie, and carries the genre’s traits to a tee; there’s the obligatory hero (Mark Wahlberg), the boss/politician who doesn’t believe anything is wrong (John Malkovich), the bombastic score (courtesy of Steve Jablonsky) and the damsel in distress (Gina Rodriguez). What it does differently however is focus more on the human elements of the plot – something helped by the fact the scriptwriters had factual events to pick from.
The special effects are astounding, aided greatly by Peter Berg’s often hectic camerawork. There’s very little shaky-cam but the claustrophobic nature of the rig itself is beautifully utilised in low angled shots and sweeping exterior sequences. The scenes showing the rig on fire are so intense you can virtually feel the heat radiating from them.
It almost feels like a documentary, and a very good one at that. The audience is given references throughout the film of Deepwater Horizon’s many functions and the scale of the behemoth is apparent throughout.
Overall, to say Deepwater Horizon is a cracking disaster film feels like a slight disservice to the eleven people who died aboard it in 2010. Having Peter Berg direct was a risky move when looking at his back-catalogue but after a viewing, it’s hard to think of anyone else better suited.
This is a disaster movie with feeling and it’s one of the best films of the year.
https://moviemetropolis.net/2016/09/30/disaster-with-feeling-deepwater-horizon-review/
Flood Risk: The Holistic Perspective
Zoran Vojinovic and Jingmin Huang
Book
According to the International Disaster Database (EM-DAT), over the last seventy years, floods have...
Movie Metropolis (309 KP) rated Geostorm (2017) in Movies
Jun 10, 2019
The 90's are back
I’ve got to start by telling you I wasn’t holding out much hope for Geostorm and that’s for quite a few reasons. Firstly, Gerard Butler’s career has been on a bit of a slide recently.
Last year was particularly rough for the Scotsman, with London Has Fallen and Gods of Egypt receiving less than 2 stars here at Movie Metropolis. Secondly, Geostorm has had one of the most turbulent productions of any blockbuster in recent memory.
It actually completed main shooting in 2014 but after a negative audience reaction, it’s release date was pushed back numerous times and costly reshoots were drafted in to sort out the presumed mess. Now, in Autumn 2017 it’s arrived. But what’s it like?
After an unprecedented series of natural disasters, the world’s leaders banded together to create an intricate net of satellites to control the global climate and keep people safe. But now, something is wrong: the system built to protect the planet is attacking it, and it becomes a race against the clock to uncover the real threat before a worldwide geostorm wipes out everything and everyone along with it.
Sounding like something straight from the SyFy channel, Geostorm’s premise is utterly ridiculous but disaster movies have never been particularly well-known for their deep, meaningful and accurate storylines. In fact, some of the very best films in the genre, Deep Impact, Armageddon, Volcano wrestled with significant plot holes – audiences don’t care about that when they can watch the planet getting destroyed.
Morbid, right? Most definitely, but the same applies here. The special effects are so darn good, as a tidal wave obliterates Dubai, and the action interspersed at the right intervals, that the lack of cohesive plot and at times hideous and expositional dialogue really doesn’t matter.
The cinematography by director Dean Devlin (in his first feature film) is really rather good. It’s not ground-breaking but considering 95% of the movie is CGI, he works with green screen well and the script’s twists and turns make it a damn sight more interesting than the majority of 2017’s blockbusters.
“Geostorm channels those brilliantly camp disaster movies from the 80s and 90s beautifully.”
Gerard Butler is actually very decent, but there is a lot more talent on offer here than you would first expect. Ed Harris is always dependable and Andy Garcia plays a President similar to Morgan Freeman’s turn in 1998s Deep Impact. It’s cheesier than a Dairylea triangle, but that’s exactly how disaster films are meant to be.
Geostorm channels those brilliantly camp disaster movies from the 80s and 90s beautifully. Dante’s Peak, Earthquake and Volcano can all be felt here. It takes itself a lot less seriously than 2015’s San Andreas, and has a decent sense of humour to boot.
The scenes on-board the International Space Station are a little dull and to be fair, for a film titled Geostorm, there could be a little more ‘storming’ going on, but it’s a fun, throwaway film that requires nothing but your mind to switch off.
Overall, despite a ridiculously turbulent birth, Geostorm is an honest film. Sure, it’s premise is plagued by plot inconsistencies and the characters aren’t fleshed out enough for us to care about their fates, but it’s a rollercoaster ride of special effects and disaster, which I’m not ashamed to say, I really enjoyed.
https://moviemetropolis.net/2017/10/21/geostorm-review/
Last year was particularly rough for the Scotsman, with London Has Fallen and Gods of Egypt receiving less than 2 stars here at Movie Metropolis. Secondly, Geostorm has had one of the most turbulent productions of any blockbuster in recent memory.
It actually completed main shooting in 2014 but after a negative audience reaction, it’s release date was pushed back numerous times and costly reshoots were drafted in to sort out the presumed mess. Now, in Autumn 2017 it’s arrived. But what’s it like?
After an unprecedented series of natural disasters, the world’s leaders banded together to create an intricate net of satellites to control the global climate and keep people safe. But now, something is wrong: the system built to protect the planet is attacking it, and it becomes a race against the clock to uncover the real threat before a worldwide geostorm wipes out everything and everyone along with it.
Sounding like something straight from the SyFy channel, Geostorm’s premise is utterly ridiculous but disaster movies have never been particularly well-known for their deep, meaningful and accurate storylines. In fact, some of the very best films in the genre, Deep Impact, Armageddon, Volcano wrestled with significant plot holes – audiences don’t care about that when they can watch the planet getting destroyed.
Morbid, right? Most definitely, but the same applies here. The special effects are so darn good, as a tidal wave obliterates Dubai, and the action interspersed at the right intervals, that the lack of cohesive plot and at times hideous and expositional dialogue really doesn’t matter.
The cinematography by director Dean Devlin (in his first feature film) is really rather good. It’s not ground-breaking but considering 95% of the movie is CGI, he works with green screen well and the script’s twists and turns make it a damn sight more interesting than the majority of 2017’s blockbusters.
“Geostorm channels those brilliantly camp disaster movies from the 80s and 90s beautifully.”
Gerard Butler is actually very decent, but there is a lot more talent on offer here than you would first expect. Ed Harris is always dependable and Andy Garcia plays a President similar to Morgan Freeman’s turn in 1998s Deep Impact. It’s cheesier than a Dairylea triangle, but that’s exactly how disaster films are meant to be.
Geostorm channels those brilliantly camp disaster movies from the 80s and 90s beautifully. Dante’s Peak, Earthquake and Volcano can all be felt here. It takes itself a lot less seriously than 2015’s San Andreas, and has a decent sense of humour to boot.
The scenes on-board the International Space Station are a little dull and to be fair, for a film titled Geostorm, there could be a little more ‘storming’ going on, but it’s a fun, throwaway film that requires nothing but your mind to switch off.
Overall, despite a ridiculously turbulent birth, Geostorm is an honest film. Sure, it’s premise is plagued by plot inconsistencies and the characters aren’t fleshed out enough for us to care about their fates, but it’s a rollercoaster ride of special effects and disaster, which I’m not ashamed to say, I really enjoyed.
https://moviemetropolis.net/2017/10/21/geostorm-review/
ClareR (5721 KP) rated The Testaments (The Handmaid's Tale #2) in Books
Sep 22, 2019 (Updated Sep 23, 2019)
This was well worth the wait!
The Testaments is the book that many people have been waiting for since the TV series first aired (me!). It seems that everyone likes a sequel. Well, most people anyway, because for every person that I’ve seen rave about how good this book is, I’ve seen as many say that it doesn’t live up to the original. Personally, I’m glad that it’s not written in the same style as the first book. The Handmaid’s Tale was written at a different time. 1985 is a lifetime away. We were entering a time then, where women felt hope for the future - equality seemed achievable. I’m really not so sure that we feel the same way in 2019. Certain developed countries are making it more difficult for women to have abortions, more US states are making it illegal, female children are still being married to adult males in many developing countries; climate change is having a huge impact on the poorest countries and as Margaret Atwood has said, with any disasters, natural or otherwise, it’s always the women and children who suffer the worst deprivation. So Margaret Atwood had all of these things at her disposal when she wrote The Testaments. Everything that happens to the women in Gilead has happened, or is happening, somewhere in the world.
The Testaments is written from three different perspectives. I was delighted to see the return of Aunt Lydia - and she seems to have hit her stride. She’s much more sure of herself here, even though she is still having to watch her back. Gilead may be ultra-religious, but that doesn’t stop the literal back-stabbing. Aunt Lydia shows just how high the poison has spread. We see more than the subservient Aunt that she seems to be in front of The Eyes, and her backstory is fascinating.
Then there is Agnes, a child brought up in Gilead in a high profile family. We see how girls are ‘educated’ in a world where women and girls aren’t allowed to read and write. Agnes is contrasted with Daisy, a teenaged girl living in Canada, who was smuggled out of Gilead by her mother as a baby. There are obviously some pretty big differences. I don’t actually want to say too much, because I hate having my own reading experience ruined.
I loved this book. I really liked that by the end we couldn’t actually be sure whether Aunt Lydia’s records were genuine or fabricated. The symposium at the end (just as there was at the end of The Handmaid’s Tale) casts doubt on the authenticity of the papers that were found. Just like any written records found in this situation, historians have to be open minded about who could have written them. So we’re left wondering at the end whether what we’ve just read is actually what happened.
So does this deserve to be on the Booker Prize 2019 shortlist? Yes, I think it does. I believe it’s well written, I finished feeling thoroughly entertained and emotionally exhausted! I liked the open end too. Whether Atwood does anything with this open ending is up to her really, isn’t it. But I won’t be disappointed if she decides to leave the world of Gilead here. This book is a great way to end the story.
The Testaments is written from three different perspectives. I was delighted to see the return of Aunt Lydia - and she seems to have hit her stride. She’s much more sure of herself here, even though she is still having to watch her back. Gilead may be ultra-religious, but that doesn’t stop the literal back-stabbing. Aunt Lydia shows just how high the poison has spread. We see more than the subservient Aunt that she seems to be in front of The Eyes, and her backstory is fascinating.
Then there is Agnes, a child brought up in Gilead in a high profile family. We see how girls are ‘educated’ in a world where women and girls aren’t allowed to read and write. Agnes is contrasted with Daisy, a teenaged girl living in Canada, who was smuggled out of Gilead by her mother as a baby. There are obviously some pretty big differences. I don’t actually want to say too much, because I hate having my own reading experience ruined.
I loved this book. I really liked that by the end we couldn’t actually be sure whether Aunt Lydia’s records were genuine or fabricated. The symposium at the end (just as there was at the end of The Handmaid’s Tale) casts doubt on the authenticity of the papers that were found. Just like any written records found in this situation, historians have to be open minded about who could have written them. So we’re left wondering at the end whether what we’ve just read is actually what happened.
So does this deserve to be on the Booker Prize 2019 shortlist? Yes, I think it does. I believe it’s well written, I finished feeling thoroughly entertained and emotionally exhausted! I liked the open end too. Whether Atwood does anything with this open ending is up to her really, isn’t it. But I won’t be disappointed if she decides to leave the world of Gilead here. This book is a great way to end the story.
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Kara Skinner (332 KP) rated Of Mice Not Men in Books
Jun 12, 2019
Genre: Science Fiction, Non-Romance
Page Count: 350 pages
Average Goodreads Rating: 4.75 out of 5 stars
My rating: 3 out of 5 stars
After manmade natural disasters wiped out most humans and life around the world, war breaks out among the remaining humans. The faction called the Developers want to take the resources from Earth and leave the dying planet behind to join the stars. The Harmonizers want to stay and restore Earth’s resources. Both factions race to stop the other, using deadly, even sadistic measures. After all, the fate of the planet and the human race lies in the balance.
I had my ups and downs with this book to be sure. Aside from the book badly needing a proofreader, the writing itself is well done, only dipping into preachiness about human’s greed a couple of times. The brain curdling torture scenes were deliciously awful and made me stop reading a couple times to look up pictures of pet pigs until I calmed down enough to continue.
I thought I had a stomach for violence. I read Stephen King books and have watched plenty of horror movies. In middle school I reveled in shocking my classmates with presentations of General Sherman’s March to the Sea and torture practices from the Spanish Inquisition. In high school I was the only one who could watch the video of a shark eating a turtle without looking away ( but I ended up crying about shark fin soup later that year).
The point is, violence in books usually doesn’t bother me. But Canterbury takes it to a whole new level in a few of the torture scenes. It wasn’t just the twisted sadism in the scenes that bothered me, however. It was the fact that both sides are tooth achingly aware of the finite resources left and yet they both spend resources making inefficient weapons. The Developers do it in the name of sadism and the Harmonizers end up with weapons that are less effective than gun powder guns. I guess it shows that humans don’t make sense.
There are a lot of characters in this book, but Jasmine is the main character. I didn’t like her at first. I found her too cold-hearted and hot-headed. Granted, she’s in deeper and darker shit than I’ve ever seen in my lifetime, but despite her parents dying, she isn’t a sympathetic character for most of the book. Her relationship with Thomas feels as forced as a cheap jigsaw puzzle. Mostly she is indifferent to him or pushing him away. For awhile the only reason she was still with him was out of fear of being alone. And then suddenly she loves him? I never really bought it. Cynthia’s relationship with an alien artificial intelligence robot feels more real and she thought she was hallucinating it.
But I ended up really liking Jasmine in the end, and even Thomas. The plot was fascinating, even a couple of parts I was skeptical about at first and this book turned out to be entertaining, even though I guessed two of the biggest plot “twists” (if you can even call them that) as soon as the foreshadowing again. But one plot twist I didn’t see coming at all, which was great.
I do wish the sides were not so black and white. The Developers were clearly evil with practically no human sides in any main characters while the Harmonizers were clearly peaceful with no dark streaks to be found. It ended up making what could have been a great story about needless conflict and saving the world sound a little like anti space exploration propaganda. That being said, it is still entertaining.
While Canterbury’s writing skills are rough, he has the potential to be a great science fiction/horror writer.
Page Count: 350 pages
Average Goodreads Rating: 4.75 out of 5 stars
My rating: 3 out of 5 stars
After manmade natural disasters wiped out most humans and life around the world, war breaks out among the remaining humans. The faction called the Developers want to take the resources from Earth and leave the dying planet behind to join the stars. The Harmonizers want to stay and restore Earth’s resources. Both factions race to stop the other, using deadly, even sadistic measures. After all, the fate of the planet and the human race lies in the balance.
I had my ups and downs with this book to be sure. Aside from the book badly needing a proofreader, the writing itself is well done, only dipping into preachiness about human’s greed a couple of times. The brain curdling torture scenes were deliciously awful and made me stop reading a couple times to look up pictures of pet pigs until I calmed down enough to continue.
I thought I had a stomach for violence. I read Stephen King books and have watched plenty of horror movies. In middle school I reveled in shocking my classmates with presentations of General Sherman’s March to the Sea and torture practices from the Spanish Inquisition. In high school I was the only one who could watch the video of a shark eating a turtle without looking away ( but I ended up crying about shark fin soup later that year).
The point is, violence in books usually doesn’t bother me. But Canterbury takes it to a whole new level in a few of the torture scenes. It wasn’t just the twisted sadism in the scenes that bothered me, however. It was the fact that both sides are tooth achingly aware of the finite resources left and yet they both spend resources making inefficient weapons. The Developers do it in the name of sadism and the Harmonizers end up with weapons that are less effective than gun powder guns. I guess it shows that humans don’t make sense.
There are a lot of characters in this book, but Jasmine is the main character. I didn’t like her at first. I found her too cold-hearted and hot-headed. Granted, she’s in deeper and darker shit than I’ve ever seen in my lifetime, but despite her parents dying, she isn’t a sympathetic character for most of the book. Her relationship with Thomas feels as forced as a cheap jigsaw puzzle. Mostly she is indifferent to him or pushing him away. For awhile the only reason she was still with him was out of fear of being alone. And then suddenly she loves him? I never really bought it. Cynthia’s relationship with an alien artificial intelligence robot feels more real and she thought she was hallucinating it.
But I ended up really liking Jasmine in the end, and even Thomas. The plot was fascinating, even a couple of parts I was skeptical about at first and this book turned out to be entertaining, even though I guessed two of the biggest plot “twists” (if you can even call them that) as soon as the foreshadowing again. But one plot twist I didn’t see coming at all, which was great.
I do wish the sides were not so black and white. The Developers were clearly evil with practically no human sides in any main characters while the Harmonizers were clearly peaceful with no dark streaks to be found. It ended up making what could have been a great story about needless conflict and saving the world sound a little like anti space exploration propaganda. That being said, it is still entertaining.
While Canterbury’s writing skills are rough, he has the potential to be a great science fiction/horror writer.
Gareth von Kallenbach (980 KP) rated The Hunger Games (2012) in Movies
Aug 7, 2019
“The Hunger Games” is based in a post-apocalyptic time when the world has been overcome by a series of devastating natural disasters and people have turned on each other to provide supplies for their families and for themselves in order to survive.
Bringing peace to the land was a nation known as Panem which is ruled by the Capitol. Panem had once consisted of thirteen districts all providing a resource essential to the survival of its people. An uprising against the Capitol caused much anger and destruction resulting in war and the annihilation of its thirteenth district.
With the intent to make sure such an uprising would never happen again, the Capitol required each of the twelve remaining districts to abide by the rules and regulations written in the Treaty of Treason to make sure that there is peace within Panem. Once a year a lottery is held where each of the twelve districts must offer up one young man and one young woman as tributes. This must be done in order to remind the people of Panem what was lost. Each of the 24 tributes must train and then battle for survival in an outdoor arena against each other leaving only one tribute to become the victor. This is known as The Hunger Games.
“The Hunger Games” is based upon the New York times best seller written by Suzanne Collins and directed by Gary Ross who also directed Seabiscuit. The storyline follows the main character Katniss Everdeen (Jennifer Lawrence) who volunteers as tribute in order to save her younger sister from having to fight and Peeta Mellark (Josh Hutcheson) has also been randomly chosen as tribute for the twelfth district.
The movie mostly follows these two characters on their journey to the battle ground as opposed to the book where we get a little more background into each of the different districts and their tributes. Who will be the victor of the 74th annual Hunger Games?
Let me start off by stating that you do not need to have read the book in order to enjoy this film. However, the movie does follow the book very well. Fans will always have their own very strong opinions as to whether the films follow their favorite books but for someone who read the book after I watched the movie I must say I was not lost nor did I feel disappointed that I did not read it prior to screening it.
This film includes a great cast such as Stanley Tucci, Wes Bentley, Liam Hemsworth, Elizabeth Banks, Donald Sutherland and a surprisingly effectively-cast Lenny Kravitz. Along with a fitting cast the film also offers a great soundtrack, colors that fit each district and great cinematography.
It is always interesting to hear the comments of the other reviewers after the end of a movie screening. Some commented on how they pictured certain characters as a totally different type of character than what was portrayed in the book such as Cinna played by Lenny Kravitz.
One lady pictured him as a slim Asian man while my guest pictured him as a flamboyant white man with a high fashion sense. Others commented on how shaky the cinematography was. Yes, granted it does get shaky in a lot of the scenes but it only adds action to the heart pounding edge of your seat scenes. This film is a kickstart to the season of great movies to come and I predict “The Hunger Games” will reach a bigger audience as it provides elements of action, drama and sci-fi to satisfy a larger audience.
For those of you who have not read the book I do have to warn you some of the scenes and or elements of the story may be just a little too disturbing for some but is a great story nonetheless.
Bringing peace to the land was a nation known as Panem which is ruled by the Capitol. Panem had once consisted of thirteen districts all providing a resource essential to the survival of its people. An uprising against the Capitol caused much anger and destruction resulting in war and the annihilation of its thirteenth district.
With the intent to make sure such an uprising would never happen again, the Capitol required each of the twelve remaining districts to abide by the rules and regulations written in the Treaty of Treason to make sure that there is peace within Panem. Once a year a lottery is held where each of the twelve districts must offer up one young man and one young woman as tributes. This must be done in order to remind the people of Panem what was lost. Each of the 24 tributes must train and then battle for survival in an outdoor arena against each other leaving only one tribute to become the victor. This is known as The Hunger Games.
“The Hunger Games” is based upon the New York times best seller written by Suzanne Collins and directed by Gary Ross who also directed Seabiscuit. The storyline follows the main character Katniss Everdeen (Jennifer Lawrence) who volunteers as tribute in order to save her younger sister from having to fight and Peeta Mellark (Josh Hutcheson) has also been randomly chosen as tribute for the twelfth district.
The movie mostly follows these two characters on their journey to the battle ground as opposed to the book where we get a little more background into each of the different districts and their tributes. Who will be the victor of the 74th annual Hunger Games?
Let me start off by stating that you do not need to have read the book in order to enjoy this film. However, the movie does follow the book very well. Fans will always have their own very strong opinions as to whether the films follow their favorite books but for someone who read the book after I watched the movie I must say I was not lost nor did I feel disappointed that I did not read it prior to screening it.
This film includes a great cast such as Stanley Tucci, Wes Bentley, Liam Hemsworth, Elizabeth Banks, Donald Sutherland and a surprisingly effectively-cast Lenny Kravitz. Along with a fitting cast the film also offers a great soundtrack, colors that fit each district and great cinematography.
It is always interesting to hear the comments of the other reviewers after the end of a movie screening. Some commented on how they pictured certain characters as a totally different type of character than what was portrayed in the book such as Cinna played by Lenny Kravitz.
One lady pictured him as a slim Asian man while my guest pictured him as a flamboyant white man with a high fashion sense. Others commented on how shaky the cinematography was. Yes, granted it does get shaky in a lot of the scenes but it only adds action to the heart pounding edge of your seat scenes. This film is a kickstart to the season of great movies to come and I predict “The Hunger Games” will reach a bigger audience as it provides elements of action, drama and sci-fi to satisfy a larger audience.
For those of you who have not read the book I do have to warn you some of the scenes and or elements of the story may be just a little too disturbing for some but is a great story nonetheless.
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Hazel (1853 KP) rated He Walks Among Us: Encounters with Christ in a Broken World in Books
Dec 17, 2018
<b>Synopsis</b>
Richard Stearns is the president of World Vision United States who, along with his wife Reneé, regularly visits the poorer countries of our world to see the ways the charity is helping to change people's lives. <i>He Walks Among Us</i> is a compilation of short thoughts and observations (two-to-three pages, including photographs) they have both had while conducting their work. As they alternate the writing, we are given opinions and experiences that we may be able to relate to our own. As Richard is the president of the organisation, he can give an insight into the way World Vision works, however, he can also express his opinions as a father, grandfather and believer in Christ. Reneé is also a World Vision worker, but due to her nature, gives a more maternal impression of the scenes she witnesses.
The individuals written about in this book come from all over the world. Most are located in Africa, but there are also similar stories in Asia, South and North America, and even Eastern Europe. The terrors these people have faced are shocking (AIDs, war, sexual abuse, natural disasters etc), but each family has been aided in some way by World Vision and their donors.
The purpose of <i>He Walks Among Us</i> is not to promote World Vision, but to encourage us to let God and Jesus into our lives. Richard and Reneé assume their readers are Christians, however, they realise that being a Christian does not equate to fully accepting God's plans. The victims of war, rape, and poverty mentioned have also been touched by Jesus. Many did not know him before World Vision came into their lives, but they have now been transformed through the power of his love - although their situation may not have significantly improved.
The actual stories used to illustrate the work of World Vision are only brief mentions, providing the bare bones of the situations. What Richard and Reneé have focused on is linking these lives, their lives and our lives to passages from the Bible. Either taken literally or metaphorically, the pair manage to relate everything to the actions and fates of a number of key Biblical characters. This emphasises that Our Lord is walking among us, giving life, peace, hope and steadfast faith.
<b>Ideas</b>
Giving someone new hope or purpose in their life can be related to Jesus raising Lazarus from the dead. Whether people are literally dying, or on the edge of hopelessness and despair, improving their situation can turn their lives around.
The donors and workers at World Vision are like the Good Samaritan in Jesus' parable. We do not know these people, know their religion or circumstances, yet we send money and aid. To do nothing would make us the Priest or Levite in the story.
David was only a young boy when he had to face Goliath, yet, against all odds, he defeated him. The children mentioned in this book are similar to David. They each have their metaphorical Goliath's: poverty, illness, loss of parents, war, hunger etc, but with God working through us, these can be overcome.
<b>Noteworthy Bible Verses</b>
Each chapter of the book begins with a Bible verse, and often more are included within the text. Here are a few that really relate to the work of World Vision and the ways in which we can involve ourselves:
Philippians 4:12-13
Luke 21:3-4
Luke 6:20-21
Psalm 23:4
<b>Statistics</b>
23 million people in sub-Sahara Africa are suffering from HIV.
In Soviet-controlled Georgia, churches were banned. Some villages are only just seeing their first church in over 400 years.
20 thousand children under the age of 5 die every day.
Every 4 seconds a child under 5 dies.
Over 2 billion people in the world are living on $2 or less a day.
1 billion people have no access to clean drinking water.
41% of the population in Niger have no clean water.
<b>Citations</b>
Helen Keller: "So much has been given to me, I have no time to ponder over that which is denied."
Oswald Chambers: "The great hindrance in spiritual life is that we will look for big things to do. Jesus took a towel ... and began to wash the disciples' feet."
Mother Theresa: "I am a pencil in the hand of a writing God who is sending a love letter to the world."
C.S. Lewis: "Humility is not thinking less of yourself but thinking of yourself less."
<b>Other Mentions</b>
Hymn - Frances R. Havergal, <i>Take my Life and let it be.</i>
Film - <i>Pushing the Elephant</i>
Richard Stearns is the president of World Vision United States who, along with his wife Reneé, regularly visits the poorer countries of our world to see the ways the charity is helping to change people's lives. <i>He Walks Among Us</i> is a compilation of short thoughts and observations (two-to-three pages, including photographs) they have both had while conducting their work. As they alternate the writing, we are given opinions and experiences that we may be able to relate to our own. As Richard is the president of the organisation, he can give an insight into the way World Vision works, however, he can also express his opinions as a father, grandfather and believer in Christ. Reneé is also a World Vision worker, but due to her nature, gives a more maternal impression of the scenes she witnesses.
The individuals written about in this book come from all over the world. Most are located in Africa, but there are also similar stories in Asia, South and North America, and even Eastern Europe. The terrors these people have faced are shocking (AIDs, war, sexual abuse, natural disasters etc), but each family has been aided in some way by World Vision and their donors.
The purpose of <i>He Walks Among Us</i> is not to promote World Vision, but to encourage us to let God and Jesus into our lives. Richard and Reneé assume their readers are Christians, however, they realise that being a Christian does not equate to fully accepting God's plans. The victims of war, rape, and poverty mentioned have also been touched by Jesus. Many did not know him before World Vision came into their lives, but they have now been transformed through the power of his love - although their situation may not have significantly improved.
The actual stories used to illustrate the work of World Vision are only brief mentions, providing the bare bones of the situations. What Richard and Reneé have focused on is linking these lives, their lives and our lives to passages from the Bible. Either taken literally or metaphorically, the pair manage to relate everything to the actions and fates of a number of key Biblical characters. This emphasises that Our Lord is walking among us, giving life, peace, hope and steadfast faith.
<b>Ideas</b>
Giving someone new hope or purpose in their life can be related to Jesus raising Lazarus from the dead. Whether people are literally dying, or on the edge of hopelessness and despair, improving their situation can turn their lives around.
The donors and workers at World Vision are like the Good Samaritan in Jesus' parable. We do not know these people, know their religion or circumstances, yet we send money and aid. To do nothing would make us the Priest or Levite in the story.
David was only a young boy when he had to face Goliath, yet, against all odds, he defeated him. The children mentioned in this book are similar to David. They each have their metaphorical Goliath's: poverty, illness, loss of parents, war, hunger etc, but with God working through us, these can be overcome.
<b>Noteworthy Bible Verses</b>
Each chapter of the book begins with a Bible verse, and often more are included within the text. Here are a few that really relate to the work of World Vision and the ways in which we can involve ourselves:
Philippians 4:12-13
Luke 21:3-4
Luke 6:20-21
Psalm 23:4
<b>Statistics</b>
23 million people in sub-Sahara Africa are suffering from HIV.
In Soviet-controlled Georgia, churches were banned. Some villages are only just seeing their first church in over 400 years.
20 thousand children under the age of 5 die every day.
Every 4 seconds a child under 5 dies.
Over 2 billion people in the world are living on $2 or less a day.
1 billion people have no access to clean drinking water.
41% of the population in Niger have no clean water.
<b>Citations</b>
Helen Keller: "So much has been given to me, I have no time to ponder over that which is denied."
Oswald Chambers: "The great hindrance in spiritual life is that we will look for big things to do. Jesus took a towel ... and began to wash the disciples' feet."
Mother Theresa: "I am a pencil in the hand of a writing God who is sending a love letter to the world."
C.S. Lewis: "Humility is not thinking less of yourself but thinking of yourself less."
<b>Other Mentions</b>
Hymn - Frances R. Havergal, <i>Take my Life and let it be.</i>
Film - <i>Pushing the Elephant</i>
Gareth von Kallenbach (980 KP) rated the PC version of Outriders in Video Games
Apr 10, 2021
Once Patched: Outriders Is A Fun And Engaging Adventure Which Provides Plenty Of Action
With the Earth deemed unsalvageable and with mounting natural disasters, humanity plans to send colony ships to the distant planet of Enoch in an effort to save humanity. After 86 years in space, an elite unit known as Outriders land to pave the way and soon finds themselves under attack by rival security forces and a deadly and bizarre storm that has decimated the Outriders.
Seriously injured the player character is put in stasis and is awakened 31 years later to find what is left of humanity engaged in a violent Civil War with the player being their best chance for survival.
Thus begins Outriders; an ambitious game from People Can Fly and Square Enix which looks to combine action, combat, loot, and Science Fiction into a bold gaming experience.
Players can customize the look of their characters and must select a class such as Trickster, Pyromancer, Devastator, and Technomancer. The classes have specific abilities which as players gain experience, unlocks and allows them to select and use devastating powers as it seems the exposure to the storm has given the player character God-like abilities and has earned them the title of “Altered”. I selected the Devastator class and enjoyed being able to suspend and reflect incoming fire, add a protective barrier, produce spikes to impale enemies, crush enemies with a gravity-based attack, dash and smash, and my favorite; a propelled leap that reduced all in my landing area to a pulp. Each power has a cool-down timer after use but as the game is very customizable; players can unlock and assign new perks which can increase damage, duration, and more for their powers, weapons, and such.
The game had an extensive demo available pre-launch and this allowed me to get to know the screens to equip, modify, swap, or deconstruct gear as there is a huge variety of armor and weapons for players to use and modify.
While the menu system at times was confusing at first in terms of what the main mission was and what were numerous side missions and such; I was able to get things up to speed and with strategic capture points; players can always jump back to various locales.
Since the early missions involved being around the main base filled with trade and other options; I had figured it would play into the game going forward. However, as I went deeper into the game I found it easier to simply deconstruct or not gather loot that I did not want and simply equip better gear and weapons as they came my way.
The progress I had made in the demo also carried over onto the main game so long as you use the same platform for release that you did in the demo. This was great to experience as I did not have to replay the lengthy intro and setup nor the early missions.
With a crew of NPC characters along for the mission, the player will journey into dangerous zones each with their own unique biosphere and dangerous creatures and enemies who come at you in waves and can be overwhelming even with the ability to set the game difficulty.
Outriders is setup to be played with a party of characters and much has been made of the rough launch for the game which included server issues, cross-play problems, missing HUD Displays, and such hampered gamers. I was able to connect with a player I found in the forums for the game and he helped me through some battles that I could not figure out how anyone could be expected to complete on their own at the skill level they originated at.
Players can randomly join a party but did not have a clue where they would be in the story progress or how many were in a party, but it was very easy to resume a campaign where I left off should the party I joined be further ahead of or back of where I wished to be.
I did jump into a game that is done randomly and was able to get some higher-level gear and weapons which helped when I returned to my campaign, but in time I again found myself in need of help. One player had issues with getting in my game and then being booted as an example. The HUD display would vanish often which required a return to the lobby, sometimes multiple trips; to get it back. While it seems like no big deal and I worked my way through at times without it; not being able to see a mini-map, health, and if your powers were recharged does make it difficult.
The game offers lavish locales from snow-covered mountains to a jungle, desert, temples, and more. The enemies can be very challenging as I found the ones with guns to be easier at times than the wildlife which came in waves and could take all I had to bring down.
The graphics of the game are solid and the combat mechanics reminded me of a mix of Gears of War and The Division series as from a third-person perspective; players could take cover and shoot from a shelter, or wade on into the oncoming enemies and use the vast arsenal of pistols, machine guns, shotguns, and sniper rifles to win the day.
The numerous cut scenes dive the story forward and upon completion of the story; there is a mode where players can work to retrieve items. It was humbling to have weapons that reduced powerful enemies to mush do little more than annoy the enemies I encountered as it was clear that this mode was best suited for advanced gamers in a party.
A new patch arrived yesterday which seemed to resolve the issues I had with matchmaking, server connections, and the missing heads-up display. I was able to match up with another player where I was in the game and the two of us powered through the main missions as well as some side missions to complete the game. We did not have any in-game chat/communication but we were able to work well as a team. I would suggest using Discord or a similar service if you are looking to play with friends on PC or chat with console users.
While the launch was rough due to the numerous issues; they were addressed and the final result once patched is a deeply enjoyable action game that provides plenty of fun and challenges. Some may say waves of wildlife and enemies may become repetitive but the vast array of them as well as the varied locales, weapons, and powers had me hooked from start to finish.
I was a big fan of People Can Fly’s Bulletstorm game and have longed for a sequel ever since that game arrived. Here is hoping that Outriders will become a new franchise and we will see more content in the not too distant future.
Seriously injured the player character is put in stasis and is awakened 31 years later to find what is left of humanity engaged in a violent Civil War with the player being their best chance for survival.
Thus begins Outriders; an ambitious game from People Can Fly and Square Enix which looks to combine action, combat, loot, and Science Fiction into a bold gaming experience.
Players can customize the look of their characters and must select a class such as Trickster, Pyromancer, Devastator, and Technomancer. The classes have specific abilities which as players gain experience, unlocks and allows them to select and use devastating powers as it seems the exposure to the storm has given the player character God-like abilities and has earned them the title of “Altered”. I selected the Devastator class and enjoyed being able to suspend and reflect incoming fire, add a protective barrier, produce spikes to impale enemies, crush enemies with a gravity-based attack, dash and smash, and my favorite; a propelled leap that reduced all in my landing area to a pulp. Each power has a cool-down timer after use but as the game is very customizable; players can unlock and assign new perks which can increase damage, duration, and more for their powers, weapons, and such.
The game had an extensive demo available pre-launch and this allowed me to get to know the screens to equip, modify, swap, or deconstruct gear as there is a huge variety of armor and weapons for players to use and modify.
While the menu system at times was confusing at first in terms of what the main mission was and what were numerous side missions and such; I was able to get things up to speed and with strategic capture points; players can always jump back to various locales.
Since the early missions involved being around the main base filled with trade and other options; I had figured it would play into the game going forward. However, as I went deeper into the game I found it easier to simply deconstruct or not gather loot that I did not want and simply equip better gear and weapons as they came my way.
The progress I had made in the demo also carried over onto the main game so long as you use the same platform for release that you did in the demo. This was great to experience as I did not have to replay the lengthy intro and setup nor the early missions.
With a crew of NPC characters along for the mission, the player will journey into dangerous zones each with their own unique biosphere and dangerous creatures and enemies who come at you in waves and can be overwhelming even with the ability to set the game difficulty.
Outriders is setup to be played with a party of characters and much has been made of the rough launch for the game which included server issues, cross-play problems, missing HUD Displays, and such hampered gamers. I was able to connect with a player I found in the forums for the game and he helped me through some battles that I could not figure out how anyone could be expected to complete on their own at the skill level they originated at.
Players can randomly join a party but did not have a clue where they would be in the story progress or how many were in a party, but it was very easy to resume a campaign where I left off should the party I joined be further ahead of or back of where I wished to be.
I did jump into a game that is done randomly and was able to get some higher-level gear and weapons which helped when I returned to my campaign, but in time I again found myself in need of help. One player had issues with getting in my game and then being booted as an example. The HUD display would vanish often which required a return to the lobby, sometimes multiple trips; to get it back. While it seems like no big deal and I worked my way through at times without it; not being able to see a mini-map, health, and if your powers were recharged does make it difficult.
The game offers lavish locales from snow-covered mountains to a jungle, desert, temples, and more. The enemies can be very challenging as I found the ones with guns to be easier at times than the wildlife which came in waves and could take all I had to bring down.
The graphics of the game are solid and the combat mechanics reminded me of a mix of Gears of War and The Division series as from a third-person perspective; players could take cover and shoot from a shelter, or wade on into the oncoming enemies and use the vast arsenal of pistols, machine guns, shotguns, and sniper rifles to win the day.
The numerous cut scenes dive the story forward and upon completion of the story; there is a mode where players can work to retrieve items. It was humbling to have weapons that reduced powerful enemies to mush do little more than annoy the enemies I encountered as it was clear that this mode was best suited for advanced gamers in a party.
A new patch arrived yesterday which seemed to resolve the issues I had with matchmaking, server connections, and the missing heads-up display. I was able to match up with another player where I was in the game and the two of us powered through the main missions as well as some side missions to complete the game. We did not have any in-game chat/communication but we were able to work well as a team. I would suggest using Discord or a similar service if you are looking to play with friends on PC or chat with console users.
While the launch was rough due to the numerous issues; they were addressed and the final result once patched is a deeply enjoyable action game that provides plenty of fun and challenges. Some may say waves of wildlife and enemies may become repetitive but the vast array of them as well as the varied locales, weapons, and powers had me hooked from start to finish.
I was a big fan of People Can Fly’s Bulletstorm game and have longed for a sequel ever since that game arrived. Here is hoping that Outriders will become a new franchise and we will see more content in the not too distant future.